Our Daily Bread 644: The Cords, Fat Concubine, Ali Murray…
August 4, 2025
Brian ‘Bordello’ Shea’s Reviews Roundup – Instant Reactions. All entries in alphabetical order.
The Cords ‘Fabulist’
Single (Skep Wax Records) Released 22nd July 2025
‘Fabulist’ is a fine jingle-jangle indie pop rush of pure young person want; a sonic three chord extravaganza of the sound of young Scotland relishing the first flush of summer romance; a song to make an old man sit and weep at the loss of his youth and memories of the days when C86 was where it was at.
Fat Concubine ‘Empire’
Album (Cruel Nature Records) Released 12th September 2025
Empire is the sound of falling out of a nightclub worse for wear, staggering the dark cold streets, queuing in a chippy and ordering something with chips and covering it with gravy or curry sauce or both and then sloppily eating it spilling it all down your going out clubbing clothes while standing in someone else’s sick as you wait for a taxi not to show up. It is getting home and fumbling with your key to get into your abode and wondering both where did you put your phone and where on earth is the tv remote. You then pass out on the settee as your cat alternates nesting your chest and gently pawing your face. It’s great to be young.
Headless Kross/Poundland
Split Album (Cruel Nature Records) Released 12th September 2025
I have to admit to being a pop music lover. I’m a man who’s reduced to a quivering wreck by the sound of Billy Fury singing a song by Jimmy Campbell; a man who has to wipe a tear from his eye when a blast of 70’s pop nostalgia sneaks unexpectantly from the radio/tv. But that doesn’t mean I don’t love the sound of sludge rock, a little metallic evil blackness to avail itself to my inner soul. Nor does it mean I cannot get excited by one of the most important bands in the UK at the moment, that being Poundland doing what they do best in soundtracking the state of the UK with its pounding experimental punk rock attitude and noise, but with the right amount of melody to make it commercially viable to the general public: and the more people who get to hear their blast of wanton grinditude the better the good old jolly UK will become.
This split album by Headless Kross and Poundland delivers both the charming brooding sludge-like metal of Headless Kross and Poundland doing what they do best. And if you are so inclined to have a step away from middle aged men wanting to be Roger McGuinn, then this could well be worth your time and trouble and cash.
The Last Of The Lovely Days ‘No Public House Talk’
Album (Gare du Nord) Released 19th August 2025
This debut from The Last Of The Lovely Days is a rather lovely jangly guitar pop beast of an album; an album that once again evokes not just the golden days of indie pop but also has a rather fetching undercurrent of 60’s girl group panache – just like those two fine bands from the 80’s, The Shop Assistants and The Primitives, did so well. Songs that deal with the never grows old subject of love lost and found. And these fine songs are wrapped lovingly with charming melodies and hooks that will linger and help your day be a much more enjoyable experience.
Ali Murray ‘The Summer Laden’
Album Released July 1st 2025
It makes a rather pleasant change to receive an album from an artist from Scotland that doesn’t sound like Teenage Fanclub. Not that I may add, I have anything against Teenage Fanclub, I find them rather spiffing, but a change is as good as a rest or so they say.
The Summer Laden is in fact a rather lovely pop album of breezy mostly mellow pop songs. Indeed, it is “Laden” with the sound of summer, and has a melodeon sway that is quite bewitching, and could be Celtic cousins with that Welsh wonder of verse and catchy chorus, Armstrong (Julian Pitt).
Occult Character ‘Butterfly’
Single (Metal Postcard) Released 24th July 2025
“Float like a butterfly, sting like a bee” Muhammad Ali once famously said, and that would be a perfect description of this short new track by Occult Character, funnily enough called ‘Butterfly’, as it floats with an uneasy synth pop sway fluttering away in an eccentric manner, pulling one in with its gentle experimental charm only to be knocked out by the sucker punch of the dark brooding lyrics.
Oopsie Daisies ‘As If’
Single (Metal Postcard) Released 18th July 2025
Synth pop boogie at its finest. Yes, a song of charm and home recorded warmth that could have easily emerged from a demo tape from a budding new romantic dreamboat from the early 80s; a song that fills me with a quirky nostalgia of the days when there were three weekly music papers as well as the pop twice weekly No 1 and Smash Hits pop glossies. And it could well have been featured in all five: maybe not Sounds, As If would maybe a little too on the frivolous side for them.
