PLAYLIST REVUE/Dominic Valvona/Matt Oliver/Brain ‘Bordello’ Shea




Join us for the most eclectic of musical journeys as the Monolith Cocktail compiles another monthly playlist of new releases and recent reissues we’ve featured on the site, and tracks we’ve not had time to write about but have been on our radar.

Expect to hear everything and anything; from Azerbaijan guitar heroes (very perceptive at the moment considering the geopolitical border shooting in the news), jazz peregrinations, lopsided psychedelic pop, stop-start funk, abstract deconstructions, Beach Boys imbued ebb and flow ruminating, sketches from a doyen of Krautrock, a cross pollination of 808 Maghreb and India, poignant personal ambient laments, plus a load of choice Hip-Hop cuts. 50 tracks in all. 


Those Tracks In Full Are:

Songhoy Blues ‘Barre’
Leron Thomas ‘Endicott’
Nubya Garcia ‘The Message Continues’
Dele Sosimi, Medlar ‘Gudu Gudu Kan’
Sidi Toure ‘Farra Woba’
Floodlights ‘Matter Of Time’
Lou Terry  ‘The View’
Lizzy Young ‘Obvious’
Sampa The Great, Junglepussy ‘Time’s Up (Remix)’
Marques Martin ‘Hailey’
Nicky William ‘Pathetic Fuck’
Gibberish ‘I Dreamed U’
La China de La Gasolina ‘El Camino’
The Green Child ‘Fashion Light’
Ludwig Dreistern  ‘New Oddity’
Namir Blade ‘Stay’
This Is The Kit ‘Coming To Get You Nowhere’
Esbe ‘My Love Knows No Bounds’
Stella Sommer ‘The Eyes Of The Summer’
Brona McVittie ft. Isan & Myles Cochran ‘Falling For Icarus’
Badge Epoque Ensemble ft. U.S. Girls & Dorothea Pass ‘Sing A Silent Gospel’
Liraz ‘Injah’
Junkboy ‘Belo Horizonte’
Rustem Quilyev ‘Ay Dili Dili’
Phew ‘All That Vertigo’
Krononaut ‘Leaving Alhambra’
The Strange Neighbour ‘Stuntman’
dedw8, Conway The Machine, 0079 ‘Clean The Whole Room Out’
Syrup, Twit One, Turt, C.Tappin, Summers Sons ‘Burn Out’
Verb T, Illinformed ‘New Paths’
Good Doom ‘Zig Zag’
Sheltered Workshop Singers ‘Dan I Am’
Staraya Derevnya ‘Hogweed Is Done With Buckwheat’
Sheltered Workshop Singers ‘My Life’
Violent Vickie ‘Serotonin’
Julia Meijer ft. Fyfe Dangerfield ‘The Place Where You Are’
Mike Gale ‘Pastel Coloured Warm’
Michael Rother ‘Bitter Tang’
Extradition Order ‘Let’s Touch Again’
Schlammpeitziger ‘Huftgoldpolka’
Ammar 808 ft. Kali Dass ‘Ey Paavi’
Edrix Puzzle ‘Jonny Buck Buck’
SOMA, Shumba Maasai, Hermes ‘Rudeboi’
Babylon Dead ‘Nineteen84’
The Jux, Turkish Dcypha, Wavy Boy Smith ‘Lost In Powers’
Verbz, Mr. Slipz ‘2202 Fm’
Tune-Yards ‘Nowhere, Man’
Chiminyo ‘I Am Panda’
Sebastian Reynolds ‘Heartbeat’
Tamar Collocutor, Tenesha The Wordsmith, Rebecca Vasmant ‘Yemaya (Vasmant Mixmaster)’



Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.

Reviews Galore
Words: Brian ‘Bordello’ Shea





The cult leader of the infamous lo fi gods, The Bordellos, Brian ‘Bordello’ Shea has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His most recent releases include The Bordellos beautifully despondent pains-of-the-heart and mockery of clique “hipsters” ode to Liverpool, the diatribe ‘Boris Johnson Massacre’ and just in the last month, The King Of No-Fi album. He has also released, under the Idiot Blur Fanboy moniker, a stripped down classic album of resignation and Gallagher brothers’ polemics.

Each week we send a mountain of new releases to the self-depreciating maverick to see what sticks. In his own idiosyncratic style and turn-of-phrase, pontificating aloud and reviewing with scrutiny an eclectic deluge of releases, here Brian’s latest batch of recommendations


Bruce Springsteen ‘Letter To You’
(Columbia Records) Title Track/Available Now


What a glam slam stomper of a hi energy dance around your handbag floor filler this new single is: a disco ball of sex and glitter. Only joking. No what we have here is the new song by Mr Boss himself Bruuuuuuuuuuuce Springsteen and yes it sounds like you would expect a slow paced Bruce Springsteen single to sound like, slow paced and Bruce like, which I’m not saying is a bad thing: if you love Bruce Springsteen you will love this, if you hate Bruce you will still hate him, and if you have no opinion on him this will not sway you either way. I quite like Bruce, so I quite like this.






