Reviews Galore/Brian ‘Bordello’ Shea

The cult leader of the infamous lo fi gods, The Bordellos, Brian ‘Bordello’ Shea has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His most recent releases include The Bordellos beautifully despondent pains-of-the-heart and mockery of clique “hipsters” ode to Liverpool, the diatribe ‘Boris Johnson Massacre’ and just in the last month, The King Of No-Fi album. He has also released, under the Idiot Blur Fanboy moniker, a stripped down classic album of resignation and Gallagher brothers’ polemics.

Each week we send a mountain of new releases to the self-depreciating maverick to see what sticks. In his own idiosyncratic style and turn-of-phrase, pontificating aloud and reviewing with scrutiny an eclectic deluge of releases, here Brian’s latest batch of recommendations.

Marshall Holland ‘Paper Airplane’
Album, 21st September 2020

Oh, fuck me let’s get it over with and call it power pop shall we. Yes why the hell not. It has all the right boxes ticked: fine melodies, 60’s, early to late 70’s, early 80’s pop guitar music influences. I have been inundated with requests over the last few days with bands pushing their latest waxings in the power pop variety some of it good some of it not so good and some of it bloody exceptional. I’m pleased to say that this falls into the exceptional category. I’m doing it a slight disservice, tagging this album in any genre, for this has much more to offer. Marshall himself has such a wonderful pop voice and is also a fine songwriter and a very good lyricist. He has a wonderful quirky way with words and imagery: one you do not really get to come across very often. He even has guitar solo’s that does not have me shouting get the fuck on with it which is very rare thing, which no doubt pleases my wife no end as I suppose it can be a bit off-putting having some aging old chap clad in pajamas and head phones shouting get the fuck on with it while you are trying to watch TV. But you do not want to hear about my quirks, this album is very fine indeed with not a bad track just joyous pop performed with energy originality soul and style: the key word being soul.

Another beauty for 2020.

Rob Clarke And The Wooltones ‘Putting The L In Wooltones’
Album

Nostalgia on the whole is something I avoid normally musically. I don’t mind listening to things influenced by the past but rammed on pastiche is something I normally find irritating to the extreme but as they say there is always an exception to the rule and this Rob Clark and the Wooltones album is one of those exceptions, as let’s be honest, Rob has set his cap on the power and joyous beat of the sixties, taking in Beat groups, psychedelia and pop. And he manages to capture the joy and fun in full Technicolor Glory with tongue in cheek humour and love, from what I think is a kazoo, on the ode to Liverpool beat poet ‘Adrian Henry’ – who was also was a subject of a song by the wonderful Liverpool songwriter Jimmy Campbell, which also featured a kazoo -, to the Shakin’ All Over guitar riff on ‘Statue at The Pier Head’. So, Rob certainly knows his rock n roll cult history. He also knows his way around a melody and is a fine guitarist. This album also has a warmth to the production that is very appealing and without looking at the credits is no doubt down to the production skills of Fran Ashcroft, if it is not I apologize to whoever it is but they have done a fine job on what is a very enjoyable album.

Lisa Mychols & Super 8 ‘ST’
Album

If you start off your album with Beatles like harmonies and ‘Come And Get It’ piano you are always going to get my attention. It is the holding my attention that is the difficult part, but this album does indeed do more than hold my attention. In fact it has me smiling and nodding my head, which in itself is a worrying state of affairs and something I’m not prone to normally do: my wife thought I must be having a stroke and I had to throw myself across the room to stop her dialing 999. For this is indeed a pure album of pop splendour from the Beatles through to the gorgeously gorgeous Carpenters like ‘You & Me Me & You’, which is one of the finest slices of pure pop I have heard in many a year. The very silly but clever ‘Monkee Song’ follows; again a lesson in how pop music can and should be both engrossing and throwaway at the same time. This a beautiful album that has one thinking of the Sunshine pop of the late 60’s early 70’s with the odd sprinkling of bubble-gum pop and West Coast mellow rock; the Partridge Family meet Carol King ‘Peaceful’ being one of the many highlights. And this beautiful album has quickly become one of my albums of the year; an album of lovingly written and performed pure pop magic, and one I cannot recommend enough.

Goodparley ‘Delay Cycle: Becoming’
(Recordiau Prin) Album/18th September 2020

There is no place like drone, especially guitar drone. For when it’s done well it’s the aural equivalent of swimming with dolphins or losing yourself in the blissful awash of yesterday’s memories, or taking a long bus ride to a place you have never been before, an expectant pause of the tulip symphony.

That is what we have here five longish tracks to lose yourself and let the sound wash over you, close your eyes and let your mind run and roam free. For that is the beauty of guitar dronery, it gives you the chance to relax and exercise your mind. Some mate call’s it “soundscapes”, I call it “soundescapes”. With most people not being able to take a holiday this year why not give yourself a Winter break without leaving your home; just place this fine album on your listening device close your eyes and let the music take you to places you have never been before.

Prize Pig ‘Out In The Street’
Single, 7th October 2020

Prize Pig is back with his second helping of home-produced bedroom diy pop and indeed it is another gem, one that has one’s mind racing to the halcyon days of when XTC ruled the roost in the intelligently produced pop stakes but with this I sense a touch of Devo like wizardry slipping in with this slice of perfect pop Fuzz guitars, catchy keyboards and for god’s sake even the drum machine is catchy. I await the album with baited breath.

Masayuki Sasano  ‘Fighter Plane Moon Jelly’
(Dry Flowers Records) Single

There is a certain beautiful eloquent grace about this track you normally do not hear too much in the Alternative Rock of today. Normally it is the same old same old, but this has a musicality about it that is certainly refreshing; so many different melodies at one time colliding and causing an explosion of pure joy: one that wants you to investigate the music of Masayuki Sasano further. A quite beautiful alternative guitar pop song.

Goat Girl  ‘Sad Cowboy’
(Rough Trade Records) Single

What I really like, not the track but near the beginning of the video, is that one of the blokes who is dressed like a animal is whittling a piece of wood and it really looks like he is having a wank. Yes, call me childish. Call me immature. Maybe it’s myself growing up with a diet of Carry On films…but “oooooooomatron” he really is scuttling his wicket. Well worth watching it for that piece of immature fun alone. The track itself is pleasant enough; all the guitars and keyboards are in the right places. A decent piece of modern indie rock/pop, one that will garner plenty of airplay from the BBCs sinking flagship 6music…but just watch the vid.

Salem Trials ‘The Lockdown Trilogy: Waiting To Surface /Stay At Home/Light IT Up’
(Metal Postcard Records) Album/6th October 2020

The best guitar band of 2020 no doubt is the Salem Trials, so what we have here is what they are calling the lockdown trilogy: the three albums they recorded on lockdown and have decided to release on the same day through Metal Postcard Records. And what a mighty trio of albums: Waiting To Surface, Stay At Home and Light It Up.

All three are filled with rock n roll splendor, as is the other three albums they have already released this year, which are all worth checking out. What I adore about this band is their obvious love of music and knowledge of the rock n roll past; the way they combine the best of the post punk north (The Fall, Magazine, Joy Division). You can hear all their influences in there but you can also hear how they have a love of sixties psych and 70’s prog and glam and punk and how they feed those influences into the music and come up with their own unique sound. I love how the vocals float just underneath the music and not above it; how both members of the band sometimes sound like they are having completely different breakdowns but in the same room. There is a quite staggering beautiful underlay of darkness and humour in their music.

It is difficult to pick a favourite album out of the three but if forced at gun point I would venture that Light It Up is probably my fave as it is the most melodious and wrapped in such wonderful Velvet like riffs, especially on the opening number ‘4 Views’, and the post punk guitar delight that is ‘Ice Cream Soda’, which sounds like the myth of Postcard Records being eaten whole by Don Van Vilet. But all three albums have tracks that are currently head and shoulders above the current crop of guitar pretenders: take for instance the wayward guitar sleaze of ‘Conversation No 2’ from Stay At Home, or the cracked guitar turmoil of ‘Ugly Puppets’ from Waiting To Surface, or the following track of lyrical mastery that is ‘Suit Of Shadows’, maybe my favourite track from the three albums – but that is like choosing a favourite Beatle. Like I’ve said so many times before The Salem Trials are a rare and beautiful thing; a treasure that has been buried for too long and needs discovering and admired and enjoyed by one and all, not just us lucky few.

Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.

Reviews Galore
Words: Brian ‘Bordello’ Shea





The cult leader of the infamous lo fi gods, The Bordellos, Brian ‘Bordello’ Shea has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His most recent releases include The Bordellos beautifully despondent pains-of-the-heart and mockery of clique “hipsters” ode to Liverpool, the diatribe ‘Boris Johnson Massacre’ and just in the last month, The King Of No-Fi album. He has also released, under the Idiot Blur Fanboy moniker, a stripped down classic album of resignation and Gallagher brothers’ polemics.

Each week we send a mountain of new releases to the self-depreciating maverick to see what sticks. In his own idiosyncratic style and turn-of-phrase, pontificating aloud and reviewing with scrutiny an eclectic deluge of releases, here Brian’s latest batch of recommendations


Bruce Springsteen ‘Letter To You’
(Columbia Records) Title Track/Available Now


What a glam slam stomper of a hi energy dance around your handbag floor filler this new single is: a disco ball of sex and glitter. Only joking. No what we have here is the new song by Mr Boss himself Bruuuuuuuuuuuce Springsteen and yes it sounds like you would expect a slow paced Bruce Springsteen single to sound like, slow paced and Bruce like, which I’m not saying is a bad thing: if you love Bruce Springsteen you will love this, if you hate Bruce you will still hate him, and if you have no opinion on him this will not sway you either way. I quite like Bruce, so I quite like this.






This Is The Kit ‘Coming To Get You Nowhere’
Single/Out there now




Curse This Is The Kit, I was going to spend the afternoon catching up with my reviewing duties but instead I have been losing myself in the magic and wonder of This is The kit’s Youtube outpourings instead: this beautiful new single leading me astray into their wonderful and magical land of musical splendour of a back catalogue. Curse you and this new single! Yes is as magical as their other outpourings; fine stuff indeed.






Lizzy Young ‘Obvious’
Single/Available Now





I love this. It has a dark humour and a piano sound that reminds me of Captain Scarlet, which is what one wants from a short blast of a tossed away sass of a single; a blast of devil may care boredom and disinterest that runs through this way too short 3-minute pop gem. But that is far too obvious.






Beauty Stab ‘Beauty Stab’
EP/8th September 2020




Last month Beauty Stab released what I called “single of the year” with sublime erotically art synth pop beauty that is the lead off track from this new EP, French Film Embrace. So you would think that would be the highlight. Well how wrong you would be; this 4 tracker is one long highlight.

The already previously reviewed ‘French Film Embrace’ is indeed a beauty with a bass riff that sounds like a matador reliving the sexual wanderings of his youth. Next up is ‘The Rain’, a track that’s melodramatic post punk synth 60s pop genius, part John Leyton ‘Johnny Remember Me’, part Southern Death Cult, part Soft Cell; a track that is as camp as a row of tents and as dark as the darkest of nights: another pure pop gem.

The 3rd track ‘Protégé’ shows the other side of the band, the more experimental and art pop side, that they cradle with a gentle beauty only the gentle of soul truly possess. The Final track is ‘O Eden’, which was their debut single that was released on Metal postcard Records last year but in a remixed form, and a track that has not lost any of its heart breaking beauty, is a synth ballad to end all other synth ballads. Dan proving once again he is the rightful successor to Scott Walker with a truly outstanding vocal, this should have been all over the radio last year.

So hopefully with its reappearance on this EP that will be put right. An EP of true pop genius in a time when we need EPS of true pop genius more than any other.




See also…

Beauty Stab Interview (with Brian ‘Bordello’ Shea) (here)

‘O Eden’ Review  (here)



Deepfake Moneybomb ‘Deepfake Moneybomb’
Album/8th September 2020




There is a Randy Newman feel about this album that I like. I have always had a thing for music when you can hear the performer arch his eyebrows and I certainly think Deepfake Moneybomb is arching both brows on this joy ride of subtle adventure. This is a songwriter who knows long words and is not afraid to use them. A man who is not going to dumb himself down so some knucklehead Oasis fans can swig their larger and belch and fart along to his quickie sci-fi folk songs.

We really need artists like Deepfake Moneybomb in these days of blandness and disease to offer us his quirky outlook on love and life and quantum mechanics. This album is an example of the DIY bedroom recording culture at its very best and has me wanting to go and dig out my Charles Douglas CDs and lose myself in laid-back home-recorded pure musical invention.






The Amplifier Heads ‘Music For Abandoned Amusement Parks’
Album/9th September 2020




A new album by The Amplifier Heads is always something to look forward to, for you are always guaranteed sublime melodies beautiful lyrics and the magic spell of true rock n roll invention. Part XTC part Cleaner From Venus but mostly The Amplifier Heads psych power pop and guitar jangle meet in an album of melancholic nostalgia songs recalling the end of the summer’s past.

This 14-song album is a concept album of sorts with as mentioned the “Abandoned Amusement Arcade” being a metaphor for the passing of youth and your memories of it. So, songs of youthful abandon and abandoned youth are covered quite beautifully; leaving one with the same feeling one has after watching George Lucas’s masterpiece American Graffiti.

Music for Abandoned Amusement Parks is the perfect album to soundtrack the oncoming Autumn/Winter months and anyone with a love for guitar and melody this album is a must have.






Salem Trials ‘Fear For Whatever Comes Next’
Album/Available Now




So the third album of the year by the most exciting guitar band of 2020 arrives and once again with little fanfare, slipping it out on their Bandcamp, and once again proving how unfair this rock n roll malarkey is as the very average Fontaine D.C. achieve all kinds of sales and critical ravings are heaped upon them. This fine album songs of Buzzcock like panache and excitement mixed with early experimental escapades of Barrett’s Pink Floyd and early 80s Fall and full on Beefheart shenanigans will no doubt go by unnoticed.

This is the true sound of the guitar underground. This is where the magic is kept. This is what should be what is coming out of your radio when you turn it on after 9pm. This album sounds like a best of John Peel radio show. This is the true alternative and just how wonderful the true alternative sounds.




See also…

Salem Trials ‘Do Something Dangerous’ Album Review  (here)



Nicky William ‘Pathetic Fuck’
Single/28th August 2020




A funky little offering from Nicky William, who goes all dandy on us, with a short and sweet dark swipe at his own character traits. A strange subject matter I suppose, but one that needs exploring and indeed he does explore it in the two minutes 15 seconds this little gem spins around your head, with its drum beats, flutes and “oooh” backing vocals. A fine track, and one that’s taken from his forthcoming EP.



Reviews/Brian ‘Bordello’ Shea




The cult leader of the infamous lo fi gods, The Bordellos, Brian ‘Bordello’ Shea has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His most recent releases include The Bordellos beautifully despondent pains-of-the-heart and mockery of clique “hipsters” ode to Liverpool, the diatribe ‘Boris Johnson Massacre’ and just in the last month, The King Of No-Fi album. He has also released, under the Idiot Blur Fanboy moniker, a stripped down classic album of resignation and Gallagher brothers’ polemics.

Each week we send a mountain of new releases to the self-depreciating maverick to see what sticks. In his own idiosyncratic style and turn-of-phrase, pontificating aloud and reviewing with scrutiny an eclectic deluge of releases, here Brian’s latest batch of recommendations.



