MATT OLIVER’S ESSENTIAL HIP-HOP ROUNDUP





Singles/EPs

No time to celebrate 50 Cent becoming a bitcoin millionaire or Snoop releasing a gospel album, or Mos Def and Talib Kweli touting a Black Star reunion produced by Madlib. Right about now, groggy jazz from Jazz T and bleary digs from Lee Scott make potent points on ‘Ceiling’/’Urn Money’, matched by sweet and sour remixes from Pitch92 and Sleepwalker. The superior, subliminal sales technique of Genesis Elijah primes ‘How to Lose Fans and Alienate Listeners’ as a bestseller and puts a police cordon around the club. Weighing in at a headbanging ‘310 Pounds’, Juga-Naut and Mr Brown use the devil’s horns as their finishing move. A good heart these days is hard to find, so Ty giving you the benefit of his 20/20 vision is like a shot from Cupid on the breezy seesaw ‘Eyes Open’ featuring Durrty Goodz.





Wise-past-midnight pair Summers Sons are ones to cling to when the next weather warning comes calling, ‘Undertones’ an EP of sticky jazz drifts keeping it moving while remaining perfectly still. In the same postcode, Fanshore & Tropic’s touch of the ‘Reaper’ finds Hawaiian flutter in the Big Smoke, and the softly spoken stream of Coops’ ‘That Jazz’ means now he’s gonna rip you apart. Thug paradise, J Rocc-style, is to blend Mobb Deep and Sade into a whole new bunch of quiet storms. Tasked with the smooth operation of hijacking every 80s wine bar ever, six ‘Thug Ballads’ copy-and-paste their way up for coffee.





Underground bout of the year is found on the comic book crash course ‘Nautical Depth’, where Czarface and DOOM cause forum frenzy with pay-off lines galore and a bassline drilling into your ears. Apathy has also been busy doing dream team deals, appearing with Pharoahe Monch on the Pete Rock-made ‘I Keep On’, then swinging hard over ‘The Order’ of DJ Premier. On the move and on the loose, Sav Killz’ ‘Thundercats’ calls to the wild for some rough and tumble sent cartwheeling by Dirty Diggs. Credit to PHZ-Sicks for turning Sisqo’s most infamous panty raid into a hard hitting address causing ‘Riot in My Memory’. Moodie Black’s punishing industrialism lead by guesting gatekeeper Ceschi sews ‘Lips’ shut; dangerously atmospheric, as hell’s gates remove their padlock. Fake news gets a brick of actual fact to the face, unexpectedly from People Under the Stairs, playing the role of upset press blowing ‘Dog Whistles’.






Albums

Dr Syntax and Pete Cannon are back in full effect, opening up essential dialogue on ‘Let’s Talk’. Ever the polite pop culture vulture, Syntax thumbs through school photos and double-barrels the handbook of how to be an upstanding citizen and a hip-hop A-Z, with Cannon’s bruising beats keeping it cheeky, including one of his infamous Commodore-sponsored jungle jump-ups. Entertaining each and every time, the double act should be kept on speed dial in case of emergencies.





The main pastimes in the 20-strong Brighton borough of ‘Wizville’ are savagery and thrill rides. Ocean Wisdom stretches his rep with that 0-to-60 flow causing heart tremors, playing with the pitch control on the beats to alter the shades of black and blue he leaves the scene with, and placing guests Method Man, Rodney P, Roots Manuva, Jehst and Dizzee Rascal as almost incidental. Just when you think he’s showing signs of flagging, the assault rages on, maintaining Wisdom’s impressive ascent and already giving 2018 plenty to ponder.

 

Farma G’s wistful beats introduce ‘The Sentimental Alien’ to the modern world. Wishful thinkers and regal peace seekers from the Task Force intel, make it easy for handpicked emcees like Recognize Ali, Ric Branson, Smellington Piff, Anyway Tha God and Dirty Dike to dirty up a sound tinted a fine shade of rose. The custom brand, don’t-care daggers flung by Lee Scott and Black Josh create the monster that is the B-Movie Millionaires. With Sam Zircon behind the camera and keeping things eerily sluggish/sluggishly eerie, ‘Attack of The 50​,​000 Ft Sweg Lawds from Outer Space’ is a slumping battle royal of a snuff flick, a beast showing how it “put two and two together and got triple six”. The cure for a sub-zero February is having Pupils of the Clock waiting on you, enterprising Cornwall pair Tok and Lazy Eyez forging a clear path through crisp beats nudging the drowse button and sixth sense connections on ‘Timeless’. No danger of them following through on the declaration that “when we’ve got nothing left to say, that’s the point that we’ll call it a day”.