Scotch Funeral ‘Ever & Ever’
Album Released 30th July 2025
If rumble tumble grunge fuzz-soaked guitar is heaven to your ears, then this fine album by Scotch Funeral is for you; an album of true indie rock ‘n’ roll. “New Found Happiness” is a melody pop punk delight worthy of Ash in their glory years; the closer, “In Dreams“, is a fine mishmash of Daniel Johnston like poetry and Nirvana like grunge; and “She’s A Writer” could have stepped straight off a K records compilation album. If Scotch Funeral were on K Records or a similar label of such acclaim, they may well get the attention they deserve, for they have that special something you cannot quite put your finger on that separates them from 99 per cent of all the other indie punk pop rock ‘n’ rollers out there. Ever & Ever is certainly an album that deserves your attention.
Alexei Shishkin ‘Tiki Taka (2006)’
Track taken from the upcoming Album, Good Times (Rue Defense) Released 5th September 2025
Is this the best song recorded about football or soccer for our American readers? I think it could well be. It has a wonderful semi slacker psych vibe; it’s like being drunk and on your settee hazily watching the beautiful game unfold until you lose your will to live or you’re too drunk to reach the remote. A song of laidback excellence.
The Striped Bananas ‘Vampire of Mine’
Single Released 25th July 2025
Psych Grunge now there’s a thing for you. Imagine if you will that Kurt Cobain had worn velvet pantaloons and love beads and had hooked up with a disco dolly from a Matt Elm film in a nightclub scene instead of Courtney Love and appeared in an episode of the Banana Splits. Nirvana could well have sounded like this. A fine and dandy cartoon pop song, in fact two fine cartoon pop songs as the B-Side ‘Venus Die Trap’ is pretty nifty as well.
Tiberius ‘Sag’
Single (Audio Antihero) Released 18th July 2025
I thought for the first twenty seconds of this fine single that it was Lloyd Cole causing a commotion, but then it soon shifted into a Jeff Buckley guitar alt rock melodramatic bombast, the kind that hasn’t been heard since the days Buffalo Tom walked the earth. And while I am mentioning other artists, I will mention Oasis, not because it sounds like them, but because it doesn’t and that is another point in its favour believe you me.
Tugboat Captain ‘Pest Control’
Single
‘Pest Control’ is a fine slice of extremely British boutique pop art; a singalong song of arch darkness; a calling card into an exclusive quaint drinking club frequented by Neil Hannon, Ray Davies and John Howard, and every playlist must include Shorley Wall by Ooberman. This track has been culled from their album Dog Tail, and maybe worthy of further investigation.
Our Monthly Playlist selection of choice music and Choice Releases list from the last month.
We decided at the start of the year to change things a little with a reminder of not only our favourite tracks from the last month, but also a list of choice albums too. This list includes both those releases we managed to feature and review on the site and those we just didn’t get the time or room for – time restraints and the sheer volume of submissions each month mean there are always those releases that miss out on receiving a full review, and so we have added a number to both our playlist and list.
All entries in the Choice Releases list are displayed alphabetically. Meanwhile, our Monthly Playlist continues as normal with all the choice tracks from July taken either from reviews and pieces written by me – that’s Dominic Valvona – , Brian ‘Bordello’ Shea, and this month, Kalporz writer Samuel Conficoni. Our resident Hip-Hop expert Matt Oliver has also put forward a smattering of crucial and highlighted tracks from the rap arena.