Ludwig Dreistern ‘Linda/New Oddity’
(Ikarus Records) Single/Out there now


The debut single by Ludwig Dreistern does have a touch of Granddaddy about it and that can only be a good thing surely. It has the same hushed whispered vocal style and the off kilter like psych synth lines they used with a sparing relish that for a short time in the late 90’s was the rigour: it was the thing to flourish at alternative parties by those who loved to dress in black and say such things as “Mercury Rev are to die for” and such…honest I kid thee not. So relive those days of student splendour and working in a record shop at Christmas with this two-track bevy of Granddaddy like remembrance: you will not be sorry.






Loverground & BB Sway ‘About You’
Single/Out There Now




There is something quite Prince-like about this lovely piece of pop fluff. The kind of fluff that sticks to your cardigan and no matter how many times you think you have flicked the litter blighter away you look again and there it is still attached and growing until it reaches a badge like status that you eventually wear with pride; it is always there, always there as a reminder of something so small that means so much to you and makes you smile to yourself: a piece of fluff you never ever want to live without.




Hiroki Tanaka ‘Inori’
Single/Out there now




This track is a fine slice of musical beauty wrapped in a sweet chocolate like covering of yearning sadness. A song to serenade your dark side into a soft becoming ball of slush with a Radiohead-becoming-The Beatles like melody that sucks you in, and, doesn’t spit you out but just hugs you with a gentle rocking slumber of your most darling hopes wishes and dreams. I bet the forthcoming album is going to be a gem.






Lou Terry ‘If I’m Me Who Are The Other One’
(Metal Postcard Records) Album/Out there now




A shallow bathe in the lost beauty of misery and of love lost and found, the power of gentle melodies and the light touch of the lyrical twist really cannot be underestimated, and the master of all those things is Lou Terry whose new album is brimming with songs full of those qualities.

Recorded over the lockdown, like so much of the new music I’m listening to, it is graced – well with the grace and understanding and sublime loss that normally can be found in the outpourings of 80s Go Betweens and the obscure 70s home recordings of John Lennon. When Lou Terry’s voice cracks it is thing of true beauty as it does on ‘Sickly Peach’. You wonder how on earth he is not better-known; it has the same effect as spying a long-lost lover across the street and her shyly smiling the smile that breaks the passing of the years and in an instant you are eighteen and beholden, you are completely lost and once again under the power of her magical spell. And the beauty of this album achieves all this. It almost wants you to feel broken and betrayed lost and bewildered. If I’m Me Who Are The Other Three is the album to soundtrack the oncoming melancholy of Autumn nights; a thing of great beauty.






James PM Philips ‘Manikhana’
Single/Out there now




This is a rather wonderful beast of a track, a lo-fi adventure of pure undiluted home recorded psych; one that brings to mind the off-kilter joy of Skip Spence’s masterpiece Oar, or the magical musical workings of Craig Smith/Maitreya Kali. A song to chant to your own personal god, be it a badly buttered slice of toast or the mythical goddess of pop Deborah; a true work of off the cuff musical madness, one that should be both lauded and applauded. Great musical outpourings indeed.






Lo Tom ‘LP2’
(Self-Released) Album/11th September 2020




Polished Mary Chain-like guitars played by Bryan Adams kick off this self-released [a round of applause for Lo Tom] album of alt rock, and although it attempts nothing new or revolutionary this album it is no worse and a lot better than a lot of the Alt Guitar rock music I’m sent to ponder over. It has a certain bombastic melodious appeal that the Icicle Works sometimes achieved and the emotionally charged exuberance a lot of people will find rewarding. Although not the kind of album I’d normally choose to listen to I can think of a lot of people who will really enjoy this album of well worked alt guitar rock. So if bombastic alt guitar is the kind of thing that rocks you Daddy-O I would advise you to give it a listen.



The Green Child ‘Low Desk: High Shelf’
(Upset The Rhythm) Single/Out There Now




This lovely piece of synth poppery is a fine example of how pop music is still alive and kicking in 2020: A song built on such a floating-on-the-air synth riff it could have kept the Titanic afloat. Beautiful melodies, whispery soft as silk fragile vocals combine to give three and a half minutes of perfect pop.






Feral Wheel ‘The Dolphin Way’
Track/Out There Now




The second track from the rather marvelous newish Liverpool band Feral Wheel takes us drifting back to the late sixties, when the lazy guitar sounds of Arthur lee and his merry band of Love ruled the roost. There is something quite magical about great Liverpool guitar bands and trust me the Feral Wheel show all the signs of being a great Liverpool guitar band. They have the air of woozy stoned- out summer afternoons, of an 1980s stroll down button street after spending far too long deciding which volume of Pebbles the Garage rock comp you were going to buy from the old Probe records store; the sun was always shining the girl you was with was always beautiful, your friends full of wit and a shared excitement for the future, and there was always the music, music like the Feral Wheel to soundtrack the passing of those late summer days, quite sublime sounding like the Feral Wheel.






Agent blå  ‘Frustrated’
(Kanine Records) Single/Out there now




A Gothic like pop subculture melts into Wayne Hussey’s out-stretched arms in a riff ridden glory ride of a skinny dipped PJ Harvey. Pink hi ho silver away tear dropped shaped memory of a gurning John Peel dressed in spurs and a cowboy hatted joker of dead eyes and frippery. Yes those were the days nobody ever mentions anymore. A fine single none the less…and yes, if you put it close to your ear I am sure you will hear the ocean.




Floodlights ‘From A View’
(woo me!/spunk) Album/28th August 2020




Americana from Australia – shall we call it Australiana -, which is the sound of Billy Bragg playing the near hits and misses of the Go Betweens or vice versa if you like, either way what we have here are ten very well written songs of heartache and its many varieties. Guitars that jangle and solos like an escaped riff from Primal Screams Velocity Girl whilst twirling with gay abandon with the dark wistfulness of the well composed lyrics. I also love the boy girl vocal interaction on the album; they do it very well, it fits together with a charm like a forced in piece of a jigsaw puzzle that does not mean to go there but looks better anyhow and gives it a unique look of its own. Oh I do like this album it reminds me of a down at heel Triffids and one cannot pay a higher compliment than that believe me.





PLAYLIST REVUE/Dominic Valvona/Matt Oliver/Brain ‘Bordello’ Shea





Join us once more for the most eclectic of musical journeys as the Monolith Cocktail compiles another monthly playlist of new release and recent reissues we’ve featured on the site, and tracks we’ve not had time to write about but have been on the radar.

The August edition kicks off with a blistering sunny-disposition Ron Gallo,space rock barrage returning Secret Machines and riotous Young Knives. Later on we’ve a host of jazz smarts from Stanley J. Zappa & Simo Laihonen, Charles Tolliver and Donny McCaslin.

As diverse as ever though, there’s a host of genres represented, including ‘Sufi Dub’ (Ashraf Sharif Khan & Viktor Marek) ‘after geography’ ambience (Forest Robots), ‘Eastern European femme fatal punk’ (Shishi) and ‘Euclid inspired polygon techno’ (Kumo).

Matt Oliver furnishes as ever with a host of choice hip-hop tracks from Fliptrix, Helsinki Booze Mercanhts, Loki Dope and Verb T.

There’s also a second despondent melodious grunge-y new wave rocker from the burgeoning talent that is Jacqueline Tucci. Something for everyone, more or less.





