Playlist
Compiled by Dominic Valvona with contributions from Matt Oliver, Brian ‘Bordello’ Shea, Andrew C. Kidd and Gianluigi Marsibilio.
Graphics by Gianluigi Marsibilio.








Reflecting the Monolith Cocktail’s tastes and favourite choice tracks from the last few months, the Quarterly Revue is a diverse musical journey; an eclectic international playlist of discoveries. This is a space in which you are as likely to find the skewered Gary Wilson meets Brian Wilson stained-glass psychedelic songwriting of the Origami Repetika creative hub as you are the conscious transportive jazz of Horace Tapscott. Brand new tracks appear alongside reissues and recently uncovered nuggets as we move through funk, jazz, hip-hop, post-punk, shoegaze, desert blues, techno, psychedelic, acid rock, space rock, and the most experimental of musical genres.

 

Behold…part three…


Tracklist::

Snapped Ankles  ‘Three Steps To A Development’
DJ Shadow  ‘Rosie’
Kid Acne/Nosaj/Spectacular Diagnostics  ‘Crest Of A Wave’
Gang Starr/J. Cole  ‘Family and Loyalty’
Danny Brown  ‘Best Life’
Bronx Slang  ‘More Grief’
SAULT  ‘Let Me Go’
clipping.  ‘Nothing Is Safe’
Bloke Music  ‘Everything On’
Seaside Witch Coven  ‘Splutter’
Trupa Trupa  ‘Remainder’
Stereo Total  ‘Einfach’
Los Piranas  ‘Palermo’s Grunch’
Baba Zula  ‘Salincak In’
Abdallah Oumbadougou  ‘Thingalene’
Grup Dogus  ‘Namus Belasi’
Taichmania  ‘See Ya at Six or Seven’
Kota Motomura  ‘Cry Baby’
Baby Taylah  ‘Reclaim’
House Of Tapes  ‘Melted Ice’
Camino Willow  ‘Hollywood’
Callum Easter  ‘Only Sun’
Junkboy  ‘Waiting Room’
Elizabeth Everts  ‘Contraband’
Bloom de Wilde  ‘Soul Siren’
Badge Epoque Ensemble  ‘Milk Split on Eternity’
Chrissie Hynde/The Valve Bone Woe Ensemble  ‘Meditation on a Pair of Wire Cutters’
Swan/Koistinen  ‘Diagnosis’
Sirom  ‘Low Probability of a Hug’
Koma Saxo  ‘Fanfarum for Komarun’
Matana Roberts  ‘Raise Yourself Up/Backbone Once More/How Bright They Shine’
Die Achse/Ghostface Killah/Agent Sasco  ‘Baby Osamas’
U-Bahn  ‘Beta Boyz’
Occult Character  ‘Half-Wits and Cultists’
Asbestos Lead Asbestos  ‘Shrimp Asmr’
Repo-Man  ‘Evan The Runt’
Issac Birituro & The Rail Abandon  ‘Kalba’
Nicolas Gaunin  ‘Vava’u’
Mazouni  ‘Daag Dagui’
Mdou Moctar  ‘Wiwasharnine’
Aziza Brahim  ‘Leil’
Resavoir  ‘Resavoir’
Purple Mountains  ‘All My Happiness is Gone’
Babybird  ‘Cave In’
Adam Green  ‘Freeze My Love’
Catgod  ‘Blood’
Frog  ‘RIP to the Empire State Flea Market’
Pozi  ‘Engaged’
Roi  ‘Dormouse Records’
Origami Repetika  ‘Winged Creatures’
Horace Tapscott  ‘Future Sally’s Time’
A Journey Of Giraffes  ‘September 11 1977’
Jodie Lowther  ‘The Cat Collects’
Equinox/Vukovar  ‘Lament’
Kandodo 3  ‘King Vulture’

Reviews Roundup
Words: Brian ‘Bordello’ Shea





Brian ‘Bordello’ Shea joined the Monolith Cocktail team in January 2019. The cult leader of the infamous lo fi gods, The Bordellos, has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His most recent project, Roi (with John McCarthy and Dan Shea, of Beauty Stab and Vukovar infamy) debuted recently through Metal Postcard Records.

