The playlist revue is our chance to pick out the choice tracks that represent the last monthly period in the Monolith Cocktail’s output. This includes new releases and the best of reissues, plucked from the team: that’s me Dominic Valvona, Brian ‘Bordello’ Shea and Matt Oliver.

February’s edition features another flight of African fantasy from The Invisible Session, a teaser from next month’s Edo Funk Explosion (released by Analog Africa), the post-punk, krautrock wrangling of Camera, Kabbalah C86 indie of Mazeppa, a stripped down in lockdown version of The Wedding Present, the third single from the Joy Division meets Smiths too-cool-for High School, and an array of essential Hip-Hop cuts from Strange U, Jam Baxter & Sumgii, Illman & Norm Oddity and Your Old Droog. In all, 40 eclectic tracks.

Tracks:-

The Invisible Session  ‘West island’
Akaba Man & The Nigie Rokets  ‘Ta Gha Hunsimwen’
Byard Lancaster  ‘Jazz Lady’
Altin Gün  ‘Sevda Olmasaydi’
Samba Touré  ‘Tamala’
Baeshi Bang & Ip Koa Son  ‘Guna Hae’
Camera  ‘Kartoffelstampf’
Hifiklub & Eugène Chadboune  ‘Torso Corso’
White Ring  ‘Got U’
Hooveriii  ‘Control’
Haich Ber Na  ’87 Days’
Qwazaar/Batsauce/Hellsent  ‘No Ghosts’
th1rt3en & Pharoahe Monch  ‘Triskaidekaphobia’
Lion’s Drums  ‘Music From Memories’
Mazeppa  ‘Storm’
The Crushing Violets  ‘Embers’
The Wedding Present  ‘You Should Always Keep In Touch With Friends’
Dolph Chaney  ‘Status Unknown’
Ocelot  ‘Perhosia’
HighSchool  ‘De Facto’
The Legless Crabs  ‘Billy Joe (L)’
Strange U  ‘Maybe’
Jam Baxter & Sumgii  ‘Salsa Valentina’
Roc$tedy  ‘Gemini (Heaven & Hell)’
Illaman & Norm Oddity  ‘Ok!’
Your Old Droog & The God Fahim  ‘The Dunking Dutchman’
Grant Shapiro & Kool Keith  ‘42nd Street’
Nous Alpha & Christopher Bono  ‘Fibonacci Failure’
Graham Costello’s Strata  ‘Eudaimonia’
Lon Moshe/Southern Freedom Arkestar/Black Fire  ‘The Hutch’
His Name Is Alive  ‘Either’
Mapstation  ‘No No Staying’
Obay Alsharani  ‘Northern Lights’
Anansy Cissé  ‘Nia’
Jah Wobble  ‘Old Jewish East End Of London Dub’
Liz Davinci  ’10:23’
Animal Collective  ‘Sand That Moves’
Dom La Nena  ‘Todo Tiene Su Fin’
Marianne Faithfull & Warren Ellis  ‘She Walks In Beauty’
Matthew Sweet  ‘Best Of Me’

Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.

Monolith Cocktail Social #52

February 10, 2021

Playlist/Dominic Valvona

The inaugural Monolith Cocktail Social playlist of 2021, the blog’s eclectic/generational spanning version of our ideal radio show, includes the unusual mix of wonders, gems, missives and oddities from across time. With a couple of tracks in tribute to those we’ve recently lost too (including former down ‘n’ dirty Doll face glam puss Sylvain Sylvain and British progressive folk darlings the Trees siren Celia Humphris).

Tracks:..