CHOICE RELEASES FROM THE LAST MONTH OR SO:
Blanco Teta ‘‘La Debacle las Divas’
(Bongo Joe) Review
Lukas Cresswell-Rost ‘Weight Away’
(Wayside & Woodland Recordings) Review
Theon Cross ‘Affirmations: Live at Blue Note New York’
(New Soil) Review
Cumsleg Borenail ‘10mg Citalopram’
(Cruel Nature Recordings) Review
Exploding Star Orchestra ‘Holy Mountains’
Fortunato Durutti Marinetti ‘Bitter Sweet, Sweet Bitter’
(Quindi Records/We Are Time) Review
Tony Jay ‘Faithless’
Review
Freh Khodja ‘Ken Andi Habib’
(WEWANTSOUNDS) Review
The Lancashire Hustlers ‘Here But Not Here’
(Steep Hill) Review
Kevin Robertson ‘Yellow Painted Moon’
Review
Maria Elena Silva ‘Wise Men Never Try’
Review
Sol Messiah ‘War of the Gods’
THE PLAYLIST::
Blanco Teta ‘Subiduki’
Scotch Funeral ‘Weak at the Knees’
Freh Khodja ‘Aich Sar Bina Koulili’
Brickwork Lizards ‘All the We Are – Reworked by Sebastian Reynolds’
Natural Information Society ‘Sound Talisman’
Sol Messiah Ft. Sa-Roc ‘Auset’
Raekwon Ft. Ghostface Killah & Method Man ‘600 School’
Mr. Muthafuckin’ eXquire ‘Y.O.Utopia’
Open Mike Eagle ‘ok but I’m the phone screen’
Nicholas Craven & Boldy James Ft. C Dell & Nick Bruno ‘At&T’
Clipse, Pusha T & Malice Ft. Ab Liva ‘Inglorious Bastards’
Estee Nack & V Don Ft. Al-Doe ‘EZBRED’
Rachel Eckroth ‘Yin Yang’
Theon Cross Ft. Isaiah Collier, Nikos Ziarkas & James Russel Sims ‘We Go Again – Live at the Blue Note, NYC’
Peter Evans (Being & Becoming) ‘Malibu’
Homeboy Sandman & Sonnyjim ‘Can’t Stop Me’
Apollo Brown & Bronze Nazareth ‘Wheel Of Misfortune’
Ramson Badbonez & Leaf Dog ‘Celestial Bodies’
Max Schreiber ‘Layla Mistakel’
The Conspiracy ‘Salisbury Road’
SUO ‘Big Star’
Fortunato Durutti Marinetti ‘Beware’
Jeff Tweedy ‘Out in the Dark’
Kevin Robertson ‘Yellow Painted Moon’
Soft Hearted Scientists ‘Hello Hello’
Whitney ‘Dandelions’
The Lancashire Hustlers ‘Perhaps’
Ali Murray ‘ Toby’
Alex G ‘June Guitar’
Spotless Souls ‘In the Heart’
The Noisy ‘Twos’
Wolfgang Perez ‘So Ouco’
Eve Goodman & SERA ‘Blodyn Gwylly’
Joe Harvey-Whyte & Paul Cousins ‘lift’
Sirom ‘For You, This Eve, the Wolves Will Be Enchantingly Forsaken’
Austistici & Jacek Doroszenko ‘After Water Formed A Shape’
Cumsleg Borenail ‘You Mean Something To Me’
Cecil Taylor & Tony Oxley ‘Encore 1’
Exploding Star Orchestra ‘Afterburn (Parable 400)’.
If you’ve enjoyed this selection, the writing, or been led down a rabbit hole into new musical terrains of aural pleasure, and if you can, then you can now show your appreciation by keeping the Monolith Cocktail afloat by donating via Ko-Fi.
For the last 15 years both me and the MC team have featured and supported music, musicians and labels we love across genres from around the world: ones that we think you’ll want to know about. No content on the site is paid for or sponsored, and we only feature artists we have genuine respect for /love or interest in. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to say thanks or show support, than you can now buy us a coffee or donate via https://ko-fi.com/monolithcocktail
Our Daily Bread 569: Ali Murray & Cornelius Corvidae, Foil, Conrad Schnitzler & Ken Montgomery, Silver Moth…
April 7, 2023
GRAHAM DOMAIN’S REVIEWS SUITE
__SINGLES/EPS__
Ali Murray and Cornelius Corvidae ‘Split EP’
(Dead Forest Records)
As the name suggests this is an EP split between two artists playing two songs each.