Each week we send a mountain of new releases to the self-depreciating maverick to see what sticks. In his own idiosyncratic style and turn-of-phrase, pontificating aloud and reviewing with scrutiny an eclectic deluge of releases, here Brian’s latest batch of recommendations.

The Monochrome Set  ‘Fabula Mandax’
(Tapete Records)  27th September 2019


The new LP by The Monochrome Set is a concept album about the female warrior Armande de Pange, a sidekick of Joan Of Arc. It takes all sorts I suppose; whatever floats your boat and other such benign sayings. It really doesn’t make any difference really as long as the songs/tracks are of an enjoyable quality and this LP, I’m pleased to say, is full of enjoyability. It is positively rammed with the stuff.

The usual twangy and hastily strummed guitars are all present and correct as you would expect from the mighty Monochrome Set; spaghetti western melodies float above the spinning strange story of Armande, bringing a party to ones headphones, and making it a most enjoyable listening experience.





The New Art School ‘Mod Kid (Single)’
(Metal Postcard Records) 27th August 2019



Well what a wonderful song; what a wonderful single. I don’t know what I was expecting; maybe sub Secret Affair or the Lambrettas, but no, what we get is a five minute foray into the edgy joy of ripped up teenage yearning with a guitar riff equivalent of a sneaky smoke at the back of the school bike sheds with a quick snifter of your mums stolen gin. A song that makes you wish you were fifteen again so you could show off to your mates about a great new band you have discovered; a track covered in magic normally only normally woven by the mighty Comet Gain. Another winner from Metal Postcard records.





The Pooh Sticks ‘Seven Inch Box’
(Optic Nerve Recordings) 22nd November 2019



The Pooh Sticks are one of the most perfect pop bands from the last 40 years; they released the “Great White Wonder” album for god sake, so how could they not be, and this, a box set of their first singles, captures them at their most immature fun best two minute-blasts of pure pop perfection. This is how The Shangri-Las would have sounded if they’d produced by Pete Shelley rather than Shadow Morton.

It’s the sound of teenage summer pop. It has a song called ‘Life’s A Gas’ and they’re, maybe, the only band that could get away with it – and not being disappointed that it’s not the Marc Bolan classic.

They even released a song that mentions Alan McGee without calling him an arse (which he is obviously).

They have such a pure outlook on pop life they should be sainted. They have ba ba ba choruses they do versions of ‘Knock Three Times’ that does not pale in comparison to the original. They are pure pop for forever people; the sound of buzz saw bubblegum you never ever want to pop. I do like the Pooh Sticks and so should you…if you don’t already.






Lounge Bar Orchestra ‘Washing Lines’
11th September 2019



A tremor of sixties England, the soundtrack of Joe Meek picnicking with the swinging hipsters of yesteryear; open top sport cars speed around the county lanes as the sun shines and the radio plays the latest Sandie Shaw hit wide eyed barefooted and pulling on the heartstrings of boys who should know better. This is the soundtrack to a land I would quite happily live in; a beautiful magical land of cord jackets and mini skirts; a land when shops closed on a Sunday; a land where Ray Davies resides. I could quite happily live inside this song.





The Cult Of Free Love And The Magic Seas ‘Split EP’
28th October 2019



What we have here is a split 12-inch single of excellence. Kicking off we have Welsh electro psych gothic cult The Cult Of Free Love offering up a rather stunning voyage of psychosis want with the sublime ‘Visions’, a song to haunt, flaunt, bewitch, caress the bejesus out of your record player; a modern day ‘Porpoise Song’, a track already a musical highlight in a year when there has been many a fine tune. Track 2 by The Cult Of Free Love is ‘Substance’, a 7 minute plus journey of trance like adventure sounding like the feeding of The Beatles ‘It’s All Too Much’ through a psychedelic trip hammer of dance inspired Acid House; a return to the misty fields of your deepest feelings, late 80s Manchester but without the guns just pure love and emotion: another stunner. Get ready for The Cult Of Free Love to be your new favourite band.

