BRIAN ‘BORDELLO’ SHEA’S REVIEWS ROUNDUP

SINGLES/TRACKS

Alexander Stordiau ‘Nothings Ever Required’
(Timeless Music Records)

‘Nothings Ever Required’ is a gem of a aural discovery; a moody piece of John Carpenter-esque solitude over five minutes of pure instrumental poetry. The kind of mood piece to soundtrack the passing daylight by watching passing strangers walk past the old coffee house window trying to read the faces, read their thoughts, lost in your memories, and hopes slowly making the coffee last, cusping it in your warms to keep in the warmth, with Alexander Stordiau gently caressing the shifting time of loneliness.

It’s Karma It’s Cool ‘A Gentle Reminder’

‘Gentle Reminder’ is a in fact a gentle reminder that pop music is a wonderful thing, as this tuneful little ditty shows three and a half minuets of perfectly formed guitar pop rock, with a Peter Holsapple guesting on keyboards – that is in fact one of the highlights of the track  – giving this perfectly formed pop rock of a song a slight new wave sense of danger.

Anxiolytics ‘S​{​R​}​[​C​]​O​[​{​T​}​[​R​]​CHED EARTH’

Anxiolytics are an experimental synth duo from North Wales and have an evil but lovingly portrayed glint in their eye I bet, this single being a strange and haunting affair that takes me back to the post punk early 80s of the Passage and Soft Cell and offers something both original and different; a song that has a cold warmness that will smother and intoxicate you with a germ ridden freshness that has not been inhaled since the passing of the great David R Edwards and the wonder that was Datblygu. Once again I am left awaiting the debut album.

Floorbrothers ‘Drive’
(Ikarus Records)

Ahh Mr Floorbrothers,Fade Into You’ by Mazzy Star is one of my favourite tracks as well. So slowing it down and making it into a drug induced waltz, adding new lyrics and making it sound like Mott The Hoople needing a good night’s sleep is a pretty nifty idea and one I stand and applaud. A good single then.

Bigflower ‘Tried To Care’

The first new track from the mighty bigflower in a few months I think, and yes, they have once again supplied a dark piece of dense guitar magic; a track to help soundtrack these dark, dark frightening days and months that lie ahead in the UK; the kind of track we need to be blasted from car radios as we head to work knowing after a week of hard slog we will still not be able to afford to pay our bills and put food on the table. Although this is not an out and out political lambasting of our uncaring and failing government it is a song to capture the intensity and hopelessness of these worrying times.

EP

Rob Clarke And The Woolltones ‘Rubber Chicken B-Sides’
(Aldora Britain Records)

This is an enjoyable little forage into the dim and distant past. Four songs that take the hip swinging beatitude of the sixties, all beat chords and “What’d I Say” riffage songs your nan would have curled her hair to in her youth before going down the ballroom to watch the local beat band. Four songs that are all enjoyable and warm sounding and with the final track, ‘Love And Haught’, being especially splendid, a track worthy of the final days of the wonderful Escorts: close your eyes and you are back in 1966 heaven. A beautiful release and only 50p to download: that is 12 and a half pence a track. Yes this EP does take you back when half a pence was such a thing.

ALBUMS

The Pixies ‘Doggeral’
(BMG) 30th September 2022

I used to love The Pixies back in the day when they first appeared, and to be honest I’ve not really listened to them much since they got back together. I’ve not really listened to them since Indie Cindy, and I think I might have been missing out if this album is anything to go by; although they are obviously missing the divine Kim Deal. But that is all they seem to be missing. They still have quite a loud thing going on (‘Haunted House’), are still masters of distorted surf guitar (‘Vault Of Heaven’), and have not lost their knack for a catchy strange pop tune, (‘Get Stimulated’). The lovely charmingly charming pop beauty that is ‘The Lord Has Come Back Today’ might just be my favourite track on this rather fine enjoyable album. They even have a whistling solo on ‘Pagan Man’, which there is certainly not enough of in the history of rock ‘n’ roll. So, the eighth Pixies album is in fact quite a musical treat.

Keiron Phelan & The Peace Signs ‘Bubblegum Boogie’
(Gare Du Nord) 23rd September 2022

What we have here my lukewarm fluffy bunny fetishists is an album of sophisticated polite pop – and we all need a little sophistication and politeness in our lives. Remember children always say please and thank you afterwards [ooeer missus]. And this album of melody rich pop could be your injection of sophistication for the day.

‘Trojan Pony’ kicks off the album with a fine Harry Nilsson like pop ditty that would not sound out of place on any of his early 70s pop masterpieces. Kieran Phelan is obviously a fan of the seventies laid-back pop as we find a tribute to the lovely gentleman and cult favourite John Howard with ‘Song For John Howard’, a lovely short piano ballad that not just recalls the music of the great man but also Brian Wilson as well, which indeed cannot be a bad thing.

The whole album is awash with gentle laid-back slightly quirky songs that have a layer of sadness and memories, and sometimes, sad memories are the most beautiful. And Bubblegum Boogie is indeed a beautiful little sophisticated bubble gum pop album.

Grave Goods ‘Tursday. Nothing Exists’
(Tulle)  9th September 2022

“Step softly into the new world of the underground” is the opening line from the opening track ‘Come’ from this rather fine post-punk album of clattering guitars and such malarkey. And it’s an invitation I would readily advise all fans of clattering guitars and such malarky to well accept. For they will be treated to seven tracks of aggressive alternative rock post-punk that takes some rather fine lyrics [which I am very taken with] and guitar riffs that put Grave Goods a step up from the usual gallop of the many many other post-punk bands. An album well worth investigation dear readers.

The Legless Crabs ‘And If You Change Your Mind About Rock ‘n’ Roll’
(Metal Postcard Records)

Thank the fuck for the Legless Crabs. After spending over an hour going through my emails to see what delights I could pontificate about and tell you lovely readers all about, I was left bereft. I had listened to loads of power pop with shite lyrics; shoegaze which in itself stands alone as why I have not reviewed it: anything that describes itself as shoegaze is enough to put me off, we all know what shoegaze is, music that reaches for the stars but very rarely manages not to leave the ground. So thank fuck for the rock ‘n’ roll un pc digs at modern life the Legless Crabs on a regular basis release. And If You Change Your Mind About Rock ‘n’ Roll’ is up to their normal high standard.

Guitars that fuzz and buzz and on this occasion form layers of pure confusion that take you back to the golden age of watching loud guitar bands in dingy clubs. ‘Piss Lake’, ‘Anti -Christian Scientists’ and every other track on this album are filled with an anger and disgust at the way modern life is shaping up.

This album is a much more serious and mature sounding album of rock ‘n’ roll. They no longer sound like the slap dash young noise merchants that overdosed on JAMC and the Cramps and Pussy Galore and now sound like they have had to grow up and get jobs. And that has just made them even angrier.

This is an album of darkness like their others, but the others came with a cheeky wink this with just a terrifying blank stare.