Ali Murray hails from the beautiful windswept Isle of Lewis and vocally sounds like a cross between Elliott Smith and Andy Shauf. On some of his other releases he harnesses a shoegaze-like sonic template. Here he adopts a stripped-back sound of acoustic and electric guitar and organ. Standout track is the beautiful ‘Wish the Bones Away’ with its poetic lyrics and melancholic gothic strangeness. ‘Spirit of Unknowing’ meanwhile, uses acoustic guitar to great effect on an atmospheric ballad that combines the phrasing of John Grant with the sadness of Elliot Smith. Two songs of beauty and wonder!
Cornelius Corvidae hails from Minnesota, USA and inhabits two songs of cosmic Americana. ‘Silver Flower (Kali’s Invitation)’ employs acoustic picked guitar on a bleak ballad, all dark imagery and campfire ghost-story shadow. ‘Shiva in the Blood Orchard’ meanwhile, uses picked acoustic guitar set against Tudor-like keyboard melodies (reminiscent of the Moody Blues) on a dark folk ballad. Two artists, four great songs!
Foil ‘Portal’
(Jolt Music)
Foil (AKA singer and producer Helly Manson) releases her new single this month. Taken from the upcoming album On the Wing, the song begins like Steeleye Span with multi tracked folkish female vocals before a synth plays the same pattern over and over again accompanied by a cowbell rhythm! It lasts just 1 minute and 33 seconds and sounds like a demo for a song not finished and barely started! Still, there’s nothing else quite like it!
Juppe ‘Fade’
(Soliti)
Juppe hails from Helsinki in Finland (the happiest country in the world)! Of the singles theme he says ‘it’s very hard to get a place to rent here in Helsinki if you don’t have good credit! It’s very easy to fade away.’ With two fingers up to the Man – Juppe looks like Bob Mortimer and harnesses the sound of the Devils music Jamiroquai!
Bitter Defeat ‘Terrific Effort EP’
(Bandcamp)
This is the second EP from the New Zealand indie rock band following last years Minor Victory EP. Comprising 4 songs of guitar pop-rock that sit somewhere between the Lemon Heads and late-period Buzzcocks! Lead song ‘Sugar Blind’ is a catchy guitar driven pop song complete with Cure-like background vocal refrain! ‘Falling Down’, meanwhile has shades of the Charlatans with its driving organ sound! One to watch!
Nivis ‘Into the Void’ EP
(6415 Records)
The EP features 4 songs of pop-rock from the German indie-pop band. Lead track ‘Rain on a Funeral March’ is a catchy pop song that resonates more with each play. All four songs are well-produced, commercial pop-rock that remind me of people like Cyndi Lauper or Nena (of 99 Red Balloons fame). It’s the sort of music that was popular in the mid 1980’s! Shiny but not new!
Neon Kittens ‘Loving Your Neighbours Wife’ b/w ‘Marilyn Mansion (Where Horror Lives)
(Metal Postcard Records)
The new single from Neon Kittens, combines the white funk bass-lines of A Certain Ratio with Eno / Byrnes My Life in the Bush of Ghosts to produce K-Funk – the crunchy funk sound of biscuits out of their packet! With these hot cheesy bread rhythms, even Lego figures with botox can learn to smile again! Set to produce a water slide of elastic-legged banana dancing up and down the country!
B-side ‘Marilyn Mansion’ employs the sound of Early Gang of Four with the attack of Wire and a deadpan female Einar (Sugarcubes) on a twisted tale of non murder locations and funking in cars!
Draag ‘Mitsuwa’
A wonderful summery single from the LA Electro-Shoegaze band, taken from their forthcoming album Dark Fire Heresy. Acoustic guitars and subtle synths give way to chiming guitars and organ with multi-tracked harmonic female vocals! It reminds me very much of Lush in their prime! One to watch!
_____ALBUMS_____
Conrad Schnitzler & Ken Montgomery ‘CAS-CON 11 Konzert in der Erloserkirche, Ost-Berlin, 3.9.1986’
(Bureau B) 12th May 2023
This is a live concert recorded in East Germany on 3.9.1986 where the music of German electronic experimental musician Conrad Schnitzler was mixed live by American collaborator Ken Montgomery. This was at a time when the Berlin Wall still stood and the GDR required the issuing of a special state permit for a live concert. This concert was promoted locally by word of mouth and went ahead illegally (without permit), where it was recorded and issued by an East German underground label on cassette.