TRACKS 

Ron Gallo  ‘HIDE (MYSELF BEHIND YOU)’
Secret Machines  ‘Everything’s Under’
Young Knives  ‘Swarm’
Death By Unga Bunga  ‘Trouble’
Shishi  ‘OK Thx Bye’
Jacqueline Tucci  ‘Sweeter Things’
Elian Gray  ‘High Art’
Loki Dope  ‘Have You Any Wool?’
Stanley J. Zappa & Simo Laihonen  ‘E38 E 14th, City Of Piss, USA’
Charles Tolliver  ‘Copasetic’
Nosaj Thing  ‘For The Light’
Donny McCaslin  ‘Reckoning’
VRITRA  ‘CLOSER TO GOD’
Remulak & Type.Raw  ‘Mad Skillz’
Vex Ruffin  ‘Hinde Naman’
Mazi & Otarel  ‘Staiy’
Fliptrix  ‘Holy Kush’
Sausage Spine & Relentless Exquisite  ‘Skin Diamond’
Verb T & Illinformed  ‘Rotten Luck’
Pitch 92 & Lord Apex  ‘Suttin’ In The Trunk’
Helsinki Booze Merchants  ‘Tokyo Drift’
Fliptrix  ‘Powerizm’
Diassembler  ‘A Wave From A Shore’
Forest Robots  ‘Over The Drainage Divide’
Mark Cale, Ines Loubet and Joseph Costi  ‘Bodies Of Water’
Lucia Cadotsch, Otis Sandsjo, Petter Eldh  ‘Azure’
Paradise Cinema  ‘Possible Futures’
Only Now  ‘Merciless Destiny’
J. Zunz  ‘Four Women And Darkness’
Alan Wakeman, Gordon Beck  ‘Chaturanga’
BROTHER SUN SISTER MOON  ‘Numb’
Brian Bordello  ‘Rock n Roll Is Dead’
The Hannah Barberas  ‘W.Y.E.’
AUA  ‘I Don’t Want It Darker’
Ashraf Sharif Khan & Viktor Marek  ‘Drive Me On The Floor’
Harmonious Thelonious  ‘Hohlenmenschemuziek’
Kumo  ‘South African Euclid’
Cabaret Voltaire  ‘Vasto’
Pons  ‘Subliminal Messages’
Freak Heat Waves  ‘Busted’
Constant Bop  ‘Alone Again (Naturally)’
Josephine Foster  ‘Freemason Drag’
John Howard  ‘Injuries Sustained In Surviving’


Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.

 

REVIEWS/Brian ‘Bordello’ Shea





The cult leader of the infamous lo fi gods, The Bordellos, Brian ‘Bordello’ Shea has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His most recent releases include The Bordellos beautifully despondent pains-of-the-heart and mockery of clique “hipsters” ode to Liverpool, the diatribe ‘Boris Johnson Massacre’ and just in the last month, The King Of No-Fi album. He has also released, under the Idiot Blur Fanboy moniker, a stripped down classic album of resignation and Gallagher brothers’ polemics.

Each week we send a mountain of new releases to the self-depreciating maverick to see what sticks. In his own idiosyncratic style and turn-of-phrase, pontificating aloud and reviewing with scrutiny an eclectic deluge of releases, here Brian’s latest batch of recommendations.


Violent Vickie ‘Division’
Album/4th September 2020


Thank the lord for the splendid Violent Vickie and her love for waving darkly at both inanimate and moving objects, for what we have here is a dive head first into her musical synth art of an album: the place where synths whoosh and drum machines do the noise drum machines make, which on the whole is much preferable to the sounds a drummer makes and without less sweat, unless Prince Andrew was the drummer that is and if that was the case someone should warn young Victoria to watch her back and front and all her other areas for that Prince is a bad un.

But what we have here in fact is a royal treasure of an album; an alternative disco Goth delight of an album; one that builds and interjects with an atmospheric grace most dark wave releases [yes and I hear plenty of those; most I ignore] would love to achieve. What moves this album up a notch from 99 per cent of all the other alternative dark synth dark wave that comes my way is Violent Vickie’s grasp of melody and the catchy synth riff, ‘The Blame’ track being a prime example, a riff that weaves its merry way throughout the track without overstaying it’s welcome.

There is also a slightly “ok I am about to lose it feel” about the songs; the “yes I am teetering on the edge and I am not sure what way I am going to fall” feel; a feel I fully support, recognise and understand and which gives the music a touch of “this is my real life, my art, not me playing at being a pop princess” and I have no doubt pop princess is something Victoria could become if that was her want as she has the panache of a Peaches or Miss Kitten when the dark wave succumbs to the total disco glitterball of all the underlying influences this album possess; all but exploding on the sultry ‘Secret Wife’, a song that reeks of glorious seedy glamour.

This album is a wonderful rare thing not just a dark wave album I will want to listen to again but one I could also dance to, but that is a sight I would not force on anyone or anything living or dead: a dance I would name the Violent Vickie. And yes, this album Division is a true joy… [sorry could not resist].





See also…

Violent Vickie ‘The Blame’ Single Review



The Hannah Barberas ‘Fallow Days’
EP/13th August 2020




All the money made from this lovely jangly EP of sublime summer pop songs go to a food bank Lucy from the Hannah Barberas works at, which is reason enough to give it a spin. Four songs that are jangly and pop affirming: I would have said life affirming, but pop music is life to so many of us and this EP proves what a wonderful life pop life is with songs that have the spirit of C86 running through them. For all lovers of Orange Juice, June Brides even Belle And Sebastian and all those other bands we indie poppers love will in no doubt embrace this fine work of indie popdom.





See also…

The Hannah Barberas  ‘Into The Wild’ LP Review



Death By Unga Bunga ‘Trouble’
(Jansen Records) Single/Out Now





I like this, but then I do have a soft spot for songs with power, fun and melody, and this track has all of the aforementioned. A song that will send you spinning back to the days when power pop was briefly en vogue in the late seventies’, early eighties. Yes it almost has me wanting not to finish writing this short and sweet review and nipping onto Youtube and get misty eyed over the hits near hits and misses of The Motors. A lovely little nugget of the power pop variety.






Occult Character ‘Race To The Grave’
Track/Now





It is great to see that Occult Character is finally getting some recognition and radio play from WFMU-FM in America; a man who I’ve been writing and raving about for a couple of years now: although John Robb will probably claim to have discovered him at some point in the future when he actually gets round to hearing him.

So once again we have a under two-minute slam-dunk of a track spraying piss over the state of America and its current failings. Occult Character releases far too much material to actually stay up with him and is probably doing himself a disservice, so by the time this goes to press no doubt there will be another dozen or so tracks to marvel, laugh and cry over.





See also…

Occult Character  ‘Steve Albini’s Kundalini’ LP Review

‘Cult Of Ignorance’ Mini LP Review

‘Chittering Noises’  LPs of 2019


Various ‘Songs Of The City Of The Four Faces – Cambodian Music Of The 60s’
(Metal Postcard Records) Album/19th August 2020





I admit I know nothing about Cambodian pop music from the 60s, so I jump into this album with a little trepidation. But I’m a great lover of 60s beat music and garage rock and 60s pop and spend many a hour delving into the vaults of time unearthing forgotten gems, so I have high hopes. And I’m not disappointed with what I find. What I discover is that this is a treasure trove of 60s hip swinging beat magic; a treasure trove of groovy basslines enthusiastic backing vocals; wonderful cheap sounding 60s guitars, the kind of guitar you would pay a fortune for today; and warm Hammond organ sounds, the kind Clint Boon no doubt has wet dreams about and in the case of the track ‘Kanha Roup Sros’ by my fave of the 5 artists Ros Seresysthes, a horn led little beauty Dexy’s would release 20 years later. In fact I’d say that but Pen Ron could well be my fave newly discovered artist; pure undiluted pop genius from strange psych to out there beat pop magic to melodramatic horn led soul. On the whole this album is one of pure joyful discovery and one I would recommend to anyone even with a passing interest in 60s pop /beat music.





See also 

The Cambodian Space Project ‘Whisky Cambodia’ LP Review (Ben P Scott)

Various Artists  ‘Khmer Rouge Survivors – They Will Kill You, If You Cry’ Albums of 2016 (Dominic Valvona)



Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.


Reviews/Brian ‘Bordello’ Shea



Salem Trials ‘Do Something Dangerous’
(Metal Postcard Records) Album/5th July 2020


This is the label debut LP from one of the bands of 2020 – a fact I’ve previously mentioned in reviewing their first two singles, both of which are featured on this wonderful album; the Captain Beefheart meets the Buzzcocks ‘Head On Rong’ and whip frenzy Wire like pop gem ‘Pictures Of Skin’. The rest of the tracks are no slouches either; mining their influences from late 70s early 80s post punk but without just being a post punk photo fit band, the influences are there but they add their own unique twist adding a beautiful wash of pop melody and some simply stunning guitar playing – especially on the beautifully dark but life enhancing ‘No Light Escapes’.