From the moment he draws first breath on ‘Weather or Not’, Evidence embarks on a masterclass. The man himself states “there are no wasted words”, inspiring under grey skies (the Dilated Peoples man is always better when there’s a storm afoot), holding your attention, and making you feel he’s dismissing (though not dissing) you as he lays everything bare with no discernible change in temperament. The forecast? One of 2018’s best.

Putting “the sublime in the subliminal”, Skyzoo’s ‘In Celebration of Us’ is some of the smoothest psychology and concrete consciousness you’ll hear this year. Written in the streets, penned to stir and examine the soul with his conversion of gunfingers to quotation marks, and cornering both the lounge and the late night creep, Skyzoo raises a glass with vitamin-rich articulation undercut with provocation, and making it look easy while his does it. One to be toasted over and over.



After Adrian Younge offered you ‘Twelve Reasons to Die’, Apollo Brown gives you another dozen dirty deeds to hold your head high by/duck down to. Repackaged as ‘The Brown Tape’ with Ghostface Killah exacting sepia-toned revenge, Wu-Tang Clan members to the right (wild for the night), and Brown providing his own gentlemen’s agreements regarding dead body disposal, it’s a classy sister dynasty mixing noble finesse and brute strength. With Sonnyjim selling you glamorous 70s crime and circling the block like a vulture, Chicago’s Vic Spencer puts his business card in the shop window for the rest of the year on ‘Spencer for Higher’. Top of his CV: the perfect voice for completing a schemes and hustles to-do list, and spitting with a charm happy to chew you up and spit you out.





You can’t keep a good man down, and Planet Asia, riding beats like a son of a gun about to clean up town, gets you wise to the ways of ‘The Golden Buddha’. That West Coast flow is still in fine fettle, sounding typically parched but never found dousing his disdain for non-believers and those slow on the draw. Still a deadlock breaker you can trust.

 

Room temperature boom bap sending you to the land of head nod, Klim Beats adds to the instrumental handbook focusing on jazz and funk. Hip-hop to do your spring cleaning by, though you’ll do well to come up as spotless as the Ukrainian’s ‘Natural’ sound. Looking to goad emcees into action, Badhabitz unveils a bulk of soul flips and darker omens. Staunch kicks and snares earning top dollar throughout, ‘Beat Library Volume 1’ makes itself easily available for your ears.

 

Under the name of an end of level boss with an Esoteric twang, Rock Mecca fights for the right to earn the freedom of ‘Ironworld’. To a flood of swirling symphonies within touching distance of Armageddon and pyrotechnics bankrolled by Hollywood, Vast Aire, Roc Marciano, Kool Keith and Canibus all try on knuckle dusters for size. Those unable to stand the heat will quickly be directed to the kitchen door. Now for the new album from Ugly Duckling’s Andy Cooper, in three easy, foolproof steps: grab a microphone, despatch a bunch of funk breaks hula-hooping or celebrating Mardi Gras, and invite Blabbermouf and Abdominal to challenge the rules on tongue-twisters. Doing what he does best, that’s ‘The Layered Effect’ for you.





For your eyes only: Cut Chemist versus the photofit, and hooray for Hozay.







Advertisements

CHOICE TRACKS OF 2017: PART FOUR
SELECTION: DOMINIC VALVONA, AYFER SIMMS, MATT OLIVER





Wrapping up 2017 with the final part of our quarterly playlist revue, Matt Oliver, Ayfer Simms and Dominic Valvona have chosen another eclectic genre spanning collection of ‘choice’ tracks from the latter end of the year. From the Golan Heights (TootArd) to the cantons of Switzerland (Ester Poly), from weaponised disco pop (U.S. Girls) to attacking vibrant Curaçao electro protest (Kuenta i Tambú), from Gilbert and Sullivan cerebral pop (Sparks) to unearthed lost golden 60s nuggets (Cymbeline), this last curtain call of the year playlist reflects our tastes and opinions, and reflects what has been an anxious, unsettling twelve months.


