Our Monthly Playlist selection of choice music and Choice Releases list from the last month.

We decided at the start of the year to change things a little with a reminder of not only our favourite tracks from the last month but also a list of choice albums too. This list includes both those releases we managed to feature and review on the site and those we just didn’t get the room for – time restraints and the sheer volume of submissions each month mean there are always those records that miss out on receiving a full review, and so we have added a number of these to both our playlist and releases list.

Keep an eye out next month for our end of the year lists; a compilation of all the choice releases from 2025.

November’s Choice Albums (in alphabetical order):

Babau ‘The Sludge of the Land’
(Artetetra) Review

Bad Trips ‘Nothing But Trouble’
Review

The Cindys ‘S-T’
(Breakfast Records/Ruination Records) Review

The Flower Press ‘Slowdance’
Review

Imperial Motors ‘Charlie Don’t Surf’
Review

Neon Kittens ‘21 Minutes of Adventure’
(Metal Postcard Records) Review

The Noisy ‘The Secret Ingredient Is Even More Meat’
(Audio Antihero) Review

Plants Heal ‘Forest Dwellers’
(Quindi) Review

Shoko Nagai ‘Forbidden Flowers’
(Infrequent Seams) Review

SML ‘How You Been’
(International Anthem) Review

Super Grupa Bez Fałszywej Skromności ‘The Book Of Job’
(Huveshta Rituals) Review


Suntou Susso ‘Jaliya Silokang: The Path Of A Griot’
Review

The Playlist:

Brian ‘Bordello’ Shea’s Reviews Roundup – Instant Reactions. All entries in alphabetical order.

Mute Swan Photo credit: Pat Hickman

Bad Trips ‘Nothing But Trouble’
Album 17th November 2025

I enjoyed this album: it’s experimental, it’s noisy, it’s peaceful, and at times it reminds me of Jimi Hendrix jamming with The Surfaris in a wind tunnel, and at other times of “I Hear A New World” by Joe Meek, but if being performed by Skip Spence. It really is a wonderful creation of sound art. Those out there who are old enough to remember the kids tv show The Clangers can imagine this would be playing at their local hop or discotheque. Nothing But Trouble is indeed a fine and rewarding listen. 

Oliver Birch ‘Betty’
Single

OOOh Betty the Donkey has done a Whoopsie on the carpet…well, there is always one… Yes, sadly this has nothing to do with Betty the long-suffering wife of Frank Spencer in Some Mothers Do Ave Em or maybe it does. Maybe Oliver Birch has an alter to the paragon of 70s sitcoms other halves and Betty is the chosen one, and he has written this Oar like homage to her. Yes, it does remind me of Skip Spence or maybe even a Jeff Buckley demo, which is no bad thing.

Robert Callender ‘Rainbow – The Anniversary Concert’
Album (Think Like A Key) 14th November 2025

After over 55 years since the release of Rainbow, the cult classic psych ragga-rock album from 1968, Robert Callender decided to perform the album live for the first time. And here we have that performance, captured in all its wonderful mystical glory, released by Think Like A Key records.

This live performance has a quite lovely warmness and intimate magical quality that draws the listener into the song cycle, and has one lose themselves in the same way you can lose yourself in Van Morrisons Astral Weeks or The Beach Boys Pet Sounds as Rainbows shares the same uniqueness and one off-ness of those two classics. Rainbow is a beautiful blend of ragga, psych, rock, pop and jazz, and this live recording is one of pure oneness and love.

The Cindys ‘S-T’
Album (Breakfast Records/Ruination Records) 7th November 2025

The Cindys debut album is an album recommended to all those who have a soft spot for late 80’s/90’s alternative guitar bands. As I was listening, the Teenage Fanclub, Pavement, House Of love and even the Frank and Walters all came flooding back. The Cindys are a very good band who may one day be a great band who knows. I am of such an age when I have heard all this so many times before, but The Cindys do it all very well and have quite a lovely quirk in their lyricism which I heartily approve. Believe me, without putting a curse on the poor blighters, they could well be ones to watch.

