BRIAN ‘BORDELLO’ SHEA’S REVIEWS ROUNDUP – INSTANT REACTIONS. ALL ENTRIES IN ALPHABETICAL ORDER
Beans ‘Remember’
Single (Fuzz Club Records) Out Now
Ah, I admit I am not really a huge fan of Fuzz Club Records on the whole as I think that they have a certain sound, and I find that sound a bit dull on the whole nowadays: lots of bands with nice looking vintage guitars and sunglasses. I like Jesus and Mary Chain and Brian Jonestown Massacre as much as the next man, but do I want to listen to lots of bands that are not quite as good…even Jesus And Mary Chain sound like a not quite as good JAMC now.
But this single, ‘Remember’ by the Beans, is indeed very good and has an arch quality normally not associated with Fuzz Club. If Fuzz Club was The James Bond Franchise this would be its Roger Moore which we all can agree is a very good thing indeed.
Bity Booker ‘There’s No Song About Stones’
Released 5th June 2026
There’s No Songs About Stones is an album of sublime solo psych folk whimsy, just Bity and her classical acoustic guitar singing songs about sadness, birds, love and life but none about Stones Rolling or otherwise, just nine beautifully written and performed songs full of melancholy, melody and a magical sprinkling of fairy dust which draws one into Bity Bookers strange and wonderful world.
Eye With An Eye ‘Flow’
Single – Out Now
‘Flow’ is the debut single by Eye with An Eye, and quite a fetching affair it is to, all post punk moodiness with an aura of jazzy reflection, dark and reflective and deep like diving into the waters of somebody’s thoughts and dreams, and floats in a heaven like state awaiting the whirlpool of contemptable love to drag you in and smother you with contentment.
The Fox ‘For Fox Sake (2026 Remaster)’
Album (Think Like A Key Music) 14th August 2026
For Fox Sake was recorded overnight in 1970; the band thinking this would be the demo, but the record label thought differently and released it as the album. The album sadly sank without trace and The Fox survived not much longer.
But 56 years later Think Like A Key has thankfully re-released the album, and what an album it is. Wonderfully magical in all its psych rock glory, it captures the wonderful mood and excitement of the time: an aural time machine if you like. An album that captures a band having the time of its life and it being recorded mostly live captures the excitement of a young and talented band having the time of its life…the word groovy was invented just for albums like this believe me.
Gentles ‘Nation’
(Metal Postcard Records) Released 18th July 2026
Nation is the latest and final album by the Gentles in their current incarnation as their vocalist Brendan Parkes sadly died earlier this year. There is a punk psych art pop vibe to this album that reminds me of Blur in their Modern Life is Rubbish era, which can only be a good thing I think you might agree; maybe they have the same influences as there is definitely a Syd Barrett and Swell Maps, Buzzcocks and even Jilted John about them. An album that I would advise fans of the aforementioned could do worse than to check the Gentles out.
John Howard ‘Overnight Bags’
Album – Released 7th August 2026
With Overnight Bags I feel John Howard has just made his own The Boys From Dungeon Lane, an album of memories wrapped in melody and pop genius. Neil Hannon would sell his collection of Scott Walker albums to have written any one of these eleven gems, for John Howard has a wonderful talent of painting aural pictures, telling musical tales of love and sadness: I bet john is a hell of a people watcher.
Overnight Bags finds John, as I have said, looking back at his eventful life; from the plague of aids that took away too many of his friends in “What God Is This?” to the first time in Abbey Road recording his debut album in 1975, to him wondering what happened to his old teenage friends (“Josie, Do You Remember?”).
Overnight Bags is quiet the masterpiece, filled with melancholy, love and remembrance. This album is so good in fact I should have started with Paul McCartney has made his own Overnight Bags with his The Boys From Dungeon Lane.
Kevin ‘It Is What It Is’
Album (Riot Season) Released 24th July 2026
Chaotic Krautrock experimental psychedelic noise rock: “It Is what It Is”. I suppose that sums up the album, and lovers of the aforementioned will no doubt love this: and there is plenty to enjoy.
At times it reminds me of the excellent Poundland, especially vocal wise, and Potters Wheel has a rather wonderful hypnotic riff as does the Fall like “Murphy Is Buried” and “Wood Kill” could easily be off Julian Copes Masterpiece Jehovah Kill. Kevin takes all their influences and makes a fine engrossing soundtrack to delve into the mis-workings of the human psych.
Man & Machine ‘Earthman’
EP (Fruits Der Mer) Released 1st August 2026
This is a six track EP or mini album as we of a certain age like to call them (if it has more than four tracks, I would prefer to call it a mini LP). Well, this Mini LP is a lovely sounding affair; it has a beautiful airy sheen about it reminding me of the lovely slightly folkish pop rock from the seventies with just that dash of psych. Yes, it has a bewitching summerlike warmth, even one that one would find emitting from the BBC radio in those glory days of radio. This is quite a wonderful record, available as a lovely 10inch vinyl EP/mini-LP released on the Fruits De Mer Record label or as a download from Man & Machine’s Bandcamp page.
