Our Daily Bread 644: The Cords, Fat Concubine, Ali Murray…
August 4, 2025
Brian ‘Bordello’ Shea’s Reviews Roundup – Instant Reactions. All entries in alphabetical order.
The Cords ‘Fabulist’
Single (Skep Wax Records) Released 22nd July 2025
‘Fabulist’ is a fine jingle-jangle indie pop rush of pure young person want; a sonic three chord extravaganza of the sound of young Scotland relishing the first flush of summer romance; a song to make an old man sit and weep at the loss of his youth and memories of the days when C86 was where it was at.
Fat Concubine ‘Empire’
Album (Cruel Nature Records) Released 12th September 2025
Empire is the sound of falling out of a nightclub worse for wear, staggering the dark cold streets, queuing in a chippy and ordering something with chips and covering it with gravy or curry sauce or both and then sloppily eating it spilling it all down your going out clubbing clothes while standing in someone else’s sick as you wait for a taxi not to show up. It is getting home and fumbling with your key to get into your abode and wondering both where did you put your phone and where on earth is the tv remote. You then pass out on the settee as your cat alternates nesting your chest and gently pawing your face. It’s great to be young.
Headless Kross/Poundland
Split Album (Cruel Nature Records) Released 12th September 2025
I have to admit to being a pop music lover. I’m a man who’s reduced to a quivering wreck by the sound of Billy Fury singing a song by Jimmy Campbell; a man who has to wipe a tear from his eye when a blast of 70’s pop nostalgia sneaks unexpectantly from the radio/tv. But that doesn’t mean I don’t love the sound of sludge rock, a little metallic evil blackness to avail itself to my inner soul. Nor does it mean I cannot get excited by one of the most important bands in the UK at the moment, that being Poundland doing what they do best in soundtracking the state of the UK with its pounding experimental punk rock attitude and noise, but with the right amount of melody to make it commercially viable to the general public: and the more people who get to hear their blast of wanton grinditude the better the good old jolly UK will become.
This split album by Headless Kross and Poundland delivers both the charming brooding sludge-like metal of Headless Kross and Poundland doing what they do best. And if you are so inclined to have a step away from middle aged men wanting to be Roger McGuinn, then this could well be worth your time and trouble and cash.
The Last Of The Lovely Days ‘No Public House Talk’
Album (Gare du Nord) Released 19th August 2025
This debut from The Last Of The Lovely Days is a rather lovely jangly guitar pop beast of an album; an album that once again evokes not just the golden days of indie pop but also has a rather fetching undercurrent of 60’s girl group panache – just like those two fine bands from the 80’s, The Shop Assistants and The Primitives, did so well. Songs that deal with the never grows old subject of love lost and found. And these fine songs are wrapped lovingly with charming melodies and hooks that will linger and help your day be a much more enjoyable experience.
Ali Murray ‘The Summer Laden’
Album Released July 1st 2025
It makes a rather pleasant change to receive an album from an artist from Scotland that doesn’t sound like Teenage Fanclub. Not that I may add, I have anything against Teenage Fanclub, I find them rather spiffing, but a change is as good as a rest or so they say.
The Summer Laden is in fact a rather lovely pop album of breezy mostly mellow pop songs. Indeed, it is “Laden” with the sound of summer, and has a melodeon sway that is quite bewitching, and could be Celtic cousins with that Welsh wonder of verse and catchy chorus, Armstrong (Julian Pitt).
Occult Character ‘Butterfly’
Single (Metal Postcard) Released 24th July 2025
“Float like a butterfly, sting like a bee” Muhammad Ali once famously said, and that would be a perfect description of this short new track by Occult Character, funnily enough called ‘Butterfly’, as it floats with an uneasy synth pop sway fluttering away in an eccentric manner, pulling one in with its gentle experimental charm only to be knocked out by the sucker punch of the dark brooding lyrics.
Oopsie Daisies ‘As If’
Single (Metal Postcard) Released 18th July 2025
Synth pop boogie at its finest. Yes, a song of charm and home recorded warmth that could have easily emerged from a demo tape from a budding new romantic dreamboat from the early 80s; a song that fills me with a quirky nostalgia of the days when there were three weekly music papers as well as the pop twice weekly No 1 and Smash Hits pop glossies. And it could well have been featured in all five: maybe not Sounds, As If would maybe a little too on the frivolous side for them.