Tracklist:

Mark Barrott  ‘The Pathways Of Our Lives’
Snapped Ankles  ‘Hanging With The Moon’
Kuenta i Tambu  ‘E Kalakuna’
TootArd  ‘Laissez Passer’
Mustafa Ozkent  ‘Kasap’
Los Camaroes  ‘Mbembe Ndoman’
The Movers  ‘Kansas City’
U.S. Girls  ‘Mad As Hell’
Destroyer  ‘Cover From The Sun’
Wild Ones  ‘Invite Me In’
The Moth Poets  ‘The Shabby Gentlemen’
Ester Poly  ‘Dienstag’
Alpine Those Myriads  ‘Mail Order Doom (WHWGH)’
L’Orange  ‘Cooler Than Before’
Danny Watts & Aye Mitch  ‘Young & Reckless’
Evidence  ‘Jim Dean’
Thavius Beck  ‘Akhenaten’
Ocean Wisdom  ‘Eye Contact’
Antiheroes, Lee Scott & Salar  ‘No Sleep Till Mars’
Psycho & Plastic  ‘Boojum’
Alexander Stordiau  ‘Fulfilling Eclipse’
Solo Collective: Anne Muller & Alex Stolze  ‘Solo? Repeat! (Live)’
Audiac  ‘Gospels Unreal’
Bjork  ‘Arisen My Senses’
Miles Cooper Seaton  ‘I Am That’
Gwyneth Glyn  ‘Tanau’
The Cornshed Sisters  ‘The Message’
Girl Ray  ‘Preacher (Radio Edit)’
Wesley Gonzalez  ‘Piece Of Mind’
Cymbeline  ‘Strax Nedenfor Tomen’
Martian Subculture  ‘Chewing Gum’
John Howard  ‘From The Morning’
Sparks  ‘I Wish You Were Fun’

Previous Quarterly Playlists from 2017:

Part 3

 

Part 2

 

Part 1



MATT OLIVER’S ESSENTIAL MONTHLY HIP-HOP ROUNDUP





Singles/EPs

With Rapture & Verse writing letters to Santa asking for Record Store Day specials from Prodigy, Dilla, Three6Mafia, Latyrx and a not-safe-for-turntables Christmas ice breaker from Kool Keith, the long held preconception that bad boys move in silence proves to be nothing but fake news. To the tune of stink-eye jazz, a warning shot causing whiplash is Ocean Wisdom maintaining ‘Eye Contact’, flowing comfortably before reaching his trademark warp speed without loss of clarity. Fresh hell from Onoe Caponoe unsheathes a similar typhoon tongue, taking the form of ‘Pennywize’ to a trap hammer horror thrown under the bus with the kitchen sink. Res One’s clinical and dangerous ‘Preach Nothing’ ensures you’ll burn in hell, Vicious Creep producing a funeral hymn remembering a Wild West shoot out. Beads jangling, consider the bird well and truly flipped when Dabbla goes ‘Flying’ – only first class, of course. Even the proper Professor Elemental is sent into a tailspin when James Flamestar turns ‘Knock Knock’ into a sub-EDM battering ram.





Bring your bludgeoned ears to the house of Handbook, who’ll look after you (and many an emcee) with the soulfully strong instrumentals ‘Holding You’/’Nightlife’. MrE simmers down and lights up with ‘Fairy Tale’, a well executed storyteller twisting bedtime favourites and fables into a pointed Bronx lullaby. But if you’re sitting comfortably to Beatnick Dee & Allen Poe’s ‘Composure’ EP, the LA-Kentucky match-up will pull the seat from under you, soulful for body and brain, with a conscience prepared to do double shifts. Fearing the worst when a club track called ‘Opulence’ with a poolside sleeve is cued, K Gaines leads the flashy set a merry dance with funk and flow setting and nailing simple targets.

One of Sage Francis’ signature fact-finding devastations gets a re-up, ‘Hoofprints in the Sand’ remixed by SonOfKarl as homely calm tries to keep the wolves from the door. Coating bar after bar in blood, KXNG Crooked & Royce 5’9” dispense ‘Truth’, ruthlessly bursting the bubble of bleary trap whose race sounds run. One of DJ Premier’s back pocket boom bappers gets A$AP Ferg to reclaim ‘Our Streets’, a nice beats and rhymes combination operating at about 75% and still eliminating imitators and New York naysayers in their droves. Another DOOM special team – metal-faced sagging meeting the street-carbonated Westside Gunn – comes more underground than a mole’s metro system, on the picture disc payday ‘Gorilla Monsoon’/‘2 Stings’.