Salem Trials  ‘Postcards From The Other Side Of The Sun’
(Metal Postcard Records)

A triple album by the Salem Trials: well it would be a triple LP if it were released on vinyl. There are 29 tracks and each and everyone is filled with the whip snap guitar madness that the Salem Trials deal in.

Songs that echo the world we live in full of dark humour, nostalgia, darkness and T Rex riffs. ‘Black Flash’, which imagine instead of David Bowie guesting on the Marc Bolan Show you had Mark E Smith, and instead of it being in a TV studio it was on a small boat that was slowly sinking below the waves, slowly lapping around Marc and Mark E’s knees; a song of pure and beautiful magic and maybe my fave ever Salem Trials song. Pure brilliance. But there are so many. Andy and Russ are quite incapable of not doing anything that is not at least very good; they have their own sound; they have their own feel; they have their own magic.

The Salem Trials are one offs. They take their influences of post-punk, psych, seventies glam, no wave, indie pop and merge into what can only be described as a unique and rewarding listening experience.

Andrei Rikichi ‘Caged Birds Think Flying Is A Sickness’
(Bearsuit Records)

Apart from Caged Birds Think Flying Is A Sickness being a great album title it is also a fine album; an album that takes electronica, dance and cinematic sculptures to a new and experimental place, a place where white noise and James Bond soundtracks collide to great and unusual effect. ‘What Happened To Whitey Wallace’ sounds like monks playing on a old ZX 90 computer game and ‘Bag, Lyrics, New Prescription’ could be on a soundtrack to an Alfred Hitchcock movie set in a colourful but black and white jazz world.

Yes, indeed once again Bearsuit Records have released an album crammed with original thought-provoking music that is both experimental but also very listenable; an album to soundtrack the spin of a roulette wheel and the shadow-stained wet pavement of a neon signed littered night time street.

PLAYLISTS SPECIAL
TEAM EFFORT/ CURATED BY DOMINIC VALVONA

All the choice tracks from the last month, selected by the entire Monolith Cocktail team: Dominic Valvona, Matt Oliver, Brian ‘Bordello’ Shea, Graham Domain and Andrew C. Kidd.

For the past couple of months we’ve been experimenting with both Spotify version and Youtube (track list will vary) versions of the playlist. Whatever your preference found both below:

TRACKLIST

Future Kult  ‘We’
Grooto Terazza  ‘Tropische Krankheiten’
Speech Debelle Ft. Baby Sol  ‘Away From Home’
Joe Nora & Mick Jenkins  ‘Early’
A.G.  ‘Alpha Beta’
Your Old Droog & Madlib  ‘The Return Of The Sasquatch’
Gabrielle Ornate  ‘The Undying Sleep’
Yumi And The Weather  ‘Can You Tell’
Baby Cool  ‘Magic’
Claude  ‘Turn’
Lunar Bird  ‘Venilia’
Imaad Wasif  ‘Fader’
Legless Trials  ‘X-Tyrant’
Dearly Beloved  ‘Walker Park’
Staraya Derevnya  ‘Scythian Nest’
Short Fuze & Dr. Kill  ‘Me And My Demons’
Group  ‘The Feeling’ JJ Doom ‘Guv’nor’  (Chad Hugo Remix)
DJ Nappa  ‘Homeboys Hit It’
DJ Premier Ft. Run The Jewels  ‘Terrible 2’s’
Zero dB  ‘Anything’s Possible’  (Daisuke Tanabe Remix)
Underground Canopy  ‘Feelm’
Revelators Sound System  ‘George The Revelator’
Montparnasse Musique Ft. Muambuyi & Mopero Mupemba  ‘Bonjour’
The Movers  ‘Ku-Ku-Chi’
Yanna Momina  ‘Heya (Welcome)’
Vieux Farka Toure & Khruangbin  ‘Savanne’
Barrio Lindo  ‘Espuma De Mur’
Brown Calvin  ‘Perspective3’
Nok Cultural Ensemble Ft. Angel Bat Dawid  ‘Enlightenment’
Li Yilei  ‘A Hush In The Dark
Celestial North  ‘Yarrow’
Andres Alcover  ‘White Heat’
Nick Frater  ‘Aerodrome Motel’
Drug Couple  ‘Lemon Trees’
Cari Cari  ‘Last Days On Earth’
Ali Murray  ‘Passing Through The Void’
Diamanda La Berge Dramm  ‘Orangut The Orangutan’
Your Old Droog  ‘The Unknown Comic’
Jesse The Tree  ‘Sun Dance’
TrueMendous & MysDiggi  ‘Talkk’
STS & RJD2  ‘I Excel’
Jester Jacobs & Jack Danz  ‘HIT’
Oliver Birch  ‘Docile Healthier’
GOON  ‘Emily Says’
Lucy & The Drill Holes  ‘It’s Not My War’
Apathy, Jadekiss & Stu Bangas  ‘No Time To Waste’
Verbz & Mr Slipz  ‘Music Banging Like’
Sly Moon  ‘Back For More’
Guilty Simpson Ft. Jason Rose & DJ Ragz  ‘Make It Count’



Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.

Brian ‘Bordello’ Shea’s Reviews Bonanza
(Unless stated otherwise, all releases are available now)

Singles

Cumgirl8 ‘Dumb Bitch’
(Suicide Squeeze Records)

If this song were a dick it would always be erect and ready for action. It is both sexless and sexy; a molten explosion of catcall frenzy. It is the way I wanted Wetleg to sound, instead of the pale imitation of white slacked disappointment that is made to appeal to the middle aged male wet dream fantasy of still being young and vibrant and with it. No, this is the real deal the real McCoy; this is the thing this is the sound; this is the true alternative.

Lucigenic ‘Joy’

I like this single. It sounds like a Blondie tribute band that has decided to start writing their own material. It is sassy tuneful and sexy, which all pop music should have at least traces of, and this is dressed head to toe in sass, so an enjoyable three minuets of post-punk pop.

Woog Riots ‘Beatnik’
(From Lo-Fi To Disco) 17th June 2022

I love this a wonderful fun cover version of The Clean classic ‘Beatnik’, a song of charm and distinction. And this is indeed a groovy rendition. In fact dare I say a version I prefer to the original? Yes, slowed down and jerky and quite simply charming with the wonderful organ riff, a true gem of a single.

Legless Trials ‘Dirt Bike/Failed Words’
(Metal Postcard Records)

Has groovy art rock ever sounded as groovy as this? The new single by the Legless Trials is a hep cat roll call of early sixties Cliff Richard twisting on a beach whilst a bikini clad Una Stubbs lies and suns herself looking heavenly. It is Mark E Smith drinking bitter bathed in flashing neon lights, flicking beer mats at a spinning disco ball. It is a psalm sang by a true believer in the spirit of rock ‘n’ roll; a bible of pent-up frenzy Jerry Lee Lewis salivating over the line of bobby soxers awaiting to pay homage. Yes, already one of the singles of the year.