Andy Goz is one of the most inspiring guitarists I’ve heard in a very long time and is obviously not just an extremely talented musician but must also have a great knowledge and understanding of what makes great rock n roll as the pre punk spirit of the Stooges, MC5 and The Pink Fairies are not just captured but hoisted on flag stands and waived as a taunting warning to all the other many less inspired guitar bands that there are new kids on the block and this simply fine album is the benchmark that they probably have not a hope in hell of reaching. A simply stunning debut.

 






Japanese Television ‘Bee Cage’
(Tip Top Recordings) Single ahead of a new EP, released 4th September 2020




I like this, it’s a short blast of wonky keyboard organ led heavy bass Sci-fi surf frenzy: Just what one wants to pickle an egg. Dick Dale goes for a moonwalk with Joe Meek whilst wondering what goodness lies beneath the waves of yesterday. Summer sweet sensation, a joyride for the bequiffed buffoon that lies deep within all men of a certain age. A Deeley Bopper of a single.






Various ‘A Picture Of Good Health Compilations’
(Wormhole World) Albums/Volumes 3.1 & 3.2 14th July 2020




What we have here is the latest comps from the experimental Wormhole World Records; two albums full of experimental genre hopping music with something for everyone; from the beautiful almost David Lynch soundtrack like Goodparley to the experimental mellow dance sounds of Gnaarf and DXII, to the crazy mad world of Toxic Chicken, to the poetic Crumpsall Riddle, and any fans collectors of 80s synth pop will be interested to find a new track by Blancmange – the beautiful synth instrumental ‘This Is The Moment I Have Been Waiting For’.

In all, this is a massive musical project and all tracks believe me are worthy of investigation: a great way to soundtrack a Sunday afternoon as I’ve discovered to my great pleasure.

There are in all thirty-nine tracks spread over two limited edition CDs 3.1 and 3.2 or two downloads from the Wormhole Bandcamp and is well worth a explore; and if you buy both CDs at the same time you save yourself a £1, so go and treat yourself.






Twisted Ankle ‘A Bag of Pasta’
(Breakfast Records) Single/19th June 2020




A bag of fall and Captain Beefheart discordance shaken up and let lose to breed and corrupt the inner workings of a Daily Mail readers fan club convention; a disconcerting eyelash flutter at the conventional tale of Siegfried and his lust for finding the ideal companion for apple bobbin. Yes a loose cannon of a single.






The Top Boost ‘Tell Me That Your Mine’
(You Are The Cosmos Records) Single/22nd June 2020




The sound of the Byrds going through their country phase is brought to mind with this fine blast of summer jangle. At the moment there seems to be a lot of jangle about and that cannot be a bad thing when it is performed with such style and panache. Two more tracks of 60s influenced guitar pop for you dear readers to soundtrack you sunning yourselves with.






Renaissance Grrl ‘Happy When I’m Sad’
Single/5th June 2020




This is a lovely sad well-performed song of melancholy by the 18-year-old Alannah Jackson. Alone with her guitar, nothing more nothing less, just a simple moment of purity, which should be cherished and held close; proving once again that keeping it simple is sometimes best especially when you are blessed with such a fine voice and songwriting talent.






The Icebergs ‘Add Vice’
(Imaginator Records) Album/17th July 2020




Beautifully strange is the only way to describe this marvelous album of pure poetic bliss. What grabs me from the off are the wonderful lyrics (an art form much ignored in the music biz today). Lyrical streams of them flowing weaving beautiful, frightening heart-breaking images throughout, bringing the early works of Patti Smith and PJ Harvey in a mellow mood to mind and musically reminding me of Nick Cave’s band of merry men the Bad Seeds rockabilly, folk, the Velvet’s guitar pop and the sounds of late Seventies no-wave, all merging to form a canvas for the poet Jane LeCroy to paint beautifully vivid pictures with her wonderful prose and wonderful voice.






bigflower ‘hunneh’
Single/27th June 2020




The Monolith Cocktail continue in their quest of promoting the under-the-radar beguiling guitar power of bigflower, who once again releases a beautiful sublime slab of free to download aural magic with this wondrous instrumental. When oh when will a record label get their act together and compile an album of the wonders bigflower is releasing on a monthly basis?






Spam Javelin ‘Fuck You/Cogged Off’
Single/20th June 2020




This is a double jab in the eye of pure punk rock old style; two tracks that both last around the 1 min 30 mark and come charging into your life, rattles a few of your remaining brain cells and then pisses off again: which all good punk rock songs should do. Both have rather marvelous guitar riffs especially ‘Cogged Off ‘, which has a wonderful Fall like guitar riff running throughout.






Beaulieu Porch ‘Vivit Sumus’
(Carmite Records) Album/7th June 2020




The lonely world of home-recorded psych can be a beautiful cathartic thing. It can be a thing filled with beauty, magic and soul, and the music of Beaulieu Porch has all three of those ingredients. Mid 70s Lennon and the wayward beauty of the Flaming Lips and the lost music of late 60s early 70s psych folk and Baroque pop collide in a thrilling mismatch of wanton musical adventure. Beaulieu Porch make such beautiful music it deserves to be heard by all instead of by the lucky few in the know; yes once again a musical underground musical maverick who deserves more is becoming quite a feature in these review round ups nowadays, so if you have not heard the music of Beaulieu Porch before do yourself a huge favour and give this fine album a listen; and if you have heard them no doubt this cd will already be in your collection. One of the undergrounds finest.






The Vapour Trails ‘Golden Sunshine’
(Futureman Records) Album/19th June 2020




Sometimes a bit of 60s inspired guitar jangle is what one needs in their life. And if you need that dose of sunshine in your life currently, one could do a lot worse than give this album a listen.

Hailing from Scotland The Vapour Trails are yet another band who wear their love of all things guitar very much on their sleeves: although I’m very sure The Teenage Fanclub influence is there it’s not as prominent as a lot of bands I have been sent music to review over the last 18 months. The opening track ‘Golden Sunshine’ had me thinking of the excellent and much underrated Spirea X [remember them] and a few tracks on this album have the early 90s guitar band feel of The La’s [especially on ‘Different Girl’] and the Cotton Mather; but that comes with them in turn having the same 60s influences (Beatles Byrds and such), and I’m sure the Shack’s masterpiece Waterpistol had more than a few airings in The Vapour Trails rehearsal space.

This is a fine album full of melody catchy guitar lines and is steeped in an obvious love and understanding of what makes great 60s inspired guitar music and what makes 60s inspired guitar music great.






Brian ‘Bordello’ Shea joined the Monolith Cocktail team in January 2019. The cult leader of the infamous lo fi gods, The Bordellos, has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His most recent releases include The Bordellos beautifully despondent pains-of-the-heart and mockery of clique “hipsters” ode to Liverpool, and the diatribe ‘Boris Johnson Massacre’. He has also released, under the Idiot Blur Fanboy moniker, a stripped down classic album of resignation and Gallagher brothers’ polemics.

Each week we send a mountain of new releases to the self-depreciating maverick to see what sticks. In his own idiosyncratic style and turn-of-phrase, pontificating aloud and reviewing with scrutiny an eclectic deluge of releases, here Brian’s latest batch of recommendations

REVIEWS GALORE/Brian ‘Bordello’ Shea





Brian ‘Bordello’ Shea joined the Monolith Cocktail team in January 2019. The cult leader of the infamous lo fi gods, The Bordellos, has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His most recent releases include The Bordellos beautifully despondent pains-of-the-heart and mockery of clique “hipsters” ode to Liverpool, and the diatribe ‘Boris Johnson Massacre’. He has also released, under the Idiot Blur Fanboy moniker, a stripped down classic album of resignation and Gallagher brothers’ polemics.