Scotch Funeral ‘Ever & Ever’
Album Released 30th July 2025
If rumble tumble grunge fuzz-soaked guitar is heaven to your ears, then this fine album by Scotch Funeral is for you; an album of true indie rock ‘n’ roll. “New Found Happiness” is a melody pop punk delight worthy of Ash in their glory years; the closer, “In Dreams“, is a fine mishmash of Daniel Johnston like poetry and Nirvana like grunge; and “She’s A Writer” could have stepped straight off a K records compilation album. If Scotch Funeral were on K Records or a similar label of such acclaim, they may well get the attention they deserve, for they have that special something you cannot quite put your finger on that separates them from 99 per cent of all the other indie punk pop rock ‘n’ rollers out there. Ever & Ever is certainly an album that deserves your attention.
Alexei Shishkin ‘Tiki Taka (2006)’
Track taken from the upcoming Album, Good Times (Rue Defense) Released 5th September 2025
Is this the best song recorded about football or soccer for our American readers? I think it could well be. It has a wonderful semi slacker psych vibe; it’s like being drunk and on your settee hazily watching the beautiful game unfold until you lose your will to live or you’re too drunk to reach the remote. A song of laidback excellence.
The Striped Bananas ‘Vampire of Mine’
Single Released 25th July 2025
Psych Grunge now there’s a thing for you. Imagine if you will that Kurt Cobain had worn velvet pantaloons and love beads and had hooked up with a disco dolly from a Matt Elm film in a nightclub scene instead of Courtney Love and appeared in an episode of the Banana Splits. Nirvana could well have sounded like this. A fine and dandy cartoon pop song, in fact two fine cartoon pop songs as the B-Side ‘Venus Die Trap’ is pretty nifty as well.
Tiberius ‘Sag’
Single (Audio Antihero) Released 18th July 2025
I thought for the first twenty seconds of this fine single that it was Lloyd Cole causing a commotion, but then it soon shifted into a Jeff Buckley guitar alt rock melodramatic bombast, the kind that hasn’t been heard since the days Buffalo Tom walked the earth. And while I am mentioning other artists, I will mention Oasis, not because it sounds like them, but because it doesn’t and that is another point in its favour believe you me.
Tugboat Captain ‘Pest Control’
Single
‘Pest Control’ is a fine slice of extremely British boutique pop art; a singalong song of arch darkness; a calling card into an exclusive quaint drinking club frequented by Neil Hannon, Ray Davies and John Howard, and every playlist must include Shorley Wall by Ooberman. This track has been culled from their album Dog Tail, and maybe worthy of further investigation.
Our Daily Bread 634: Guided By Voices, Oopsie Daisies, Neon Kittens, Scott Robertson…
December 6, 2024
BRIAN ‘BORDELLO’ SHEA’S REVIEWS ROUNDUP – INSTANT REACTIONS.
COVER STARS THIS MONTH: RYLI
$T33D$_uv_LÜV ‘The Glory of Love’
Album (Metal Postcard Records)
Let’s be honest $T33D$_uv_LÜV is by far the worst band name ever in the history of rock ‘n’ roll, but luckily the music is rather quite excellent indeed. If they changed their name to something DJs can say or blog writers can be arsed to type out (I actually copied and pasted the name from the Metal Postcard Bandcamp, yes I am a lazy fucker I admit, but my one fingered typing style is not really up to a name that gives temp passwords a run for their money) their music might reach further than their front step.
Anyway, onto the music. It’s rather splendid in a Lou Reed/Velvet Underground kind of way, with a fine post punk attitude, and if Joy Division has a sense of humour and were from Texas and not rained soaked Manchester, they could have sounded like $T33D$_uv_LÜV (copied and pasted again).
Guided By Voices ‘Fly Religion’
Single (GBV Inc.)
Well guess what. Guided By Voices have released a new single in lieu of their new album; yes, their 41st in Feb next year. And it sounds like GBV. Is that a good thing. I guess that depends on your opinion on GBV: if you like them, you will like it, if you don’t this will not change your opinion on them. Personally, I like it.