Mute Swan ‘Hypnosis Tapes’
Single (Hit The North Records / Wooden Tooth Records)

I like this. It has a rather nifty nagging guitar line and rather lovely melody line. Dare I say Mute Swan could be ones to watch as they had me hunting out my Ultra Vivid Scene albums and had me stroking my memories from my mad year of 1991. Everyone has a lost weekend of high art and hedonistic tomfoolery and if the Mute Swans had been around in that musically great year, they, I am sure, would have helped soundtrack it. 

My Violence ‘Isabella Rossellini’
Single (Starfish Records)

If you release a single named Isabella Rossellini it has to be dark, sultry and beautiful. And this fine pop song has indeed all those boxes ticked; a suave, blissful floating artful drift of pure pop melancholy.  

Neon Kittens ‘21 Minutes of Adventure’
Album (Metal Postcard Records) Released 21st October 2025

The latest Neon Kittens album is upon us and anyone who loves the other litter of releases should add this post-punk gem to their collection. And anyone who has so far not heard their previous releases, 21 Minuets Of Adventure is a fine introduction. The lead off track “No Free Hugs” is a Tubeway Army like forage into the cold clinical extremities of post-punk sexual shenanigans and a nod and a wink and the house on the hill is truly yours. For The Neon Kittens carry a dark sinister humour in the lyrics that equally match the joyful dry dripping sarcasm of Andy Goss and his fretwork mastery, and both the music and lyrics intertwine beautifully to soundtrack living in these confusing and troubled times. The Neon Kittens is the aural equivalent of sitting opposite a beautiful girl on the train and wondering what she is thinking about as she licks her fingers after finishing her sherbet.

The Noisy ‘The Secret Ingredient Is Even More Meat’
Album (Audio Antihero) Released 24th October 2025

The Secret Ingredient Is Even More Meat is a fine indie alt-pop album; an album filled with candy floss dreams of fame sex and a melancholy nostalgic lust of fallen whispers.

The stony ground has never felt so waver thin, soft. It has never tasted so sweet cherry lipped. The Noisy have taken 60s girl group want, lust and ambition and wrapped it  in a 21st century  blanket of glitz and glamour, and managed to keep the old fashion ideals that sex does happen but will only take the one foot off the floor when the curtains have been drawn.

In an ideal world the singles taken from the album would be being played all over the radio. “Grenadine” is one of the finest pop singles of 2025 and the album is filled with fine pop songs like this, which makes it a fine and essential pop album, and in this day age a fine and essential pop album can make a difference to your life and mental well-being.

Occult Character ‘Her Guts My Graveyard’
Single (Metal Postcard Records) Released 29th October 2025

Another song you won’t be hearing on the radio or reading about in your favourite blog, unless your favourite blog is the Monolith Cocktail, which if it is the case I would like to compliment you on your good taste, also if you do indeed read the Monolith Cocktail you will in fact have read about Occult Character and know he is a man who makes weird and wonderful alt pop music combing hip-hop and folk and pop and weird sci fi soundtracks – a little like Beck I suppose, that is if Beck at birth had been breast fed hallucinatory drugs.

The Pains Of Being Pure At Heart ‘Kurt Cobain’s Cardigan’
Single
(Slumberland Records)

What a great title for a song, but it was a great cardigan it must be said. The Pains Of Being Pure At Heart have immediately put themselves under pressure: Does the song do justice to the cardigan? I am happy to report it does, and it is a fine indie pop romp of joyful proportions. And I am sure Kurt would heartedly agree if he was still with us.

Shitnoise ‘Charades’
Album (Cruel Nature Records) 17th November 2025

“It’s all rock n roll” as the old saying goes, and that is a perfect phrase to describe this wonderful mish mash of post punk, grunge, metal, thrash and yes probably many other genres and probably some they don’t yet have a name for – my daughter described something as pastel goth the other day: what the bloody hell is pastel goth? So maybe this has a bit of pastel goth in it who knows. It is certainly unhinged and deranged in the best possible way, and we all need a bit of music that slips from the lips to the hips and adds some sanity into our lives, and if not, you are dead from the waist down and from the shoulders up, so basically you are a torso.

A (near) 150 albums survey of the year, with choice eclectic albums chosen by the Monolith Cocktail Team.