Grazia  ‘Soyle Beni’

Tiger B. Smith  ‘Everything I Need’
Sylvain Sylvain  ‘Trash’
The Spaceshits  ‘Backstreet Boogie’
Paladin  ‘Third World’
Prince Lasha, Sonny Simmons  ‘Psalms Of Solomon’
Hareton Salvanini  ‘Seios’
Cleveland Eaton  ‘Chitown Theme’
Rotary Connection  ‘The Weight’
Christy Essien  ‘Take Life Easy’
King Tee  ‘At Your Own Risk (Marley Marl Remix)’
Blade  ‘Fade ‘Em Out’
Killa Instinct  ‘The Bambi Murders’
Black Sheep  ‘Yeaaahhh’
Marion Brown  ’27 Cooper Square’
Night Beats  ‘Don’t Be Afraid Of The Dark’
Tucker Zimmerman  ‘Bird Lives’
Anne Briggs  ‘Step Right Up’

Trees  ‘Epitaph’
Sven Wunder  ‘Toryanse’
Jody Grind  ‘Plastic Shit’
Andrew Cyrille  ‘Metamusican’s Stomp’
Colosseum  ‘Take Me Back To Doomsday’
Electric Moon  ‘Hotel Hell’

Rialto  ‘Untouchable’
Made In Sweden  ‘Winter’s A Bummer’
Mythos  ‘Terra Incognita’
Odd Nosdam  ‘Wig 02’
Rancho Relaxo  ‘Sugar For The Devil’
Annexus Quam  ‘Osmose I’
African Head Charge  ‘Crocodile Shoes’
MRR-ADM  ‘11even’
The Auteurs Vs µ-Ziq  ‘Chinese Bakery’

Colin Newman  ‘I’ve Waited Ages’ Martin Dupont  ‘I Love The Lovers’
Ron Geesin  ‘Parallel Bar’
Krohme  ‘Goon Opera’
Azanyah  ‘Let God Come First’
Yumi Arai  ‘曇り空’
Dino Valente  ‘Tomorrow’

Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.

Playlist/Claudia Calabresi

The Monolith Cocktail has been exchanging posts with our pen pal partners at the leading Italian music publication Kalporz for the last two years or more now; an exchange that continues unabated in 2021. Claudia Calabresi shares a new proposal: the IT-alien column of emerging talent from Italy’s underground music scene.

Not only xenophiles: today we inaugurate our IT-alien column, dedicated to the most interesting emerging voices in the Italian panorama, chosen for you by our editorial staff.

There are many artists in the Italian underground waiting to be discovered: and from the prolonged absence of the live shows that could launch them, the need arises for an alternative, virtual channel that can talk about them instead of concerts.

If you don’t want to miss the news follow the constantly updated playlist, our website and social profiles.

In the meantime, we reiterate the invitation to report your singles and debut albums to comunicati@kalporz.com.

Ready?

Playlist/Writings: Dominic Valvona

It’s taken a number of months to filter through to the fans and general public, but the Fantastic Four nemesis inspired indomitable Hip-Hop pioneer MF DOOM, nee Daniel Dumile, passed away at the age of 49 on October 31st 2020. Though hardly a disguise, the metal-faced maverick of underground Hip-Hop kept up a cool, mysterious persona throughout a thirty-year career.

Perhaps one of the most influential game-changers in the genre and beyond, DOOM will be sorely missed as an independent producer, rapper and mentor. Difficult to pin down, and keep up with, DOOM’s various masked turns (MF DOOM, DOOM, Viktor Vaughn, Zev Love X) churned out a prolific catalogue of quality inventive and playful meta-reference releases; starting out as Zev Love X in the Long Island (“but we call it strong”) ‘Kausing Much Damage’ trio on the cusps of the 1990s. Abbreviated to KMD, they released one of the best debuts of the entire era, the now classic, Mr. Hood. Tragedy struck with the loss of his brother and fellow KMD founder, Subroc – who died in a freeway-crossing incident in 1993. Further more the trio’s label Elektra shelved an admittedly controversial, baiting follow-up album: Black Bastards. All of which led to five years in the wilderness for DOOM, before reinvention and the donning of the mask that would stay with him for the rest of his music career. Re-energised and determined to plough his own furrow, DOOM began a solo and collaborative pathway, working with a who’s who of underground talent, including Madlib and Danger Mouse. From the Monsta Island Czars all-stars team-up to his work with a new breed of rap stars, such as Bishop Nehru, DOOM leaves behind one of the greatest legacies in Hip-Hop: though his influence, creativeness, wordplay, pop culture, visuals and artwork reaches far beyond rap music.