Oopsie Daisies ‘In The Rain’
Single (Metal Postcard Records)
What can I say but another beauty from the Oopsie Daisies. Yes, another bedroom pop gem of subtle fragility, the sought of pop song that Sarah records used to release in those good old days when pop songs appeared on beautiful 7 inch vinyl and were physical works of art you could hold and cherish, and it didn’t cost you a arm and a leg to purchase it. “In The Rain” is not on 7 inch vinyl but you can still cherish it though a true treasure of pop splendidicity, and it won’t cost you an arm or a leg.
Lo-Fi Melancholia For Kids ‘Because, everyone is wrong about everything all the time’
(Astrodice Records)
As anyone who reads my reviews will know I have a love of home recorded DIY music. I love the simple drum machines, the one fingered keyboard lines and the jangly or distorted guitars and the quite not sure of themselves vocals, they have a soul and innocence and that is quite often lost in the studio. And that is what I love about this album by Lo -Fi Melancholia For Kids, it has all these qualities and at times comes across, if you can imagine it, the demos for the 1st Strokes album, especially on the opener “Energetic Midfield Player” and “The Arrow”.
“Because, everyone Is Wrong About Everything All The Time” is an enjoyable album, and should be enjoyed by all who like the DIY indie pop/rock aesthetic.
Neon Kittens ‘Radio Sick Music’
Album (Metal Postcard Records)
Any album that kicks off with an Eddie Cochran-like guitar riff nine times out of ten is going to be an album I’m going to enjoy. And when that album is by the Neon Kittens there is no doubt that it is going to be an album I’m going to enjoy.
Once again the Kittens have supplied us with another 12 songs of a debonair stylish post punk fury, songs that twirl and curtsy whilst secretly burrowing into your head and heart running slapdash over the idea of existing without the pure no wave seduction that the Neon Kittens kindly soundtrack our everyday life with, supplying us with the tales of the ordinary in the most extraordinary beguiling way. There is no-one quite like the Neon Kittens, which may explain why they are not sitting at the top of the poppermost, as on the whole the general public are an unadventurous lot and like their art with the art safely removed and replaced with a shiny facsimile with all the sex and danger removed. Maybe Metal Postcard could supply a downloadable sofa with every Neon Kittens album for people to hide behind whilst listening.
Scott Robertson ‘How Not To Live’
Album
What’s up with record labels today I ask you. Scott Robertson had to just shove this fine album out as a pay if you like download release just so he could move on with his new recordings, as he could not find a label to release it. Which speaks volumes for the state of the industry as Scott is a fine songwriter who has released an album of verve, art and skill and really deserves the extra push a label can sometimes give.
“How Not To Live” is an album filled with songs of fine guitar chime and melody ala Teenage Fanclub and the Lemonheads and Brendan Benson, with the touch of alternative American guitar bands and the such, as lovely and good as this all sounds there is a darker and more melancholy deeper undercurrent going on that keeps Scott at arm’s length from all those other artists with similar influences. I await Scott’s third album to see how this talented young chap develops.
Ryli ‘I Think I Need You Around’
Single (DandyBoy Records)
“I Think I Need You Around” is a rather jangly twangy guitar pop boiler of a song, another indie pop dream of love and want, as is the other side of this forthcoming seven-inch single release “When I Fall”, a rather sweet and bewitching little pop strum along which I might actually prefer to the A-side, but both are fine and dandy.
Our Daily Bread 602: Eamon The Destroyer, Ex-Norwegian, St James Infirmary, K. Board & The Skreens…
November 24, 2023
THE INIMITABLE BRIAN ‘BORDELLO’ SHEA DELIVERS HIS VERDICT ON A NEW HAUL OF RELEASES FROM THE LAST MONTH (all of which are available now, unless stated otherwise)
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Oopsie Daisies ‘Weird Topangas’
(Metal Postcard Records)
The Oopsie Daises are back with another slice of charming pop, replacing their normal Field Mice jangle with two equally charming synth pop ditties, both recalling the 80s synth boom with a charm and freshness that, in fact, gives a new meaning to the saying, “fresh as a Daisy”, as “fresh as an Oopsie Daises” will now sprout forth from the old English caricature of tweed jackets with leather elbow patches and a whiff of tea made with tea leaves (not bags), and a season of it being forever Autumn (not the 70s hit from War Of The Worlds). I might add, this is a double-sided beauty that really should grace a 7-inch vinyl single and be bought from Woolworths with your pocket money on a Saturday after a hellish week of school. Yes, a single to make and break a schoolboy’s heart. But sadly those days are over and all we have left is an occasional burst of the magic of pop to make both us feel both young and old, and will bring a slight smile to your face and a tear to your eye.
