Our Daily Bread 583: Alabaster DePlume, Comet Gain, Maija Sofia, Natalie Rose LeBrecht…
July 17, 2023
GRAHAM DOMAIN’S REVIEWS ROUNDUP: A SUMMARY OF THE LAST MONTH: NEW FINDS, DISAPPOINTMENTS AND TRIUMPHS
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Alabaster DePlume ‘Did You Know’
(International Anthem)
I liked last year’s album Gold and the wonderful eccentric single ‘Don’t Forget You’re Precious’ on
which he talk-sang. This is the first single from new album Come with Fierce Grace, out in September. It’s a sad jazz ballad sang by Momoko Gill and is reminiscent of Corrine Bailey Rae. It’s not particularly memorable and is a bit of a disappointment after last year’s excellent output!
Deja Blu ‘Crash’
(Fragile Hands)
The new single from dream-pop duo Deja Blu is a mesmeric tune that begins like a dreamy cross between Massive Attack and the Sundays before DJ Shadow type drums kick-in and propel the song into a world of echoing dream ambience! Fabulous!
Maija Sofia ‘Four Winters’
(Tulle Collective)
The new single from Galway’s Maija Sofia is a song that sits somewhere close to Aldous Harding but with its own strangeness akin to early Kate Bush. A song that mixes woodwind, harps and harmonic discord with poetic lyrics of womanhood and the joy of pain via emotional growth! A bright flare in a sea of shiny blandness!
Peter Brewis (from Field Music) ‘Lemoncadabra’
(Daylight Saving Records)
This instrumental reminds me of the mid seventies when any song with a synth on it seemed magical. It does not have much in the way of a tune but sounds like he’s been listening to Chick Corea (circa The Mad Hatter), Yellow Magic Orchestra and perhaps Tomita! It sounds more like a BSide or Demonstration Disc than a tune with any commercial intent! Caramel Latte Froth (with sweeteners)!
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Playdate ‘Wonderland’
(Idee Fixe Records/Bandcamp/Ansible Editions)
This is an interesting album of modern technology versus traditional instruments, or put another way, programmed and improvised synths trade melodies and inspired ‘sojourns into space’ with vibraphones, woodwind instruments and even pedal steel! The group are a trio from Toronto made up of Carl Schilde, Matthew Bailey and Scott Harper, and guest improvisers include Christine Bourgie, Michael Davidson, Daniel Pencer and Andy Shauf’s woodwind section. The result is an album of chilled dreamscape music. Not essential listening, but ambient music that does have its own charm! ‘Insert Quarter(s)’ has echoes of Japan’s ‘My New Career’.
Comet Gain ‘The Misfit Jukebox’
(Tapete Records)
The Pandemic of 2020 gave David Christian Bower the time to re-visit the archive of unreleased tracks, demos and live recording for his band Comet Gain. The highlights of which were gradually released via Bandcamp throughout 2022. These are now released as a 17-track album of rarities.
The breadth of vision of the band is evident from the genre crossing musical make-up of the songs.Thus, we get energy and melody combined in a variety of musical settings – punk-pop, punk-funk, melodic pop-folk to name a few! Even the noisiest of Comet Gain songs has melody at its core. ‘The Weekend Dream’ has all the pop-punk energy of the Buzzcocks or the Only Ones. ‘Pinstriped Rebel’ meanwhile encompasses the jangle-funk of late-period Jam, the Style Council or the modernist cold white-funk of the new romantics. ‘When’ sounds like a song from the early 80’s Mod Revival or a pale 1970’s cover of a Wigan Casino northern soul song. ‘You’re Just Lonely’ sounds like New Order without the programmed synths! ‘Only Happy When I’m Sad’ is perhaps the pop nugget of the collection sounding like a mixture of Stereolab, Broadcast, St. Etienne and Everything but the Girl. A wonderful, warm, melodic, strange song.
The album is a fine addition to the Comet Gain musical catalogue, a compilation of rarities but also an album that succeeds on its own merits.
Natalie Rose LeBrecht ‘Holy Prana Open Game’
(American Dreams)
This is a beautiful album of cosmic folk strangeness singular in its vision and unique today, in its combination of sounds. Opener ‘Home’ combines strings, synths, woodwind and guitar with haunting vocals to produce a strange folk-infused cosmic jazz masterpiece. ‘Prana’ follows with its synths and vocal harmonies underpinned by piano and jazz drums sounding not unlike something from the Roman Polanski film Dance of the Vampires, evolving in the middle into a beautiful atmospheric sound-world! ‘Holy’ meanwhile is a chilled piano-led song complete with tremolo guitar and woodwind.
Sitting somewhere between Nico, Linda Perhacs and Alice Coltrane, the six haunting songs have superb intricate arrangements and a wonderful spiritual element! It could easily be mistaken for a long-lost album from the 1970’s, such is its charm.
The band include Jim White (drums) and Mick Turner (guitar) from the Dirty Three. If the album had been made by someone with a higher commercial profile, say Lana Del Ray, then it would be lauded as a masterpiece and top the end of year poles! That not being the case, the album is still a masterpiece of haunting music that has a meditative quality and reveals more of its colour with each play! Every home should own a copy of this album and play it each day as the sun rises bringing hope to the world.
M. Ward ‘Supernatural Thing’
(ANTI Records)
This is a nice album of easy listening Americana-pop! Songs such as ‘Too Young to Die’ and ‘Engine 5’ featuring First Aid Kit, have a Nancy (Sinatra) and Lee (Hazlewood) feel to them! However, much like his albums recorded with Zooey Deschanel as She and Him, the album never rises above ‘pleasant’!
