Choice Highlights From The Last Year Part Two

In case you missed Part One of this illustrious list, here’s a recap.

I said I wasn’t going to do it this year. And this may be the last. But here is the second part of a comprehensive revue listing of choice albums (some extended EPs too) from 2025 that we returned to the most, enjoyed or rated highly. See it as a sort of random highlights package if you will.

As usual a most diverse mix of releases, listed alphabetically – numerical orderings make no sense to me unless it is down to a vote, otherwise what qualifies the placing of an album? What makes the 25th place album better than the 26th and so on…

Whilst there is the odd smattering of Hip-Hop releases here and there, our resident selector and expert Matt Oliver has compiled a special 25 for 25 revue of his own, which will go out next week.

Part One: A to M can be perused here

N……………

Neon Crabs ‘Make Things Better’ (Half Edge Records) 
Review by Dominic Valvona

Noir & Superior, Che ‘Seeds In Babylon’
Picked by Dominic Valvona

Novelle & Rob Mazurek, Alberto ‘Sun Eaters’ (Hive Mind Records) 
Review by Dominic Valvona

Nowaah The Flood ‘Mergers And Acquisitions’
Picked by Dominic Valvona

O……………

Occult Character ‘Next Year’s Model’ (Metal Postcard Records)
Picked by Dominic Valvona

P…………….

Philips Arts Foundation, Lucy ‘I’m Not A Fucking Metronome’
Reviewed by Brian Bordello Shea here

Phill Most Chill & Djar One ‘Deal With It’ (Beats House Records)

Picniclunch ‘snaxbandwitches’
Review by Brian ‘Bordello’ Shea

Pound Land ‘Can’t Stop’ (Cruel Nature Records) 
Review by Brian ‘Bordello’ Shea

Q……………..

Querci, Cosimo ‘Rimane’ (Quindi Records) 
Review by Dominic Valvona

R………………

Robertson, Kevin ‘Yellow Painted Moon’
Review by Brian ‘Bordello’ Shea

Rose, Sophia Djebel ‘S​​​é​​​cheresse’ (Ramble Records/WV Sorcerer Productions/Oracle Records) 
Review by Dominic Valvona

Rumsey, Andrew ‘Collodion’ (Gare du Nord) 
Review by Brian ‘Bordello’ Shea

S……………….

SAD MAN ‘Art’ (Cruel Nature Records)
 Review by Dominic Valvona

Salem Trials ‘Heavenly Bodies Under The Ground’ (Metal Postcard Records) 
Review by Brian ‘Bordello’ Shea

Sanders, Pharoah ‘Love Is Here – The Complete Paris 1975 ORTF Recordings’
(Elemental Music Records) Picked by Dominic Valvona

Schizo Fun Addict ‘An Introduction To…’ (Fruits der Mer) 
Review by Brian ‘Bordello’ Shea

Schnitzler, Conrad ‘RhythmiCon’ (Flip-Flap) 
Review by Dominic Valvona

Scotch Funeral ‘Ever & Ever’
Review by Brian ‘Bordello’ Shea

Silva, Maria Elena ‘Wise Men Never Try’ Review
Wise Men Never Try Vol. II’ Review by Dominic Valvona

Širom ‘In the Wind of Night, Hard-Fallen Incantations Whisper’
(Glitterbeat Records) Picked by Dominic Valvona

Sleepingdogs ‘DOGSTOEVSKY’ (Three Dollar Pistol Music)
Picked by Dominic Valvona

Soft Speaker ‘Rippling Tapestries’ (Cruel Nature Records)
Review by Brian ‘Bordello’ Shea

Sol Messiah ‘War of the Gods’ Picked by Dominic Valvona

Staraya Derevyna ‘Garden Window Escape’ (Ramble Records/Avris Media) 
Review by Dominic Valvona

Stewart, Macie ‘When The Distance Is Blue’ (International Anthem) 
Review by Dominic Valvona

T………………..

