Our Daily Bread 307: Royal Trux ‘White Stuff’

March 7, 2019


Album Review: Gianluigi Marsibilio




Royal Trux ‘White Stuff’
(Fat Possum Records) 1st March 2019

An underground civilization always develops thanks to the tunnels, the galleries and the sedimenting of a tradition capable of not seeing the light, even for two decades.

The Royal Trux have returned, without great proclamations and arrogance to put themselves to the test with a music scene completely revolutionized since the early 90s, in fact today we cannot talk about ghosts and institutions like Kurt Cobain or Frank Zappa.

The duo from New York, even today, is able to immerse Dinosaur Jr. in a strange psychic substance; they bring out a work that manages to be a right counterbalance to the word underground. The underground is a wonderful place where you can appreciate the purest soul of things and also of the duo, which while not having the same success as other bands, such as White Stripes or related stuff, has maintained a coherence, which after 20 years we feel deep flowing like lymph in “White Stuff”.

The Royal Trux have maintained the avant-garde drive and the desire to be something else, completely different from whatever the word Rock means today, because even if important projects such as The War On Drugs, The National or others are easily indicated in one vein, the Royal Trux remain other, but not only in terms of sound, their choice is an aptitude that deeply distances the duo from any other band.

“Twin Infinities” (1990) could be a good problem, such a monumental work of historical impact, can lead to comparisons, further comparisons, but in the end an album like “White Stuff” also touches important peaks in songs, like “Sic Em Slow” or “Under Ice”. The psychedelic progression is preponderant in tracks like “Purple Audacity #2”, and the dreamlike wandering that lasted about 20 years offers a solid and iconic cue. The Royal Trux live on their mythical image that is not cumbersome, on the contrary it manages to be decadently fascinating.

Hagerty and Herrema show that they can complete themselves extensively, but above all they can make up for each other at the limits of the other, hiding personal and non personal smears and imperfections: it’s clear that the tumultuous journey that ended in 2001 is an example of what it means to complete, wander and start again.




Words: Gianluigi Marsibilio

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