Each week we send a mountain of new releases to the self-depreciating maverick to see what sticks. In his own idiosyncratic style and turn-of-phrase, pontificating aloud and reviewing with scrutiny an eclectic deluge of releases, here Brian’s latest batch of recommendations.


The Original Magnetic Light Parade ‘Smoke & Mirrors/Confusion Reigns’
(Bearsuit Records) Single/26th June 2020


Once again Bearsuit Records bring us music of beauty and sheer magical elegance, with this fine experimental two tracker by The original Magnetic Light Parade. Sci-fi synths float and caress the air to bring us, the listener, to a higher state of consciousness; a lone acoustic guitar leads us on a gentle floating journey through the clear water of the love laden memories of a past we so wish we had. So yet again, a release of true wanton instrumental genius.




Deleo ‘Mythomania’
(Made It Records) Single/19th June 2020




Ah at long last a song with melody and a melancholy pop freshness that has been missing from this batch of new releases. Yes I have had a heavy metal EP were all the songs are about video gaming and a LP the Quietus has said nice things about according to the press release (do they expect me to fall down to my knees get my cock out and wank over it just because the quietus likes it). If the quietus likes it, it can mean two things either that it is tuneless shit that so called intellectuals will pretend to like or it came out 40 years ago. But with this release the lovely sad mellow pop Deleo saves my early Saturday morning reviewing session with a blissful three minutes of sublimeness.





Bananagun ‘The True Story Of Bananagun’
(Full Time Hobby/Anti-Fade) Album/26th June 2020




From the off I like this LP. It sounds like a barrel load of monkeys discovering the joys of sunshine pop. 60s harmonies, fast strummed guitars with wah wah solo’s, and that’s only the first track, this is a band that grew up watching Matt Helm films and Beatles cartoons and longed to own a time machine so they could have played the hip and happening clubs of swinging 60s London.

5th Dimension Funk meets Syd’s Pink Floyd in an explosion of technicolour wonderment, a true joy of nostalgic longing wrapped up in the sound of pure unadulterated joyfully playful psych tinged sunshine pop.




Colossous ‘Running In The Sand’
Single/15th June 2020




This is a rather marvelous single; 80s pop synths and even amusement arcade middle eight. The kind of song that would have enriched an early 80s Top Of The Pops (you can imagine it sandwiched between Duran Duran and The Teardrop Explodes) but with a slightly post punk feel; John Peel no doubt tapping his toes and arching one eyebrow whilst we at home sang along from the printed lyrics in that week’s copy of Smash Hits. A gem of a single.




Sir Robert Orange Peel ‘Piers Morgan 1-0 Everyone Else’
(Metal Postcard Records) Single/9th June 2020




I love this. There is revolution in the air and this wonderful track sticks two fingers up at the government and their bordering on criminal handling of the Covid-19 pandemic; a track that features the sense and outrage spoken by at one time one of the most despised characters on British TV Piers Morgan, but who for some strange reason has suddenly become one of the only voices of reason and true outrage at our flimsy poor evil fat cat government who puts money over lifetime and time again this is both a wonderful protest song and a tribute to Piers Morgan [who would have believed it ]shows what a crazy world we are living in.





Salem Trials ‘Pictures Of Skin’
(Metal Postcard Records) Single/13th June 2020




The best new band of 2020 anyone?? The second single coming not even a month after their wonderful debut, these two tracks are ram jam packed of Wire like pop suss: imagine Pete Shelley gargling with a mouthful of spiders [from mars] whilst juggling old vinyl LPs of Tubeway Army and Subway Sect bootlegs, whilst starring Johnny Rotten style at some leather clad beauty who is far too good to even consider you. Yes this is perfect rock n roll that captures the magic and true spirit of the greatest of the art forms. And a big round of applause should go to Metal Postcard Records who released this, and who are quietly becoming the greatest label on the planet.





The Amplifier Heads ‘The Man With A Sun For A Head’
EP/18th June 2020




Although at the moment of typing it is currently raining cats and dogs, but even the inclement weather cannot put a dampener on this fine EP of XTC like pop wonder. The lead off title-track is a fine example of how to make let’s throw the kitchen sink at it work. A song of bright sunshine goodness leaps from the speakers leaving the room to sparkle and bathe in a glow of sunshine psyche so much so that it could easily hold its own on XTC’s excellent Oranges And Lemons album: a song so British sounding it could have only been made by a American. If this was 1967 I would predict a hit single in the offing.




Ageing Children ‘Live’
(Bearsuit Records) LP/18th June 2020




Noise is a musical virtue; it is one of the wonders of the world when it is performed right, and in the right situation can make the dullest of days seem like an adventure into the unknown, and this album of discordant guitar noise is a case in point. This has everything one wants in a noise album; it has atonal discordance it has melody seeping from the dark corners of your psyche. Track two, ‘You Have to Work Hard To Live Like This’, could have easily fitted onto Scott Walker’s masterpiece The Drift, and the wonderful ‘Silaninans Head’ sounds like the theme of Jaws played under water by the Mary Chain in the middle of a fox hunt: a truly magical listening experience indeed.

If anyone out there wants to dip their toes into something a little different and get away from the four white boys playing guitars and drums and singing about love, then this is an ideal place to start from. This is one of the most rewarding listening experiences I have had this year; for it has everything one wants from an album, it has noise power and moments of sublime beauty.




Reviews/Brian ‘Bordellos’ Shea





Brian ‘Bordello’ Shea joined the Monolith Cocktail team in January 2019. The cult leader of the infamous lo fi gods, The Bordellos, has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His most releases include The Bordellos beautifully despondent pains-of-the-heart and mockery of clique “hipsters” ode to Liverpool, and, under the guises of the Idiot Blur Fanboy moniker, a stripped down classic of resignation and Gallagher brothers’ polemics.

Each week we send a mountain of new releases to the self-depreciating maverick to see what sticks. In his own idiosyncratic style and turn-of-phrase, pontificating aloud and reviewing with scrutiny an eclectic deluge of releases, here Brian’s latest batch of recommendations.

With all live gigs and events more or less quashed for the foreseeable future, buying music (whether it’s physical or through digital platforms such as Bandcamp) has never been more important for the survival of the bands/artists/collectives that create it. We urge you all to keeping supporting; to keep listening.


The Legless Crabs ‘Be A Sadist’
LP/Available Now


If you remember a few weeks ago I reviewed a single from The Legless Crabs declaring them the future of rock n roll. Well they have just compiled a free to download LP of all their singles and EPs, and released it as a free to download compilation.

Essential is the word dear readers, essential! The early Mary Chain meets the Shaggs with a touch of Daniel Johnson and Pussy Galore thrown in, it’s dark and it has guts and a do not give a fuck attitude. It is a shambolic noisy stew of noise but with wonderfully written melodies and lyrics. The best band to come from the USA since the Banana Splits: no doubt about it.





No Exits ‘No Exists EP’
Available Now




The 80s post punk sound really is making a bit of a re-emergence, and why not, as when it’s done well it’s a fine thing indeed: and No Exits do it very well indeed.

Their music takes me back and has me thinking of very early Dead Or Alive and Theatre Of Hate with a touch of Soft Cell, and something about it really reminds me of Theatre Of Sheep (maybe its their guitar sound), but very entertaining nonetheless. So if the 80s post punk swirl is your thing you should really enjoy this fine EP.





The Loungs ‘Hey Brain’
(Fresh Hair Records) Single/Available Now




It’s nice to have those St Helens Psych Monkees The Loungs back after a far too long a layoff since their gem of a third LP, the 2015 baroque flavoured Short Circuit. And this little beauty carries on where that fine album left off. ‘Hey Brain’ being a quirky short stroll through the Summery psych of one’s past, recalling the woozy delights of the Super Furry Animals with a hint of the Zombies and Cat Stevens, but with a charm of their very own. A true delight, which could of only been better if it was called, “Hey Brian”.





