Our Monthly Playlist selection of choice music and Choice Releases list from the last month.

We decided at the start of the year to change things a little with a reminder of not only our favourite tracks from the last month but also a list of choice albums too. This list includes both those releases we managed to feature and review on the site and those we just didn’t get the room for – time restraints and the sheer volume of submissions each month mean there are always those records that miss out on receiving a full review, and so we have added a number of these to both our playlist and releases list.
All entries in the Choice Releases list are displayed alphabetically. Meanwhile, our Monthly Playlist continues as normal with all the choice tracks from July taken either from reviews and pieces written by me – that’s Dominic Valvona – and Brian ‘Bordello’ Shea. Our resident Hip-Hop expert Matt Oliver has also put forward a smattering of crucial and highlighted tracks from the rap arena.
CHOICE RELEASES FROM THE LAST MONTH OR SO:
Alien Eyelid ‘Vinegar Hill’
(Tall Texan) Review
Darko The Super ‘Then I Turned Into A Perfect Smile’
Eamon The Destroyer ‘The Maker’s Quilt’
(Bearsuit Records) Review
Ike Goldman ‘Kiki Goldman In How I Learned To Sing For Statler And Waldorf’
The Good Ones ‘Rwanda Sings With Strings’
(Glitterbeat Records) Review
Headless Kross/Poundland ‘Split Album’
(Cruel Nature Records) Review
John Johanna ‘New Moon Pangs’
(Faith & Industry) Review
The Last Of The Lovely Days ‘No Public House Talk’
(Gare du Nord) Review
Lt. Headtrip & Steel Tipped Dove ‘Hostile Engineering’
(Fused Arrow Records) Review
Pharoah Sanders ‘Love Is Here – The Complete Paris 1975 ORTF Recordings’
(Transcendence Sounds)
SCHØØL ‘I Think My Life Has Been OK’
(GEOGRAPHIE) Review
Tom Skinner ‘Kaleidoscopic Visions’
(Brownswood/International Anthem) Review
Theravada ‘The Years We Have’
Ujif_notfound ‘Postulate’
(I Shall Sing Until My Country Is Free) Review
Visible Light ‘Songs For Eventide’
(Permaculture Media) Review
THE PLAYLIST::
Star Feminine Band ‘Mom’lo Siwaju’
A-F-R-O, Napoleon Da Legend, PULSE REACTION ‘Mr Fantastic’
Pharoah Sanders ‘Love Is Here (Part 1) (Live)’
Tom Skinner ‘Margaret Anne’
Holly Palmer & Jeff Parker ‘Metamorphosis (Capes Up!)’
Matt Bachmann ‘TIAGDTD’
Darko the Super, Andrew ‘The Bounce Back (Heaven Bound)’
Verb T, Vic Grimes ‘Anti-Stress’
Cymarshall Law, Ramson Badbonez ‘Emerald Tablet’
Datkid, Mylo Stone, BVA, Frenic ‘Poundland’
Verbz, Mr Slipz ‘What You Reckon?’
Theravada ‘Doobie’
The Expert, Buck 65 ‘What It Looks Like’
Lt Headtrip, Steel Tipped Dove ‘0 Days Since Last Accident’
Ujif Notfound ‘Postril’
Lael Neale ‘Some Bright Morning’
Alien Eyelid ‘Flys’
John Johanna ‘Justine’
Ike Goldman ‘Land Of Tomorrow’
Ananya Ashok ‘Little Voice’
Rezo ‘Nothing Else’
Howling Bells ‘Unbroken’
The Good Ones ‘Kirisitiyana Runs Around’
Jacqueline Tucci ‘Burning Out’
Dyr Faser ‘Control Of Us’
The Last Of The Lovely Days ‘Runaway’
Frog ‘SPANISH ARMANDA VAR. XV’
The Bordellos ‘The Village People In Disguise’
The Jack Rubies ‘Are We Being Recorded?’
The Beths ‘Ark Of The Covenant’
SCHOOL ‘N.S.M.L.Y.D’
Neon Kittens ‘Own Supply High’
ASSASSUN ‘The Sons Of The United Plague’
Pelts ‘Don’t Have To Look’
Visible Light ‘Purple Light’
Wayku ‘Suchiche’
Here’s the message bit we hate, but crucially need:
If you’ve enjoyed this selection, the writing, or been led down a rabbit hole into new musical terrains of aural pleasure, and if you able, then you can now show your appreciation by keeping the Monolith Cocktail afloat through the Ko-Fi donation site.
