The Monthly Playlist selection of choice music, plus our Choice Albums list from the last month.
A couple of months back we decided to change things a little with a reminder (if you like) of not only our favourite tracks from the last month, but also a list of choice albums too. This list includes both those releases we managed to feature and review on the site and those we just didn’t get the time or room for. All entries are displayed alphabetically.
Our Monthly Playlist continues as normal, with tracks this month chosen by me, Dominic Valvona, Matt Oliver and Brian ‘Bordello’ Shea.
A Journey Of Giraffes ‘Emperor Deco’
(Somewherecold Records) Review
MC Paul Barman ‘Tectonic Texts’
Elea Calvet ‘Seasons’
Inturist ‘Tourism’
(Incompetence Records) Review
Eiko Ishibashi ‘Antigone’
(Drag City)
Timo Lassy Trio ‘Live In Helsinki’
(We Jazz)
Nickolas Mohanna ‘Speakers Rotations’
(AKP Recordings) Review
Che Noir & Superior ‘Seeds In Babylon’
Alberto Novelle & Rob Mazurek ‘Sun Eaters’
(Hive Mind Records) Review
Andrew Rumsey ‘Collodion’
(Gare du Nord) Review
Schizo Fun Addict ‘An Introduction To…’
(Fruits der Mer) Review
Snapped Ankles ‘Hard Times Furious Dancing’
Sonnyjim & Kong Artisan ‘Effortless, Almost Dead’
(Noel & Poland Records)
Russ Spence ‘Phase Myself’
(Metal Postcard Records) Review
Macie Stewart ‘When The Distance Is Blue’
(International Anthem) Review
Gregory Uhlmann, Josh Johnson, Sam Wilkes ‘Uhlmann Johnson Wilkes’
(International Anthem) Review
The Young Mothers ‘Better If You Let It’
(Sonic Transmissions) Review
Previous Monthly Choice Releases:
And now, the tunes of the month playlist selection:
Snapped Ankles ‘Pay The Rent’
Psychedelic Porn Crumpets ‘Weird World Awoke’
MC Paul Barman, Donwill ‘Killinagame’
Jansport J, Airplane James, Sham1016 ‘T-Top’
Alessandro Alessandroni ‘Militari in allarme’
Black Mynah ‘Colleen’
Che Noir, Superior ‘Sovereignty’
Droogie Otis, Boldy James ‘Everything Designer’
Timo Lassy Trio ‘Rumble Outro – Live’
Gregory Uhlmann, Josh Johnson, Sam Wilkes ‘Marvis’
Takuro Okada ‘Howlin’ Dog’
Inturist ‘Special Offer’
Elea Calvet ‘Bad Joke’
Sweeney ‘Love Is A Waste Of Time’
Eiko Ishibashi ‘Antigone’
Meggie Lennon ‘Connexion Astrale’
Apollo Brown ‘Honestly Don’t’
The Moose Funk Squad ‘Cheetah Piss’
Black Josh, Lee Scott ‘Aw, Here It Goes’
Queen Herawin, Pretty Bulli, Illa Ghee ‘Denial’
The Young Mothers ‘Better If You Let It’
Lord Finesse ‘Habits of Desperation’
Sonnyjim, Kong The Artisan, Lord Sko ‘Idiot Savant’
clipping. ‘Polariods’
Macie Stewart, Lia Kohl ‘I Forgot How To Remember My Dreams’
Nickolas Mohanna ‘Past Light Cone’
Previous Industries ‘Adriana Furs’
Sporaterra ‘Unglued’
PremRock, Sebb Bash ‘Did You Enjoy Your Time Here…?’
Flying Tulpa ‘Signless’
Andrew Rumsey ‘The Memorial Service Orders of Friends’
Nick Frater ‘One Minute’
Honor Saint William ‘THE IDIOT’
Puce Moment ‘Bugaku’
Alberto Novello & Rob Mazurek ‘Ricochet Edge Verse’
El Leon Pardo ‘Viaje Sideral’
Mick Harvey & Amanda Acevedo ‘Juliette’
Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years both me and the MC team have featured and supported music, musicians and labels we love across genres from around the world: ones that we think you’ll want to know about. No content on the site is paid for or sponsored, and we only feature artists we have genuine respect for /love or interest in. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to say thanks or show support, than you can now buy us a coffee at https://ko-fi.com/monolithcocktail
THE KING OF NO-FI BRIAN ‘BORDELLO’ SHEA REVIEWS ANOTHER HAUL OF NEW AND UPCOMING RELEASES FOR THE MONOLITH COCKTAIl. (Unless stated otherwise, all releases are available at time of publication)
/SINGLES\
Tearless Life ‘Conversations With Angels’
(Other Voices Records)
The debut single from The Tearless Life and a strange thing it is indeed; part post-punk gothitude, part Harry Styles: maybe they should have called themselves Boy Division. It is a quite interesting and enjoyable pop single and is blanketed in a summer warmth that captures the long lost summer radio evenings of Radio one, when Kid Jenson and Janice Long used to entertain us whilst waiting for the stranger sounds from John Peel. And the B-side does not half remind me of Julian Cope in one of his stranger pop explosions of leather flying pants glory. A quite wonderful pairing.