K. Board & The Skreens ‘Gorillino’
(Metal Postcard Records)
A wonderful pop song, not just tuneful, experimental and funky, but also very catchy indeed; a song I would expect to be drifting from BBC6 music if BBC6 music actually did what it was put on air to do, which is play experimental cutting edge alternative pop. But saying that, nowadays you are more likely hear the Small Faces than a new and upcoming band: I will not hold my breath. But anyway, it is a fine track filled with adventure and charm.
No Drama ‘No Drama EP’
(Hidden Bay Records)
This Debut EP by French indie band No Drama, called No Drama, is actually not just full of drama but also melodies and pure guitar surge (Surge Gainsbourg maybe). Actually it’s more Wedding Present on “Exit”. It has some rather excellent lyrics too. And it’s quite nice also to hear a French bands’ point of view on Brexit, as we Brits on the whole can now agree what a huge mistake it was; and it would also be a huge mistake not to partake in this rather excellent five-track beauty of indie guitar joy. One of my fave eps of the year perhaps.
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St James Infirmary ‘Abandoned’
(Cruel Nature Records)
I love this album. It’s an album full of beautifully written indie, country, folk songs: so what on earth is their not to love? An album that brings to mind Dylan, The Weather Prophets, Hefner and Lee Hazelwood – especially on the rather splendid ‘Old Fashion Arms’; I am always a sucker for male/female duets as all the regular readers will know. And this one is a humdinger of a song, one worthy of Lee and Nancy.
It is nice to see and to hear that humour and heartache can still go hand-in-hand in this day of throwaway pop frippery, and Abandoned is an album to pop in your cassette player (if you are lucky enough to be one of the 35 purchasers to purchase it) and admire the wit and wisdom wrapped in country-ish melodies.
Look To The North ‘A Shadow Homeland’
(Cruel Nature Records)
The challenge of melancholia is laid down by the formation of grey clowns that gather over the blink of the child from yesterdays eye escapade, the subtle indifference from the bus driver, whether you catch the bus or miss the bus he really does not give a damn, to him it’s just another missed opportunity, another possible night of near passion from the lady in the bar who drinks too much but dreams even more, and dreams very rarely come true, but the drink can deaden the pain, takes off the edges, leaving a hazy smothered blanket of maybe one days. Music by Look To The North is very much like that. It is the soundtrack of everyday sadness and life in all its Technicolor greyness; a drone of a shallow puddle of rain inviting droplets of shared hopes and wishes; a glisten of the magic that occurs in everybody’s existence even if only very occasionally, and very occasionally sometimes can be enough.
Shplang ‘Thank You, Valued Customer’
(Big Stir Records) 1st December 2023
If I owned a jeep, or even in fact if I owned a jeep and could actually drive – no point in owning a jeep if you cannot drive the yellow bastard; yes I imagine the jeep to be yellow, why? I do not know. Anyway I digress – yes it is going to be one of those reviews when I go off in tangents, and really if you do not want to read one of those reviews I would stop reading now and go and buy Mojo and read about how good the new Bob Dylan album is, or how Paul and Ringo took a heartfelt Lennon demo and made it sound average.
If I had a yellow jeep and lived in a place where the sun shone and the streets were bustling with life, not a place that is grey and cold and the streets are paved with last night’s excesses, and the boarded shop doorways inhabited by the homeless, and the only gainful employment is being unemployed, in which this is where I do actually live: and actually, I’m making it sound better than it really is. But living in a sun drenched dreamlike state where yellow jeeps are plentiful, this is the kind of album I would have being played in aforementioned jeep; an album of wah-wah guitars and catchy choruses and the occasional beautiful baroque ballad – “Everyone Can Change” is like the Zombies covering a Wings track from the mid seventies or visa versa; anyway it is bloody beautiful. This is an album one can escape to whether you drive a yellow jeep or have a smack-head as a next-door neighbour; an album of wilful adventure and escape and one I am grateful exists at this point in time.