For the last 15 years both me and the MC team have featured and supported music, musicians and labels we love across genres from around the world: ones that we think you’ll want to know about. No content on the site is paid for or sponsored, and we only feature artists we have genuine respect for /love or interest in. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to say thanks or show support, than you can now buy us a coffee or donate via https://ko-fi.com/monolithcocktail
Our Daily Bread 646: Alien Eyelid, Eamon The Destroyer, Frog, Pelts…
September 15, 2025
Brian ‘Bordello’ Shea’s Reviews Roundup – Instant Reactions. All entries in alphabetical order.

Alien Eyelid ‘Vinegar Hill’
Album (Tall Texan) 5th September 2025
Psychedelic country-soul is a rather beautiful thing, especially when performed with such heart and soul. Alien Eyelid have a wonderful laidback all-consuming warmth with a hint of baroque-ness that at times remind me of the wonderful Left Banke, especially on beautiful psychedelic ballad “Blue”. The title track “Vinegar Hill” could have walked straight from Basement Tapes with its Dylan and The Band feel, until it goes all early King Crimson on us, and is one of those rare things, a ten-minute track that does not overstay its welcome.
This Alien Eyelid debut is a gem of an album, and one of the finest things I have had pleasure to listen to this year.
The Beths ‘Straight Line Was A Lie’
Album (ANTI-)
I seem to be writing a lot about indie guitar music at the moment; there has certainly been an influx of the stuff appearing in my inbox and long may it continue if it is all of the quality of this quite lovely album of guitar indie pop/rock. The Beths of course write songs of verve and heart, and this new album is no different. Straight Line Was A Lie is an album ram jammed with catchy choruses and heartfelt lyrics all wrapped in fine melody and radio friendly hooks and jangly guitar chimes, as all good indie pop/rock should.
Eamon The Destroyer ‘The Maker’s Quilt’
Album (Bearsuit Records)
You can never be disappointed when a new release by Bearsuit Records appears. There is always a tinge of adventure, as you know it is going to be a trip hop and skip and a jump of musical exploration. The Maker’s Quilt is no exception; an album that brings together dance, psych, 60’s like spy soundtracks with a tinge of folk and rock/pop… all sometimes in the same song. At times it reminds me of what the Wicker Man soundtrack might have sounded like if it was set in the late 80’s early 90’s in a village just outside Manchester when the acid house explosion was happening. There is a joy and a magic and a melancholy madness that is just impossible to resist and resist you shouldn’t.
Frog ‘Bitten By My Love Version XI’
Single taken from Album The Count (Audio Antihero) 19th September 2025
“Bitten By My Love” is a rather lovely single, but what else could you expect from the marvellous Frog. Six minutes of undiluted late summer breeze love, a heavenly stroll through the textures of late-night radio; a song that sends my mind spinning back to the days when songs like this would haunt and confuse and engross in equal measures. A sexual healing for the social misfit.
The Jack Rubies ‘Are We Being Recorded’
Single (Big Stir Records) 19th September 2025
I don’t think I have written about any releases on Big Stir Records for a while. So here I am putting it right, for here we have the new single by The Jack Rubies, a band that once again takes me back to my youth. The days when I spent the hours of 9 to 5.30 working (or not working) in various record stores, and I remember The Jack Rubies album Fascination Vacation being unloved and unsold in the record racks, which is a shame as I remember it being not a bad record. And thirty-seven years down the line here I am listening to the latest release by same band. And how little changes for once again it is indeed not a bad record and sounds like it could have well been released back in the days when the pubs shut at eleven o’ clock. It has the air of a record that thinks a lot of itself, and that always appeals to me…call me strange. Link (no examples available yet to hear).
Ike Goldman ‘Kiki Goldman In How I Learned To Sing For Statler And Waldorf’
Album, 10th September 2025
I love this album so much that I’ve just bought a copy on CD: do I need say more. Well, I will, apart from it having the best album title I have come across in a long time, it’s such a lovely beautifully happy/sad album full of melancholy and magic. It may be the closest one can get to rediscovering the joy of The Beach Boys Friends and Smiley Smile era without actually listening to the said albums. Plus, anyone who mentions Stephen Sondheim in his influences is certainly someone who deserves giving a listen to, and once you have given a listen to downloading or streaming or buying his CD.