To some it may seem that Matthew Ward’s music has slowly declined since the release of his influential Post War album in 2006. Being stuck in one place can still be inspiring if you have the presence of mind to see beauty in the everyday and there is plenty of evidence of that here. No matter where we are, we all share the same sky – some see nothing, others see the beauty in the changing light of day and are inspired seeing the shifting patterns in nature. But is M Ward on the cusp of regaining his greatness? Only time will tell if M Ward is indeed a writer of songs of subtle depth and longevity. He remains ‘one to watch’!
Bravery In Battle ‘The House We Live In’
(Believe)
French band Bravery in Battle have released a Video-Album that puts music behind words from International ecological activists calling for a rethink of how we live. Climate change is of course at the forefront of this urgent call to arms. ‘The Market’ is a key track on the album and melodifies a lecture by Australian ecological activist Clive Hamilton enhancing the message and sharpening the focus. A worthy release and worth a watch on YouTube.
The cult leader of the mighty Bordellos rages, swoons and…over a haul of new and recent singles and albums for the Monolith Cocktail
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Angharad ‘Postpartum’
(Libertino Records)
Oh my lord I love this. I love listening to angry and pissed off Welsh women: maybe that’s why I have been married to one for 30 years. Typing that line has now made me wonder, ‘is my wife pissed off because she has been married to me for thirty years’…surely not, for I am a catch. But I digress. ‘Postpartum’ is a wonderful surge of aggression, an outpouring of pure primal scream emotion but with tinges of dark humour and real life. Art core PJ Harvey with a touch of John Cale at his finest. A beast of a track.
Nora Kelly Band ‘Roswell’
(Mint Records)
The Nora Kelly Band single ‘Roswell’ sweeps us up and gently wraps us in a candyfloss haze of country magic, with a song that aims for the stars and goes far beyond, gently rocking us to a place of seduction and dreams; a gentle place that erupts in a fountain of space cadet wonder and magic. A love song full of quirks and deep yearning. A love song that can make the heart flutter and your eyes water. A special talent indeed. From a forthcoming album Rodeo Clown; an album I will be adding to my collection no doubt.
Lauren Bousfield feat. Ada Rook ‘Hazer’
(Orange Milk Records)
The sound of smart phone pop eating itself, ever wondered what it sounds like? Well give this a listen.
M. Ward Feat. Scott McMicken ‘New Kerrang’
I saw the title and was overcome with a wave of nostalgia with memories of my then 14-year-old daughter texting me asking me every Tuesday if could I pick up the new copy of Kerrang Magazine. But “New Kerrang” is not actually about my then 14-year-old daughter texting me at work (which let’s be honest is not surprising), but it is a rather nifty little pop song that does take me back, but back to the days of late 60s Kinks when they offered flower like gems of pop perfection plastered in irony and heart pulling tugs of pure melancholy and nostalgia, and “New Kerrang” is blessed with the same magic.
Katie Von Schleicher (Ft. Lady Lamb) ‘Elixir’
(Sipsman)
I really like this single, it has a lovely slinkiness about it; a well-written guitar pop song filled with humour and intelligence and a laidback bewitching melody. And I also love the electric guitar, which has a touch of the Marc Bolan’s about it, which believe me is always a feather in the cap, or in this case a feathered boa around the neck. A lovely gem of a song.
Sedona ‘Domino’
I do love pop pop pop music (oh dear an attack of the M’s) and Sedona is indeed all “pop pop pop music”, in the good old fashioned 80s Madonna, Jane Wiedlin (of Rush Hour fame) was a great single way. Yes, Sedona has all it takes to succeed in this cutthroat business. She has all the qualities: the looks, the voice, the song, and has a carefree soulful pop sound that a lot of modern smart phone pop fails at. Sedona is one to watch trust me: have I been wrong before…well, yes many times. But this one is a banker.
Ex Norwegian ‘Real Bad Bunny’
A new single from Ex Norwegian is a wonderful thing in the way great pop music is a wonderful thing, because the new single by Ex Norwegian is great new pop music; the kind of song the radio should be playing on sunny days, and “Real Bad Bunny” really burrows into your head (see what I did there). Great melody, great lyrics, great attitude, just great wonderful pop music, and it’s not even the highlight of the three tracks on this EP. That is track three, “Talk Dirty”, which is all Pete Townsend 60s power chords and late seventies power pop/new wave arrogance and attitude. A wonderful release.
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John Dowler’s Vanity Project ‘Jukebox Amnesia’
(Half A Cow Records)
This is a fun listen, an EP of four covers by the John Dowlers Vanity Project; all four being very fine and wonderful songs, so you would have to be pretty untalented indeed not to make a EP of pure pop frenzy and fun out of them. It kicks off with a masterful version of The Masters Apprentice “War Or Hands Of Time” – I do like a bit of freakbeat it must be said – followed up with a version of the much covered but always fun to listen to “Psychotic Reaction”, which is a bit of a good idea, and then to the garage soul of Them‘s “Could You Would You”, and to finish with a bit of Jethro Tull; adding a bit of prog to the proceedings: well why not. A Vanity project that is indeed fun to listen to (for a change).
The Chives ‘S-T’
(Metal Postcard Records)
If shambolic rock ‘n’ roll is your thing, here is the album for you. A sublime car crash of The Rolling Stones, The Strokes and the great-lost American band 20TH Century Princess all wrapped in a not so neat parcel, but with melodies galore and not giving a damn attitude. It even has probably the third finest version of ‘Pleasant Valley Sunday’ you are ever likely to hear: For those who care the two better versions are the Carol King Demo version, followed by the Monkees classic, and not that far behind it this gem of a version. Rock ‘n’ roll is supposed to be fun slightly dangerous and sexy and The Chives debut ticks all the boxes; the box being filled full of post-punk speed fuelled frogs.
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