Teamaker, Marc ‘Teas n Seas’
Review by Brian ‘Bordello’ Shea

Theravada ‘The Years We Have’ Picked by Dominic Valvona

Toivanen Trio, Joona ‘Gravity’ (We Jazz)
Reviewed by Dominic Valvona here

Tomo-Nakaguchi ‘Out Of The Blue’ (Audiobulb Records)
Review by Dominic Valvona

Tortoise ‘Touch’ (International Anthem X Nonesuch Records)
Review by Dominic Valvona

Toxic Chicken ‘Mentally Sound’ (Earthrid) 
Review by Brian ‘Bordello’ Shea

Trupa Trupa ‘Mourners’ (Glitterbeat Records)
Info/Singles Review Feature by Dominic Valvona

U…………………

Uhlmann, Josh Johnson, Sam Wilkes, Gregory ‘Uhlmann Johnson Wilkes’
(International Anthem) Review by Dominic Valvona

Ujif_notfound ‘Postulate’ (I Shall Sing Until My Country Is Free) 
Review by Dominic Valvona

V………………….

Various ‘TUROŇ/AHUIZOTL’ (Swine Records w/ Fayuca Retumba)
Review by Dominic Valvona

Various ‘Wagadu Grooves Vol. 2: The Hypnotic Sound Of Camera 1991 – 2014’
(Hot Mule) Review by Dominic Valvona

Vexations ‘A Dream Unhealthy’ (Cruel Nature Records) 
Review by Brian ‘Bordello’ Shea

Violet Nox ‘Silvae’ (Somewherecold Records) 
Review by Dominic Valvona

Voodoo Drummer ‘HELLaS SPELL’
Review by Dominic Valvona

W…………………..

Wants, The ‘Bastard’ (STTT) 
Review by Brian ‘Bordello’ Shea

Warda ‘We Malo’ (WEWANTSOUNDS)
Review by Dominic Valvona

West Virginia Snake Handlers Revival ‘They Shall Take Up Serpents’
(Sublime Frequencies) Reviewed by Dominic Valvona

Winter Journey, The ‘Graceful Consolations’ (Turning Circle)
Reviewed by Dominic Valvona here

Y…………………….

Yellow Belly ‘Ghostwriter’ (Cruel Nature Records) 
Review by Brian ‘Bordello’ Shea

Young Mothers, The ‘Better If You Let It’ (Sonic Transmissions) 
Review by Dominic Valvona

Z……………………..

Zavoloka ‘ISTYNA’ Picked by Dominic Valvona

For those that can or wish to, the Monolith Cocktail has a Ko-fi account: the micro-donation site. I hate to ask, but if you do appreciate what the Monolith Cocktail does then you can shout us a coffee or two through this platform.

Our Monthly Playlist selection of choice music and Choice Releases list from the last month.

We decided at the start of the year to change things a little with a reminder of not only our favourite tracks from the last month but also a list of choice albums too. This list includes both those releases we managed to feature and review on the site and those we just didn’t get the room for – time restraints and the sheer volume of submissions each month mean there are always those records that miss out on receiving a full review, and so we have added a number of these to both our playlist and releases list.

All entries in the Choice Releases list are displayed alphabetically. Meanwhile, our Monthly Playlist continues as normal with all the choice tracks from October, taken either from reviews and pieces written by me – that’s Dominic Valvona – and Brian ‘Bordello’ Shea. Our resident Hip-Hop expert Matt Oliver has also put forward a smattering of crucial and highlighted tracks from the rap arena.

CHOICE RELEASES FROM THE LAST MONTH OR SO:

Bedd ‘Do Not Be Afraid’
Review

Joel Cusumano ‘Waxworld’
(Dandyboy Records) Review

Peter Evans’ Being & Becoming ‘Ars Ludicra’
(More Is More Records) Review

Will Glaser ‘Music of The Terrazoku, Ethnographic Recordings From An Imagined Future’ 
(Not Applicable) Review


Amira Kheir ‘Black Diamonds’
(Sterns Music/Contro Culture Music)
Review

The Legendary Ten Seconds ‘Ricardian Churchward’
Review

NiCKY ‘with’
(PRAH Recordings) Review

Picniclunch ‘snaxbandwitches’
Review

Cosimo Querci ‘Rimane’
(Quindi Records) Review

Širom ‘In the Wind of Night, Hard-Fallen Incantations Whisper’
(Glitterbeat Records)


Striped Bananas ‘Eternity Forest’

Review


Sum of R ‘Spectral’


Tortoise ‘Touch’
(International Anthem X Nonesuch Records) Review

Vexations ‘A Dream Unhealthy’
(Cruel Nature Records) Review

Violet Nox ‘Silvae’
(Somewherecold Records) Review

THE PLAYLIST::