Albums/EPs

Wolf Vanwymeersch ‘The Early Years’

Pop music for the introverted is a much under praised thing. Pop music for the introverted is indeed a thing, and it is well thought out and intelligently written. This album is such a thing.

It’s the kind of music that soundtracks the day in a life of a pop art vagabond, the kind of person who loves life but on the whole does not love them back. It’s music for NHS glasses wearers and charity shop fashion. Wolf Vanmeersch makes such art; he takes a melody and wraps it in a comfiness of a favourite old sweater, dipping into his musical influences and bringing out fond radio remembrances.

He might stroke the velvet collar of Bowie or a Billy McKenzie or Talking Heads; loving the glamour of 80s alternative pop remembering the days when music could change everybody’s life and was part of everybody’s life and not pushed into the dark underground. Music is becoming more and more of a minority art and Wolf Vanwymeesch understands that music is art and is indeed an artist, and the Early Years is an album that will appeal to those who still worship at the altar of art is music and music is art. 

Team Play ‘Wishes And Desires’
(Soliti)

This is quite a beautiful album: the soundtrack of the unpeeling of a nighttime wish; the subtle crush of valonia, the strange bewitching aftertaste of your lover’s kiss. Vocal and piano accompanied by the swelling of horns synths and organs and flutes this is music that is made to fall in and out of love to. Teamplay have produced an enjoyable musical journey through life’s rich tapestry touching on subjects and emotions we all in one time in our life will experience, both happy sad and truly bewitching moments. And that is the perfect description of this debut album: happy sad and truly bewitching. I as I’m forever mentioning in these reviews I’m a sucker for boy/girl duets and this album is full of the lovely blighters: A musical heart play. Has ears dropping over a stranger’s heartache ever been so richly rewarding.

Spygenius ‘Jobbernowl’
(Big Stir Record) 24th June 2022

This is a manic depression of an album. An album that at times is manically happy like ‘Ob-La-Di, Ob-La-Da’ on steroids but like manic depression, under the up, lies an enormous down: as the sun is most beautiful when you are stood in the shade.

It is an interesting and enjoyable listen. There is of course so many melodies and chiming guitars floating throughout, which of course you expect from an album released on Big Stir Records.

Spygenuis are from Canterbury it seems, and that makes perfect sense as this album sounds so lovely and English pastoral psychedelic. That they breath the same air as Soft Machine and Caravan comes as no surprise, as they take these sixties influences and cover them with a modern sheen, which at times reminds me of Green Day in their folk moments. With an injection of whimsy or Squeeze on psychedelics Jobbernowl is a rewarding listen and maybe one of my favourite releases on Big Stir.

Ghost Woman ‘Ghost Woman’
(Full Time Hobby) 6th July 2022

I like this album. I decided this as soon as the first bar of the first song started. There is something not quite like many of the psych rock albums that are sent for me to pour scorn and flick my love beads into the waste paper basket to. Or as I now call it: the waste love bead basket.

For the first song ‘All The Time’ reminded me of all people, the Everly Brothers; I can imagine the late Phil and Don doing a great version, and that really does not happen too often. Normally I get the ‘I wonder how many times these blighters have watched Dig’. Saying that the second track does show traces of the Dig disease but the lazy vocal stylings on ‘Do You’ somehow save it from a fate worse than psych fest.

This debut album is in fact an enjoyable listen; one that takes in the sounds of the 13th Floor Elevators, the Everly Brothers, the JAMC and Skip Spence, and add a wonderful western guitar twang and jangle that at times is quite life affirming and magical.

Rogers and Butler ‘Brighter Day’
(Think Like A Key) 24th June 2022

A Brighter Day is an album that lives up to its title. It has a wonderful sunny timeless feel to it, all radio friendly guitar pop/rock, that has me thinking of The Kinks and Warren Zevon and Bowie, and is a record filled with really well-written songs with beautiful melodies. But sadly, it could well be an album that gets overlooked, as albums of well-written songs are quite overlooked as at this time. The music industry is overlooking artistry for the search of the next big thing: the next big thing being two young ladies singing about their trip to Ikea.

Rogers and Butler’s lovely little album does not deserve to be overlooked though as songs of quality and style are always needed to be heard, and hopefully should rise to the top, fighting its way past less the deserving and an ideal album to relax to as you spread your self over your Chaise Lounge.

THE PLAYLIST
Dominic Valvona/Matt Oliver/Brian Bordello Shea

All the choice tracks from the last month, plus a few missed ones we’ve corralled from last month, the Monolith Cocktail team’s playlist revue is both a catch-up and showcase of the blog’s eclectic and mind bending tastes. Sitting in on this month’s selection panel is Dominic Valvona, Matt Oliver and Brian ‘Bordello’ Shea

TRACK LIST IN FULL IS:

Junior Disprol Ft. Krash Slaughta  ‘Rotund Shogun’
Deca  ‘Tuning’
Exterior  ‘Orthodox Dreams’
FAST DE  ‘Miss Trutti Finally Found Her Gem’
Pussy Riot Ft. Slayyter  ‘HATEFUCK’
Masai Bey  ‘Stanza X’
BITHAMMER!  ‘Make You Mine’
Flat Worms  ‘Into The Iris (Live)’
Salem Trials  ‘Vegaville’
Walker Brigade  ‘Disease’
Team Play  ‘Sunrise’
James Howard  ‘Baloo’ Adam Walton  ‘Mary Sees U.F.O.S.’
Joviale  ‘UW4GM’
Shabaka  ‘Black Meditation’
Kritters  ‘New York’
Ralph Of London  ‘Lys’
Ethan Woods  ‘Utopia Limited (Cuddly Tie-In)’
Staples Jr. Singers  ‘I’m looking For A Man’
Ramson Badbonez  ‘Rap Bio’
Mr. SOS & Maxamill  ‘War Criminal’
The Difference Machine  ‘Old Men’
Omega Sapien  ‘Jenny’
Mr. SOS  ‘Peace & Prosperity’
Jermiside & The Expert Ft. Tanya Morgan  ‘Crime Rule The City’
Quelle Chris  ‘DEATHFAME’
Wish Master & Billy Whizz  ‘THOUGHTS OF THOUGHTS’
Guillotine Crowns  ‘Killer’ Orryx  ‘Eldritch’
Celestial North  ‘When The Gods Dance’
Henna Emilia Hietamäki  ‘Protesti’
Lucrecia Dalt  ‘No One Around’
STANLAEY  ‘Fluorescent Fossils’
Your Old Droog  ‘Go To Sleep’
Tommaso Moretti Ft. Ben LaMar Gay  ‘A Call For Awareness’
Black Mango Ft. Samba Touré  ‘Are U Satisfied’
Avalanche Kaito  ‘Flany Konare’
Tomo-Nakaguchi  ‘Halation’
Private Agenda  ‘Splendour’
Sebastian Reynolds  ‘Four-Minute Mile’
Chouk Bwa & The Ångströmers  ‘Agwetaroyo’
Misha Sultan  ‘Nyepi’
The Master Musicians Of Jajouka  ‘Khamsa Khamsin’
Gustavo Yashimura  ‘Las Prendas del Corazon’
Stephanie Santiago  ‘Activa Tu Cuerpo’
Gabrielle Ornate  ‘Free Falling’
Black Monitor  ‘Xexagon77’
Borban Dallas & His Filipino Cupids  ‘Too Convenient’
Martha And The Muffins  ‘Save It For Later’
Super Hit  ‘Blink 182’
Reverend Baron  ‘Let The Radio Play’
Alas The Sun  ‘Distant Drone’
Jelly Crystal  ‘I Tryyy’
LINN  ‘Happiness Is Real’
Lenka Lichtenberg  ‘That Monster, Custom’
Brigitte Beraha  ‘Blink’
Vera Di Lecce  ‘Altar Of Love’
Francesco Lurgo  ‘I Am Already Far Away’



Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.