Noisy ‘Grenadine’
Single
“Grenadine” is a song that is swathed in a beautiful melancholy, a melody that will haunt and play bellringers pontoon with your heart; a pure and unadorned example of why pop music can save your life and make even the bad times bearable. One of the only plus points about growing old is that you have the joy and innocence of your youth to look back on, and this single brings that joy flooding back with a tearful smile and fading caress.
Pelts ‘Swimming’
Single (Fika Recordings) 10th September 2025
Here we are again with a track of post-punk indie-guitar-pop: Am I becoming a man who only reviews indie post punk guitar meanderings? Am I revisiting my teenage years of being totally enamoured with the indie scene of the 80s, or is it just that I am being sent loads of fine new alternative guitar pop/rock? Well probably a bit of all the aforementioned. For the Pelts ‘Swimming’ is indeed a fine tuneful guitar thrust of angular melodious alternative pop skew wifferty (not to be confused with 60’s psych cult band Skip Bifferty). Yes indeed, another fine track and one you will find on their forthcoming 4-track EP, released on the excellent Fika Recordings label. So, seek and buy my old chums or forever hold somebody else’s codpiece.
SCHØØL ‘I Think My Life Has Been OK’
Album (GEOGRAPHIE)
There are a few questions this debut album throws up. One, are they a French band that sings in English? So do they, in rehearsals, talk to each other in French and then sing the songs in English or to get in the mood? Or do they talk in English? Also, when they play in France, do they sing the songs in French or English? Apart from those burning questions this is actually a quite catchy album of alt guitar rock/pop and very late eighties and early 90’s indie rock: early Blur, Ride, Chapterhouse and the like all spring to mind. I would certainly advise any indie guitar music fans out there to give this a listen, as it is very good indeed.
If you’ve enjoyed this selection, the writing, or been led down a rabbit hole into new musical terrains of aural pleasure, and if you can, then you can now show your appreciation by keeping the Monolith Cocktail afloat by donating via Ko-Fi.
For the last 15 years both me and the MC team have featured and supported music, musicians and labels we love across genres from around the world: ones that we think you’ll want to know about. No content on the site is paid for or sponsored, and we only feature artists we have genuine respect for /love or interest in. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to say thanks or show support, than you can now buy us a coffee or donate via https://ko-fi.com/monolithcocktail
The End of the Month Revue: Playlist & Choice Album Releases
January 30, 2025
THE MONTHLY PLAYLIST SELECTION PLUS A NEW FEATURE IN WHICH WE CHOOSE OUR CHOICE ALBUMS FROM THE LAST MONTH.

Something a little different for 2025: a monthly review of all the best music plus a selection of the Monolith Cocktail team’s choice albums. Chosen this month by Dominic Valvona and Matt Oliver from January’s post.
The 32 tunes for January 2025:
Noémi Büchi ‘Gesticulate Elastically’
Cumsleg Borenail ‘Topological Hausdorff Emotional Open Sets’
Psychedelic Porn Crumpets ‘March on for Pax Ramona’
Hifiklub & Brianna Tong ‘Angelfood’
Divorce ‘Pill’
Trinka ‘Navega’
Gnonnas Pedro and His Dadjes Band ‘Tu Es Tout Seul’
Rezo ‘Molotov – The Sebastian Reynolds Remix’
The Winter Journey ‘Words First’
Saba Alizadeh ‘Plain of the Free’
Miles Cooke & Defcee ‘zugzwang’
Eric the Red & Leaf Dog ‘Duck and Dive’
Harry Shotta ‘It Wasn’t Easy’
Kid Acne, Spectacular Diagnostics & King Kashmere ‘AHEAD OF THE CURVE’
Damon Locks ‘Holding the Dawn in Place (Beyond Part 2)’
Talib Kweli & J. Rawls ‘Native Sons’
Emily Mikesell & Kate Campbell Strauss ‘Recipes’
Ghazi Faisal Al-Mulaifi & Boom.Diwan ‘Utviklingssang – Live’
Nyron Higor ‘Me Vestir De Voce’
Ike Goldman ‘Bowling Green’
Elea Calvet ‘Filthy Lucre’
Expose ‘Glue’
Neon Kittens ‘Enough of You’
Occult Character ‘Tech Hype’
Dyr Faser ‘Physical Saver’
Russ Spence ‘Phase Myself’
The Penrose Web ‘Hexapod Scene’
Park Jiha ‘Water Moon’
Robert Farrugia ‘Ballottra’
Memory Scale ‘Afternoon’s Echoes’
Joona Toivanen Trio ‘Horizons’
Timo Lassy Trio ‘Moves – Live’
Choice Albums, thus far in 2025
So, for an age I’ve been uneasy with the site’s end of year lists: our choice albums of the entire year posts, which usually take up two or three posts worth, such is the abundance of releases we cover in a year. I’ve decided to pretty much scrape them going forward. Instead, each month I will pick out several albums we’ve raved about, plus those we didn’t get time to review but think you should take as granted approved by the Monolith Cocktail team. Some of these will not be included in the above playlist. Each album is listed alphabetically as I hate those numerical voting validation lists that our rivals put out.