Eamon The Destroyer ‘We’ll Be Piranhas’
(Bearsuit Records)
The new album by Eamon The Destroyer is once again a trip through a strange old life; a life that involves espionage on a Man From Uncle scale, with 60s spy themes galore performed with a wit and wisdom only matched by the beauty and musical genre hopping extravagance not seen since John Peel dropped his record collection down three flights of stairs only to land at the feet of a 70s Tom O Conner who said, “I’ll name that tune in two”.
Yes indeed, a madness of electronica, psychedelia, dance and pop; at times sounding like an inspired Momus after indulging in sharing magic mushroom soup with Cornelius and Ivor Cutler. Yes, there is magic in these tracks that one can lie back and completely lose themselves in: a journey of selfless discovery.
Ex-Norwegian ‘Sooo Extra’
(Think Like A Key)
Sooo Extra is the 14th album from Ex Norwegian and like all the other Ex Norwegian albums I have heard it is a rather excellent affair full of pop hooks and has a lovely undercurrent of darkness, a bittersweet taste of songwriting savvy you really do not come across everyday: sadly.
They take in old new wave, power pop and alt rock and weave a mighty spell of spell weaver-y that has not been woven since that lost great album The Return Of The Rentals by the equally great Rentals. There is no justice in the music world, but if there were this would be album of the week on WFMU and the like. But as we know we can’t trust the radio. But dear readers trust your own instincts and gave this mighty diamond of a record a listen.
CSE Art Project ‘I Played This Cassette Till It Broke’
(Metal Postcard Records)
I am writing this review on the anniversary of John Peel’s death, which is quite apt as I Played This Cassette Till It Broke is a tribute to the influential DJ, one who has not, and in this day and age, will never be replaced.
It has a splendid moody guitar bass and drums instrumental with a sample running throughout of John Peel running down a Festive 50, which again is very apt as the song is released on Metal Postcard Records which is run by Sean Hocking who is also a DJ on Dandelion Radio, which is the station that was started in John Peel’s memory and the station that was officially handed the mantle of carrying on the Festive 50: so see how it all falls together.
CULT NO-FI ICON BRIAN BORDELLO REVIEWS ANOTHER BATCH OF RECENT AND NEW RELEASES (UNLESS STATED OTHERWISE, ALL RELEASES ARE OUT NOW)
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Annie Taylor ‘School Girl’
(Taxi Gauche Records)
‘School Girl’ is a ram jam minute and a half of rambunctious melody and indie guitar rock, a workout of pure pop indiedom. Plus, why don’t more people release songs under two minutes anymore? If it was good enough for Buddy Holly is certainly good enough for everyone else. Well-done Annie Taylor.
Nails ‘Nail Me’
What a splendid racket. This is the debut release by a brand-new band made up of a gang of teenagers all aged between 16-18. The sound of youth, the sound of a band that is still in the development stage when everything is fresh and exciting, with the sound of hormones surging from their guitars.
There are a number of exciting young guitar bands around at the moment and Nails are another one to add to the watch out for list. They have youth, excitement and by the sound of it, the inklings of songwriting talent and a variety of influences: surely Nails are too young to remember the Cardiacs, but at certain points during ‘Nail Me’ the Cardiacs do spring to mind alongside Queens Of The Stone Age. Yes, indeed Nails are the sound of the dreams of the local rehearsal room where anything is possible and where the magic happens.
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A.R. Kane ‘A.R.Kive (1988 to 1989)’
(Rocket Girl)
Songs that soar and scrape the sky; plowing through the subconscious separating despairing grey clouds of pollution and lost hope, clawing kisses substituting the tick tock of the slow hand taunting you through the everyday workday blues, knowing when that slow hand eventually reaching the magical five, the five that will explode in a star-shine feedback beauty, whispering, swaying, you will once again be free. Be free to soundtrack the small town existence or your lost in the city hustle. A muse, a music that will make you feel special, make you feel like a select and secret club: this is how one of the disciples must have felt. It must have been how one of those teenage girls felt stood inches away from the leather cladded four head monster from Liverpool in that dank cellar full of noise before they erupted and changed the world. Surely you are experiencing the second coming. Surely the moistness, the orgasmic nature of teenage sexual high has never been quite this sexual: never quite taken you this high. This is how the flowers of ‘67 must have felt as Hendrix strutted and pouted biblically, leading the chosen ones to a land that promised much but folded in a squalid syringed end of a decade of could ofs and should of Beens. This is how it must have been like to be in The Velvet Underground selling little but influencing a future generation of youngsters with art in their eyes. This is how it must have felt to be A.R. Kane.