Brian ‘Bordello’ Shea’s Roundup
(Unless stated otherwise, all releases are currently out there)

Pussy Riot And Slayyyter ‘Hate Fuck’
(Neon Gold Records)

This is quite wonderful. A fine blast of smart phone pop that is dark, dirty, sleazy and dangerous. Why can’t all modern pop be this rewarding. I know, because of the title it is not going to be played on daytime radio, which is indeed a shame as that is where it deserves to be as all great pop music deserves.

Boycalledcrow ‘Wizards Castle’
(Waxing Crescent Records) 6th May

I nearly didn’t bother reviewing this because I always spell Wizard wrong, and it really annoys me. But I’m glad I did, and overcame my laziness of fixing my bad grammar, for this album is an enjoyable foray into a land where squelchy synths and atmospheric gentle frenzy collide to supply us with a magical sea of splendour.

This darn rooting touting adventure of an album set me thinking where on earth is my copy of Joe Meeks I Hear A New World album. And in fact did I own a copy, or was the copy my son’s, Dan, who now has left home and taken Joe’s Jewel of 60s sci-fi magic with him. Anyway, I digress: see how an album of total instrumental brilliance can set one’s mind racing and heart a pounding, as boycalledcrow really has managed to succeed in capturing the same magic Joe Meek captured with his masterpiece. 

This album is a thought rewarding jewel that glistens and dips and swoons taking in electronica and experimental instrumental pop and ambient, and leading it into a direction that few can as the Wizards Castle is a magical spell-inducing treat.

Amoeba Teen ‘S-T’ Out Now
The Walker Brigade ‘If Only’ 27th May 2022
(Big Stir Records)

Big Star (the first two albums), The Beatles, Jelly Fish, Squeeze, Wings, Fountains Of Wayne, Nick Lowe, Elvis Costello, The Cars, Sweet, The Raspberries and Blondie. If you like these bands there is more than a good chance you will enjoy this.

Another album of tuneful songs about love lost and found, with melody and crunchy guitars and guitar solos and “ba ba ba” backing vocals in all the right places. Yes, everything is in the right place and if you enjoy albums of everything being in the right place and well written and tuneful, then this album is for you.

The sun is in the sky so maybe it is the right time to be listening to an album of summery sounding LA guitar pop rock, new wave, songs that evoke memories of X and for some reason a punk-y Fleetwood Mac: which is surely not a bad thing, is it. For music is a stunning thing, a mystery of intense contradictions. One can lose themselves in the heartbreak of an overly aggressive guitar chord played with the ferocity of a diced ferret whilst reading about the face of a phoney cavalier.

Yes music can cause ones mind to go into overdrive as the melody kicks about with your few remaining brain cells. And this album does just that: one minute you are sat in your hometown, a dying slum of a place filled with fond memories and streets now patrolled by ferule youths on bikes way too small for their wiry ill-informed bodies, and the next you are taken away to a smoke-filled room full of heaving bodies all jumping together in unison to a band willing to sell its soul for the elusive hit single. The Walker Brigade is that band; a band that takes the riffs of the Stooges and covers them in a sunny delight and the hopscotch beat of a willing slave to the rhythm. This is a band that makes you want to venture out and taste the live action of rock ‘n’ roll again. A band that will never reinvent the wheel, but the wheel does not need reinventing, and neither does the Walker Brigade for they are fine as they are.

Bithammer ‘Minimum Style, Maximum Effort!’
(That’s Entertainment/Apollon Record)

Lo-fi garage rock when done well is so life affirming. And that describes this wonderful album: life affirming.

Recorded on a smart phone with a cheap drum machine, distorted garage rock guitar riffs explode and swirl like a long-lost treasure chest of forgotten garage psych gems. The version of The Seeds ‘Pushing too Hard’ is one such gem; a song that has been covered many times but has it ever been covered with such vigour, throwing in “you really got me” riffs and Crystal Ship organ tomfoolery.

Minimum Style, Maximum Effort! is an album of lo-fi rock ‘n’ roll abandon, and we all need a bit of that in our lives. An enjoyable blast.

Ralph Of London ‘Yellow Sky Highway’

Ralph Of London’s debut EP is an enjoyable 5 track of pop alternative guitar pop, if you like, with melodies and everything else you would expect to hear on an EP of pop. But it does have some rather attractive 80s sounding keyboards on the second track ‘White Bred Blues’, which are fairly nifty – which is probably an underused descriptive word in music reviews, one that would not probably be used in The Wire or another respected stroked chin of a mag/blog. I’m not saying that the Monolith Cocktail is not for the well educated; for we are jack-of-all-trades and masters of most. But once again I go off track.  

Ralph Of London’s EP is a very entertaining one, at times reminding me of both the Charlatans and The Bluetones, but without at all reminding me of either. Maybe it is the inoffensiveness of the music that makes me think that, but pop should not offend it should put its arm around you and befriend, which this lovely EP certainly does.

Cryptic Commands ‘Long Distance Call’
(Numavi Records)

With 90s alt/indie rock sound currently the flavour of the day, with the over hyped Wet Leg, I can see Cryptic Commands doing very well with their catchy take. Are they the new Breeders, the new Beatles I wonder?

Long Distance Call is a 10-track album of well written and performed indie rock; no more or no less at times reminding me of the aforementioned Breeders, even reminding me of Placebo on ‘Devil’ and ‘Elemental’. But I won’t hold that against them, as on the whole this album is an enjoyable listen and ‘Eyes Like Teeth’, apart from being a great title, is a long summery breeze of a track all “Old Friends” guitar chords and bewitchery.

Salem Trials ‘Love Joan Jett’ & ‘Vegaland’
(Former Self-Released, the latter, Metal Postcard Records)

Another week another album from Salam Trials, this time only available on a pay what you want basis from their Bandcamp. And do you know what, this is supreme rock ‘n’ roll. Its as dark and dirty as anything you will hear this year: maybe as both members where suffering from the effects of Covid when it was being recorded.