Cindy ‘Saw It All Demos’ (Paisley Shirt Records)
Reviewed by Brian ‘Bordello’ Shea here
Cumsleg Borenail ‘A Divorced 46 Year old DJ From Scunthorpe’
Picked by Dominic Valvona
Dyr Faser ‘Falling Stereos’
Picked by Dominic Valvona
Expose ‘ETC’ (Qunidi)
Reviewed by BBS here
Farrugia, Robert ‘Natura Maltija’ (Phantom Limb/Kewn Records)
Reviewed by DV here
Kweli, Talib & J Rawls ‘The Confidence Of Knowing’
Picked by Matt Oliver & DV
Locks, Damon ‘List Of Demands’ (International Anthem)
Reviewed by DV here
Mikesell, Emily & Kate Campbell Strauss ‘Give Way’ (Ears & Eyes Records)
Reviewed by DV here
Occult Character ‘Next Year’s Model’ (Metal Postcard Records)
Picked by DV
Philips Arts Foundation, Lucy ‘I’m Not A Fucking Metronome’
Reviewed by BBS here
Toivanen Trio, Joona ‘Gravity’ (We Jazz)
Reviewed by DV here
Winter Journey, The ‘Graceful Consolations’ (Turning Circle)
Reviewed by DV here
ZD Grafters ‘Three Little Birds’
Reviewed by DV here – technically released digitally the end of last year, but vinyl arriving sometime in February
For those that can or wish to, the Monolith Cocktail has a Ko-fi account: the micro-donation site. I hate to ask, but if you do appreciate what the Monolith Cocktail does then you can shout us a coffee or two through this platform.
Our Daily Bread 635: Gentles, Cindy, Expose, Uri Rubin…
January 16, 2025
BRIAN ‘BORDELLO’ SHEA’S REVIEWS ROUNDUP – INSTANT REACTIONS.

Cult favourite, anointed as the “king of no-fi”, Brian ‘Bordello’ Shea continues to contribute to the Monolith Cocktail in 2025 with his idiosyncratic irascible and aphorisms, his unique take on the music we send him each month to review. An artist in his own right, part of the family band The Bordellos for an age but releasing music sporadically under his own name and various guises, his latest release, a split contribution with Dee “Persian” Claw and The Neon Kittens, is due out on the 21st February, released by Cruel Nature Records.
Cindy ‘Saw It All Demos’
Album (Paisley Shirt Records)
The title of this album does not lie. It is indeed Demo’s and released on a cassette, and is a pretty nifty little album. Seven songs mostly recorded in a bedroom, and which we all know is one of the three best things one can do in a bedroom. There is a beautiful warmth and tenderness about these seven tracks; softly strummed guitar, hushed vocals, simple keyboard and percussion – apart from track 7 “The Violins”, which features the full band in a simply charming little indie pop number but doesn’t actually feature a violin at all, It’s still my favourite track on this album as I’m always a sucker for some velvety like guitar. Once again, another fine release from the wonderful Paisley Shirt Records label.
Divorce ‘Pill’
Single
I like this. It’s experimental. It’s catchy. It’s quirky and funky, all the things one wants from pop singles. It has a quite beautiful slow melancholy piano solo part which I can picture Yoko Ono opening curtains to in a large white room. And can I offer higher praise than that…I don’t think I can.