Now fully restored, the concert has been issued for the first time on CD, Vinyl and as a Digital Download! Consisting of 6 tracks of austere serious yet playful experimental electronic music, it leaves little impression on first listen. With repeat plays however, the charms of the music reveal themselves, not so much in melody but in atmosphere and approach. It encapsulates the icy chill and drama of Delia Derbyshire, Bowie, Eno, Tomita, Cluster and early Popol Vuh! An interesting suite of music – one that becomes an essential listen the more you hear it!
FFO: Delia Derbyshire, Cluster, Popol Vuh, Tangerine Dream, Bowie, Tomita.
Volatile Youth ‘Post Falls, Idaho’
(Rummage Sale Records – Bandcamp)
The album begins with the song ‘California’ sounding like a strung-out Lou Reed if produced by Jesus and Mary Chain! ‘Love Like A Thousand Guns’ is superb low-fi Psychedelia with the backward vocal effect, once favoured by Siouxsie, that you don’t hear anymore since the onset of Digital! ‘She’s Starting to See the Flame’ is a country-tinged song sounding like Nick Drake if he had fronted the Byrds after they turned country-rock!
Overall, this is a fine album that is perhaps a touch too low-fi for its lofty ambitions! The songs are commercial and remind me of various bands and artists – among them Lou Reed, the Only Ones, the Byrds in their Gram Parsons era, Dennis Wilson and the gothic feel of Mazzy Star.
If it had been made by someone with a higher profile, say Bright Eyes, and recorded on decent sound equipment, it would undoubtedly have gained a wide audience. Hopefully it will be heard by many and receive the recognition it deserves.
Fhae ‘Sombre Thorax’
(4000 Records)
This is a wonderful album of ethereal, ambient, dream-folk-pop that ebbs and flows like the tides and inhabits its own world of subtle beauty. Sometimes, mists of the sea seem to creep into the music and the edges of reality become blurred, the music shape shifting into another dimension!
Fhae (20 year old Australian Ellena Ramsay) produces music in the vein of Julianna Barwick or Grouper – some of it lovely with multi tracked harmonies (like Barwick) and some of it (such as ‘Drain’ and ‘Man’) obscure in its strangeness (like Grouper)! There are some really beautiful and compelling tracks on the album, such as ‘Earth’, ‘Emergency’, ‘Love You’, ‘Comb’ and ‘Stuck’. A fantastic debut album, I can’t wait to hear more!
Stanley J. Zappa & Simo Laihonen with Suvadeep Das ‘Dance of the Moving Goal Posts’
(Ramble Records)
US saxophonist Stanley J Zappa (nephew of Frank Zappa) and Finnish drummer and percussionist Simo Laihonen recorded this album of 7 pieces of free improvised jazz live in Helsinki in 2018. The final track features Suvadeep Das on darbuka adding an extra percussive element!
It’s a lively set with the Sax sparring with the percussion throughout. If you enjoy free improv jazz, you may well enjoy this lively concert – give it a listen!
Nico Paulo ‘Nico Paulo’
(Forward Music Group)
This is a wonderful summery album of Bacharach-like melodies by the Portuguese-Canadian singer. A truly remarkable debut of ten self-composed wonderful songs that sound like standards.
Her voice is a bewitching combination of Judy Collins, Joni Mitchell and Natalie Mering (Weyes Blood). Musically it covers a wide spectrum of Tropicalia, Folk, Americana, Jazz and Pop. Her voice conveys real emotion and depth that is bounced off the beautiful melodies and lyrics.
There are so many fantastic songs on here that it’s hard to single out the standout tracks, but they include ‘Time’, ‘Lock Me Inside’, ‘The Master’, ‘Learning My Ways’, ‘Now or Never’.
A future classic that will undoubtedly have a far-reaching influence on stars not yet born! Is it too early to award it – Debut Album of the Year?
FFO: Weyes Blood, Aldous Harding, Joni Mitchell, Judy Collins, Beach House, Rumer.