Well was I wrong last year when I called 2021 the annus horribilis of all years. It has been soundly beaten by the shit-show that is 2022. The invasion of the Ukraine, cost of living crisis, another hideous wave of Covid – which even if the jabs are being rolled out, and the deaths rate, hospitalisations is nothing like the first wave back in 2020, is still causing major illness, absences and disruptions to a society already facing a heap of doomsday scenarios -, strikes, activism, fuel poverty, Iranian protests, and the continuing horror show of a zombie government being just some examples. Yes 2022 qualifies as one of the most incomprehensible years on record of any epoch; an ungovernable country in the grip of austerity point 2.0, and greater world untethered and at the mercy of the harridans on either side of the extreme political divide, the billionaire corporates and narcissist puritans.

And yet, it has been another great year for music. Despite the myriad of problems that face artists and bands in the industry, from a lack of general interest to the increasingly punitive costs of touring and playing live, and the ever encroaching problems of streaming against physical sales and exposure, people just can’t quit making music. And for that we, as critics – though most of us have either been musicians or still are – really appreciate what you guys do. In fact, as we have always tried to convey, we celebrate you all. And so, instead of those silly, factious and plain dumb numerical charts that our peers and rivals insist on continuing to print – how can you really suggest one album deserves their place above or below another (why does one entry get the 23rd spot and another the 22nd; unless it is a vote count) –, the Monolith Cocktail has always chosen a much more diplomatic, democratic alphabetical order – something we more or less started in the first place. We also throw every genre, nationality together in a serious of eclectic lists: no demarcation involved.

The lists include those albums we reviewed, featured on the site in some capacity, and those we just didn’t get the time to include. All entries are displayed thus: Artist in alphabetical order, then the album title, label, who chose it, a review link where applicable, and finally a link to the album itself.  

Because of the sheer number of entries, we’ve split that list in to two parts: Part One (A – L) starts with Anthéne & Simon McCorry and finishes with Lyrics Born; Part Two (M-Z) begins with Machine Girl and finishes with The Zew.

This year’s picks have been chosen by (Dominic Valvona), Brian ‘Bordello’ Shea, Matt Oliver, Andrew C. Kidd and Graham Domain.

A.

Anthéne & Simon McCorry  ‘Mind Of Winter’  (Hidden Vibes)  Dominic Valvona
Review

Seigo Aoyama  ‘Prelude For The Spring’  (Audiobulb)  DV
Review

Armstrong ‘Happy Graffiti’  Brian ‘Bordello’ Shea
Review

Yara Asmar  ‘Home Recordings 2018-2021’  (Hive Mind)  DV
Review

Avalanche Kaito  ‘S-T’  (Glitterbeat)  DV
Review

Avantdale Bowling Club  ‘TREES’  Andrew C. Kidd

B.

Caterina Barbieri  ‘Spirit Exit’  (Warp Records)  ACK
Review

Jam Baxter  ‘Fetch the Poison’  (Blah)  Matt Oliver

Oliver Birch  ‘Burning Daylight’  BBS
Review

Black Mesa ‘Research Facility’  (猫 シ Corp. ‘Selected Works’)  ACK

Brigitte Beraha  ‘Blink’  DV
Review

Brian Bordello  ‘Cardboard Box Beatles’  (Metal Postcard Records)  DV
Review

The Bordellos ‘Ronco Revival Sound’ (Metal Postcard Records)  Graham Domain
Review

Boycalledcrow  ‘Wizards Castle’  (Waxing Crescent Records)  BBS
Review

Broadcast  ‘The Maida Vale Sessions’ (Warp Records)  GD

Apollo Brown & Philmore Greene  ‘Cost of Living’  (Mello Music Group)  MO

Brown Calvin  ‘dimension//perspective’  (AKP Recordings)  DV
Review

C.

Loyle Carner  ‘Hugo’ (EMI)  MO

Tom Caruana  ‘Strange Planet’  (Tea Sea Records)  MO

Cities Aviv  ‘Man Plays The Horn’  (D.O.T.) DV

Claude  ‘A Lot’s Gonna Change’  (American Dreams)  DV
Review

Clouds in a Headlock  ‘Breakfast in Phantasia’  (Offkiltr/Fat Beats)  MO

Julian Cope  ‘England Expectorates’  BBS
Link

D.

