Reviews/Brian ‘Bordellos’ Shea





Brian ‘Bordello’ Shea joined the Monolith Cocktail team in January 2019. The cult leader of the infamous lo fi gods, The Bordellos, has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His most releases include The Bordellos beautifully despondent pains-of-the-heart and mockery of clique “hipsters” ode to Liverpool, and, under the guises of the Idiot Blur Fanboy moniker, a stripped down classic of resignation and Gallagher brothers’ polemics.

Each week we send a mountain of new releases to the self-depreciating maverick to see what sticks. In his own idiosyncratic style and turn-of-phrase, pontificating aloud and reviewing with scrutiny an eclectic deluge of releases, here Brian’s latest batch of recommendations.

With all live gigs and events more or less quashed for the foreseeable future, buying music (whether it’s physical or through digital platforms such as Bandcamp) has never been more important for the survival of the bands/artists/collectives that create it. We urge you all to keeping supporting; to keep listening.


The Legless Crabs ‘Be A Sadist’
LP/Available Now


If you remember a few weeks ago I reviewed a single from The Legless Crabs declaring them the future of rock n roll. Well they have just compiled a free to download LP of all their singles and EPs, and released it as a free to download compilation.

Essential is the word dear readers, essential! The early Mary Chain meets the Shaggs with a touch of Daniel Johnson and Pussy Galore thrown in, it’s dark and it has guts and a do not give a fuck attitude. It is a shambolic noisy stew of noise but with wonderfully written melodies and lyrics. The best band to come from the USA since the Banana Splits: no doubt about it.





No Exits ‘No Exists EP’
Available Now




The 80s post punk sound really is making a bit of a re-emergence, and why not, as when it’s done well it’s a fine thing indeed: and No Exits do it very well indeed.

Their music takes me back and has me thinking of very early Dead Or Alive and Theatre Of Hate with a touch of Soft Cell, and something about it really reminds me of Theatre Of Sheep (maybe its their guitar sound), but very entertaining nonetheless. So if the 80s post punk swirl is your thing you should really enjoy this fine EP.





The Loungs ‘Hey Brain’
(Fresh Hair Records) Single/Available Now




It’s nice to have those St Helens Psych Monkees The Loungs back after a far too long a layoff since their gem of a third LP, the 2015 baroque flavoured Short Circuit. And this little beauty carries on where that fine album left off. ‘Hey Brain’ being a quirky short stroll through the Summery psych of one’s past, recalling the woozy delights of the Super Furry Animals with a hint of the Zombies and Cat Stevens, but with a charm of their very own. A true delight, which could of only been better if it was called, “Hey Brian”.





DeathDeathDeath ft. Lomi MC ‘Love Is A Construct’
(Numavi Records) Single/Available Now




I love this. It’s rather quite beautiful and whoever says they don’t make pop music as quite magical as they used to do should be made to listen to this on repeat until they admit they are wrong. It has a wonderful warm quality about it that takes my aging mind back to the wonderful music of Jane and Barton. A soft summer aural seduction that I advise music lovers of all ages should allow themselves to be seduced by. They won’t be sorry.





Graham Domain ‘Waking World’
(Metal Postcard Records) EP/Available Now




What we have here is another EP from one of Manchester’s greatest hidden musical secrets. Yes, there is something quite engrossing about the music of Graham Domain, a certain quiet dignified subtle madness that completely beguiles. It has a dark seductive charm from the tinkling piano and synth strings and jazz bass that lures you into the textured dream of the songs, and as it pulls you in and you begin to lose yourself in the magic you then notice the beauty of the lyrics and the phrasing: nobody quite sings like Graham Domain anymore. I’m sure that somewhere along the line the quiet genius of his music will find a audience and hopefully the large one it deserves, plus on the track ‘What Love Means’ there is the best crazy synth solo one can ever hope to hear.





Bloom De Wilde ‘The Heart Shall Be Rewarded By The Universe’
LP/Available now




If only life could be as wonderfully magical as this album. Bloom De Wilde has an aura about her that emits a certain belief in the beauty of life, with her songs of nature and love, she gives one hope in these times of backbiting misery and disease that music and love can be the answer. Maybe we all need to return to the spiritual freedom of 1967 and not be wrapped up in the junk and social media that clouds up our minds and hearts, for this album casts a mighty spell that is bewitchingly hypnotic, that slowly seeps through the layers of self doubt mistrust and ego and has you smiling again, has you laughing, has you counting your blessings and looking forward to living your life and making the most of it as you only have one life so why not make the most of it. The Heart Shall Be Rewarded By The Universe is one of those rare albums that is made with pure love and should be treated with pure love: a shimmering delight.