Albums

Cappo, Juga-Naut and Vandal Savage power up again as valued vehicle of vengeance VVV, using the pointed end of the dunce cap to gut opposition on ‘Bozo Boyz’. Wearing Nottingham swagbasco like its rockstar cologne, the trio take apart prowling club beats powered by the high beams of an 80s sportscar, a wink and a nod helping slice through lingering gunsmoke.





Reading last rites on ‘2000BD’, Babylon Dead are the governing body of Illinformed, in bedevilled form on the boards, and Jman, riding dirty with ragga rawness on the mic. An uncompromising last days scorch that can you make jump and shout as much as sending you cowering to the corner. The ever bloodshot Bisk and his supply of dropped out hip-hop continues unabated, the typically fitful ‘Fly Sh!t’ and his affiliation of anything but tranquil tranquilizers, Morriarchi, Lee Scott, Sam Zircon and Drae da Skimask, dealing in lo-fi at extreme pressure. Back for seconds, DJ Format and Abdominal adjust the napkin for ‘Still Hungry: The Remixes’, eight extra courses of funkiness that you don’t even have to tip the dynamic duo for.





We’ve all thought it – Armand van Helden and Jan Hammer would make a toothpaste-selling dream team. For now, it’s Armand Hammer leaving Chelsea smiles, New York duo Elucid and Billy Woods heading to ‘Rome’ as underground gladiators whose coat of arms reads “I’m the solution, I’m the condition, I’m a symptom”. Dense, sprawling heat, headed by Messiah Musik and August Fanon on some press-record-and-go business, ‘Rome’ becomes a coliseum-sized battle when reality and ill illusions converge.

The dapper delights of L’Orange’s ‘The Ordinary Man’, instrumental top hat and tails with the creases kept in, create an evocative performance capturing in black and white a concerto producer forming his own magic circle. Right hand men drop in on the mic – Blu, Elzhi, Del, Oddisee – to flank a fantastic sample archive wearing a slightly world-weary pose, from a producer whose trick-from-sleeve ratio remains visionary.





Bringing bangers from the Balkans to Boston, Mr Lif runs with Brass Menažeri for an album of oompah-pa power. ‘Resilient’ sees Lif’s customary nose for a cautionary tale and willingness to occupy outside space, woven to a backdrop of massive horns and cosmopolitan live musicianship let off the leash. Hearty but no novelty, the odd couple/fantasy lineup raises smiles and earns respect.

D4rksid3’s ‘The Dark Tape’ is an envoy of gloom, but slick with it, nestling in hip-hop’s recesses but keeping it moving and able to scoop victory from the jaws of defeat. What starts as groggy gangsterism sparks into life when Meyhem Lauren & DJ Muggs strike gold in uncovering ‘Gems from the Equinox’, a shady, honour-shattering set that with Roc Marciano Action Bronson, Conway, and Mr MFN eXquire in tow, gets into the groove of steam rollering suckers stoopid. Music to out-train Rocky to, Stoneface’s ‘The Stone Age’ runs strictly on rugged terrain on his way to affirmation, quiet storms dive-bombing off clifftops. Do not listen if you’re not up for the fight.



“Boom bap be the music of choice, baritone be the range of the voice”: on an album called ‘Back to the Basics (The Boom Bap)’, the demands of LS Camp are pretty plain. Defenders of the faith who sail smoothly through beats and rhymes, without viewing the world through rose (or golden) tinted glasses. Talking of smooth, Blu & Exile’s ‘In The Beginning: Before the Heavens’ is a prequel talking a lot of sense as it sits atop its predecessor like California cream on top of flavourful pie.

 

Mixtapes

Accomplished enough to be an album in its own right, Sampa the Great’s ‘Birds and The Bee9’ brings to mind the best of Bahamadia. As much as a relaxant as a pricker of ears, global vibes and soulful, gossamer licks consistently dropping shamanic B-girl jewels, confirm one-to-watch status. Chris Read reruns the fun of The Pharcyde’s ‘Bizarre Ride II…’ with a 25th anniversary mix giving you 48 minutes of all the band’s celebrated, accelerated funk and foibles, plus the finger food in between.



On this week’s Gogglebox: Chester P’s premonitions, Rye Shabby’s hometown tour, and Rapsody’s ascension.










Look out for Rapture & Verse’s picks of the year in Monolith Cocktail’s comprehensive 2017 round up, coming soon.


%d bloggers like this: