Our Daily Bread 316: Black Flower ‘Future Flora’

April 4, 2019


Album Review: Dominic Valvona



Black Flower ‘Future Flora’
(Sdban Ultra) 12th April 2019


The soundtrack to a cross-pollination of the mystical and cosmological, Black Flower’s darkened flora scent of Afro-Futurist and Ethiopian jazz drifts and wafts across an atmospheric, amorphous landscape. Continuing to dream up eclectic instrumental vistas, from the loose vine-creeping and astral probed excavations of the famous Cambodian Khmer Empire-built ‘Ankor Wat’ temple complex to the trilling saxophone, desert trudge meets cornet Savoy Jazz dancehall fantasy encapsulation of the atavistic Northern Ethiopian city of Aksum, the Belgium quintet map out a musical terrain both tribally funky and expletory.

Hitching a ride on the Chariot of the Gods as they traverse legendary and hidden cities, the pyramids and desert trading posts, they absorb sounds and rhythms from all over the globe; including the bowed and percussive droning blues of the Réunion Island and archipelago derived Maloya – banned for years by the French authorities that ruled this dependency – and various Balkan traditions. And so as the emerging light of a nuzzled suffused saxophone and snake charmer flute accompanied dawn evokes an Egyptian setting at first, on the title-track odyssey, by the end of this trip the quintet have limbered and swanned through Mulatu Astatke dappled organ led Ethio-jazz, Afro-psych and ritualistic funk. The tooting horns and bouncing, spotting ‘Clap Hands’ sways between Lagos and New York, whilst the retro-fitted cosmic ‘Early Days Of Space Travel Part 2’ takes-off on a flight of psychedelic dub fantasy from an imagined West African outpost of NASA.

Though framed as a metaphor for the importance of “feeding and watering powerful and revolutionary ideas and initiatives that can save the world”, Black Flower express themselves with a controlled vigor and magical rhapsody: exotic, experimental but deeply thoughtful.

Future Flora invokes escapism yet chimes with the need to articulate the uncertainties and anguish of our present times by creating a rich tapestry of universal unity; channeling the sounds, heritage and history of cultures seldom celebrated in the West. Magical, mystical, diverse, Black Flower take jazz into some interesting directions; the roots of which, incubated in the Ethiopian hothouse, look set to break through the brutal concrete miasma to blossom in the light.




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