The Dark Jazz Project  ‘S-T’ (Irregular Frequencies)  DV
Review

Aftab Darvishi  ‘A Thousand Butterflies’  ACK
Review

The Difference Machine  ‘Unmasking the Spirit Fakers’  (Full Plate)  MO
Review

Ferry Djimmy  ‘Rhythm Revolution’  (Acid Jazz) DV

Matt Donovan  ‘Habit Formation’  DV
Review

The Doomed Bird Of Providence  ‘A Flight Across Arnham Land’  DV/BBS
Review

Dubbledge  ‘Ten Toes Down’  (Potent Funk)  MO
Review

E.

Eamon The Destroyer  ‘A Small Blue Car – Re-made/Re-modelled’  (Bearsuit Records)  BBS
Review

El Khat  ‘Albat Alawi Op​.​99’  (Glitterbeat)  DV
Review

Kahil El’Zabar Quartet  ‘A Time For Healing’  (Spiritmuse)  DV

Roger Eno ‘The Turning Year’ (Deutsche Grammophon)  GD
Review

Eerie Wanda  ‘Internal Radio’  (Joyful Noise Recordings)  DV

Exociety  ‘Deception Falls’  (Exociety)  MO

F.

Fera  ‘Corpo Senza Carne’  (Maple Death Records)  DV

Catrin Finch & Seckou Keita  ‘Echo’  (bendigedig)  DV
Review

Flat Worms  ‘Live In Los Angeles’  (Frontier Records)  DV
Review

Forest Robots  ‘Supermoon Moonlight Part Two’  (Subexotic)  DV
Review

Nick Frater  ‘Aerodrome Motel’  (Big Stir Records)  BBS
Review

Future Kult  ‘S-T’  (Action Wolf/AWAL)  DV
Review

G.

Mike Gale  ‘Mañana Man’  DV
Premiere

Dana Gavanski ‘When it Comes’ (Full Time Hobby / Flemish Eye)  GD
Review

Gold Panda  ‘The Work’  (City Slang)  ACK

The Good Ones  ‘Rwanda…You See Ghosts I See Sky’  (Six Degrees)  DV
Review

Goon  ‘Hour of Green Evening’ (Demode Recordings)  Graham Domain
Review

Guillotine Crowns  ‘Hills to Die On’  (Uncommon Records)  MO
Review

Gwenno ‘Tresor’ (Heavenly Recordings)  GD

H.

Aldous Harding  ‘Warm Chris’ (4AD)  GD

Healing Force Project  ‘Drifted Entities Vol. 1’  (Beat Machine Records)  DV
Review

Sven Helbig  ‘Skills’  (Modern Recordings)  DV
Review

Bruno Hibombo  ‘Parting Words’  DV

Houseplants  ‘II’  (Win Big Records)  DV
Review

John Howard  ‘From The Far Side Of A Miss’  (Kool Kat)  DV
Review

I.

IBERI  ‘Supra’  (Naxos World Music)  DV

J.

Juga-Naut  ‘Time & Place’ (Juga-Naut)  MO

JPEGMAFIA  ‘OFFLINE!’  ACK

K.

Kamikaze Palm Tree ‘Mint Chip’  (Drag City)  BBS
Review

Kick  ‘Light Figures’  (Anomic Records/Dischi Sottoernnei/Sour Grapes)  DV
Review

King Kashmere  ‘Woof’  (High Focus)  MO

Evan Kertman ‘Rancho Shalom’  (Perpetual Doom)  BBS
Review

KMRU  ‘Temporary Stored’  ACK

L.

Labelle  ‘Éclat’  (Infiné)  DV
Review

The Legless Crabs ‘Always Your Boy’  (Metal Postcard Records)  BBS
Review

The Legless Trials ‘Cheese Sandwich’  (Metal Postcard Records)  BBS

Kristine Leschper  ‘The Opening Or Closing Of A Door’  (Anti-)  DV
Review

Liraz  ‘Roya’  (Glitterbeat)  DV
Review

Francesco Lurgo  ‘Sleep Together Folded Like Origami’  (Bosco Records)  DV
Review

Lyrics Born  ‘Mobile Homies’  (Mobile Home Recordings)  MO
Review

Keep an eye out later this week for Part Two.

Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.