Howling Bells ‘Heavy Lifting’
Melody’s Echo Chamber ‘Eyes Closed’
Arcigrandone & Sone Institute ‘Ancide Sol La Morte’
Pray-Pax ‘Can’t’
Peter Evans Being & Becoming ‘Pulsar’
Petter Eldh Ft. Savannah Harris ‘MIDSUM BREW’
Myka 9, Blu & Mono En Stereo ‘Battle’
Jesse the Tree & Sage Francis ‘A Bad MFer’
Verb T & Vic Grimes ‘Distraction’
Elsio Mancusco & Berto Pisano ‘Nude per l’assassino’
Joker Starr Ft. AnyWay Tha God & Jazz T ‘Don’t Try to Test’
Summers Sons Ft. Ben B.C ‘Promises’
Sebastian Rojas ‘Pulmon Del Tropico’
Amira Kheir ‘Rabie Aljamal (Spring of Wonder)’
Oswald Slain ‘Cranberry Juice’
NiCKY ‘I Saw You’
The Legendary Ten Seconds ‘Bones in the River’
Edward Rogers ‘Astor Place’
Joel Cusumano ‘Death-Wax Girl’
The Stripped Bananas ‘Vampire of Mine’
Bedd ‘Paulie’s a Bum’
Legless Trials ‘American Russ Never Sleeps’
Vexations ‘Let Me In’
OvO ‘Gemma’
Sum of R ‘Violate’
GRABENFUSSS ‘Broken Kingdoms’
Cosimo Querci ‘Rimanemai’
Valley Voice ‘As Though I Knew’
Samara Cyn ‘vitamins n minerals’
The Strange Neighbour ‘No Mans Land’
Truth by Design ‘Stray Shots’
The Cool Kids, Sir Michael Rocks & Chuck Inglish ‘We Got Clips’
Dillion & Paten Locke ‘Always Never’
Sol Messiah & Connect The Dots Movement ‘Small axe wins the battle’
Tortoise ‘Works and Days’
Sirom ‘For You, This Eve, the Wolves Will Be Enchantingly Forsaken’
Violet Nox ‘Whisper’
Liz Cooper ‘New Day’
Sweeney ‘Silent J’
RULES ‘Run Boy’
Tinariwen ‘Chaghaybou – Adalan’

For the last 15 years both me and the MC team have featured and supported music, musicians and labels we love across genres from around the world: ones that we think you’ll want to know about. No content on the site is paid for or sponsored, and we only feature artists we have genuine respect for /love or interest in. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to say thanks or show support, than you can now buy us a coffee or donate via https://ko-fi.com/monolithcocktail

Brian ‘Bordello’ Shea’s Reviews Roundup – Instant Reactions. All entries in alphabetical order.

Joel Cusumano ‘Waxworld’
Album (Dandyboy Records) 24th October 2025

I like this album. I was expecting the typical power pop tuneful bombast, which it does to a certain extent have, but with a slightly tattered heart that at times reminds me of what Blondie might have sounded like if they were fronted by Pete Perrett instead of the lovely Debbie – especially on “Through A Darkened Glass“. Waxworld is an entirely enjoyable listening experience, one I would recommend to all those power pop aficionados out there, as Joel Cusumano performs like he is Joel Cusumano and not a stars in the eyes Mathew Sweet.

John Howard ‘Kid In A Big World (The Prof Stone Remaster)’
Album (Think Like A Key Records) Released back in August 2025

Autumn is upon us and is the perfect season to discover or even rediscover this 50-year-old classic debut from one of Britain’s finest hidden treasures. Yes, John Howard‘s excellent debut has been remastered by Prof Stone, available from Think Like A Key Records Bandcamp as a download only.

Do I need to pontificate about the magic of this much written about debut. Probably not, but I will anyway. If Elton John was as good as people think he is, he would sound like this album. And John does not feel the need to sing in a phoney American accent or share Dame Edna’s stylist. Why he never made it as a chart regular and enlightened the screens of Saturday night tv in the seventies can only really be put down to the homophobia that existed in the 70’s especially in the upper offices of The BBC and as John never felt the need to hide the fact that he was gay (as Elton wisely career wise did). 