DeathDeathDeath ft. Lomi MC ‘Love Is A Construct’
(Numavi Records) Single/Available Now




I love this. It’s rather quite beautiful and whoever says they don’t make pop music as quite magical as they used to do should be made to listen to this on repeat until they admit they are wrong. It has a wonderful warm quality about it that takes my aging mind back to the wonderful music of Jane and Barton. A soft summer aural seduction that I advise music lovers of all ages should allow themselves to be seduced by. They won’t be sorry.





Graham Domain ‘Waking World’
(Metal Postcard Records) EP/Available Now




What we have here is another EP from one of Manchester’s greatest hidden musical secrets. Yes, there is something quite engrossing about the music of Graham Domain, a certain quiet dignified subtle madness that completely beguiles. It has a dark seductive charm from the tinkling piano and synth strings and jazz bass that lures you into the textured dream of the songs, and as it pulls you in and you begin to lose yourself in the magic you then notice the beauty of the lyrics and the phrasing: nobody quite sings like Graham Domain anymore. I’m sure that somewhere along the line the quiet genius of his music will find a audience and hopefully the large one it deserves, plus on the track ‘What Love Means’ there is the best crazy synth solo one can ever hope to hear.





Bloom De Wilde ‘The Heart Shall Be Rewarded By The Universe’
LP/Available now




If only life could be as wonderfully magical as this album. Bloom De Wilde has an aura about her that emits a certain belief in the beauty of life, with her songs of nature and love, she gives one hope in these times of backbiting misery and disease that music and love can be the answer. Maybe we all need to return to the spiritual freedom of 1967 and not be wrapped up in the junk and social media that clouds up our minds and hearts, for this album casts a mighty spell that is bewitchingly hypnotic, that slowly seeps through the layers of self doubt mistrust and ego and has you smiling again, has you laughing, has you counting your blessings and looking forward to living your life and making the most of it as you only have one life so why not make the most of it. The Heart Shall Be Rewarded By The Universe is one of those rare albums that is made with pure love and should be treated with pure love: a shimmering delight.





Drew Davies ‘Drew Davies’
(AD1) LP/Available now




Is the good old 80s the new 60s? I wonder as I’m getting sent a load of music that is so influenced by the decade. This LP by Drew Davies could have easily been released in that decade – if I hadn’t known better I would have thought this was a reissue of some album that slipped under the radar at the time.

Drew Davies obviously worships at the altar of David Bowie, which indeed is no bad thing. He could have worshiped at the altar of Stefan Denis, and do we really need that. Instead we are treated to the kind of album a major label would have released in the 80s pretending that it was an indie. It has the same polished Alt rock glamour and choruses that has the audience punching the sky while keeping one eye for the queue at the bar to thin out so you can send your girlfriend. It is in no way the greatest LP you will hear this year or any year from the 80s but you will certainly hear worse, and any fans of Billy Idol or 80s Bowie or even John Moores Expressway [remember them] will certainly enjoy this album as I did, as melodies and glamour do not age.





Dog Paper Submarine ‘Slippery Satellites’
(Small Bear) Album/Available Now




So we finally get the final LP by Dog Paper Submarine, two years after it was recorded, and it was indeed worth the wait as it is as always fine indie rock: part dEUS part Pixies, but all Dog Paper Submarine.

Clattering guitars, instrumental surf basslines, melodies that prod and gouge and caress are all one wants from their indie rock. To be honest I’m not a huge indie rock fan, I find it incredibly dull mostly these days, which again from a personal point of view makes this album and Dog Paper Submarine even more impressive, as this is a album I will play and enjoy, and that should be enough for any music lover.





Salem Trial ‘Head On Rong’
(Metal Postcard Records) Single/Available Now




I love this. From the start the explosive wall of Thin Lizzy like double lead guitars leap out at you and joyfully throttle you ears to death in the nicest possible way, whilst Beefheart like vocals and a melody catchy enough to hook yourself make for a whopper. It’s a song that has me yearning for the wild and drunken nights at the Royal Alfred in the late 80s, while being entertained by the wonderful local band The Volunteers, who made one mini album of sublime Beefheart frenzy called Bladder Of Life. This song reminds me of those days. That’s high praise indeed believe me. ‘Head On Rong’ is a must have for music lovers old and young alike.





It’s Karma It’s Cool ‘Woke Up In Hollywood’
Album/Available Now




If your thing is music with sparkling guitars and joy filled melodies then this album is for you. At times recalling Lloyd Cole with his Commotions and maybe a poppy REM after overdosing on the sun, songs shimmer and cast shadows of one string Rickenbacker guitar solos, the kind that The Bangles would embrace and comb their hair to whilst kissing posters of Gene Clark.

Woke Up In Hollywood is an album that exists to take one back to the golden days of the California sounds from the mid 60s through to power pop of the early 80s; from The Byrds to The Tremblers, even at times reminding me of the English Beat.

If you like, this is an album that should come with a large cut-out sun to hoist up into your room as the heat and pure light emerges from your stereo or laptop.




REVIEWS/Brian ‘Bordello’ Shea





Brian ‘Bordello’ Shea joined the Monolith Cocktail team in January 2019. The cult leader of the infamous lo fi gods, The Bordellos, has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His most releases include The Bordellos beautifully despondent pains-of-the-heart and mockery of clique “hipsters” ode to Liverpool, and, under the guises of the Idiot Blur Fanboy moniker, a stripped down classic of resignation and Gallagher brothers’ polemics.

Each week we send a mountain of new releases to the self-depreciating maverick to see what sticks. In his own idiosyncratic style and turn-of-phrase, pontificating aloud and reviewing with scrutiny an eclectic deluge of releases, here Brian’s latest batch of recommendations.

With all live gigs and events more or less quashed for the foreseeable future, buying music (whether it’s physical or through digital platforms such as Bandcamp) has never been more important for the survival of the bands/artists/collectives that create it. We urge you all to keeping supporting; to keep listening.

Princess Thailand  ‘And We Shine’
(À Tant Rêver du Roi and Luik Records)  Album/Available Now


If the swooning sound of post punk is the thing that swings your swinger then this fine album by Princess Thailand is the thing for you. Siouxsie and The Banshees attitude and early Cure like darkness melts over the proceedings like a black-hearted vamp of loneliness offering you one last grasp of togetherness. Guitars and sultry vocals merge with the feeling and memories of 80s post punk and, dare I say it, Goth to bring together an enjoyable flange filled half hour or so of dark sparkle angst.






Sir Robert Orange Peel  ‘Are You Mod Enough’
(Metal Postcard Records)  Single/Available Now




Welcome to another musical history lesson from Sir Robert Orange Peel; this time teaching us all about the mod culture fashions from the 60s: myself being too young to remember such a thing, but old enough to remember the late 70s revival. The joys of being a rockabilly in the early 80s, leather jacket winklepicker boots and huge Stray Cats like quiff surrounded by the be-parkered ones at a early 80s Kinks gig: and what a gig it was.

This is a joyful hipster swing of a track; one you could imagine Michael Cain sipping on a whisky and coke to, wearing horn rimmed glasses whilst watching the mini skirted beauties shaking their tail feather and there long lank hair swaying to this organ led beat happening at the London groovy discotheque.







Sir Bobby Jukebox  ‘Friendship Gift’
(Already Dead Records)  Album/22nd May 2020




Is there anyone out there old enough to remember the early 90’s and the wonderful joyful happy sounds of the Frank And Walters, who mastered in releasing catchy indie pop with melodies that caressed all the parts you wanted caressing by joyful indie music whilst hiding the dark underbelly of sadness.

Well if you do, this could well be for you. It has the same magical qualities but with the added spice of diy everything but kitchen sink woozy psychedelia, the injection of a “nah nah” chorus rush frenzies, and the Postcard era jangle of guitars – especially on ‘the has Edwyn entered the room’ ‘You Only Dance’. A joyful sugar rush of an album.