Having followed DOOM since the very beginning, I’m personally saddened to see him gone. But in the spirit of celebrating that vast cannon of work I’ve selected a curated pathway through the DOOM cosmology. I’ve also included an essay-style deconstruction I wrote many years ago on KMD’s debut album, Mr. Hood – which you can find below the playlist link.

KMD ‘Mr. Hood’: A Deconstruction

From the shores of Long Island, hauling out of New York’s surrounding areas: K.M.D – an abbreviation that is either referred to as ‘Kausing much damage’ or ‘A positive kause in a much damaged society’, take your pick – were part of the second Native Tongues wave; alongside the likes of Brand Nubian and The Black Sheep.

Originally formed whilst still in collage, the Dumile brothers, better known as Zev Love X and Subroc, along with their sparing partner Rodan – also known as Jade 1 – started rapping together during the late 80s.

Rodan soon slipped off the radar, preferring to finish his education, rather then pursue the dream. His replacement was the gemstone moniker Onyx.

The trio soon caught a break with a guest slot on the 3rd Bass LP ‘The Cactus’ in 1989. Dante Ross, the A & R man and member of The Stimulated Dummies Hip Hop production squad, was impressed enough with their innovative skills and delivery to sign them up to the Elektra label the following year, after the Bass’s M.C Search recommended them.

Zev Love X was of course the early birth of that metal-faced maverick and crusader MF Doom, an alter-ego he later adopted, born out of the tragic loss in 1993, of his brother, Subroc – he was killed in a tragic freeway crossing incident – and at the embittered rage he felt after being sucked into the music industry and then un-ceremoniously spat out.

On ‘Mr.Hood’ you can already hear his undercurrent of cynicism and contempt, articulated in a flam-filled throaty delivery; like an apprentice you can hear him finding his feet.

The debut album caused minor ripples, with its adopted use of racist sound bites, miss-directed use of English learning instructional records from a bygone era, appropriation of much loved kids TV puppets and antagonizing Malcolm X speeches.

K.M.D cleverly assembled a collage of inflammatory and discriminate language, which ran alongside satirist and humorous skits – much in the style of De La Soul and The Leaders of the New School – to create a highly ambitious commentary on their own backyard.

There is a central theme running throughout, with the Mr.Hood character of the title popping up in many memorable sketches and miss-quoted exchanges. His contributions are lifted from an old English language course from the 50s, which throws up all kinds of unpleasant, and quite frankly racist, dialogue – well it comes out that way when manipulated as it is.

Our protagonist’s colloquial tones open up the album, as he goes on a wrecky to the local downtown Long Island jewellery shop (misspelt intentionally on the album I assume) where he bumps into Zev Love X, as he attempts to wrangle with the proprietor over an over-priced watch.

He appears on near enough every other track; with his oddly misconstrued and out of kilter with the modern times queries and insults, which draw sharp breaths of disbelief from the trio, or deride ridicule from the local cast of characters, as he meets them on the street corner or at the barbershop. Also making a surprisingly eye-opening appearance is Sesame Street favourites, Bert and Ernie, who amusingly turn up on the tracks, ‘Who Me? (with an answer from Dr.Bert)’, to look for “little sambo”, and on ‘Humrush”, where they nasality hum along with the group.

Musically the beats are of an R’n’B and soulful nature, with samples crafted from the Isley Brothers – their ‘I Turned You On’ track is sampled on ‘Who Me?’ – Shirly Ellis – her ‘The Nitty Gritty’ is used on ‘Nitty Gritty’ – O C Smith – ‘You Can See Forever’ and ‘The Sounds Of Goodbye’ used on ‘Peachfuzz’ – and The Hassles – ‘4’o’Clock In The Mom’hour Of The Wolf’ is used on ‘Subroc’s Mission.

There’s even a re-appropriated use and borrowing of both De La Souls ‘Potholes In My Lawn’, on the tune ‘Hard Wit No Hoe’, and A Tribe Called Quest’s ‘Push It Along’ on ‘Nitty Gritty’.