Kid In A Big World is a wonderful record and should a hold a place both in all music lovers record collections and hearts … and if I was Amazon or Spotify or Youtube I would say if you enjoyed this album you might enjoy Hunky Dory, or Goodbye Yellow Brick Road or Year Of The Cat. And it deserves mentioning in the same breath.

The Legendary Ten Seconds ‘Ricardian Churchward’
Album – Released 2nd October 2025

I love Musical British Eccentrics (it takes one to know, so they say), and here we have a wham doozy of a release by The Legendary Ten Seconds. Imagine if you will, that Julian Cope had not taken drugs and only read Horrible Histories books and was influenced by The Monochrome Set, then he could well have made this album.

This is the kind of album that could one day (if enough people get to hear this gem of a release) become a bit of a cult classic. For it is a fine collection of psych folk Medieval indie-pop (is there such a thing). The only bad thing I can say about this release is that it’s not available as a CD, as it is one that I would happily add to my collection. 

Legless Trials ‘American Russ Never Sleeps’
Single (Metal Postcard Records) Released 13th September 2025

More post punk glory from the Legless Trials. American Russ Never Sleeps pt 1 and pt2 is two tracks of Public Image Ltd styled smooth discord with an air of dubby splendour and chaotic lyricism that once again pokes holes into the flimsy facade of shittery that currently engulfs the world: like a bedtime story read to you by Michael Myers.

Picniclunch ‘snaxbandwitches’
Album – Released 13th October 2025

snaxbandwitches is an album of supreme post punk noisery, experimental fun and undoubtedly surprisingly tuneful. Think the Fall, early Pavement, Morphine (the band not the drug) and early Talking Heads but only if they had been in the pub since opening time and David Byrne had been replaced with someone less annoying.

This is the sound of the true alternative; the sound of a band who would not use a Rickenbaker guitar but an old Woolworths copy battered and played through a borrowed amp. Yes, this is the true spirit of the garage band; the true spirit of rock ‘n’ roll. This is a band who should join forces with The Legless Crabs and do a double headline tour of all the dives in America, and influence the current American underground. If I had a record label, I would sign them up.

Edward Rogers ‘Astor Place’
Album – Released 10th October 2025

I love warm sounding timeless, slightly unusual sounding pop albums and Astor Place is an unusual sounding pop album. Unusual in its joyful mash of psychedelia and rose tinged eloquent nostalgia, at times sounding like a true English gentleman narrating over a backdrop of a huge love-in from ‘67 and believe it or not, sadly it’s not ‘67 and that’s what is so unusual about this album that it would not sound out of place if it was, but not in a retro way just in its feeling and atmosphere, screaming guitars and cucumber sandwiches is it seems  a match made in heaven. Hippy heaven even.

If Noel Coward made a psych album, I believe this is what it may have sounded like. And me being a huge Noel Coward fan and a lover of the whole fairytale of the summer of ‘67 I love it. He also name checks Tommy Steele in the lyrics, which for me makes this album slightly more fabulous than it already is.

Smash Palace ‘87’
Album – Released 10th October 2025

87 was supposed to be the second album from Smash Palace in 1987, but their label Epic dropped them before they got around to recording it and releasing it. So, what we have here is a strange beast: 5 of the songs have been rerecorded by the original band and the other five songs are the original studio demos recorded in the 80s. The five freshly recorded songs are bright and chirpy covered with an old MTV sheen, with guitars that jangle and guitars that strut like they are going out on a date with Keith Richards; songs, at times, that remind me of The Hoodoo Gurus and the Smithereens and other bands from the 80s of that ilk – the kind of bands VJ’S with mullets would introduce wearing shiny leather jackets  and being all hip to go. 

The other five are the real deal from the 80s recordings, not as shiny and bright but have the advantage or disadvantage, depending on how you feel about 80s major label production values, of having the atmosphere of that strange decade. The five 80s tracks one can imagine not being out of place on the Pretty In Pink soundtrack or The Breakfast Club or The Lost Boys…yes indeed, an album to soundtrack Molly Ringwald looking gorgeous.

Striped Bananas ‘Eternity Forest’
Album – Released 3rd October 2025

I always imagine that the married couple that make up the Striped Bananas live in a thatched cottage just outside some enchanted forest in upper Connecticut and spend their time weaving magic. For their music has a fairytale cartoon quality to its Psychedelia; it’s as if Lou and Nico had discovered and became addicted to candyfloss instead of Heroin.