Candid Faces ‘Coming Home’
(Warren Faces)
Every week I seem to have an email box full up of great guitar music by young bands. Sadly I cannot write about them all, so Candid Faces are one of the chosen ones in this month’s round up. And as I have just written, they are young, full of life and humour, vim and vigour, and are blessed with a pop nonchalance that I very much approve of. I’m very sure they will be riding the waves of success when the damn breaks and guitar music will once again become a musical mainstream necessity.
Hydroplane ‘Stars (Twilight Mix)’
(World Of Echo)
A sweet twee last dance of a song, all heavenly bobby socks melodies chiming Buddy Holly guitars and the taste of the end or the beginning of first love; the sound of the ending of innocent wishes and kisses and a rather beautiful thing it all is too.
Slow Pulp ‘Doubt’
(ANTI-)
Slow Pulp’s ‘Doubt’ is an enjoyable little indie rock/emo pop song that my daughter seemed to enjoy. As I was listening to the track she asked what and who it was, and is now considering going to watch them at Jimmys in Liverpool in November. So they must be doing something right, and is nice to know that music still reaches out and touches the souls and inspires youngsters to go out and have a good night with friends. The power and emotional pull of music will never subside.
\ALBUMS-EPS/
Liam Gallagher ‘Live At Knebworth 22’
11th August 2023
Ok, people who know anything about me know that I’m really not an Oasis fan. I find them extremely over-rated and I think they put guitar music back 30 years with their unimaginative paint by numbers guitar sludge. They made it fashionable to be average and beige, and to make mock ‘n’ roll music. For real rock ‘n’ roll has a spirit; a sexiness; a taste of adventure that Oasis songs really do not have: they have as much danger as watching an episode of Hollyoaks.
So I admit I wasn’t expecting to really like this album much. And for once I was right: I really do not like this album at all. It has all the lack of qualities that Oasis had. It is of course Liam Gallagher‘s triumphant return to Knebworth in all its paint by numbers glory. Liam standing bow legged like he has a full nappy singing in his voice like he has just been told off by his mum, backed by a band who knows all the right chords and are played in all the right order with no deviation from the recorded and released versions. Half the songs are Oasis classics (if classics is the right word for songs of such stodgy lack of glamour), but at least they have a melody unlike the other half of the album made up of highlights from his solo albums – again, highlight might not be the right word as the highlight of a Liam album is the last bar of the last song on it. I know people will say Liam must be good because he sold out Knebworth so many times and all these people went to watch him. Yes indeed, but remember people also pay to watch Golf.
Is there anything good I can say about this album? Well actually I can find two things. The first is it does not have a version of ‘Little James’ on it, which is the worst song ever written by a grown up, and the second thing, is at least it is not a Noel Gallagher solo album, which would take tedium to new highs: or would that be lows. So an album to be avoided by all: even if you are an Oasis fan. You might as well listen to your already cherished copies of the studio albums as there is nothing different here, just the same old sameness.
Mick Harvey and Amanda Acevedo ‘Phantasmagoria In Blue’
(Mute) 1st September 2023
Phantasmagoria In Blue is an album of sweeping lush duets between a man and a woman; mostly covers with a couple of originals thrown in. An old and wonderful concept that has done many times before, but a concept that I for one never tire of, as I never grow tired of renditions of ‘Songs For The Siren’. For yes there is another version on Phantasmagoria In Blue, and a fine version it is, swathed in beauty and strings and conjuring up images of windswept lovers meeting on winter beaches with the ocean whispering sweet truths and wishful wants.
The whole album in fact is one long journey; one long story that sets a mood and for the length of the album never loses that mood; an album of romantic redemption; an album to lose yourself in with the partner of your choice or one to soundtrack the unforgiving beauty of loneliness.
Craig Fortnam ‘Ruins In Time EP’
(Believer’s Roast)
Late 60s early 70s psych folk vibes abound with this rather spiffing three-piece slice of Bandcamp magic. From the excellent opener, the Syd Barrett like ‘Shepard’s On The Lawn’, through to the second and my fave of the three, the rather beautiful folky ‘Ruins In Time’ – which had me wondering where I have left my ‘A Game For All To Play Boxset’ – these tracks really do take you back to a much gentler and magical time. The only bad point about this EP is that it not an album.
Funeral Cake ‘One Funny Place EP’
(Dandy Boy Records)
Does anyone out there want a slice of Funeral Cake? A 4 track EP of fuzzy guitar pop and tuneful melodies, that sounds a lot like those pesky Primitives; yes, that band from the 80s that held our pop hearts in their hands and juggled and performed various holiday fairylike tricks with it sprinkling sparkle dust over the pesky blighter. Yes indeed, the Funeral Cake carry the same magic, the same pop suss, the same melodious let-me-tickle-your-funny-bones-and-make-your-day-a-sunny-treat. Yes, Funeral Cake are popadelica: a real treat for you.
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