BRIAN ‘BORDELLO’ SHEA DELIVERS THE VERDICTS ON A NEW HAUL OF RELEASES FROM THE LAST MONTH – all releases available now unless stated otherwise
THE SINGLES & EPS
Aoife Nessa Frances ‘Fantasy’
(Partisan)
‘Fantasy’ is a rather lovely thing indeed. A song of baroque darkness, this has a magical bewitching almost Beach Boys quality; a McCartney circa Ram quality I really like. Aoife Nessa Frances has a beautiful voice and is a fine songwriter, and ‘Fantasy’ is a fine song, which makes me want to hear more of the ladies quite wonderful music.
Neon Kittens ‘Sunburn On My Legs EP’
(Metal Postcard)
Just what this rain filled summer needs is a splash of post-punk sunshine from everybody’s favourite feline named act: the Neon Kittens. And of course the Neon Kittens do not disappoint. This three-track EP has all the sultry seedy glamour one expects from a Kittens release, all discordant guitars that have been wooed away from Bowie’s Scary Monsters album, offered the chance of a salacious dalliance with a younger and newer model, and will cast away all memories of the tat Bowie released in the eighties post Scary Monsters. Yes a three track EP that will not just put hairs on your chest but will also wax the parts that need waxing, leaving you all slinky and sexy for the sunbed that lies ahead.
Crystal Teardrop ‘By The River’
15th September 2023
The Crystal Teardrop‘s new single “By The River” is a bit of a psychedelic treat: all Bangles like harmonies and 1967 vibes. And could easily slip onto the Pandoras classic 1984 debut album Its About Time and no one would blink an eyelid. I love modern day psych when it is done well, and this is done very well indeed.
Juppe ‘Teardrops On Used Vinyl’
(Soliti)
There is something slinky and slightly sleazy about this song, which I enjoy. It’s pop music after all, and pop music should have at least one of the following S’s: slinkiness, sleaziness, sensuality and sprightliness. And this has two, maybe 3 of those. I can imagine being dressed like a Tiger and patrolling the house to this, which believe me can only be a good thing: like a young Elvis walking like a cat.
Charlie Kaplan ‘Gas Station Bathroom’
I have chosen to write about this track so obviously I like it, as I do not write about music that does not appeal, unless it is Oasis or post Syd Barrett Pink Floyd as they deserve all the public humiliation that can be heaped on them for their placid soggy lumpen pretence at rock ‘n’ roll. But this is not about them. This is about Charlie Kaplan and his rather lovely slice of Alt country; a slice from the same country pie Bob Dylan sang about on Nashville Skyline. But who cares, certainly not me. Anyway this is a rather fine single so give it a listen.
Novelistme ‘I Need New Music’
A song and subject matter that very much appeals to my good self, or bad self even – I am not as heavenly as I appear to be. Yes indeed, a rambunctious assault of melody that encapsulates all I love about indie/alternative guitar music: jerky, pointed, full of catchiness and charm. Novelistme are breath of fresh air in this current heatwave of smugness and ineptitude that currently resides in my email review pile. I indeed need new music like Novelistme. So please Jimmy can u fix for me to hear an album sometime [have I been cancelled yet?].
ALBUMS
Legless Crabs ‘American Russ’
(Metal Postcard)
What if Joan Jett was telling lies and she did not love Rock ‘n’ roll at all, and she was just playing at it to make her millions, and really she loved nothing better than to listen to the old sequence dance compilations – the Swing And Sway series say – or was really a closet Pat Boone fan and preferred his version of Long Tall Sally and not in a ironic way, and did not believe in the old adage that the devil had all the best tunes (which to be truthful is not true, as Cliff Richards Jesus single was one of the finest singles of the 1970s). If Joan Jett was indeed a fake I am sure The Legless Crabs could and would turn the leather panted one to the dark side. And I don’t mean the Dark Side Of The Moon as that is as rock ‘n’ roll as a defrosted box of Fish Fingers. I mean the dark side of rock ‘n’ roll, the side filled with feedback and Cramps like guitar riffs and both sexual frustration and sexual exploitation (in a seedy 70s porn like way). See, that is what I like about the Legless Crabs, they are rock ‘n’ roll in a seedy 70s porn like way.