All these beats are sophisticatedly layered and used quite subtly as a backdrop – you will notice that they are always lower in the mix, and seldom overawe the vocals – and is made-up of 808 drums, Jim Reed-esque organs, tightly packed thumping drum beats, taut wielding guitars, Stax rich bass lines and harmonica.

Any scratching is kept to a bare minimum, with the turntables skills arriving via the acute cutting, mixing and editing of samples and speech; mostly executed by Subroc.

The lyrics are dished out amongst the trio, with each member usually taking it in turns to step to the mic or guest in a solo spot, though Zev does tend to get a larger share then his partners.

A heavily laid-down mix of pro-Muslim rhetoric and protest goes up against the often-whimsical episodes and comical storytelling. Inspired by the teachings of Clarence Smith (known as Clarence 13X), and his splinter group the Five-Percent Nation – an offshoot from the Nation Of Islam – many of the lyrics encapsulate the beliefs and metaphors of this Harlem born sect.

On the opening track ‘Mr.Hood at Piocalles Jewelry Shop/Crackpot’, Zev articulately jams in the syllables, unravelling a kindergarten tale of following the wrong path in life:

“I first met Crackpot in like Head Starts,

And then I knew he wasn’t too head smart cuz as I scribbled in art,

He insisted on standing in the sandbox to collect unknown amounts

of pebbles and stones to throw rocks!’

By the end of the song, Zev bemoans to Mr.Hood about the negative allusions made about his race, and at the depressingly predictable decisions certain black males take: reminding them of their heritage and lack of ambition he almost exasperates:

“We built this place man,

We’re the Gods of the Universe,

Kings and Queens of the planet!”

On the highlight track ‘Who Me?’ Zev rides on the derogatory comments and ethnographical implanted stereotypes of the black race:

“Pigment, is this a defect in birth?

Or more an example of the richness on Earth?

Lips and eyes dominant traits of our race,

Does not take up 95% of one’s face.”

Sibling Subroc, has a more skipping and bouncy terminology to compensate against Zev’s; his own jam ‘Subroc’s Mission’ follows along a loose narrative of street slang and obscure references, whilst the birthstone kid, Onyx, unleashes his torrent of humorous one-liners and staccato stuttering tongue-twisters, over the soul shaking R’n’B horn blasting ‘Boogie Man’:

“Now check it, don’t miss this,

Lick them while I diss this sarcastic bastard,

Of which I’ve been mastered”.

They’re joined by fellow Afrocentric compatriots, Brand Nubians, on the super-rap wordplay riffing chorus-line of ‘Nitty Gritty’. The Nub’s own grandly entitled Grand Puba Maxwell, gives the K.M.D boys a run for their money on the lyrical wordplay:

“God cipher divine as I build on the incline,

Quick to help another, cause I know I’m a get mine.

Build-powers think they’re hard, but they’re killin’ their own kind,

Emphatically no, divine evil got him in his mind”.

Each of the two crews members line-up to show off their dexterity, which revolves around quotes, passages and the teachings of both the Nation of Islam and the offshoot 5-Percenters, name-checking the grand design of their creator, the Pyramids and oppression.

The rest of the album often throws up some unsettling mentions of “white devils” and other uneasy rhetoric, with a heavy use of Malcolm X’s speeches – his famous “he’s a wolf, and you’re a sheep” quote appears on the ‘Boy Who Cried Wolf’ track – from his Nation of Islam days; though it must be pointed out that he eventually publicly left the group, breaking away to form his own splinter group which had a far mellower attitude to the white folk – as long as they were Muslim, of course. But this often cited prose is always counter-acted with the satirical use of cartoon characters and humorous anecdotes.

Mr.Hood’ holds up extremely well, proving to be one the more accomplished albums from the period. Those conceptual themes, so essential to many of the Native Tongues collective, shows exceptional moments of creativity and talent.

