Our Daily Bread 362: Pulled By Magnets ‘Rose Golden Doorways’

February 3, 2020

Album Review
Dominic Valvona




Pulled By Magnets  ‘Rose Golden Doorways’
(tak:til/Glitterbeat)  LP/28 February 2020


Prime motivator/instigator behind a myriad of acclaimed experimental jazz outfits, Seb Rochford’s influences and scope could be said to be wide-ranging and highly eclectic. This is due in part to the prolific and very much in-demand polymath’s Anglo-Indian and Irish-Scottish heritage; all of which has been fed, transduced into contemporary luminaries Polar Bear, Sons Of Kemet and Basquiat Strings, his collaborations with such notable doyens as Patti Smith, David Byrne and Brian Eno, and his soundtrack work. Though it might not be initially obvious, but the Indian part of that heritage informs his newest and most dark, murky abstracted project yet, Pulled By Magnets. Imbued by that and recent travels to India itself, the pacing and timings of the improvisational colouring ‘raag’ permeate the serialism subterraneans of this new trio’s debut LP, Rose Golden Doorways.

Featuring fellow Polar Bear Pete Wareham on contorting inpained and withering saxophone and Zed-U and Empirical’s Neil Charles on stalking, menacing bass guitar duties, Seb instigates, sets in motion opaque industrial post-punk rituals and esoteric jazz moods from his drum kit on an album of both the primal and mysteriously cryptic – adding another layer of mystique and interpretation through the album’s artwork, Seb visually offers a number of numerical value symbols to decipher.

Recorded in a Stoke Newington church (of all places), the atmosphere is not so much godly as supernatural, often even chthonian. No holy communion here, rather a recondite performance of searching and roaming about in the darkness under various stresses. The album starts with a howl of machinery and industrial wanes; a heart of darkness oscillation of piercing quivers and Bish Bosch style Scott Walker mood accompaniment. From this the staccato and strung-out evocations move with a certain menace through a suite of pendulous tribal witchery, lurking leviathans, lunar prisms, dungeons and cosmic doldrums. Between the churning maelstrom and river Styx voyages you may hear shadows of Andy Haas, Arthur Russell, Massive Attack, Mani Neumeier, Faust and a sedated King Crimson. All of which is of course undulated with that transformed vision of classical Indian music; a melodic framework that has no direct translation to the classical ideas of European music, and so encourages this kind of experimentation that Seb’s new project grants it.

Not a jazz album in the traditional or even avant-garde sense, Rose Golden Doorways is Seb’s most amorphous dark exploration yet; a total escapism from the tangible. It will be interesting to hear where he goes next.






Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.

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