To the other side of the 12 inch we find The Magic Seas kicking off their side with ‘Count In Threes’, a song that once again takes you back to the golden days of guitar pop, a song with the wonderful gift of melody flowing throughout guitars shimmer and shine and lassoing the sun, pulling the warmth into the indie boy and girls hearts: a truly lovely song. The second track by The Magic Seas, ‘Long Winter’, is even better. A hypnotic 12 string dives straight in to gently rattle the insides of your doubts that you are listening to a very special band indeed. Oh if I were only eighteen again, The Magic Seas would be my new favourite band alongside The Cult Of Free Love: I would just have to alternate days. This EP is indeed something special.





Equinox ‘Correction’
(Wormhole) 30th August 2019



The new LP by Equinox carries on from were the last triumph of his debut left off, taking in the darker feelings of the psych. Poetic spoken word utterings of the lovelorn, crestfallen and heartbroken fourteen collaborations with fourteen underground artists that range from the electronica of ‘Driven’ with Reed Hayes to the almost Oasis like ‘Janine’ with the Razorrawks.

An album to wrap around the drunken late nights of the inward looking, the sound of a man who is past the end of his tether; someone who has found love in the second coming of remembrance the first view of the last rainbow of summer, the coiling of the fading leaf of Autumn, a current so deep one cannot do anything else but curl up into the epiphany of a mistake anyone can make but only the lucky few do. This is an album the shamelessly poetic will take to their heart and listen and cherish as there heartbreaks and their mind explodes. An album of pure beauty, to have, to hold and not let go.






Occult Character ‘Cult Of Ignorance’
(Metal Postcard Records) 5th September 2019



In this day and age you need people like Occult Character to tell the world how it is and what just is happening, and this mini LP is, as I have said before about OC, a modern day Woody Guthrie writing modern day electro folk songs describing life in the Trump led America: and this album proves it.

This could be one of the most important albums released this year. It is the sound of the underground raising two fingers to the “Me” generation. If OC were as well known as John Lennon the US government would be trying the damnedest to get him deported. This is the sound of a artist at the end of his tether writing short requiems to the death of the country he loves ‘Police State /Shit Sandwich’ could be the angriest songs you will hear all year. He pulls no punches; dark humour hides the sadness in these short songs the harshness of the beats only goes on to soundtrack the knife-edge world in which we live today. This is a must be heard album by the most important artist in the US underground today.





REVIEWS ROUNDUP
Words: Brian ‘Bordello’ Shea




Brian ‘Bordello’ Shea joined the Monolith Cocktail team in January 2019. The cult leader of the infamous lo fi gods, The Bordellos, has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. Each month we send him a deluge of new releases and await to see what sticks.

Lark ‘Blink’
(Wormhole Records) 16th August 2019


An LP of darkness; an LP that emerges from the post-punk sound of the early 80s. Discordant guitars and twisted bass back beautiful songs of lyrical wordy beauty – it is a delight to hear songs with wonderful lyrics instead of them being treated as an afterthought.

At times this reminds me of the recent work of Babybird, a man who ploughs his own path through the music industry and also writes songs with melody darkness and humour. It also brings to mind the Southern Death Cult and Nick Cave, and early New Order.

Originally released in 2014 now available on very ltd cd from the wonderful Wormhole World label, I would snap one up while you still can as this is an album to soundtrack the oncoming Autumn and Winter of our discontent.





Asbestos Lead Asbestos ‘Nature Of Feline’
26th July 2019



When an LP starts with a flurry of “fuck yous” and goes into indie pop strum along, and then goes into more “fuck yous”, I know I’m going to enjoy it. A clamour of glamour and toss pot glitter shillyshally into the mists of swollen lo fi beauty, it reawakens memories of dreaming of the girl you can only dream about whilst listening to Bongwater: the band not water from a bong.

If I wrote for the music blog Get Into This, I might describe this LP as being “boss scran for thought”, as it jumps from chaos to chaotic hipster speak to dirty yearning for the fucked and fuckable. Acoustic guitars drift through electronic distortion to unveil yet another great album for 2019, and when that same album has a song called ‘Motherfucker Won’t You Pass The Marimba’, how can it not be worth investigation.





bigflower ‘The Look Of Love’
4th August 2019 



If a sparkling dark beautiful rendition of one of the most perfect love songs ever written is what you are after then look no further as bigflower, the musical gift that keeps giving, has supplied us yet again with another guitar gem: this time not a self composed number but a rather wonderful version of the Bacharach and David classic, ‘The Look Of Love’. And what a sensual dark version of the original it is too; a track that is crying out to be used in the next Hollywood blockbuster.