Drew Davies ‘Drew Davies’
(AD1) LP/Available now




Is the good old 80s the new 60s? I wonder as I’m getting sent a load of music that is so influenced by the decade. This LP by Drew Davies could have easily been released in that decade – if I hadn’t known better I would have thought this was a reissue of some album that slipped under the radar at the time.

Drew Davies obviously worships at the altar of David Bowie, which indeed is no bad thing. He could have worshiped at the altar of Stefan Denis, and do we really need that. Instead we are treated to the kind of album a major label would have released in the 80s pretending that it was an indie. It has the same polished Alt rock glamour and choruses that has the audience punching the sky while keeping one eye for the queue at the bar to thin out so you can send your girlfriend. It is in no way the greatest LP you will hear this year or any year from the 80s but you will certainly hear worse, and any fans of Billy Idol or 80s Bowie or even John Moores Expressway [remember them] will certainly enjoy this album as I did, as melodies and glamour do not age.





Dog Paper Submarine ‘Slippery Satellites’
(Small Bear) Album/Available Now




So we finally get the final LP by Dog Paper Submarine, two years after it was recorded, and it was indeed worth the wait as it is as always fine indie rock: part dEUS part Pixies, but all Dog Paper Submarine.

Clattering guitars, instrumental surf basslines, melodies that prod and gouge and caress are all one wants from their indie rock. To be honest I’m not a huge indie rock fan, I find it incredibly dull mostly these days, which again from a personal point of view makes this album and Dog Paper Submarine even more impressive, as this is a album I will play and enjoy, and that should be enough for any music lover.





Salem Trial ‘Head On Rong’
(Metal Postcard Records) Single/Available Now




I love this. From the start the explosive wall of Thin Lizzy like double lead guitars leap out at you and joyfully throttle you ears to death in the nicest possible way, whilst Beefheart like vocals and a melody catchy enough to hook yourself make for a whopper. It’s a song that has me yearning for the wild and drunken nights at the Royal Alfred in the late 80s, while being entertained by the wonderful local band The Volunteers, who made one mini album of sublime Beefheart frenzy called Bladder Of Life. This song reminds me of those days. That’s high praise indeed believe me. ‘Head On Rong’ is a must have for music lovers old and young alike.





It’s Karma It’s Cool ‘Woke Up In Hollywood’
Album/Available Now




If your thing is music with sparkling guitars and joy filled melodies then this album is for you. At times recalling Lloyd Cole with his Commotions and maybe a poppy REM after overdosing on the sun, songs shimmer and cast shadows of one string Rickenbacker guitar solos, the kind that The Bangles would embrace and comb their hair to whilst kissing posters of Gene Clark.

Woke Up In Hollywood is an album that exists to take one back to the golden days of the California sounds from the mid 60s through to power pop of the early 80s; from The Byrds to The Tremblers, even at times reminding me of the English Beat.

If you like, this is an album that should come with a large cut-out sun to hoist up into your room as the heat and pure light emerges from your stereo or laptop.




REVIEWS/Brian ‘Bordello’ Shea





Brian ‘Bordello’ Shea joined the Monolith Cocktail team in January 2019. The cult leader of the infamous lo fi gods, The Bordellos, has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His most releases include The Bordellos beautifully despondent pains-of-the-heart and mockery of clique “hipsters” ode to Liverpool, and, under the guises of the Idiot Blur Fanboy moniker, a stripped down classic of resignation and Gallagher brothers’ polemics.

Each week we send a mountain of new releases to the self-depreciating maverick to see what sticks. In his own idiosyncratic style and turn-of-phrase, pontificating aloud and reviewing with scrutiny an eclectic deluge of releases, here Brian’s latest batch of recommendations.

With all live gigs and events more or less quashed for the foreseeable future, buying music (whether it’s physical or through digital platforms such as Bandcamp) has never been more important for the survival of the bands/artists/collectives that create it. We urge you all to keeping supporting; to keep listening.

Princess Thailand  ‘And We Shine’
(À Tant Rêver du Roi and Luik Records)  Album/Available Now


If the swooning sound of post punk is the thing that swings your swinger then this fine album by Princess Thailand is the thing for you. Siouxsie and The Banshees attitude and early Cure like darkness melts over the proceedings like a black-hearted vamp of loneliness offering you one last grasp of togetherness. Guitars and sultry vocals merge with the feeling and memories of 80s post punk and, dare I say it, Goth to bring together an enjoyable flange filled half hour or so of dark sparkle angst.