Bigflower  ‘Hold You In Place’
Single/Available Now




Another day in lockdown and another slice of dark wonderful distorted searing guitar from the equally wonderful bigflower, an artist that should be celebrated not ignored: if this was the 90s when people still gave a shit about new music bigflower would be all over late night radio and in the serious music press. As this is Monolith Cocktail, and one of the only remaining serious music blogs still standing [no clickbait 10 songs about making tea from us] it is our duty to review and to publicize such a serious talent.

If dark beautiful guitar music that you can dive into and totally submerge yourself in is your thing, bigflower is certainly the man/artist/band for you. Get downloading: it’s free. And tell your guitar loving friends to do the same.







Palavas  ‘Centerpiece’
(Wormhole World) Album/Available Now




Discordant noise merges with electro soundscapes that paint a sweeping aural picture of dark beauty, sometimes verging on the slightly psychedelic industrial sound that Throbbing Gristle used to thrive in producing; and I would advise any fans of Throbbing Gristle to give this festival of noise [noise in the best way] a go as I think they could well enjoy and be intrigued by this sound wash of danger. Once again Wormhole World Records produce the goods.






Salvatore Baglio ‘Sonic Doom: A Lo- Fi Home Companion’
Album/Available Now




Lo-fi is what I do best musically, so when I’m introduced to a 25-track album of such lo-fi beauties I’m indeed like a pig in muck. Recorded in various places on various recording equipment over the last 20 years by Salvatore Baglio, and compiled into this gem of a release.

Songs that makes one think of XTC, Guided By Voices, Cleaners From Venus, Clinic, and The Beach Boys at their crazy best amongst many other, what these songs have are invention, melody and tongue in cheek humour, and a great amount of songwriting talent.

There is the wonderful warmth that one gets from using cassette tapes to record that this album and these songs benefit greatly from; the warmth most of these songs, if not all of these songs, couldn’t be improved upon by using a state of the art 64 track studio, for what people do not quite grasp is that to succeed in making truly great lo-fi music you have to be a hugely talented songwriter with a inventive mind as you cannot hide behind 32 tracks of synths or millions of overdubs and get some producer to cover up some of your weaker tracks with studio trickery, and this album really does not have any weak tracks.

From the experimental instrumentals to stunning guitar pop all are polished gems. Some achievement that over the 25 tracks one does not find their minds wandering or wanting to skip songs. This really is a album all music lovers need to dive into and lose themselves in; a truly wonderful album and a masterclass in songwriting.







Nightingales  ‘Four Against Fate’
(Ting Global Productions)  LP/22nd May 2020




The Robert Lloyd warble is a thing of punk and post punk beauty, and here we are still in 2020 still enjoying the lyrical dexterity and humour of the great man: and long may it continue. As always songs of post punk verve leap from the speakers drenching you in memories of late night glories of listening to the much-missed John Peel; it really is like the last 35 years have not happened.

This album is simply timeless guitars jangling and twisting and distorting – as all great post punk guitars should do. Melodies reach out and throttle you while gently pulling on your heart strings reminding you no matter how bad things seem to be getting their are wonderful bands and characters like the Nightingales making enjoyable discordant pop songs full of wit adventure and wonder.





Xqui  ‘Microchasm’
(Wormhole World)  LP/15th May 2020




Found sounds or found zounds if you want to be funky, and I’m in a funky mood, the kind of mood where I feel like listening to cut up sounds welded together to make music with or without melody, the kind of thing you may find attractive whilst cutting a garden hedge or two. You can imagine Fred Astaire walking down a staircase whilst surrounded by beauties in fine gowns in black and white photos, whilst some guy is annoyingly recording the clip clop of his feet and making a strange trance like dance track from the aftertaste of the be-swathed one.

Found Zounds as I am now fond of calling them are something to be admired and beholden in a fashion not known by man, or men depending how many there are, or women even – let’s not be sexist about this. If you want to start and experiment into making found zounds you could not do worse than giving this a listen and losing yourself in the found zound wizardry of Xqui.






Simon Klein ‘Cat’
(Gare Du Nord) Single/Video/15th May 2020




Ah at last I was just beginning to despair of finding something I liked enough to be kind to in a review when this bountiful in bounce beauty came into my email box; a song that flounces with a fine subtle rockabilly beat, the kind of song that one twists to in their kitchen whilst waiting for the kettle to boil. And did you notice I wrote song and not track for it has lyrics and melody and everything. It is a song you can both dance to and stroke your chin to: hurrah!






Playlist/Dominic Valvona/Matt Oliver/Brian ‘Bordello’ Shea





By now we’ll probably all aware and getting jaded by the constant newsroll of Covid-19 horror stories, and the ominous stench of pandemic armageddon. To return to some sort of normality, the Monolith Cocktail promises to keep finding all the best new music for you to enjoy, dance to, contemplate and mull over. No cheap epidemic cash-ins and no tenuous links to self-promotional lockdowns here. Just great music, which we hope you will all keep supporting during these anxious uncertain times. And remember, if you do find anything on this playlist that you’d love to purchase, please root the artist, band out on Bandcamp tomorrow (Friday 1st May 2020), as the platform is once more waiving their cut of the fees.

For those of you that have only just joined us as new followers and readers, our former behemoth Quarterly Playlist Revue is now no more! With a massive increase in submissions month-on-month, we’ve decided to go monthly instead, in 2020. The April playlist carries on from where the popular quarterly left off; picking out the choice tracks that represent the Monolith Cocktail’s eclectic output – from all the most essential new Hip-Hop cuts to the most dynamic music from across the globe. New releases and the best of reissues have been chosen by me, Dominic Valvona, Brian ‘Bordello’ Shea and Matt Oliver.



Tracks in full are:

Hanni El Khatib  ‘ALIVE’
Mashmellow  ‘Share It’
3 South & Banana  ‘Rush Hour’
Supergombo  ‘Alien Felines From Beyond The Galaxy’
iyatraQuartet  ‘Chandra’
Santrofi  ‘Africa’
Damily  ‘Zaho Va’
Holy Hive  ‘Didn’t You Say’
Euan Hartley And Friends  ’30/1′
Twisted Ankle  ‘Landlord Laughs’
Lucidvox  ‘Knife’
Pabst  ‘Skyline’
Senji Niban  ‘Where The Birds Fly Now?’
Higamos Hogamos/Spacerocks  ‘Crome Yellow’
Raw Poetic & Damu the Fudgemunk  ‘Head On’
Tanya Morgan  ‘Resurrection’
Evidence  ‘Unlearning’
The Doppelgangaz  ‘Cloak Makes The Man’
Antti Lotjonen  ‘Pocket Yoga’
R.A. The Rugged Man ft. Chuck D  ‘Malice Of Mammon’
Dope Knife  ‘Face Fuck’
Cambetta & Apollo Brown  ‘Nightmare’
Makoto Kino  ‘West Madoka’
Bodyvox  ‘Yeah Yeah (D Ramirez Vocal Radio Edit)’
RJD2 ft. Homeboy Sandman  ‘One Of A Kind’
Sparks  ‘One For The Ages’
Mick Harvey  ‘The Journey: Part 1: Conflict’
Alex Stolze ft. Ben Osborn & Anne Muller  ‘Babylon’
Chicago Underground Quartet  ‘Orgasm’
Aksak Maboul  ‘Silent Silhouettes’
Halftribe  ‘Subliminal’
Clovvder  ‘My Mother Was The Moon’
Nick Cave  ‘Cosmic Dancer’
Die Wilde Jagd  ‘Himmelfahrten’
David Ahlen  ‘If I Have You’
Big Thief  ‘Love In Mine’
Yakima  ‘It Helped’
Murmur Tooth  ‘A Fault In This Machine’
Farezi & Sinan Oktem  ‘Dionysian’
So Beast  ‘Multiplayer’
Simon McCorry  ‘Pieces Of Mind’
Kahil El’Zabar & David Murray  ‘In My House’
Roedelius  ‘Geruhsam’



Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.

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