Silver Moth ‘Black Bay’
(Bella Union) 21st April 2023
Silver Moth are a one-off ‘band-experiment’ made up of 7 members from various bands drawn together post-lockdown by a strong desire to make music again and see what happens! The band include Mogwai guitarist Stuart Braithwaite, Elisabeth Elektra, Evi Vine and Ben Roberts.
The first track ‘Henry’ is 7 minutes of atmospheric shoegaze guitar music with a girl singer whose cracked voice here sounds like Beth Gibbons at her emotional best!
‘The Eternal’ follows, not the Joy Division song, but a bleak winter hymnal resonating like sacred music for the End of Times!
‘Mother Tongue’ follows suite with its cinematic drama and pagan prayer-like plea for reconciliation and survival.
Final track ‘Sedna’ has the same sacred vibe – like Dead Can Dance played by Fields of The Nephilim.
Cinematic tracks full of atmosphere and grandeur! 45 minutes of Bliss! It may become the holy grail of lost albums in future years – if it slips under the radar!
FFO: Slowdive, Pale Saints, Howling Bells, Daughter, Siouxsie & the Banshees, Fields of the Nephilim.
A Little About The Writer:
Manchester-based musician and artist Graham Domain joined the team in 2022. The offspring of Scott Walker and David Slyvian, Graham has charmed us with his plaintive adroit music for years; releasing music for the iconic cult multinational platform Metal Postcard Records.
Choice Albums of 2022: Part One M to Z: Machine Girl to THE Zew.
December 15, 2022
The second part of the Monolith Cocktail teams favourite albums of 2022.
A recap in case you haven’t yet read part one
Well was I wrong last year when called 2021 the annus horribilis of all years. It has been soundly beaten by the shit-show that is 2022. The invasion of the Ukraine, cost of living crisis, another hideous wave of Covid – which even if the jabs are being rolled out, and the deaths rate, hospitalizations is nothing like the first wave back in 2020, is still causing major illness, absences and disruptions to a society already facing a heap of doomsday scenarios -, strikes, activism, fuel poverty, looming austerity, and the continuing horror show of a zombie government being just some examples. Yes 2022 qualifies as one of the most incomprehensible years on record of any epoch; an ungovernable country in the grip of austerity point 2.0, and greater world untethered and at the mercy of the harridans on either side of the extreme political divide, the billionaire corporates and narcissist puritans.
And yet, it has been another great year for music. Despite the myriad of problems that face artists and bands in the industry, from a lack of general interest to the increasingly punitive costs of touring and playing live, and the ever encroaching problems of streaming against physical sales and exposure, people just can’t quit making music. And for that we, as critics – though most of us have either been musicians or still are – really appreciate what you guys do. In fact, as we have always tried to convey, we celebrate you all. And so, instead of those silly, factious and plain dumb numerical charts that our peers and rivals insist on continuing to print – how can you really suggest one album deserves their place above or below another (why does one entry get the 23rd spot and another the 22nd; unless it is a vote count) –, the Monolith Cocktail has always chosen a much more diplomatic, democratic alphabetical order – something we more or less started in the first place. We also throw every genre, nationality together in a serious of eclectic lists: no demarcation involved.
The lists include those albums we reviewed, featured on the site in some capacity, and those we just didn’t get the time to include. All entries are displayed thus: Artist in alphabetical order, then the album title, label, who chose it, a review link where applicable, and finally a link to the album itself.
This year’s picks have been chosen by (Dominic Valvona), Brian ‘Bordello’ Shea, Matt Oliver, Andrew C. Kidd and Graham Domain.
M.