Record labels are you deaf or just retarded?!! Another gem.





The Cigarettes ‘You Were So Young’
(Optic Nerve Recordings) 20th September 2019



There nothing quite like the sound of young rebellion. If you are in agreement then this new comp of the classic underrated band from Lincoln, The Cigarettes, is just what you need. It includes their wonderful singles compilation tracks, their legendary John Peel session, plus previously unreleased tracks.

For all lovers of golden age punk this is a must have; The Cigarettes showing that they matched the Buzzcocks and the wonderful Subway Sect on the melody front. In fact, it is a bit of a mystery how they weren’t become better known and received, all the boxes ticked, songs of teenage troubles, life slashing buzz saw guitars, catchy choruses, one string guitar solos, all in all, perfect pop.

Maybe with the release You Were So Young they will finally get their full due and the recognition they deserve as one of the great lost bands of the punk/post-punk era.





Unwavering ‘Freeze,Thaw, Chorus’
16th August 2019



Do you ever challenge yourself to do something you don’t like? It could be opening your eyes in the morning and breathing; it could be cleaning out the cat litter tray or, in this case, listening to an LP that has been sent to you to review that has described itself as shoegaze. For shoegaze is one of those genres that cry out, “I am really uninteresting. I have all the pedals but no songwriting talent. I have ambition and ego but not the talent to match.” So a word to the wise, unless you are one of those unfortunates don’t describe your music as such as you are doing yourself a great disservice especially when your music is a wandering lo fi folk that happens to use the electric guitar a little like a more wayward Red House Painters.

Unwavering dispatch a fine dark melancholy, awash with many layers of guitars with distant slightly reverb vocals at times that remind me what a Stone Roses LP may have sounded like if they had left Mani and Reni at home and where more down for it than up. This is a quite beautiful album; melodies melancholy and a bewitching scenic beauty weave a hypnotic spell. A band/artist I think one should keep an eye out for in the future.






Repo-Man ‘I Can Live With It If You Can, Son’
(Stolen Body Records) 6th September 2019



This is real free form rock n roll. It reminds me of the wonderful Wigan-based band The Volunteers from the late 80s, who brought out a classic mini LP called Bladder Of Life. A wonderful LP by a wonderful band, and like I said, this reminds me a lot of them. Captain Beefheart like madness connects with their inner Fall to unveil a magical projection of psychedelic whimsical John Cooper Clarke poetry. It is indeed a treat to hear a band that attempts to go their own way in their twisted art flow instead of following the old melody of verse/chorus/verse/ chorus/guitar solo/middle 8, have a smoke of trendy class arsehole drugs and point their chins in the right way so the camera can capture the unnatural good looks of yesterday’s poster boys.

I really like Repo-Man, they are fun, they have the quality that they are probably hated by other bands from the same town because they dare to be different and probably could clear a room of punters from any pub they play: like all great bands can at will.

So I would say I Can Live With It I You Can Son is a must have album; an LP of sonic aural dyslexia. A true gem.





Occult Character ‘National Razor’
4th August 2019



Another new song from maybe the finest songwriter in the USA today, the wonderfully eccentric Occult Character; a man who takes both hip-hop and lo fi folk to new extremes; a man who writes beautifully about the madness engulfing America under the Trumpster and the common everyday problems like never being able to find what you want in a full fridge: a true musical maverick.

This new free to download track is Occult wearing his hip-hop hat, a two and a half minute swagger of humor and strangeness and a forerunner to his forthcoming LP on the smarter than the average label Metal Postcard. It’s free, so get downloading.





Rose McDowall & Shawn Pinchbeck ‘Gem’
20th September 2019



The sound of Autumn is upon us. Gem is the stolen sway of a shimmering distant light, a parchment of lost memories kissing the hem of the garment of your long lost loves’ smile. Gem is a beauty of a single recalling the dark sultry eloquence of Paul Giovanni and Magnet’s Wicker Man soundtrack; a truly beautiful and haunting piece of musical wonderment. One of the songs of the year no doubt.





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