PLAYLIST REVUE/Dominic Valvona/Matt Oliver/Brain ‘Bordello’ Shea




Join us for the most eclectic of musical journeys as the Monolith Cocktail compiles another monthly playlist of new releases and recent reissues we’ve featured on the site, and tracks we’ve not had time to write about but have been on our radar.

Expect to hear everything and anything; from Azerbaijan guitar heroes (very perceptive at the moment considering the geopolitical border shooting in the news), jazz peregrinations, lopsided psychedelic pop, stop-start funk, abstract deconstructions, Beach Boys imbued ebb and flow ruminating, sketches from a doyen of Krautrock, a cross pollination of 808 Maghreb and India, poignant personal ambient laments, plus a load of choice Hip-Hop cuts. 50 tracks in all. 


Those Tracks In Full Are:

Songhoy Blues ‘Barre’
Leron Thomas ‘Endicott’
Nubya Garcia ‘The Message Continues’
Dele Sosimi, Medlar ‘Gudu Gudu Kan’
Sidi Toure ‘Farra Woba’
Floodlights ‘Matter Of Time’
Lou Terry  ‘The View’
Lizzy Young ‘Obvious’
Sampa The Great, Junglepussy ‘Time’s Up (Remix)’
Marques Martin ‘Hailey’
Nicky William ‘Pathetic Fuck’
Gibberish ‘I Dreamed U’
La China de La Gasolina ‘El Camino’
The Green Child ‘Fashion Light’
Ludwig Dreistern  ‘New Oddity’
Namir Blade ‘Stay’
This Is The Kit ‘Coming To Get You Nowhere’
Esbe ‘My Love Knows No Bounds’
Stella Sommer ‘The Eyes Of The Summer’
Brona McVittie ft. Isan & Myles Cochran ‘Falling For Icarus’
Badge Epoque Ensemble ft. U.S. Girls & Dorothea Pass ‘Sing A Silent Gospel’
Liraz ‘Injah’
Junkboy ‘Belo Horizonte’
Rustem Quilyev ‘Ay Dili Dili’
Phew ‘All That Vertigo’
Krononaut ‘Leaving Alhambra’
The Strange Neighbour ‘Stuntman’
dedw8, Conway The Machine, 0079 ‘Clean The Whole Room Out’
Syrup, Twit One, Turt, C.Tappin, Summers Sons ‘Burn Out’
Verb T, Illinformed ‘New Paths’
Good Doom ‘Zig Zag’
Sheltered Workshop Singers ‘Dan I Am’
Staraya Derevnya ‘Hogweed Is Done With Buckwheat’
Sheltered Workshop Singers ‘My Life’
Violent Vickie ‘Serotonin’
Julia Meijer ft. Fyfe Dangerfield ‘The Place Where You Are’
Mike Gale ‘Pastel Coloured Warm’
Michael Rother ‘Bitter Tang’
Extradition Order ‘Let’s Touch Again’
Schlammpeitziger ‘Huftgoldpolka’
Ammar 808 ft. Kali Dass ‘Ey Paavi’
Edrix Puzzle ‘Jonny Buck Buck’
SOMA, Shumba Maasai, Hermes ‘Rudeboi’
Babylon Dead ‘Nineteen84’
The Jux, Turkish Dcypha, Wavy Boy Smith ‘Lost In Powers’
Verbz, Mr. Slipz ‘2202 Fm’
Tune-Yards ‘Nowhere, Man’
Chiminyo ‘I Am Panda’
Sebastian Reynolds ‘Heartbeat’
Tamar Collocutor, Tenesha The Wordsmith, Rebecca Vasmant ‘Yemaya (Vasmant Mixmaster)’



Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.

Reviews/Brian ‘Bordello’ Shea




The cult leader of the infamous lo fi gods, The Bordellos, Brian ‘Bordello’ Shea has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His most recent releases include The Bordellos beautifully despondent pains-of-the-heart and mockery of clique “hipsters” ode to Liverpool, the diatribe ‘Boris Johnson Massacre’ and just in the last month, The King Of No-Fi album. He has also released, under the Idiot Blur Fanboy moniker, a stripped down classic album of resignation and Gallagher brothers’ polemics.

Each week we send a mountain of new releases to the self-depreciating maverick to see what sticks. In his own idiosyncratic style and turn-of-phrase, pontificating aloud and reviewing with scrutiny an eclectic deluge of releases, here Brian’s latest batch of recommendations.



Ludwig Dreistern ‘Linda/New Oddity’
(Ikarus Records) Single/Out there now


The debut single by Ludwig Dreistern does have a touch of Granddaddy about it and that can only be a good thing surely. It has the same hushed whispered vocal style and the off kilter like psych synth lines they used with a sparing relish that for a short time in the late 90’s was the rigour: it was the thing to flourish at alternative parties by those who loved to dress in black and say such things as “Mercury Rev are to die for” and such…honest I kid thee not. So relive those days of student splendour and working in a record shop at Christmas with this two-track bevy of Granddaddy like remembrance: you will not be sorry.






Loverground & BB Sway ‘About You’
Single/Out There Now




There is something quite Prince-like about this lovely piece of pop fluff. The kind of fluff that sticks to your cardigan and no matter how many times you think you have flicked the litter blighter away you look again and there it is still attached and growing until it reaches a badge like status that you eventually wear with pride; it is always there, always there as a reminder of something so small that means so much to you and makes you smile to yourself: a piece of fluff you never ever want to live without.