Neon Crabs ‘Big Dumb Racket’
EP (Metal Postcard Records) Released 28th July 2026
There is nothing big or dumb about this 4 track EP, unless being big and dumb is the sound of a galaxy of guitars storming up a post punk frenzy whilst the singer cajoles the inner demons into more demon like activity by out stooging the Stooges; if popping the Iggy was a Olympic event the Neon Kittens would be gold winners knocking Iggy Pop into second place: they just have the same grace like anger and fractured humour. Yes indeed, The Neon Crabs are very cool.
Occult Character ‘Unrequited Vibrations’
(Metal Postcard Records) Released 3rd August 2026
We have another fine single from Occult Character, Unrequited Vibrations is actually quite commercial and with the wind blowing in the right direction I could imagine this getting some radio play: and it would be well deserved. It certainly has lots of the odd ball charm that the Occult Character specialises in but the oddball ness is soundtracked by a rather wonderful catchy keyboard riff: let’s call it an ‘Einstein A Go Go’ for the now children.
Origami Horses ‘Vultures’
(Metal Postcard Records) Released 19th July 2026
A blast of alt pop/rock is good for you, so the Doctor tells me. And ‘Vultures’ is indeed a blast: a blast of screwed up alt pop perfection like Radiohead used to give us before they went all prog like and snarled at the beauty of the three-minute pop single. No worries on that score from The Origami Horses, they remember the magic of melody and the angry guitar wrapped in a velvet blazer.
Present Electric ‘My Heart Is Filled With A Hundred Knots Of Sorrow And A Thousand Knots Of Resentment’
Album – (Paisley Shirt Records) Released 31st July 2026
My Heart Is Filled With A Hundred Knots Of Sorrow And A Thousand Knots Of Resentment is probably the longest album title of the year and one I won’t be typing out again. Yes, it is an album of lo-fi experimental pop misadventure and a rather fine one at that; at times reminding me of Skip Spence’s OAR album, and at other times like the Velvet Underground – when in funny bugger mode – and also quite fascinatingly like Lennon’s Plastic Ono Band LP, especially on the beautiful “The Ring Is On The Phoenix’s Head”.
There is a hauntingly beautiful feel to the album, one that skips from melancholy to sunny delight with a natural graceful ease that one can only stand back and admire. Another winner as always from the Paisley Shirt Records label.
Stuart Turner and Rob Grigg ‘Gargoyles at the Memoir Club’
(Gare du Nord) Released 15th August 2026
Gargoyles At The Memoir Club is what Captain Beefheart might have sounded like if he recorded for Postcard records. Yes, it’s a strange old brew of guitar jangle, garage punk and Bad Seeds like blues madness. It is a musical exorcism, a bobsleigh ride through hell whilst swigging on a bottle of Thunderbird and recanting tales of previous misdemeanours.
Yes, this is a strange old album; an open mic night where Lloyd Cole and Tom Waites duet whilst Nick Cave juggles peanuts trying to attract the attention of the barmaid who really should know better but cannot help but smile at the velvet suited bare chested Australian.
Winter At Sea ‘Hearts’
EP – (A Cheery Wave Records) 28th August 2026
Post Rock atmospheric instrumental beauty. If that is your thing then this could well be just what you want to soundtrack your evening with…well, 20 minutes of it anyway; I suppose you could always put it on repeat and let the waves of emotion keep on covering you with the warmness and emotional stillness that this fine EP provides.
Yes, if you want a relaxing evening and not quite in the mood for Dark Side Of The Moon put this on instead. I have two good reasons for that, one, Dark Side Of The Moon is shit and, two, this isn’t.
Here’s the message bit we hate, but crucially need:
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CULT NO-FI ICON BRIAN BORDELLO REVIEWS ANOTHER BATCH OF RECENT AND NEW RELEASES (UNLESS STATED OTHERWISE, ALL RELEASES ARE OUT NOW)
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Annie Taylor ‘School Girl’
(Taxi Gauche Records)
‘School Girl’ is a ram jam minute and a half of rambunctious melody and indie guitar rock, a workout of pure pop indiedom. Plus, why don’t more people release songs under two minutes anymore? If it was good enough for Buddy Holly is certainly good enough for everyone else. Well-done Annie Taylor.
Nails ‘Nail Me’
What a splendid racket. This is the debut release by a brand-new band made up of a gang of teenagers all aged between 16-18. The sound of youth, the sound of a band that is still in the development stage when everything is fresh and exciting, with the sound of hormones surging from their guitars.
There are a number of exciting young guitar bands around at the moment and Nails are another one to add to the watch out for list. They have youth, excitement and by the sound of it, the inklings of songwriting talent and a variety of influences: surely Nails are too young to remember the Cardiacs, but at certain points during ‘Nail Me’ the Cardiacs do spring to mind alongside Queens Of The Stone Age. Yes, indeed Nails are the sound of the dreams of the local rehearsal room where anything is possible and where the magic happens.