Tony Jay ‘Perfect Worlds’
(Slumberlands) 15th September 2023
If you go to San Francisco be sure to wear dead flowers in your hair, for San Franciscan Tony Jay’s Perfect Worlds is a lovely dark album of lo-fi songs of loneliness and rejection and heartbreak; an album that will appeal to those who love the music of Sparklehorse or early Jesus And Marychain in their quieter moments. And will appeal to those among us who love to wile away the hours watching the sun set from your bedroom window, as people pass by unaware that music of great beauty is happening just above their heads; that concealed behind the walls there are people writing listening, getting it on, soundtracking the sadness and gladness in their lives. Perfect Worlds is the perfect album to soundtrack a not so just perfect life.
Graham Parker ‘Last Chance To Learn The Twist’
(Big Stir Records)
I wonder how many reviews Graham Parker has had over the years. I bet it must run into the thousands. I wonder if he collects them in a scrapbook? But how in these day of online blogs does one collect them together. He must have to print them off on his printer and then stick them in his scrapbook. That is the question that he should be asked in one of the thousands of interviews Graham Parker must still do. Just how much does he spend on printer ink and paper, as we know the price of printer ink is ridiculously high. Maybe he has it in part of the deal he does with the record label, that they must supply ink for his printer to print off the reviews. And just how big must Graham Parkers house be to hold all these volumes of review scrapbooks; unless he keeps them in storage. The mind boggles. And in all these reviews he has received over the years I wonder how many are good reviews. I expect a good 90 per cent will be good as Graham Parker is a fine songwriter, has always has been and no doubt always will be. And I think Last Chance To Learn The Twist is his 25th album. And after 25 albums we all know what you get with a Graham Parker album; a good mixture of soul, rock, pop, blues and well written and performed songs. And Last Chance To Learn The Twist is certainly no different, and fans of the man will not be disappointed. As an aside note, my old friend John who was a mod had a Parka and he used to call his coat Graham…always amused me.
Semiwestern ‘Semiwestern’
(Spirit Goth/ AudioSport) 13th September 2023
I like this album, even though I was slightly disappointed when discovering that the band did not live up to their name and was not a band with country influences. I was there all sat with my tasseled jacket and Flying Burrito Brothers suit trying my best to restage the album cover of the In The Gilded Palace Of Sin with my wife and two cats, and have you ever tried to dress a cat in Gilded Palace Sin suit, it is not easy believe me. But luckily my disappointment soon faded when the subtle My Bloody Valentine like grace of the opening track ‘I Never Mean What I Say’ started to drift from my laptop speakers. And the on further listen throughs, the following tracks took me on an alternative music journey; a journey that took in the sights and sounds of Granddaddy and The Cure and Ride and the sort of music you would hear from an American alt radio station in the early noughties. But sadly not a yee haw or round ‘em up partner, but one can not have everything.
rOZZ ‘United’
(Nub Music)
This is an enjoyable album. It has all the things I like about DIY music; it has a looseness, a poetic charm, a melancholy a fragility, and at times it sounds like it’s going to all come crashing down to floor in a paperweight frenzy of artistic endeavor.
rOZZ is an artist who I feel makes music because she has a burning need to. Not because it will make her look cool and be featured in a music blog. It has simply strummed guitars and an easy to play keyboards style, plus she has a quite lovely voice – like a Belgian Cerys Matthews -, and the songs have beautiful melodies. On the whole, this is a quite beautiful album.
Reviews: Brian ‘Bordello’ Shea
Little Albert ‘Why’
(Metal Postcard) 26th January 2019
I approach this release with a little trepidation for a few reasons; firstly it is an LP of Hip Hop from Hong Kong. something I can honestly say I have not really listened a great deal to, secondly it is released on Metal Postcard Records a label I myself released my solo LP on. But the main reason being the opening track is a cover of ‘Gucci Gang’ by Lil Pump, one of the more annoying tracks from last year. But Little Albert has transformed this track from an irritating piece of rap fluff into a slightly sinister dark chant, all amusement arcade beats and switchblade kisses.
