PLAYLIST SPECIAL

An encapsulation of the last month, the Monolith Cocktail team (Dominic Valvona, Matt Oliver, Brian ‘Bordello’ Shea and Graham Domain) chose some of the choicest and favourite tracks from February. It may have been the shortest of months, yet we’ve probably put together our largest playlist in ages: all good signs that despite everything, from Covid to the Russian invasion of the Ukraine, artists, bands everywhere are continuing to create.

65 tracks, over 4 hours of music, February’s edition can be found below:

That exhaustive track list in full:::

Animal Collective ‘Walker’
Modern Nature ‘Performance’
Gabrielle Ornate ‘Spirit Of The Times’
The Conspiracy ‘Red Bird’
Cubbiebear/Seez Mics ‘All Friended Up’
Dubbledge/Chemo ‘Itchy Itchy’
Dirty Dike ‘Bucket Kicker’
Future Kult ‘Beasts With No Name’
Lunch Money Life ‘Jimmy J Sunset’
Ben Corrigan/Hannah Peel ‘Unbox’
Uncommon Nasa ‘Epiphany’
War Women Of Kosovo ‘War Is Very Hard’
Ben Corrigan/Douglas Dare ‘Ministry 101’
Sven Helbig ‘Repetition (Ft. Surachai)’
Ayver ‘Reconciliacion Con La Vida’
Lucidvox ‘Swarm’
Provincials ‘Planetary Stand-Off’
Wovenhand ‘Acacia’
Aesop Rock ‘Kodokushi (Blockhead Remix)’
Junglepussy ‘Critiqua’
Tanya Morgan/Brickbeats ‘No Tricks (Chris Crack) Remix’
Buckwild ‘Savage Mons (Ft. Daniel Son, Lord Jah-Monte Ogbon & Eto) Remix’
Che Noir ‘Praises’
Koma Saxo w/Sofia Jernberg ‘Croydon Koma’
Medicine Singers/Yontan Gat/Jamie Branch ‘Sanctuary’
Black Josh/Milkavelli/Lee Scott ‘Die To This’
Funky DL ‘I Can Never Tell (Ft. Stee Moglie)’
Mopes ‘Home Is Like A Tough Leather Jacket’
ANY Given TWOSDAY ‘Hot Sauce (Ft. Sum)’
Split Prophets/Res One/Bil Next/Upfront Mc/0079 ‘Bet Fred’
Nelson Dialect/Mr. Slipz/Vitamin G/Verbz ‘Oxford Scholars’
Immi Larusso/Morriarchi ‘Inland’
Homeboy Sandman ‘Keep That Same Energy’
Wax Tailor/Mick Jenkins ‘No More Magical’
Ilmiliekki Quartet ‘Sgr A*’
Your Old Droog/The God Fahim ‘War Of Millionz’
Ramson Badbonez/Jehst ‘Alpha’
Ghosts Of Torrez ‘The Wailing’
Pom Poko ‘Time’
Daisy Glaze ‘Statues Of Villians’
Orange Crate Art ‘Wendy Underway’
Seigo Aoyama ‘Overture/Loop’
Duncan Park ‘Rivers Are A Place Of Power’
Drug Couple ‘Linda’s Tripp’
Ebi Soda/Yazz Ahmed ‘Chandler’
Brian Bordello ‘Yes, I Am The New Nick Drake’
Psychedelic Porn Crumpets ‘Bubblegum Infinity’
Steve Gunn ‘Protection (Ft. Mdou Moctar)’
Jane Inc. ‘Contortionists’
Black Flower ‘Morning in The Jungle (Ft. Meskerem Mees)’
Jo Schornikow ‘Visions’
The Goa Express ‘Everybody In The UK’
Pintandwefall ‘Aihai’
Thomas Dollbaum ‘God’s Country’
Crystal Eyes ‘Don’t Turn Around’
Glue ‘Red Pants’
Super Hit ‘New Day’
Legless Trials ‘Junior Sales Club Of America’
Monoscopes ‘The Edge Of The Day’
Alabaster DePlume ‘Don’t Forget You’re Precious’
Orlando Weeks ‘High Kicking’
Carl Schilde ‘The Master Tape’
Bank Myna ‘Los Ojos de un Cielo sin Luz’
Park Jiha ‘Sunrise: A Song Of Two Humans’
Simon McCorry ‘Interstices’



Future Kult ‘S-T’
(Action Wolf Records/AWAL) 25th February 2022

Decamped in the outliers of Hidalgo, miles away from Mexico City, the sonic-visual partnership of Sion Trefor and Benjamin Zombori have tasked themselves with producing the music of the future.

Leaving behind both Cardiff and Berlin they’ve pitched up off the beaten track in the mountainous valley of one of Mexico’s smallest states; breathing in the geography, history, allure of this hacienda and river settled “nowhere”.

Bringing together both multifaceted artists and their respected disciplines – Trefor a professional concert pianist, violinist, percussionist, producer and composer for visual projects, his foil Zombori the founder of a music, arts and video agency and artist in his own right – Future Kult is an omnivorous grab of inspirations and borderless fusions.

A barrier, or at least warning against the ever-imposing forces of technology, their self-titled debut album corrals post-punk, indie-dance, no wave, electronica, pop and umpteen on-trend genres into a simmering and explosive dense dystopian sonic nightmare for all the senses. They marry the reverberations of the poor missing sisters lost over decades in the Mexican borderlands with the esoteric and the soulless algorithmic takeover of Silicon Valley across an often intense album of hushed and on occasion falsetto vocalised yearns and sinister-laced despair. That’s not to say it’s a resigned, or even wholly dark, songbook as magical filters of light and dance-like euphoric crescendos emerge from the industrial throbbing gristle and gothic bones. 

But just as you think you’ve got a handle those esoteric chants and nuzzled drug-doped saxophone honks and hints of The Big Pink and Renegade Soundwave shatter the Mexican posed hinterland vibes.

Binding together opposing forces and cultures the badly-lit underpass R&B flowing ‘The Wolf’ sounds like Gary Numan taking an E, whilst the sober warning brooding ‘Red Sands’ wields Belbury Poly harpsichord horror dream-realism with Ed Scissor & Lamplighter. ‘Luciferian’ rides a minimalist Tresor techno wave of Catholic-electro guilt.

Front 242 touches gloves with Amorphous Androgynous, DAF, Moroder, Nukuluk, Marilyn Manson and Nitzer Ebb on an electrified mind-warp of crushing malevolent technological forces. Kept as virtual prisoners in the web, Future Kult send out pulsating augurs and border-crossing sonic explosive pleas that will melt or send those algorithms into a frenzy: a great statement from a burgeoning partnership.    

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