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A.R. Kane ‘A.R.Kive (1988 to 1989)’
(Rocket Girl)
Songs that soar and scrape the sky; plowing through the subconscious separating despairing grey clouds of pollution and lost hope, clawing kisses substituting the tick tock of the slow hand taunting you through the everyday workday blues, knowing when that slow hand eventually reaching the magical five, the five that will explode in a star-shine feedback beauty, whispering, swaying, you will once again be free. Be free to soundtrack the small town existence or your lost in the city hustle. A muse, a music that will make you feel special, make you feel like a select and secret club: this is how one of the disciples must have felt. It must have been how one of those teenage girls felt stood inches away from the leather cladded four head monster from Liverpool in that dank cellar full of noise before they erupted and changed the world. Surely you are experiencing the second coming. Surely the moistness, the orgasmic nature of teenage sexual high has never been quite this sexual: never quite taken you this high. This is how the flowers of ‘67 must have felt as Hendrix strutted and pouted biblically, leading the chosen ones to a land that promised much but folded in a squalid syringed end of a decade of could ofs and should of Beens. This is how it must have been like to be in The Velvet Underground selling little but influencing a future generation of youngsters with art in their eyes. This is how it must have felt to be A.R. Kane.
Present Electric ‘S-T’
(Paisley Shirt Records)
Now as the “king of No-fi” (as anointed by Goldmine Magazine) I can fully appreciate the beauty of this album; all lo-fi and scratchy with primitive drum machines and beautifully played guitars that are plucked and strummed with a gentle abandon. That are swirled and mixed with melodica, handheld percussion and keyboards that add to the beauty of this lo-fi gem. The beauty of lo-fi is the adventures you can take the music only using ltd resources and your own skill and talent and madness. And I’m happy to report that Present Electric has all three with abundance. A really enjoyable listen.
It’s Karma It’s Cool ‘Thrift Store Troubadours’
If you are looking for Throbbing Gristle noise experimentation this may not be the album for you, but if you are looking for an album filled with mid to late 60’s Hollies like pop with a touch of the Smithereens and stand era R.E.M. then Thrift Store Troubadours could be your thing.
Songs where the guitars chime and rock without entering into Slash perm lotion territory; songs that gently erupt in a wash of tight and tuneful harmonies that may entertain Graham Nash enough in the shower to put down his bar of soap and add a fifth high harmony, and him fondly reminisce about the time he lived with Joni Mitchell, and Charles Manson was his next door neighbour. Or the kind of album that will have Chris Pender scratching his head and wondering why the two Searchers Sire albums did not sell in greater quantities. So if you are indeed a fan of any of the bands mentioned or just someone who has a penchant for well-written 60s/70s tinged power pop ditties, give it a listen.
Oopsie Daisies ‘S-T EP’
(Metal Postcard Records)
If Bob Dylan had grown up in the C86 generation, taking in the jangle and indie pop like magic, he may have sounded like the Oopsie Daisies; an EP that is covered in layers of jangly guitars and Field Mice and the Wake like keyboards, and the clipity-clop drum machine that so enamoured me to the whole sound and feel of the DIY bedroom music culture.
This 4-track little beauty is full of charm, lo-fi elegance and a little teetering on the edge magic: especially the last track, the wonderful ‘Illusioned Broken Toys’; a song that captures the melancholy feel of the late 80’s early 90’s Beloved and one of my fave tracks this year.
Flashcubes ‘Pop Masters’
(Big Stir Records)
The pre ghost of Pete Best haunts his old haunts, taking in the memories when he was the backbeat to what would be the greatest and most influential band to ever strum a guitar on the planet; the band that would influence everything from how pop music was not just a thing that teenagers spent their money on and soundtracked their sexual adventures and nights on the town, but to being considered an art form to be studied and dissected by forward thinkers and beard strokers.
Pete shifts through where The Cavern used to stand and moves onto the tourist trap that is the facsimile that stands today. He stops to look at the statues and has a slight tear in his eye when he sees the four lads that shook the world knowing that he was the fifth, the silent partner, and the cast off Beatle. He stops off and smiles when he sees the Cilla statue and remembers the nights when she used to sing with the fabs before they were the fabs: when they were the pre-fabs. But he is not bitter. He has made his million from all the reissues of the handful of recordings he made with the pre-fabs, and he has all those memories knowing they may never have made it to Hamburg without him, where they learned their art and became the greatest rock ‘n’ roll band ever. He stops thinking and remembering and pops a cd into the player… ah good time rock ‘n’ roll pure power pop for everyday people. Pop master‘s by the Flashcubes plays as Pete lights another cig spins his drumstick and smiles.
Life Strike ‘Peak Dystopia’
(Stable Label on Tape/ Bobo Integral on Digital Formats)
What do we have here, I hear no one ask. Well my disappointed little life smugglers, this is an album of pure jingle jangle from the deepest and sunshine filled explosion of finery that is Australia. Yes, Life Strike capture the magic of early Go Betweens with all stuttering post-punk guitar riffs and Primitive melodies, or indeed Primitives melodies as the pop fun track that is ‘Tears On Tuesday’ had myself and my lady wife humming ‘Through The Flowers’ by the end. Peak Dystopia is an album that will appeal to all those indie pop lovers from yesteryear when the June Brides were second in the hearts to the Smiths, or preferred Primal Scream before they discovered the Rolling Stones and showed themselves to be heartless money grabbing bastards.
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