Present Electric ‘S-T’
(Paisley Shirt Records)
Now as the “king of No-fi” (as anointed by Goldmine Magazine) I can fully appreciate the beauty of this album; all lo-fi and scratchy with primitive drum machines and beautifully played guitars that are plucked and strummed with a gentle abandon. That are swirled and mixed with melodica, handheld percussion and keyboards that add to the beauty of this lo-fi gem. The beauty of lo-fi is the adventures you can take the music only using ltd resources and your own skill and talent and madness. And I’m happy to report that Present Electric has all three with abundance. A really enjoyable listen.
It’s Karma It’s Cool ‘Thrift Store Troubadours’
If you are looking for Throbbing Gristle noise experimentation this may not be the album for you, but if you are looking for an album filled with mid to late 60’s Hollies like pop with a touch of the Smithereens and stand era R.E.M. then Thrift Store Troubadours could be your thing.
Songs where the guitars chime and rock without entering into Slash perm lotion territory; songs that gently erupt in a wash of tight and tuneful harmonies that may entertain Graham Nash enough in the shower to put down his bar of soap and add a fifth high harmony, and him fondly reminisce about the time he lived with Joni Mitchell, and Charles Manson was his next door neighbour. Or the kind of album that will have Chris Pender scratching his head and wondering why the two Searchers Sire albums did not sell in greater quantities. So if you are indeed a fan of any of the bands mentioned or just someone who has a penchant for well-written 60s/70s tinged power pop ditties, give it a listen.
Oopsie Daisies ‘S-T EP’
(Metal Postcard Records)
If Bob Dylan had grown up in the C86 generation, taking in the jangle and indie pop like magic, he may have sounded like the Oopsie Daisies; an EP that is covered in layers of jangly guitars and Field Mice and the Wake like keyboards, and the clipity-clop drum machine that so enamoured me to the whole sound and feel of the DIY bedroom music culture.
This 4-track little beauty is full of charm, lo-fi elegance and a little teetering on the edge magic: especially the last track, the wonderful ‘Illusioned Broken Toys’; a song that captures the melancholy feel of the late 80’s early 90’s Beloved and one of my fave tracks this year.
Flashcubes ‘Pop Masters’
(Big Stir Records)
The pre ghost of Pete Best haunts his old haunts, taking in the memories when he was the backbeat to what would be the greatest and most influential band to ever strum a guitar on the planet; the band that would influence everything from how pop music was not just a thing that teenagers spent their money on and soundtracked their sexual adventures and nights on the town, but to being considered an art form to be studied and dissected by forward thinkers and beard strokers.
Pete shifts through where The Cavern used to stand and moves onto the tourist trap that is the facsimile that stands today. He stops to look at the statues and has a slight tear in his eye when he sees the four lads that shook the world knowing that he was the fifth, the silent partner, and the cast off Beatle. He stops off and smiles when he sees the Cilla statue and remembers the nights when she used to sing with the fabs before they were the fabs: when they were the pre-fabs. But he is not bitter. He has made his million from all the reissues of the handful of recordings he made with the pre-fabs, and he has all those memories knowing they may never have made it to Hamburg without him, where they learned their art and became the greatest rock ‘n’ roll band ever. He stops thinking and remembering and pops a cd into the player… ah good time rock ‘n’ roll pure power pop for everyday people. Pop master‘s by the Flashcubes plays as Pete lights another cig spins his drumstick and smiles.
Life Strike ‘Peak Dystopia’
(Stable Label on Tape/ Bobo Integral on Digital Formats)
What do we have here, I hear no one ask. Well my disappointed little life smugglers, this is an album of pure jingle jangle from the deepest and sunshine filled explosion of finery that is Australia. Yes, Life Strike capture the magic of early Go Betweens with all stuttering post-punk guitar riffs and Primitive melodies, or indeed Primitives melodies as the pop fun track that is ‘Tears On Tuesday’ had myself and my lady wife humming ‘Through The Flowers’ by the end. Peak Dystopia is an album that will appeal to all those indie pop lovers from yesteryear when the June Brides were second in the hearts to the Smiths, or preferred Primal Scream before they discovered the Rolling Stones and showed themselves to be heartless money grabbing bastards.
Monolith Cocktail Blog 