As ever channelling the spirit of the Fall Gang Of Four and your local down and out after drinking 4 litres of white lightning cider straight from the plastic bottle, they have the knack of knocking out off-kilter melodies that only true rock ‘n’ roll lovers can, and weaving them into an accident in progress. There are so many moments of pure magic and madness on this album, ‘Skin In The Game’ being a favourite, coming across like Southern Death Cult with stomach-aches. As I have said an album of magic and madness from one of the five most important bands in the underground at the moment, leaving all the other bands with not having a Wet Leg to stand on. Pure guitar genius.

The second album in a week from the Salem Trials, this one not self-released but on the best record label of last year, Metal Postcard Records: and the way it is going, the best record label of this one as well. The second album in a week: just how much madness can this man take in a week! Well, actually, I can take as much as the wonderful Salem Trials can offer. I could live in the crazy musical world of Russ and Andy. They never disappoint.

It’s a world where Captain Beefheart is the minister of culture, and breakfast adverts show Mark e Smith eating Tom Waits for breakfast. Yes, this is the crazy world of the Salem Trials; this is where Keith Richard joins the Fall for a jam and the streets of New York circa 1979 are rained on by the poetry of a psychedelicized Bob Dylan after watching reruns of the Banana Splits.

Yes, this is the strange angular sounding world of the Salem Trials; a world in years to come BBC4 will have a documentary about, on which John Robb will appear claiming to have discovered them inside his towel whilst washing his hair in Blackpool.

Adam Walton ‘Afal’
(The Immediate)

I recently reviewed Adams Cloudburst EP and said any fans of Elliot Smith or Paul McCartney circa acoustic White Album days should give it a listen. Well, after hearing the album that still stands.

A full album of beautifully melancholy acoustic musings is a fine way to spend 40 minutes or so. This is a gentle refined album, an aural equivalent of picking flowers on a summer’s day and slowly watching them slowly die. As this album has an underlying layer of sad melancholy and an underlying layer of anti swagger. Afal is one of those albums that captures the magic of those great forgotten about psych folk albums from the late 60s early 70s that ooze peace and love. An album that captures images of faded lost innocence a snapshot of the beauty in sadness.

Sophie Sleigh-Johnson  ‘Nuncio Ref!’
(Crow Verses Crow)  6th May 2022

The sound of being a naughty child in the 70s, sent to bed in the early evening after receiving a spanking from your angry dad for shooting piss from your water pistol at passing neighbours and strangers. And as you lie there with moist eyes and a throbbing backside you lose yourself in the collective sound of life in a terrace street in Northern England.

The sound of your neighbours chatting over the back yard walls. The passing cars with the sounds of summer blaring from the radio. Your dad sipping tea whilst channel hopping on TV: of the three available channels. Your mum baking with the radio on, half listening to the Radio 4 play, half listening to your younger sister chat about her day at school, all the time whilst telling your dad he is not a bad lad just a little misguided. The football beats out a rhythm on the wall out front, and how you wish you where adding to that beat instead of listening to the soundtrack of your pre teen years acted out in living black and white. The crackle of radio Luxembourg turned low under the covers. The discovery of life, love and family. The etched heartache and the memories this beautiful work of art emits, and what you would give to return to those days for just an hour. Memories of a  real kitchen sink drama unfolding on a D90 tape.

Brian ‘Bordello’ Shea and his cult dysfunctional family band The Bordellos currently have a ramshackle bets of compilation out on Metal Postcard Records: I Hate Pink Floyd Without Syd Barrett.

PLAYLIST SPECIAL

The sounds that have piqued the team’s interest, filled their hearts, fucked with their heads, or just sent sauntering towards escapism, the Monthly playlist gathers together all the music we’ve featured over the last month. We’ve also picked some of those tracks that managed to evade us and some we just didn’t get the time or room to exalt.

Our eclectic as usual mix starts in Tel Aviv with the Şatellites and moves across continents to take in Rwanda’s The Good Ones, Sao Tomé and Principe’s vintage África Negra, the Georgian choir Iberi, and one of Scandinavia’s principle jazz ensembles, OK:KO.

There’s plenty of more, with a freshly produced diaphanous, slow knocking beat gauzy treatment of the burgeoning pop enchantress and dystopian muse Circe’s ‘Mess With Your Head’ – now transformed into ‘It’s All Over’ under the Secret World Orchestra guise -, and a rafter of choice hip-hop cuts from Billy Woods, Dabbla, Lyrics Born and Lunar C with Jehst. Pop, jazz, electronic, dreamwave, psychedelic and post-punk are all represented. And there’s even a track from our very own Brian Shea and his cult dysfunctional family band The Bordellos.

The Monolith Cocktail team, corralled into action by me, Dominic Valvona, currently includes Matt Oliver, Brain ‘Bordello’ Shea, Graham Domain and Mikey MacDonald.  

Those Tracks In Full Are:{

Şatellites  ‘Zuhtu (Live)’
Melody’s Echo Chamber  ‘Personal Message’
IKE (Ft. Sera Kalo)  ‘What Then’
Dana Gavanski  ‘Indigo Highway’ Crystal Eyes  ‘Wishes’
Pete Rock  ‘Brother On The Run’
Steve Monite  ‘Only You’
África Negra  ‘Vence Vitoria’
Samora Pinderhughes  ‘Holding Cell’
Izzi Sleep & Rat Motel  ‘Good Going Down’
Mercvrial  ‘Look Inside’
The Bordellos  ‘I Hate Pink Floyd Without Syd Barrett’
Peace De Résistance  ‘Boston Dynamics’
The Legless Crabs  ‘Boo Hoo Hoo’
Otoboke Beaver  ‘YAKITORI’
Papercuts  ‘Palm Sunday’
Kloot Per W  ‘Le Pays’
Nicole Faux Naiv  ‘Moon Really’
Liz Davinci  ‘Daisy’
Julia Holter, Harper Simon & Meditations On Crime  ‘Heloise’
Amine Mesnaoui & Labelle  ‘Bleu Noir’ Billy Woods  ‘Wharves’
Professor Elemental  ‘Inn At The End Of Time (Remix)’
Dabbla  ‘Alec Baldwin’
Nelson Dialect & Mr. Slipz  ‘Association’
SAULT  ‘June 55’
Nduduzo Makhathini  ‘Amathongo’
Rob Cave & Small Professor  ‘Respect Wildlife’
Lyrics Born (Ft. Rakaa Iriscience, Shing02, Bohan Phoenix, Cutso)  ‘Anti (Remix)’
Kino & Sadistik  ‘The Earth Was Empty’
Aethiopes (Ft. El-P, Breeze Brewin)  ‘Heavy Winter’
Laddio Bolocko  ‘Nurser’
Novelistme  ‘Never’
Astrel K  ‘Maybe It All Comes At Once’
David J  ‘(I Don’t Want To Destroy) Our Beautiful Thing’
Jörg Thomasius  ‘Okoschadel’
Ed Scissor  ‘Dad’
Violet Nox  ‘Eris’
Moscoman  ‘Dalmar Is Back And It’s Final’
Grandamme, Claudia Kane & Bastien Keb  ‘Nirvana’
FloFilz (Ft. Dal)  ‘Levada’
Chairman Maf  ‘Gammon Island’
Moon Mullins  ‘Welcome To Tilden’
IBERI  ‘Arkhalalo’
Papé Nziengui  ‘Gho Boka Nzambé’
The Good Ones  ‘Happiness Is When We Are Together’
OK:KO  ‘Vanhatie’
Ubunye  ‘Our Time’
Shrimpnose & BLOOD $MOKE BODY  ‘Beyond The Villian’
Justo The MC & Remulak  ‘Knockturnal’
Lunar C (Ft. Jehst)  ‘Any Given Wednesday’
Qrauer  ‘The Mess’ Circe/Secret World Orchestra  ‘It’s All Over’
Brianwaltzera  ‘tracing Rays [reality glo]’
Kota Motomura (Ft. Akichi)  ‘Flower’