Machine Girl ‘Neon White OST-The Wicked Heart’ ACK
Billy MacKenzie ‘Satellite Life’ (Cherry Red Records) GD
Mai Mai Mai ‘Rimorso’ (Maple Death Records) DV
Review
Nduduzo Makhathini ‘In The Spirit Of Ntu’ (Blue Note) DV
Marlowe ‘Marlowe 3’ (Mello Music Group) MO
Luke Mawdsley ‘Luke Two’ (Spine Records) DV
Premiere
Simon McCorry ‘Scenes From The Sixth Floor’ DV
Review
Brona McVittie ‘The Woman in the Moon’ (Arts Council of N. Ireland) GD
Review
Amine Mesnaoui & Labelle ‘African Prayers’ (Lo Recordings) DV
Review
Milc & Televangel ‘Neutral Milc Hotel’ (Filthy Broke Records) MO
Modern Nature ‘Island Of Noise’ (Bella Union) DV
Tumi Mogorosi ‘Group Theory: Black Music’ (Mushroom Hour & New Soil) DV
Montparnasse Musique ‘Archeology’ (Real World) DV
Review
Mount Kimbie ‘MK 3.5: Die Cuts | City Planning’ ACK
Muramuke ‘S-T’ (Accidental) DV
Ali Murray ‘Wilderness of Life’ (Dead Forest Records) GD
Reviews
N.
Nicole Faux Naiv ‘Moon Rally’ (Bronzerat) DV
No Age ‘People Helping People’ (Drag City) DV
Review
No Base Trio ‘II’ (Setoladi Maiale) DV
Review
Noah ‘Noire’ (Flau) DV
Review
Che Noir ‘Food For Thought’ (TCF Music Group) MO
O.
Old Fire ‘Voids’ (Western Vinyl Records) GD
Review
Open Mike Eagle ‘A Tape Called Component System With The Auto Reverse’ (Auto Reverse Records) MO
Orange Crate Art ‘Contemporary Guitar Music’ (Somewherecold) DV
Review
P.
The Paxton/Spangler Septet ‘Ugqozi’ (Eastlawn Records) DV
Review
Peace De Résistance ‘Bits And Pieces’ DV
Penza Penza ‘Neanderthal Rock’ (Funk Night Records) DV
Le Pietre Dei Giganti ‘Vetie e Culti’ (Overdub Recordings) DV
Review
Plastic Candles ‘Dust’ (Paisley Shirt Records) BBS
Review
Plop & Junnu ‘S-T’ (Fiasko Records) DV
R.
Revelators ‘Revelators Sound System’ (37d03d records) GD
Reviews
J Rocc ‘A Wonderful Letter’ (Stones Throw) MO
Robert ‘Orange is the New Black’ (Antelope Records) MO
Scott Robertson ‘Footprints In The Butter’ (Subjungle) BBS
Review
S.
Salem Trials ‘Love Joan Jett’ (Metal Postcard Records) BBS
Review
SAULT ‘AIR’ (Forever Living Originals) ACK
Review
Say What ‘S-T’ (We Jazz) DV
Review
Shabaka ‘Afrikan Culture’ (Verve/Impulse!) DV
Ignacio Simón ‘Old Friends’ (Bandcamp) GD
Review
Širom ‘The Liquefied Throne Of Simplicity’ (Glitterbeat) DV
Sis ‘Gnani’ (Native Cat Recordings) GD
Review
Silverbacks ‘Archive Material’ (Full Time Hobby) GD
Review
The Soft Pink Truth ‘Is It Going to Get Any Deeper Than This?’ ACK
Spygenius ‘Jobbernowl’ (Big Stir Records) BBS
Review
Staraya Derevnya ‘Boulder Blues’ (Ramble Records) DV
Review
Stepbrothers featuring the Honourable Ted ‘S/T’ EP (German Shepherd Records) GD
Review
Shepard Stevenson ‘Man Down’ (Somewherecold) DV
Review
Stereolab ‘Pulse of the Early Brain’ (Duophonic and Warp Records) GD
Robert Stillman ‘What Does It Mean To Be American’ (Orindal Records) DV
Carl Stone ‘We Jazz Reworks Vol. 2’ (We Jazz) DV
Review
Gillian Stone ‘Spirit Photographs’ DV
Review
STS & RJD2 ‘Escape From Sweet Auburn’ (RJ’s Electrical Connections) MO
Misha Sultan ‘Roots’ (Hive Mind) DV
Review
Sweeney ‘Stay for the Sorrow’ (Sound in Silence) GD
Review
T.
Team Play ‘Wishes And Desire’ (Soliti) DV
Mauricio Takara and Carla Boregas ‘Grande Massa D’Agua’ (Hive Mind) DV
Review
Tone Of Voice Orchestra ‘S-T’ (Stunt Records) DV
Review
Trupa Trupa ‘B Flat A’ (Glitterbeat) DV
Review
V.