Sir Robert Orange Peel  ‘Are You Mod Enough’
(Metal Postcard Records)  Single/Available Now




Welcome to another musical history lesson from Sir Robert Orange Peel; this time teaching us all about the mod culture fashions from the 60s: myself being too young to remember such a thing, but old enough to remember the late 70s revival. The joys of being a rockabilly in the early 80s, leather jacket winklepicker boots and huge Stray Cats like quiff surrounded by the be-parkered ones at a early 80s Kinks gig: and what a gig it was.

This is a joyful hipster swing of a track; one you could imagine Michael Cain sipping on a whisky and coke to, wearing horn rimmed glasses whilst watching the mini skirted beauties shaking their tail feather and there long lank hair swaying to this organ led beat happening at the London groovy discotheque.







Sir Bobby Jukebox  ‘Friendship Gift’
(Already Dead Records)  Album/22nd May 2020




Is there anyone out there old enough to remember the early 90’s and the wonderful joyful happy sounds of the Frank And Walters, who mastered in releasing catchy indie pop with melodies that caressed all the parts you wanted caressing by joyful indie music whilst hiding the dark underbelly of sadness.

Well if you do, this could well be for you. It has the same magical qualities but with the added spice of diy everything but kitchen sink woozy psychedelia, the injection of a “nah nah” chorus rush frenzies, and the Postcard era jangle of guitars – especially on ‘the has Edwyn entered the room’ ‘You Only Dance’. A joyful sugar rush of an album.






Bigflower  ‘Hold You In Place’
Single/Available Now




Another day in lockdown and another slice of dark wonderful distorted searing guitar from the equally wonderful bigflower, an artist that should be celebrated not ignored: if this was the 90s when people still gave a shit about new music bigflower would be all over late night radio and in the serious music press. As this is Monolith Cocktail, and one of the only remaining serious music blogs still standing [no clickbait 10 songs about making tea from us] it is our duty to review and to publicize such a serious talent.

If dark beautiful guitar music that you can dive into and totally submerge yourself in is your thing, bigflower is certainly the man/artist/band for you. Get downloading: it’s free. And tell your guitar loving friends to do the same.







Palavas  ‘Centerpiece’
(Wormhole World) Album/Available Now




Discordant noise merges with electro soundscapes that paint a sweeping aural picture of dark beauty, sometimes verging on the slightly psychedelic industrial sound that Throbbing Gristle used to thrive in producing; and I would advise any fans of Throbbing Gristle to give this festival of noise [noise in the best way] a go as I think they could well enjoy and be intrigued by this sound wash of danger. Once again Wormhole World Records produce the goods.






Salvatore Baglio ‘Sonic Doom: A Lo- Fi Home Companion’
Album/Available Now




Lo-fi is what I do best musically, so when I’m introduced to a 25-track album of such lo-fi beauties I’m indeed like a pig in muck. Recorded in various places on various recording equipment over the last 20 years by Salvatore Baglio, and compiled into this gem of a release.

Songs that makes one think of XTC, Guided By Voices, Cleaners From Venus, Clinic, and The Beach Boys at their crazy best amongst many other, what these songs have are invention, melody and tongue in cheek humour, and a great amount of songwriting talent.

There is the wonderful warmth that one gets from using cassette tapes to record that this album and these songs benefit greatly from; the warmth most of these songs, if not all of these songs, couldn’t be improved upon by using a state of the art 64 track studio, for what people do not quite grasp is that to succeed in making truly great lo-fi music you have to be a hugely talented songwriter with a inventive mind as you cannot hide behind 32 tracks of synths or millions of overdubs and get some producer to cover up some of your weaker tracks with studio trickery, and this album really does not have any weak tracks.

From the experimental instrumentals to stunning guitar pop all are polished gems. Some achievement that over the 25 tracks one does not find their minds wandering or wanting to skip songs. This really is a album all music lovers need to dive into and lose themselves in; a truly wonderful album and a masterclass in songwriting.







Nightingales  ‘Four Against Fate’
(Ting Global Productions)  LP/22nd May 2020




The Robert Lloyd warble is a thing of punk and post punk beauty, and here we are still in 2020 still enjoying the lyrical dexterity and humour of the great man: and long may it continue. As always songs of post punk verve leap from the speakers drenching you in memories of late night glories of listening to the much-missed John Peel; it really is like the last 35 years have not happened.

This album is simply timeless guitars jangling and twisting and distorting – as all great post punk guitars should do. Melodies reach out and throttle you while gently pulling on your heart strings reminding you no matter how bad things seem to be getting their are wonderful bands and characters like the Nightingales making enjoyable discordant pop songs full of wit adventure and wonder.