PLAYLIST SPECIAL

Another eclectic spread of all the artists/bands/ensembles/collaborations that have piqued our interest, warmed our hearts and got us thinking during March, the Monthly playlist collects tracks from all the reviews, mentions during the last 31 days on the blog. There are also a number of tracks that got away, or we just didn’t have room for.

We have Matt Oliver once more on the rap control, picking another essential showcase of new hip-hop cuts from Your Old Droog, Fly Anakin, Juga-Naut, The God Fahim and Jesht. Plus a myriad of borderless picks from every genre imaginable; including tracks from El Khat, Koma Saxo, Big Thief, Sweeney, ASSASSUN, Crows, Alice Dreamt, Kick, Adam Walton, Kristine Leschper and plenty more.

THOSE TRACKS IN FULL ARE:::

Paten Locke & Edan  ‘Fried’
Koma Saxo w/ Sofia Jernberg ‘Koma Krig (Ft. Lucy Railton & Maria Reich)’
El Khat  ‘Djaja’
Terakaft  ‘Jagwar’
Etienne Jaumet & Fabrizio Rat  ‘Rive Opposte’
Big Thief  ‘Time Escaping’
Tone Of Voice Orchestra  ‘That Kind Of Day’
Pussy Riot w/ Vérité & Latashá  ‘Laugh It Off’
Martha D Lewis  ‘Dawn’
Sweeney  ‘The Break Up’
ASSASSUN  ‘Over Again’

Le Pietre Dei Giganti  ‘Ohm’
Bleak Soul  ‘Mundane, USA’

Kick  ‘Sirens Never Sleep’
Nova Charm  ‘Over.Loading’
Exociety  ‘Good Grief (Ft. Rav, Kill Bill: The Rapper, Scuare & Airospace)’
Raw Poetic & Damu The Fudgemunk  ‘Chewing Gum’
Fly Anakin  ‘Sean Price’
Neuro… No Neuro  ‘Take A Step Outside Of Yourself’
Mai Mai Mai  ‘Fimmine, Fimmine (Ft. Vera Di Lecce)’
Your Old Droog  ‘.500’

Flying Monk  ‘Fuck The Fame (Ft. Axel Holy)’
Elzhi & Georgia Anne Muldrow  ‘Every moment (Ft. Dudley Perkins)’
PLOP & JUNNU  ‘Totnoy’
Tom Caruana  ‘3000 Volt Scarf (Ft. Lee Scott & Jazz T)’
Psych Major ‘Peace Bridge (Ft. Jamal Gasol, Wyze Wonda, DNTE & Toneyboi)’
J Scienide  ‘Danceteria’
Juga-Naut  ‘Dressed As Myself’
V Don & Sauce Heist  ‘Wray & Nephew’
The Other Guys  ‘Crepes And Breaks’
Isambard Khroustaliov  ‘Cryptoersatz’
Simon McCorry & Anthéne  ‘Distant Glitter’
Leaf Dog & BVA  ‘Devil’s Breath’

Stinkin Slumrok  ‘SHOW ME’
Jehst, Confucius & Mr Brown  ‘Daily Planet’
The God Fahim  ‘4 Matic’
Nicolas Zullo  ‘Strano Siero’
Chlorinefields  ‘Finally’
The White Russian  ‘B Child’
Shelterheart  ‘Empty Pockets’
The Lancashire Hustlers  ‘Happiness On A String’
David Åhlén  ‘My Only Treasure’
Rodrigo Bragança  ‘Third Walkers’
Fatoumata Diawara  ‘Dji L’eau (Malian Movement)’
Amaru Tribe  ‘La Serpiente’

Istanbul Blues Kumpanyasi  ‘Keep The Lord (In You) – Live’
Papercuts  ‘Palm Sunday’
Crows  ‘Garden Of England’
Alice Dreamt  ‘All Those Little Things’
Harry Christelis & Pedro Velasco  ‘LD13’

Alex Izenberg  ‘Egyptian Cadillac’
Bart Davenport  ‘Billionaires’
Carl Erdmann  ‘Turritella Flats’
Σtella & Redinho  ‘Charmed’
Adam Walton Cloudbursts II’
Kristine Leschper  ‘Carina’
Pjusk  ‘Aftenblå’

Brian ‘Bordello’ Shea’s Rave Reviews Roundup

Singles/EPS.

Papercuts ‘Lodger’
(Labelman) 1st April 2022

The press release describes this lovely slice of 60’s influenced psych as “woozy West Coast Psychedelia”: and for once the press release got it right. It must be a red flag day or at least a woozy psychedelic coloured one, for this is a smashing single, smashing being my word of the day, one that is said in an archetypical working class northern way with flat cap and everything, maybe even a whippet by one’s side and married to a girl called Vera who I shall call our Vera and say our Vera is a grand lass and is partial to a bit of woozy West Coast Psychedelia. So is well chuffed with this foot tapper.

Adam Walton ‘Cloudburst EP’
(The Immediate)

This is a rather beautiful 4 track EP of acoustic wonder; songs that skirt and skate around the mind, plucking at the heartstrings, reminding me how much I used to like Ben And Jason albums and why songs of mellow introspection can sometimes scream and move and excite you as much as an angst ridden punk rocker of a number, as these 4 songs prove. An acoustic guitar and talent for melody is sometimes all you need and Adam Walton has both of these things. An EP to cherish and hold close, and fans of Elliot Smith and McCartney acoustic balladry circa 1968 should really enjoy this.

Pit Pony ‘Black Tar’
(Clue Records)

Ah, the joyful sound of young people with guitars is something I will never get tired of when it is performed with such passion and style. They give one hope for the future, and I think Pit Pony might have a future worth living, with all their angst and youthful musical aggression and attitude. They certainly seem to be a step up from a lot of the alt guitar bands I get clocking up my email. A band to watch I think.

Crows ‘Garden Of England’
(Bad Vibrations Records)

A tromboncino of a track is what we have here. Yes, a true piece of British rock ‘n’ roll or punk ‘n’ roll if you like or, even if you do not like I am at this point in life uncaring one way or another but either way a rather good soundtrack to kick around the decaying corpse of Brexit. Yes, how well did that go.