This Is The Kit ‘Coming To Get You Nowhere’
Single/Out there now




Curse This Is The Kit, I was going to spend the afternoon catching up with my reviewing duties but instead I have been losing myself in the magic and wonder of This is The kit’s Youtube outpourings instead: this beautiful new single leading me astray into their wonderful and magical land of musical splendour of a back catalogue. Curse you and this new single! Yes is as magical as their other outpourings; fine stuff indeed.






Lizzy Young ‘Obvious’
Single/Available Now





I love this. It has a dark humour and a piano sound that reminds me of Captain Scarlet, which is what one wants from a short blast of a tossed away sass of a single; a blast of devil may care boredom and disinterest that runs through this way too short 3-minute pop gem. But that is far too obvious.






Beauty Stab ‘Beauty Stab’
EP/8th September 2020




Last month Beauty Stab released what I called “single of the year” with sublime erotically art synth pop beauty that is the lead off track from this new EP, French Film Embrace. So you would think that would be the highlight. Well how wrong you would be; this 4 tracker is one long highlight.

The already previously reviewed ‘French Film Embrace’ is indeed a beauty with a bass riff that sounds like a matador reliving the sexual wanderings of his youth. Next up is ‘The Rain’, a track that’s melodramatic post punk synth 60s pop genius, part John Leyton ‘Johnny Remember Me’, part Southern Death Cult, part Soft Cell; a track that is as camp as a row of tents and as dark as the darkest of nights: another pure pop gem.

The 3rd track ‘Protégé’ shows the other side of the band, the more experimental and art pop side, that they cradle with a gentle beauty only the gentle of soul truly possess. The Final track is ‘O Eden’, which was their debut single that was released on Metal postcard Records last year but in a remixed form, and a track that has not lost any of its heart breaking beauty, is a synth ballad to end all other synth ballads. Dan proving once again he is the rightful successor to Scott Walker with a truly outstanding vocal, this should have been all over the radio last year.

So hopefully with its reappearance on this EP that will be put right. An EP of true pop genius in a time when we need EPS of true pop genius more than any other.




See also…

Beauty Stab Interview (with Brian ‘Bordello’ Shea) (here)

‘O Eden’ Review  (here)



Deepfake Moneybomb ‘Deepfake Moneybomb’
Album/8th September 2020




There is a Randy Newman feel about this album that I like. I have always had a thing for music when you can hear the performer arch his eyebrows and I certainly think Deepfake Moneybomb is arching both brows on this joy ride of subtle adventure. This is a songwriter who knows long words and is not afraid to use them. A man who is not going to dumb himself down so some knucklehead Oasis fans can swig their larger and belch and fart along to his quickie sci-fi folk songs.

We really need artists like Deepfake Moneybomb in these days of blandness and disease to offer us his quirky outlook on love and life and quantum mechanics. This album is an example of the DIY bedroom recording culture at its very best and has me wanting to go and dig out my Charles Douglas CDs and lose myself in laid-back home-recorded pure musical invention.






The Amplifier Heads ‘Music For Abandoned Amusement Parks’
Album/9th September 2020




A new album by The Amplifier Heads is always something to look forward to, for you are always guaranteed sublime melodies beautiful lyrics and the magic spell of true rock n roll invention. Part XTC part Cleaner From Venus but mostly The Amplifier Heads psych power pop and guitar jangle meet in an album of melancholic nostalgia songs recalling the end of the summer’s past.

This 14-song album is a concept album of sorts with as mentioned the “Abandoned Amusement Arcade” being a metaphor for the passing of youth and your memories of it. So, songs of youthful abandon and abandoned youth are covered quite beautifully; leaving one with the same feeling one has after watching George Lucas’s masterpiece American Graffiti.

Music for Abandoned Amusement Parks is the perfect album to soundtrack the oncoming Autumn/Winter months and anyone with a love for guitar and melody this album is a must have.






Salem Trials ‘Fear For Whatever Comes Next’
Album/Available Now




So the third album of the year by the most exciting guitar band of 2020 arrives and once again with little fanfare, slipping it out on their Bandcamp, and once again proving how unfair this rock n roll malarkey is as the very average Fontaine D.C. achieve all kinds of sales and critical ravings are heaped upon them. This fine album songs of Buzzcock like panache and excitement mixed with early experimental escapades of Barrett’s Pink Floyd and early 80s Fall and full on Beefheart shenanigans will no doubt go by unnoticed.

This is the true sound of the guitar underground. This is where the magic is kept. This is what should be what is coming out of your radio when you turn it on after 9pm. This album sounds like a best of John Peel radio show. This is the true alternative and just how wonderful the true alternative sounds.




See also…

Salem Trials ‘Do Something Dangerous’ Album Review  (here)



Nicky William ‘Pathetic Fuck’
Single/28th August 2020




A funky little offering from Nicky William, who goes all dandy on us, with a short and sweet dark swipe at his own character traits. A strange subject matter I suppose, but one that needs exploring and indeed he does explore it in the two minutes 15 seconds this little gem spins around your head, with its drum beats, flutes and “oooh” backing vocals. A fine track, and one that’s taken from his forthcoming EP.



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