Xqui  ‘Microchasm’
(Wormhole World)  LP/15th May 2020




Found sounds or found zounds if you want to be funky, and I’m in a funky mood, the kind of mood where I feel like listening to cut up sounds welded together to make music with or without melody, the kind of thing you may find attractive whilst cutting a garden hedge or two. You can imagine Fred Astaire walking down a staircase whilst surrounded by beauties in fine gowns in black and white photos, whilst some guy is annoyingly recording the clip clop of his feet and making a strange trance like dance track from the aftertaste of the be-swathed one.

Found Zounds as I am now fond of calling them are something to be admired and beholden in a fashion not known by man, or men depending how many there are, or women even – let’s not be sexist about this. If you want to start and experiment into making found zounds you could not do worse than giving this a listen and losing yourself in the found zound wizardry of Xqui.






Simon Klein ‘Cat’
(Gare Du Nord) Single/Video/15th May 2020




Ah at last I was just beginning to despair of finding something I liked enough to be kind to in a review when this bountiful in bounce beauty came into my email box; a song that flounces with a fine subtle rockabilly beat, the kind of song that one twists to in their kitchen whilst waiting for the kettle to boil. And did you notice I wrote song and not track for it has lyrics and melody and everything. It is a song you can both dance to and stroke your chin to: hurrah!






Playlist/Dominic Valvona/Matt Oliver/Brian ‘Bordello’ Shea





By now we’ll probably all aware and getting jaded by the constant newsroll of Covid-19 horror stories, and the ominous stench of pandemic armageddon. To return to some sort of normality, the Monolith Cocktail promises to keep finding all the best new music for you to enjoy, dance to, contemplate and mull over. No cheap epidemic cash-ins and no tenuous links to self-promotional lockdowns here. Just great music, which we hope you will all keep supporting during these anxious uncertain times. And remember, if you do find anything on this playlist that you’d love to purchase, please root the artist, band out on Bandcamp tomorrow (Friday 1st May 2020), as the platform is once more waiving their cut of the fees.

For those of you that have only just joined us as new followers and readers, our former behemoth Quarterly Playlist Revue is now no more! With a massive increase in submissions month-on-month, we’ve decided to go monthly instead, in 2020. The April playlist carries on from where the popular quarterly left off; picking out the choice tracks that represent the Monolith Cocktail’s eclectic output – from all the most essential new Hip-Hop cuts to the most dynamic music from across the globe. New releases and the best of reissues have been chosen by me, Dominic Valvona, Brian ‘Bordello’ Shea and Matt Oliver.



Tracks in full are:

Hanni El Khatib  ‘ALIVE’
Mashmellow  ‘Share It’
3 South & Banana  ‘Rush Hour’
Supergombo  ‘Alien Felines From Beyond The Galaxy’
iyatraQuartet  ‘Chandra’
Santrofi  ‘Africa’
Damily  ‘Zaho Va’
Holy Hive  ‘Didn’t You Say’
Euan Hartley And Friends  ’30/1′
Twisted Ankle  ‘Landlord Laughs’
Lucidvox  ‘Knife’
Pabst  ‘Skyline’
Senji Niban  ‘Where The Birds Fly Now?’
Higamos Hogamos/Spacerocks  ‘Crome Yellow’
Raw Poetic & Damu the Fudgemunk  ‘Head On’
Tanya Morgan  ‘Resurrection’
Evidence  ‘Unlearning’
The Doppelgangaz  ‘Cloak Makes The Man’
Antti Lotjonen  ‘Pocket Yoga’
R.A. The Rugged Man ft. Chuck D  ‘Malice Of Mammon’
Dope Knife  ‘Face Fuck’
Cambetta & Apollo Brown  ‘Nightmare’
Makoto Kino  ‘West Madoka’
Bodyvox  ‘Yeah Yeah (D Ramirez Vocal Radio Edit)’
RJD2 ft. Homeboy Sandman  ‘One Of A Kind’
Sparks  ‘One For The Ages’
Mick Harvey  ‘The Journey: Part 1: Conflict’
Alex Stolze ft. Ben Osborn & Anne Muller  ‘Babylon’
Chicago Underground Quartet  ‘Orgasm’
Aksak Maboul  ‘Silent Silhouettes’
Halftribe  ‘Subliminal’
Clovvder  ‘My Mother Was The Moon’
Nick Cave  ‘Cosmic Dancer’
Die Wilde Jagd  ‘Himmelfahrten’
David Ahlen  ‘If I Have You’
Big Thief  ‘Love In Mine’
Yakima  ‘It Helped’
Murmur Tooth  ‘A Fault In This Machine’
Farezi & Sinan Oktem  ‘Dionysian’
So Beast  ‘Multiplayer’
Simon McCorry  ‘Pieces Of Mind’
Kahil El’Zabar & David Murray  ‘In My House’
Roedelius  ‘Geruhsam’



Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.

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