Unfortunately their follow-up, no messing, album ‘Black Bastards’, didn’t sit well with the label, held-back and consigned to the vaults for nearly a decade. Both its content and provocative imagery – the cover sports a rubber-lipped characterture of a poor unfortunate black fellow with a noose around its neck, waiting in anticipation for someone to fill the blanks in a fatal game of Hangman. An ultimatum of sorts was made, ditch the cover or else! Of course this never happened and the album was never put out until a later reissue package under another label finally made it to the public – I was lucky to get a rather rough bootleg tape version of 5-tracks, but waited until the noughties to finally get my hands on a proper copy.

‘Black Bastards’ omitted much of the more comical interaction and playfulness, replacing the colourful samples catalogue with a more layered backing, and adding a more heavily laden set of lyrics to counter the whimsical postulations of the debut.

The birthstone kid had of course already jumped ship, leaving the brothers alone to deliver the much-anticipated second LP. Subroc took on all the production duties and assemblage of samples and beats; creating so much material that his brother used some of these sessions on his later MF Doom recordings – including most notably ‘Hoe Cakes’ from the seminal cuisine obsessed ‘Mmm Food’ album.

Tragically as I’ve already mentioned, Subroc was killed whilst crossing a freeway in 1993, putting the albums release into further turmoil, though the controversy over the artwork had already put a kibosh on it ever making the stores.

With the album shelved, resigned to cover dust in the vaults, Zev Love X began his wilderness years. It would be 5 more years until he was re-born as the vengeful MF Doom.

Dominic Valvona

Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.

PLAYLIST SPECIAL: Dominic Valvona/Matt Oliver/Brian ‘Bordello’ Shea

The Monolith Cocktail bow out of the annus horribilis year of the great Covid-19 plague with a seven hour behemoth of a playlist: the ultimate summary, revue of the year in sonic awakenings, wonders, magic and the challenging. Tracks have been picked from our recent ‘choice albums features of 2020’ (Part One: A-E, Part Two: F-N and Part Three: O-Z), plus a smattering of music from those albums we just didn’t have room for but loved: Leron Thomas, Netta Goldhirsch, Les Freres Smith, Sad Man, Ancient Plastix, Your Old Droog, Dream Parade, Deutsche Ashram, the Chicago Underground Quartet and more. Expect to hear everything and anything.

Thanks for all your support during the last taxing year. We’ll see you all in the New Year with a packed schedule of new music – the early indications are it is going to be another great, bustling year of releases. If you do feel like helping us out, keeping is afloat, or just as a thank you, here’s our begging bowl message: Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.

PLAYLIST REVUE/Dominic Valvona/Matt Oliver/Brain ‘Bordello’ Shea

Join us for the most eclectic of musical journeys as the Monolith Cocktail compiles another monthly playlist of new releases and recent reissues we’ve featured on the site, and tracks we’ve not had time to write about but have been on our radar.

You can expect to hear everything and anything; from the best new Hip-Hop cuts (Swamp Thing, Atmosphere, Oliver Sudden), vintage Zimbabwean shoe shuffling (Hallelujah Chicken Run Band) and Anatolian psych (Moĝollar), needled post-punk lament (The Awkward Silences, Vukovar), synthesized peregrinations (Ancient Plastix) and more dystopian experiments in electronica (Seb Reynolds). Plus new tracks from Peter Cat, The legless Crabs, Tiger Mendoza, Martin L Gore, Kutiman, Geeker-Natsumi, Electric Jalaba and more…

Tracks:

Swamp Thing/Ollie Teeba ‘JumpThe Goblin (Ft. More Or Les/DJiRATE)’
The Du-Rites ‘Can’t Buy Groove’
Hallelujah Chicken Run Band ‘Kare Nanhasi’
Mogollar ‘Iklig D2D session’
Tiger Mendoza ‘KPS (Ft. Half Decent)’
Kutiman ‘Maasai In Dub’
Electric Jalaba ‘Cubaili Ba’
Martin Gore ‘Mandrill’
Geeker-Natsumi ‘Shinigami’s Watchin’ Me’
Tender Tones ‘In Dreamed Lives’
Atmosphere ‘She Loves My Not’
Ya Minko ‘Chambres Vides’
Open Mike Eagle ‘The Black Mirror Episode’
Aesop Rock ‘Marble Cake’
The Stance Brothers ‘On Top (Organ & Vibes)’
Oliver Sudden ‘My Old Wax (Ft. Jazz T)’
Dillion/Day Tripper/Yamin Semali ‘Long Division’
Mr. Lif/Stu Banges ‘Wave The Flag (Ft. Eternia/Insight)’
November Bees ‘All Is Well’
Novelistme ‘In A Dream’
The Awkward Silences ‘Other People Die’
The Left Outsides ‘The Wind No Longer Stirs The Trees’
Sinead O Brien ‘Most Modern Painting’
Le Volume Courbe ‘Fourteen Years’
Julia Meijer ‘Under Water (Ft. Fyfe Dangerfield)’
Luica Cadotsch ‘Azure’
Bloom De Wilde ‘Flying Carpenters’
Hooshyar Khayam/Bamdad Afshar Yə’ k’
Augenwasser ‘Work Wait Work’
Sebastian Reynolds ‘HAL’s Lament’
Ancient Plastix ‘The Dream Within The Dream Within’
Bunny & The Invalid Singers ‘The Certainty Kids’
Corticem ‘Planet Coronavirus: Dying Quasar’
Benedikt/Tuvaband ‘My Killer’
Liz Davinci/Underhatchet ‘While They Prey’
Gillian Stone ‘Bridges’
Vukovar ‘Silent Envoy’
The Legless Crabs ‘Redneck Scott Mccloud’
The Psychotic Monks ‘Confusion’
Peter Cat ‘Love Lurks’
Volcano Victims ‘Canicular Years’
Tina ‘Golden Rope’
Satin Glow ‘Crumbsnatchers’

Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.

PLAYLIST: Dominic Valvona

Regular readers and followers will know we celebrated the 50th edition of our imaginary cross-genre and cross-generational spanning radio show, the Monolith Cocktail Social, last month. Carrying on the good work for another fifty (though the last half century did take us 6 years), here’s the latest edition of oddities, smashing hits, novelties, the sublime and more.

We cater to everyone’s tastes, with Taiwanese disco (Juan-Juan Zou), French Ye-Ye (Jacqueline Taieb), petulant snot Krautrock covers (Disco Zombie), the glorious Benin groovers (Orchestre Super Borgou de Parakou), golden age Hip-Hop (Terminator X, Channel Live), Krautrock rock (Krokodil) and a multitude of genres, eras. There’s even a tribute of a sorts to the recently departed inimitable Scotsman Sean Connery.

Tracklist:

Juan-Juan Zou ‘Pond Side’
Bango ‘Mongoose Mix’
Jo Bisso ‘Love Beat’
Zafer Dilek ‘Kol Bastu’
Meitei ‘Oiran I’
Jacqueline Taieb ‘Bravo’
Velvet Crush ‘One Thing Two Believe’
Ninni Forever Band ‘Liekeissa’
Baron Zen ‘Fuckin’ Bored’
Kleenex ‘Hitch-Hike’
Disco Zombies ‘Sad Skinhead’
Prince Douglas ‘Hard Times Dub’
Phantom Band ‘Brain Police’
Meatraffle ‘Oh Corona’
THE NAMES ‘Discovery’
Keep Shelly In Athens ‘I See In Your Mind’
Gary McFarland & Peter Smith ‘Salvation Army Rags’
Man ‘A Night In Dad’s Bag’
Don Nix ‘Olena’
Chicago Underground Duo ‘Moon Debris’
Orchestra Super Borgou de Parkou ‘Abakpe’
Abu Obaida Hassan ‘Nas Fi Nas’
Mike James Kirkland ‘I Need Your Love’
Binary Star ‘Solar Powered’
Channel Live ‘Station Identification’
Da Youngsta’s ‘Rated P.G.’
Terminator X ‘Buck Whylin”
Funkdoobiest ‘Bow Wow Wow’
Biting Tongues ‘Bos Toyota Trouble’
Erlon Chaves ‘Me And My Baby Brother/Day By Day’
Jack van Poll ‘Objizdka’
Lunar Drunes ‘Moon Bathing’
Joe Meek & The Blue Men ‘Valley Of The Saroos’
Sergei Prokofiev ft. Sean Connery ‘Peter And The Wolf Op. 67: “This Is The Story Of Peter And The Wolf”‘
Roberto Musci, Giovanni Venosta & Massimo Mariani ‘Blue’
Krokodil ‘You’re Still A Part Of Me’
Euclid ‘Gimmie Some Lovin”
Mamman Sani ‘Gosi’
JuJu ‘Black Experience’
Lionlimb ‘Temporary’
Tear Gas ‘Lost Awakening’
The Plastic Cloud ‘Face Behind The Sun’
Key & Cleary ‘The Secret’
Furry Lewis ‘See That My Grave Is Kept Clean’
Sandy Harless ‘I Knew Her Well’
Alex Konadu ‘Obi Abawuo’

Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.

Playlist/Dominic Valvona

We’ve reached a milestone: the 50th edition of our imaginary cross-genre and cross-generational spanning radio show, the Monolith Cocktail Social.

That’s more than 3000 tracks of brilliance, the weird, the obscure and the cool shit; a series that started way back in 2013 as a way of creating the most eclectic of soundtracks. So as “inside” becomes the new “outside” in these pandemic times, relax and indulge in over three hours of everything you can suffix with the “Afro” tag, post-punk, desert blues, psychedelic, folk, soul, troubadours a plenty, Krautrock, dance, avant-garde and more. Even boomer doyen Joni Mitchell drops in with something new! What’s not to like.

Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.

Playlist/Video Premiere
Words: Dominic Valvona




Junkboy ‘Belo Horizonte’
Taken from the reissued/remasterd Sovereign Sky LP, released via Fretsore Records, 25th September 2020


Junkboy ‘Tropicalia Special’ Playlist
Available via Spotify


In the run-up to the release of Junkboy’s acclaimed 2014 cult album Sovereign Sky (released later this month), the Hanscomb brothers in partnership with Ian Sephton of Fretsore Records (who signed the boys back in 2019) have already shared the hazy-soulful Love-esque lapping tidal reflection single-video ‘Salt Water’ with the Monolith Cocktail’s followers, and now, furnish us with a second single of equally lush quality, the sauntering Brazilian psych lilt ‘Belo Horizonte’.

A culmination of Mik and Rich Hanscomb‘s experiments with a number of different styles, Sovereign Sky adopted a relaxed attitude to the pastoral, to cooing frat-folk, surf music, Britpop, the hip sound of Tokyo’s Shibuya Kei district and surprisingly, the languid sweltering rays of late 60s and early 70s Brazilian psych: otherwise known as “Tropicalia”. That album gave fair voice and a wistfully charmed backing of tenderly picked acoustic guitars, stirring strings and hushed, almost whispered, vocals to both the pains and loves of maturity. The brothers mellowed tones and introspection offered a mature observation on the world around them: especially, at the time, their relocated new home of Brighton. It’s a place in which Marc Eric meets Cornelius, and epic45 make friends with Harpers Bizarre; a place where Hawthorne, California and the beach samba saunter of Brasilia is transcribed to the English downs and seaside.






Not just to tie in with that forthcoming reissue release but also, as Mik Hanscomb offers, a reminder that “this is a music of resistance, and well, perhaps that spirit is needed now more than ever”, the brothers have also compiled a homage style playlist to their Tropicalia influences for us on Spotify.

It maybe the end of the summer, but the boys has provided the perfect comedown and ease into autumn. Enjoy.




The remasterd reissue of the previously limited Sovereign Sky is being released on the 25th September 2020 through Fretsore Records. You can read our original review in the link below, and also find previous Junkboy posts and premieres.



Junkboy ‘Salt Water’ Premiere (here)

‘Sovereign Sky’ Review (here)

 ‘Trains, Trees, Topophila’ Albums Of 2019 (here)

‘Waiting Room’ Premiere (here)




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