Various/Solidary ‘Blue And Yellow’ & ‘Yellow And Blue: Help For Ukraine’ (Binaural Space) DV
Review
Various ‘Live at WOMAD 1982’ (Real World) DV
Review
Various ‘Mensajes del Agua: Nuevos Sonidos Desde Peru Vol 1’ (Buh Records) DV
Various ‘Music For Ukraine’ (We Jazz) DV
Review
Various ‘Pierre Barouh And The Saravah Sound: Jazz, Gumbo And Other Hallucinatory Grooves’ (WEWANTSOUNDS) DV
Review
Various ‘Spirit Of France’ (Spiritmuse) DV
Review
Vera Di Lecce ‘Alter Of Love’ DV
Violet Nox ‘Eris Wakes’ (Infinity Vine) DV
Review
Vukovar ‘The Body Abdicator’ (Other Voices) DV/BBS
Review
W.
Wish Master & Axel Holy ‘First Nature’ (Official Recordings) MO
Ethan Wood ‘Burnout’ (Whatever’s Clever) DV
Review
Billy Woods ‘Aethiopes’ & ‘Church’ (Backwoodz Studioz) MO
X.
Iannis Xenakis ‘Electroacoustic Works’ (Karlrecords) ACK
Z.
THE Zew ‘IFI1IFO’ (Numavi Records) BBS
Review
Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.
Our Daily Bread 538: Ali Murray ‘Passing Through the Void EP’
August 18, 2022
EP REVIEW
GRAHAM DOMAIN
Ali Murray ‘Passing Through the Void EP’
The loneliness, the isolation of mind. Where are we headed? What’s round the corner? The doubts, the fears, forever gnawing away! No-one survives? We all survive? Eternity never ending? So why am I wasting time on the mundane? The daily routine! The useless, pointless, never-ending nonsense! The soulless celebrity culture as a means of escape? Or eternal imprisonment? We all have a life sentence! Better make the most of it! Transient beauty, youth vanished too soon! The temporary bliss of love before the tsunami of devastation! Pain! Longing! The landscape forever changed! Eroded! What is important? Don’t sweat the small things! Go for the Big One! Go for It! Go for it! Go for it! Go for It! What is it?
Three songs! Howls in the dark! Cries to the abyss! The dark poetry echoing in the blackness! The guitars garrotted! Nailed to the cross! The sound bleeding out on a canvass of emotion! Colours seen in the mind! The soul connecting with Spirit! Healing! Healing energy! Positivity! There is Light! Life continues as it has always done. The once impenetrable darkness recedes! Melancholy as a means of redemption – coming through the other side – into the light, once more. Passing through the Void that is life in the material world! The journey is important, the learning, the experience, the empathy gained, the understanding and knowledge. To stand in another’s shoes. To reach out to each other and connect. Love. That’s what’s important. That’s the Big One! The test, everyday! To think and act with love. It is hard! Human kindness! Love! Why do we find it so difficult? Never give up! Each small step is worth the effort! Music for the soul!
Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.
Our Daily Bread 517: Ali Murray ‘Wilderness Of Life’
May 11, 2022
ALBUM REVIEW/GRAHAM DOMAIN
Ali Murray ‘Wilderness of Life’
(Dead Forest Records)
Wilderness Of Life is the new album by Ali Murray, out now via Dead Forest Records. It is an album of Dark Intense Folk Pop with intermittent Shoegaze guitars. The songs are full of imagery, nature reimagined as pain, the loneliness of the Cosmos painted in sound on a skyscraper guitar.
His voice lies somewhere between Tom McCrae and Simone Felice with nods to Elliot Smith. The songs are dark hymns to loneliness, heartbreak, and emotional turmoil, with enduring hope in the face of adversity.
Songs such as ‘Wilderness of Life’ and ‘Rainbox’ point the way forward – the words brought to life with intense effect laden guitars akin to Slowdive or Big Flower. In this setting he could become a cult hero, a modern-day Elliot Smith painting his pain not just with words but also with emotion as sound. One to watch!
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