The next two tracks continue with the sinister uneasy vibe, ‘Shadows’ being backed with a machine gun beat and ‘Vege Milkshake’ a slower hypnotic keyboard riff. Track four, ‘Asking Why’, wraps itself in an urgency that builds and builds and slowly starts to irritate in a good way: like the person you love poking you in the chest with a wilting dandelion stem.
‘Compulsive Peeping’ apart from having a great song title is maybe my favorite song on the LP; a much more relaxed and laid back affair if I could understand what the lyrics were it would be the perfect Hip Hop track, sparse and dangerous like all the best Hip Hop tracks are.
‘ADHD’ is probably the most attractive in the musical commercial sense. A song one could hear on the radio any day of the week, that’s if radio stations played Hip Hop from Hong Kong. ‘Asthma’ is all clickbait drum beats and harmony glass smiles, whilst the LP finale is a wonderful piece of experimental Hip Hop psychedelia called ‘Repeating’ and alongside ‘Compulsive Peeping’ is the standout track on, what is, a very enjoyable album.
Living Hour ‘Softer Faces’
(Kanine Records) 1st March 2019
Now then, there are loads of bands at the moment who currently sound like this, Dream pop, Shoegaze, New Psych or whatever you want to call it. I myself do not see this as a bad thing if it is the type of music you want to play or the type of music you enjoy listening to, fill your boots. I on the whole very rarely venture into Dreampoppery but on the whole I really enjoyed this LP. It has a dark sweetness about it like a candy floss Red House Painters. There is a pureness in the vocals: ‘No Past’ is quite a beautiful track and the layers of vocals and the church like organ of the final song ‘Most’ are highlights.
As I have already said there are plenty of bands currently making this kind of dream art but Living Hour do it better than most, so I’d recommend Softer Faces to anyone who enjoys a touch of the ‘ethereal’ in their pop life.
Amanita ‘Sol y Sombra’
(Pharaway Sounds) 14th February 2019
This is a vacuum bag filled with sex, alcohol and happiness that you have smuggled into your mother in laws home and opened when she has decided to go to bed. It is the soundtrack to the end of the working week, the joyfulness that can be found knowing that for the next 48 hours all you have worry about is managing to stay awake and enjoy the ongoing non stop party.
Funk, jazz, salsa and the lost faraway memories of how sex and yearning would have been portrayed inside a cocktail shaker on a cruise ship in a TV movie set in the 60’s/early 70’s. In fact this is he extended cocktail hour that will last as long as this LP.
This is the music Frank Zappa would have insisted to be played whilst his tuxedo was pressed and ironed before wearing and playing the Royal Albert Hall in 1968. It is the sound of a much better life that you will never have…it is pure suntanned sequined joy. If only I could be that unbuttoned shirt on this hairy chest rhapsody I would live and die a happy man.
Lite Storm ‘Warning’
(Out-Sider) 14th February 2019
This reissue was originally released in 1972 but was recorded in 1968 and could not have been recorded any other time. A typical wonderful post psychedelic rock release, all hip shaking mamas, pass me the drugs, and get down and boogie.
At times reminiscent of The Big Brother Holding Company, especially on the out there cover of the standard ‘Scarlet Ribbons’ – I wonder what Jo Stafford would have thought of it? The LP is a must have just for this demented version; it’s a song to base a whole career on, in fact The Coral probably have.
Litestorm it seems eventually gave up music and started a hippy commune and after hearing this LP I am not too surprised. Hopefully they still perform at the commune. If so, what a joyful occasion it must be: simple lyrics calling either for peace, party love and sex, or all of the above, sang by a lead vocalist who reminds me of the great Sky Saxon at his, shall we say, enthusiastic best. I wonder if he wears a headband it sounds like he does.
This is certainly a LP for all fans of late 60s rock n roll or people who just want to own the craziest version of ‘Scarlet Ribbons’ ever recorded.
Brian ‘Bordello’ Shea joined the Monolith Cocktail team in January 2019. The cult leader of the infamous lo fi gods, The Bordellos, has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. Each month we pile a deluge of new releases on his virtual desk to see what sticks.
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