Hiroki Tanaka ‘Inori’
Single/Out there now




This track is a fine slice of musical beauty wrapped in a sweet chocolate like covering of yearning sadness. A song to serenade your dark side into a soft becoming ball of slush with a Radiohead-becoming-The Beatles like melody that sucks you in, and, doesn’t spit you out but just hugs you with a gentle rocking slumber of your most darling hopes wishes and dreams. I bet the forthcoming album is going to be a gem.






Lou Terry ‘If I’m Me Who Are The Other One’
(Metal Postcard Records) Album/Out there now




A shallow bathe in the lost beauty of misery and of love lost and found, the power of gentle melodies and the light touch of the lyrical twist really cannot be underestimated, and the master of all those things is Lou Terry whose new album is brimming with songs full of those qualities.

Recorded over the lockdown, like so much of the new music I’m listening to, it is graced – well with the grace and understanding and sublime loss that normally can be found in the outpourings of 80s Go Betweens and the obscure 70s home recordings of John Lennon. When Lou Terry’s voice cracks it is thing of true beauty as it does on ‘Sickly Peach’. You wonder how on earth he is not better-known; it has the same effect as spying a long-lost lover across the street and her shyly smiling the smile that breaks the passing of the years and in an instant you are eighteen and beholden, you are completely lost and once again under the power of her magical spell. And the beauty of this album achieves all this. It almost wants you to feel broken and betrayed lost and bewildered. If I’m Me Who Are The Other Three is the album to soundtrack the oncoming melancholy of Autumn nights; a thing of great beauty.






James PM Philips ‘Manikhana’
Single/Out there now




This is a rather wonderful beast of a track, a lo-fi adventure of pure undiluted home recorded psych; one that brings to mind the off-kilter joy of Skip Spence’s masterpiece Oar, or the magical musical workings of Craig Smith/Maitreya Kali. A song to chant to your own personal god, be it a badly buttered slice of toast or the mythical goddess of pop Deborah; a true work of off the cuff musical madness, one that should be both lauded and applauded. Great musical outpourings indeed.






Lo Tom ‘LP2’
(Self-Released) Album/11th September 2020




Polished Mary Chain-like guitars played by Bryan Adams kick off this self-released [a round of applause for Lo Tom] album of alt rock, and although it attempts nothing new or revolutionary this album it is no worse and a lot better than a lot of the Alt Guitar rock music I’m sent to ponder over. It has a certain bombastic melodious appeal that the Icicle Works sometimes achieved and the emotionally charged exuberance a lot of people will find rewarding. Although not the kind of album I’d normally choose to listen to I can think of a lot of people who will really enjoy this album of well worked alt guitar rock. So if bombastic alt guitar is the kind of thing that rocks you Daddy-O I would advise you to give it a listen.



The Green Child ‘Low Desk: High Shelf’
(Upset The Rhythm) Single/Out There Now




This lovely piece of synth poppery is a fine example of how pop music is still alive and kicking in 2020: A song built on such a floating-on-the-air synth riff it could have kept the Titanic afloat. Beautiful melodies, whispery soft as silk fragile vocals combine to give three and a half minutes of perfect pop.






Feral Wheel ‘The Dolphin Way’
Track/Out There Now




The second track from the rather marvelous newish Liverpool band Feral Wheel takes us drifting back to the late sixties, when the lazy guitar sounds of Arthur lee and his merry band of Love ruled the roost. There is something quite magical about great Liverpool guitar bands and trust me the Feral Wheel show all the signs of being a great Liverpool guitar band. They have the air of woozy stoned- out summer afternoons, of an 1980s stroll down button street after spending far too long deciding which volume of Pebbles the Garage rock comp you were going to buy from the old Probe records store; the sun was always shining the girl you was with was always beautiful, your friends full of wit and a shared excitement for the future, and there was always the music, music like the Feral Wheel to soundtrack the passing of those late summer days, quite sublime sounding like the Feral Wheel.






Agent blå  ‘Frustrated’
(Kanine Records) Single/Out there now




A Gothic like pop subculture melts into Wayne Hussey’s out-stretched arms in a riff ridden glory ride of a skinny dipped PJ Harvey. Pink hi ho silver away tear dropped shaped memory of a gurning John Peel dressed in spurs and a cowboy hatted joker of dead eyes and frippery. Yes those were the days nobody ever mentions anymore. A fine single none the less…and yes, if you put it close to your ear I am sure you will hear the ocean.




Floodlights ‘From A View’
(woo me!/spunk) Album/28th August 2020




Americana from Australia – shall we call it Australiana -, which is the sound of Billy Bragg playing the near hits and misses of the Go Betweens or vice versa if you like, either way what we have here are ten very well written songs of heartache and its many varieties. Guitars that jangle and solos like an escaped riff from Primal Screams Velocity Girl whilst twirling with gay abandon with the dark wistfulness of the well composed lyrics. I also love the boy girl vocal interaction on the album; they do it very well, it fits together with a charm like a forced in piece of a jigsaw puzzle that does not mean to go there but looks better anyhow and gives it a unique look of its own. Oh I do like this album it reminds me of a down at heel Triffids and one cannot pay a higher compliment than that believe me.





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