Oh Boris, you are a cunt, but sadly you are not alone in that field of nationalistic gung ho-ness; how your supporters must be slapping themselves on the back at their good sense because how on earth would we be getting through the pandemic without your leadership qualities, and I am sure we have the right man at the helm steering us through the troubled European waters of the Ukraine invasion. We need songs and bands like this singing songs of life and politics. As the great Edwyn Collins once sang, “too many protest singers not enough protest songs.” So thank the lord for the likes of the excellent Crows, showing that there is life in the old guitar yet.

Albums..

The Monochrome Set ‘Allhallowtide’
(Tapeate Records) 11th March 2022

Allhallowtide kicks off with the title track, which is a rather fetching 60s beat band croon of a track, part Scott Walker part The Left Banke. And a fine way to kick off this the latest album from the guitar band veterans. And what a fine and enjoyable album it is as well; a true black polo neck jumper of an album; the kind of album that would soundtrack Napoleon Solo and April Dancer nights of near passion; a pure beatastic swirl of sophistication, all whammy bar red Fender guitars and whirling organs.

Shelterheart ‘Shelterheart’
(Perpetual Doom) 8th April 2022

This album is nothing more or nothing less than a well written well-crafted album of songs; songs that dip their toes in pop, folk and Americana with some rather fine embellishments, with ‘Empty Pockets’ reminding me of both ELO and Wilco. It will no doubt be the radio hit of the bunch. I feel shelterheart could well be one of those albums the more you listen to it more the hooks and melodies will take hold and slowly become part of your everyday life and soundtrack any part of your day. This is an album that could quite as easily be listened to over breakfast as to before winding down for the day, its own sweetness and melancholy etching its way onto your heart.

Chlorinefields ‘Reclaim Your Brain’
(Radical Documents)

Chlorinefields make rather a beautiful easy laid-back lazy wash of a sound: the sound of a hug maybe. Gently strummed guitars and floating vocals casts you adrift in a sea of indie tranquillity; a hypnotic journey into the mind’s eye, slightly psychedelic slightly muffled FM radio hidden under the pillows of your bed, the quilt holding the tales of all those names you so long to utter in the throes of passion. The soundtrack to the unmade film playing in your head; an explosion of silent thoughts and lackadaisical wishes, this is the sound of a young person’s dream and a rather beautiful and pleasing dream at that.

Plastic Candles ‘Dust’
(Paisley Shirt Records)

There is something utterly bewitching about this release. It has a lo-fi warmth that one can lose themselves in. It’s how I imagine the My Bloody Valentine bedroom demos might have sounded, except I probably prefer Plastic Candles subtle beautiful madness to the out and out bombast of MBV.

The Plastic Candles have mastered the art of a frayed melody: as so many tracks on this album demonstrates all too well. The final track on the album ‘Pacific Blue’ is well worth the price of the cassette on its own, the sound of a chocolate heart melting on the lips of the one you so long to kiss. One of the most beautiful tracks I have heard this year. Another fine release from the quite essential Paisley Shirt Records.

PLAYLIST SPECIAL

An encapsulation of the last month, the Monolith Cocktail team (Dominic Valvona, Matt Oliver, Brian ‘Bordello’ Shea and Graham Domain) chose some of the choicest and favourite tracks from February. It may have been the shortest of months, yet we’ve probably put together our largest playlist in ages: all good signs that despite everything, from Covid to the Russian invasion of the Ukraine, artists, bands everywhere are continuing to create.

65 tracks, over 4 hours of music, February’s edition can be found below:

That exhaustive track list in full:::

Animal Collective ‘Walker’
Modern Nature ‘Performance’
Gabrielle Ornate ‘Spirit Of The Times’
The Conspiracy ‘Red Bird’
Cubbiebear/Seez Mics ‘All Friended Up’
Dubbledge/Chemo ‘Itchy Itchy’
Dirty Dike ‘Bucket Kicker’
Future Kult ‘Beasts With No Name’
Lunch Money Life ‘Jimmy J Sunset’
Ben Corrigan/Hannah Peel ‘Unbox’
Uncommon Nasa ‘Epiphany’
War Women Of Kosovo ‘War Is Very Hard’
Ben Corrigan/Douglas Dare ‘Ministry 101’
Sven Helbig ‘Repetition (Ft. Surachai)’
Ayver ‘Reconciliacion Con La Vida’
Lucidvox ‘Swarm’
Provincials ‘Planetary Stand-Off’
Wovenhand ‘Acacia’
Aesop Rock ‘Kodokushi (Blockhead Remix)’
Junglepussy ‘Critiqua’
Tanya Morgan/Brickbeats ‘No Tricks (Chris Crack) Remix’
Buckwild ‘Savage Mons (Ft. Daniel Son, Lord Jah-Monte Ogbon & Eto) Remix’
Che Noir ‘Praises’
Koma Saxo w/Sofia Jernberg ‘Croydon Koma’
Medicine Singers/Yontan Gat/Jamie Branch ‘Sanctuary’
Black Josh/Milkavelli/Lee Scott ‘Die To This’
Funky DL ‘I Can Never Tell (Ft. Stee Moglie)’
Mopes ‘Home Is Like A Tough Leather Jacket’
ANY Given TWOSDAY ‘Hot Sauce (Ft. Sum)’
Split Prophets/Res One/Bil Next/Upfront Mc/0079 ‘Bet Fred’
Nelson Dialect/Mr. Slipz/Vitamin G/Verbz ‘Oxford Scholars’
Immi Larusso/Morriarchi ‘Inland’
Homeboy Sandman ‘Keep That Same Energy’
Wax Tailor/Mick Jenkins ‘No More Magical’
Ilmiliekki Quartet ‘Sgr A*’
Your Old Droog/The God Fahim ‘War Of Millionz’
Ramson Badbonez/Jehst ‘Alpha’
Ghosts Of Torrez ‘The Wailing’
Pom Poko ‘Time’
Daisy Glaze ‘Statues Of Villians’
Orange Crate Art ‘Wendy Underway’
Seigo Aoyama ‘Overture/Loop’
Duncan Park ‘Rivers Are A Place Of Power’
Drug Couple ‘Linda’s Tripp’
Ebi Soda/Yazz Ahmed ‘Chandler’
Brian Bordello ‘Yes, I Am The New Nick Drake’
Psychedelic Porn Crumpets ‘Bubblegum Infinity’
Steve Gunn ‘Protection (Ft. Mdou Moctar)’
Jane Inc. ‘Contortionists’
Black Flower ‘Morning in The Jungle (Ft. Meskerem Mees)’
Jo Schornikow ‘Visions’
The Goa Express ‘Everybody In The UK’
Pintandwefall ‘Aihai’
Thomas Dollbaum ‘God’s Country’
Crystal Eyes ‘Don’t Turn Around’
Glue ‘Red Pants’
Super Hit ‘New Day’
Legless Trials ‘Junior Sales Club Of America’
Monoscopes ‘The Edge Of The Day’
Alabaster DePlume ‘Don’t Forget You’re Precious’
Orlando Weeks ‘High Kicking’
Carl Schilde ‘The Master Tape’
Bank Myna ‘Los Ojos de un Cielo sin Luz’
Park Jiha ‘Sunrise: A Song Of Two Humans’
Simon McCorry ‘Interstices’



Brian ‘Bordello’ Shea’s Roundup

The cult leader of the infamous lo fi gods, The BordellosBrian ‘Bordello’ Shea has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His last album Atlantic Crossing, a long overdue released collaboration with 20th Century Tokyo Princess’s Ted Clark, was released last year. A new album entitled Cardboard Box Beatle has just been released on Metal Postcard Records.

