Our Daily Bread 238: Jono Podmore & Swantje Lichtenstein ‘Miss Slipper/Lewes’
March 1, 2017
Words: Dominic Valvona
Jono Podmore & Swantje Lichtenstein ‘Miss Slipper/Lewes’
Released on Psychomat, 6th March 2017
Responsible for a stream of experimental electronic projects, both on the cutting edge of technology and vanguard of a return to the roots of analogue, and a member of the manifesto guided metamono trio, Jono Podmore has cranked-up the generator, punched in new coordinates and blown the dust off the dials to relaunch his influential 90s label, Psychomat.
Renowned for his cerebral collaborations with a number of luminaries from across the electronic music spectrum, but famously for his work with both Can’s Irmin Schmidt (together as the Kumo and Irmin Schmidt duo) and the late Jaki Liebezeit (Cyclopean), Jono’s inaugural label comeback pairs him with the Düsseldorf-based sound writer/performance artist Swantje Lichtenstein.
A conceptual meeting of minds, the duo’s upcoming Michaela Eichwald cover art adorned 7”, which is billed as an actual “work of art” in its own right, features two serialism performance-manipulations recorded at Jono’s on the day of the funeral of his friend, the publisher Felix Hiner, in 2014.
The first of these, Miss Slipper, is of all things, riffing off a piece of writing by Jono’s daughter. A spontaneous freewheeling interpretation of an innocent description of a school art teacher is pushed towards the alien by ring modulations and filter trickery. Obscured and transmogrified into something almost sinister, even daemonic, Swantje’s voice shifts between squelched and metallic strange tongues.
Lingering in the same atmosphere, beyond the stratospheric, the idyllic pastoral East Sussex town of Lewes slips into a parallel dimension of weirdness; the metamono sat-nav tuning into a beacon communal with unknown entities, somewhere yonder in the ether. Based on a set of directions given to the group for a gig in Lewes, this extemporized art-piece glitches, buzzes and chants its amorphous script until it becomes directionless; untethered on wave after wave of tubular ringing, echoed and chromed effects; disappearing into the torn fabrics of space.
Miss Slipper/Lewes is every bit as conceptual and experimental as you’d expect, and lays down the start of, what I hope, will be a fruitful union of art and sound work. We may not have to wait long though for the next installment, as a series of remixes from Pete Hope, Hairy Kipper, Inky Blackness, Bastard Status, Jono in his Kumo guise, and Professor Michael Ball (a colleague of Jono’s and a professor of electronic composition), will be released in the coming weeks and months.