Duckie Mr Poetry ‘Miami Vice’
Single
Now, there are two reasons I like this track, and I will be honest, I’m in no way an expert on hip hop or rap and very rarely write about it, but this is rather good. It’s short, it is funky, there is plenty of hop in the hip and plenty of hip in the hop. Plus it also mentions Guinness in the lyrics and I have never come across another Hip Hop track that mentions that fine Irish brew in its lyrics: you don’t get NWA mentioning it, they are too busy fucking the police.
Expose ‘ETC’
Album (Quindi) 24th January 2024
Discordant Jabberwocky noise explosion erupts from the mouths of Sonic Youth’s long lost ill-mannered cousins, who sprout melodious pop misadventure whilst listening to the greatest guitar hits from the last 50 years on a vintage Ronco cassette and amp, surfing to pass the time of day and attract yearning looks from passing strangers who long to be the band. Do I like this? Of course! It is frivolous, it is fun, it is what rock n roll should sound like. It is both experimental and pure pop for now people. It is sexy. It is noisy. It has the appeal of cutting off a sticking out tongue from an annoying clown and cello taping it to a rocket ship so it can lick the stars.
Gentles ‘Gentles’
Album (Metal Postcard Records)
There is nothing gentle about Gentles. They are in fact a slam bam refuge of post punk disgust, an angular riff of ferocious quantity and quality part Fall part Swell Maps part Syd Barrett Pink Floyd after downing a gallon of turps. Yes, there is a subtle 60s guitar vibe that the band themselves probably have not noticed lurking underneath their arrogant angst.
Gentles are everything it means to be young angry and free to do whatever they want: if they can be bothered getting around to it.
Ike Goldman ‘Newt And Lovers/ Bowling Green’
Single
This double-sided A-side single is rather ace. Imagine if you will re-found unreleased tracks from The Beach Boys circa Smile…need I say more. If the answer is yes, you have no right reading the Monolith Cocktail as we all know late 60s Beach Boys is as perfect as it gets, and music obviously influenced by the late 60s Beach Boys done with such love and warmth is also as pretty much darned perfect as you get. Why is Ike Goldman not a household musical name? He should be.
The Neon Sea ‘As I Wonder’
Single
I like this. It has a nice early Stone Roses type jangle, and melody wise reminiscent of Blur in one of their melancholy moments: sweet, sad and mournful wrapped in a warm wash of guitar serendipity. A lovely single.
Penrose Web ‘It’s…The Penrose Web EP’
EP(Gare du Nord)
This EP is the debut release from The Penrose Web and it is rather spiffing in a good old early 80s Garage Rock way; an EP that takes me back to the days of visiting London to take in the great garage rock scene, days of the Bigfoot and the club on Camden Lock – whatever it was called – and myself and my girlfriend at the time having to share a taxi with a dodgy French man back to the Hotel because we missed the last train. The magic of music and the magic of the Penrose Web and the memories they inspire. This EP is really rather good indeed…I hope they do an album.
Lucy Philips Arts Foundation ‘I’m Not A Fucking Metronome’
Compilation Album
I’m Not A Fucking Metronome is a rather excellent compilation album to raise money for the Lucy Philips Arts Foundation, which is a foundation started in memory of Lucy Philips who was drummer and a regular face around the Leicester arts scene who sadly, suddenly, passed away in May of 2024. All money raised will help support Leicester creatives.
This Comp is actually a bit of a rarity as all 12 tracks are rather very good indeed. And I can imagine all the tracks appearing on the much missed and never replaced John Peel show: from the punk/post-punk opener by Boilers “Looking Good” – a song written by Lucy herself – through to the beautiful psych folk-tinged ballad “Heroes/Villains “by Chris Cottis Allan and the short sharp all wrapped up in one and half minuets pure punk of the excellently named Potato Legends.
As I have said, an album where all 12 bands need congratulating in adding 12 really wonderful slices of alternative pop/punk/rock to a great album and a fine cause.
Uri Rubin ‘The Way You Are’
Album
The Way You Are is what you call a grower, an album that sneaks up on you and gently wraps its arms around you and gently rocks you into submission with its lyrical tales of life and love. Uri Rubin has a lovely relaxing laidback vocal styling, part Smog, part Leonard Cohen and part Lambchop. He really does have a quite lovely voice, which he uses to good effect on these well written songs; songs that don’t stand out individually – they are not made to be radio smashes – but flow into each other to offer you 45 minutes or so of pure escape.