Each month we supply him with a mixed bag of new and upcoming releases to see what sticks.

Singles

Goa Express ‘Everybody In The UK’
(Ra-Ra Rok Records)

My self being a miserable bastard, I thought I would not like this as it is a jolly tune with upbeat message and fun video. But I actually like it: probably in the knowledge that in 20 years these young whippersnappers will be as worn down with reality as I am. But let’s not think ahead, let’s celebrate youth and all its shenanigans; let these talented young men enjoy their moment in the sun and applaud their way with a catchy BBC 6 music like tune as it is pretty spiffing [which is a much-underused word in reviewing circles].

Burnsey ‘Nail Your Colours’
7th February 2022

I really like this track from Burnsey, the sound of an exiled scouser living in Germany. And yes, you get all the lovely Liverpool psych that seems to run through the blood of so many musicians from that city; all sea shanty wonder and spaced-out bliss, a track the Coral would no doubt sell their ma’s last pot of scouse for. And as the old saying goes, “you can take the man out of Liverpool but cannot take the Liverpool from the man”. And thank the lord for that for this is a lovely track of pure scouse whimsy. I await the album. Record labels check this man out.

Pintandwefall ‘Last Minutes’
(Soliti)

I like Pintandwefall: if I remember correctly, I gave their 2020 album, Your Stories Baby, a glowing review. And ‘Last Minutes’, taken from their forthcoming album, Seventh Baby (due out this Friday, the 25th February) is also a bit of a musical treat; a melody filled piece of pop candy that has me grinning like a loon, like a caricature of Sid James overdosing on 70s boobs and dairy free ice cream. Yes, it is that good. I once again look forward to the album with my breath indeed baited.

I like this. I love old time country music; my dad was a huge country fan so I grew up hearing it all the time. And this certainly has the same feel – the same way Bill Callahan does it. And I’m sure if my dad was still alive, he would also appreciate this; for a well written song is a well written song no matter what the genre, and this is a well written song. I predict we might be hearing more of Thomas Dollbaum: not that I want to curse Thomas as my predictions of greatness normally end in total anonymity for the poor performer. But you never know, Thomas might be the one to break the curse.

bigflower ‘Free’
12th February 2022

bigflower is back with another whoosh of a track; a song that moves with an urgency of a runaway train; a song with atmospheric guitar and keyboard and a drum machine that hammers the pain into your eyeballs: but in a good way [if that is possible]. 

‘Free’ is a song that has the mid 80s alternative shine about it; a song that has one remembering the days of the Psychedelic Furs, and like a lot of bigflower tracks, I can imagine it appearing in some moody black and white movie where the antihero does not end up getting the girl just a load of shit thrown at him. Yes indeed, another winner from bigflower.

Albums

The White Russian ‘You Are’
(DripDrop Records) 3rd March 2022

Myself being the self-proclaimed King of No-Fi, I really enjoyed the production on this. Coming in at the hi-fi end of lo-fi, this EP has a great deal of heart and soul and real life about it: in film terms, more 60s sink drama than Hollywood blockbuster.

This is a beautiful 5 track EP and my favourite of the five excellent tracks is ‘You Are’, which reminds me of Paul Simon at his most tender. This is one of those rare Eps you wish was an album as I certainly want to hear more from The White Russian. And any band you want to hear more from is indeed a very good thing indeed.

Red Pants ‘When We Were Dancing’
(Paisley Shirt Records) 18th February 2022

I like it when I see I’ve been sent something from Paisley Shirt Records to review, as I know there’s going to be more than a good chance that I’m going to like it. And I’m pleased to say they have not let me down with this fine release by Red Pants; an album of lo-fi(ish) indie rock, an album where murmured vocals are mixed way down in the mix which gives the album a “we are doing this for the love of our art” quality not to be indie rock superstars. It’s like discovering an old band cassette at the bottom of a box and remembering the fun you used to have dancing the Watutsi with the skinny long brown-haired girl who you would of one time offered your world to. It’s an album of fond remembrances; an album of drinking too much and not caring enough; an album of total lo-fi beauty; a cassette of the best kept secret in the world.

Super Hit ‘S-T’
(Metal Postcard Records) 28th January 2022

The magic and love of C86 is alive and well and living in Portland, Oregon. Simple drum machine beats and jangly chiming guitars back whispered vocals that takes one back to the golden days of Sarah Records.

There is something simply charming about the love and fragility of this album. Melodies float and glisten making this 18-track album of short songs a must have album: an ideal album to soundtrack the coming spring months when the nights get lighter and hope takes a peek at the departing darkness. An album that will grow and become a daily occurrence in your life.

Legless Trials ‘Legless Trials On Main Street’
(Metal Postcard Records) 15th February 2022

The Legless Trials are back with their second album Legless On Main Street’, an album that sucks in the spirit of the Fall and The Cramps, The Velvet Underground and smothers it with a radio friendly sheen that fairly sparkles and shimmies like an alternative hit in waiting. Any one of these nine gems should be blasting from your radio in the coming months.

The Legless Trials are rock ‘n’ roll personified; they are Little Richard, The Banana Splits and Captain Beefheart rolled into one. They are Bob Dylan’s snide grin and Elvis Presley’s erect penis. They are Jagger’s crossing the road walk. They understand the importance of Jack Goode screaming limp you bugger at a leather clad Gene Vincent. They understand the meaning of rock ‘n’ roll and are one of the five crucial acts in that movement today, and if you don’t believe me listen to this album of purity, anger, humour and song writing genius and then try and tell me I am wrong without looking like a puerile piece of Pat Boones shit. 

The Monoscopes ‘Painkiller And Wine’
(Big Black Cat Records)

There is a beauty and sadness that sometimes can only be released through the magic of music. It’s like a windswept spell, a lone call through the echoing of a radio dial and the wizards casting the spell on this occasion are the Monoscopes with a debut album filled with soulful yearning; a car crash of psych-tinged velvet indie guitar goodness.

A really enjoyable journey through the feelings and emotions most human beings experience at some time, be it lust, heartache, betrayal, hopes raised and then dashed, watching a shooting Big Star crash into the broken effigy of Alex Chilton’s breaking heart. Painkillers and Wine is a celebration of life in all its dirt and glory, sound tracked by chiming guitars and melodies to wrap and lose yourself in. In other words, simply a fine album of melancholy guitar goodness.

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