Eternity Forest is a joyful beatastic trip of wonder and delight, an album full of melody, invention and fun; an album where guitars, Hammond organs and Theremin weave together to make one heavenly cartoon album of pure adventure. It’s like going on a daytrip to the fairground with the Banana Splits while having a playlist made up of Buffalo Springfield, The June Brides, The Velvet Underground the Archies and Strawberry Alarm Clock playing in transit. As the Beach Boys once eloquently put it: “it’s Fun Fun Fun”.

Vexations ‘A Dream Unhealthy’
Album (Cruel Nature Records) 17th October 2025

Vexations could well be your new favourite band. “A Dream Unhealthy” is a rather impressive beast of an album, five tracks of pure post psychedelic rock n roll, off kilter as hell and probably as hot, with almost spoken screamed vocals surfing on an explosion of noise frenzy. This album is worth hearing for the drumming alone, which is not to say that everything else about the band is not as equally as wonderful. They produce such a cavalcade of cavernous hypnotic spine-tingling beat poetry.

Brian ‘Bordello’ Shea and the Shea family house band, the Bordellos, have a new single out on Metal Postcard Records this month called ‘The Village People In Disguise‘.

If you’ve enjoyed this selection, the writing, or been led down a rabbit hole into new musical terrains of aural pleasure, and if you can, then you can now show your appreciation by keeping the Monolith Cocktail afloat by donating via Ko-Fi.

For the last 15 years both me and the MC team have featured and supported music, musicians and labels we love across genres from around the world: ones that we think you’ll want to know about. No content on the site is paid for or sponsored, and we only feature artists we have genuine respect for /love or interest in. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to say thanks or show support, than you can now buy us a coffee or donate via https://ko-fi.com/monolithcocktail

REVIEWS
Brian ‘Bordello’ Shea





Brian ‘Bordello’ Shea joined the Monolith Cocktail team in January 2019. The cult leader of the infamous lo fi gods, The Bordellos, has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His newest release, a beautifully despondent pains-of-the-heart and mockery of clique “hipsters” ode to Liverpool, is out today via Metal Postcard Records (here).

Each week we send a mountain of new releases to the self-depreciating maverick to see what sticks. In his own idiosyncratic style and turn-of-phrase, pontificating aloud and reviewing with scrutiny an eclectic deluge of releases, here Brian’s latest batch of recommendations.


Martin Månsson Sjöstrand Trio  ‘Universum Faller’
LP/ 15th January 2020




Martin Månsson Sjöstrand was the leader of the excellent Dog Paper Submarine who’s final LP I think is due for release on Small Bear Records in the coming years. This album by his new trio takes over from where the Dog Paper Submarine left off but this time concentrating on the joys of instrumental music. Space rock wrestles with surf rock in this fine melee of fretboard wizardry.

If Joe Meek had survived to see the 70s and prog rock this could be the kind of music he would be releasing; a succulent blend of ear enlightening Frisbee throwing joy: all out frugging joy.

Of interest from the Archives:

Martin Mânsson Sjöstrand  ‘Wonderland Wins’


Bruce Hendrickson And The Blue Giant Zeta Puppies  ‘New Jerusalem’
Album/24th January 2020




A few weeks ago those with memories not riddled with middleageness might remember that I reviewed the fine debut single from Bruce Hendrickson And The Blue Giant Zeta Puppies (how I wish they had a shorter name), calling it ‘quite magical’. Well here is their EP/mini album and again I will describe it as magical.

Kicking off with ‘After The Apocalypse’, a stunning space aged Bowie like Scary Monsters era rocker, all whirring synths and screaming guitars, a track that sets one thinking that maybe the apocalypse won’t be so bad after all. That is followed by the album version of their debut single. And without going over already covered ground, is quite beautiful and my fave track of the year so far: quite stunning in fact. Track three ‘Pale Horse’ once again has the dark but beautiful vibe that the wonderful and much missed Sparklehorse used to emit quite naturally. The final track is the title song ‘New Jerusalem’, which has one’s mind scurrying to the rare occasion when Mark E smith would leave his heart open for all to see, when he would bare his soul and give us a ballad ala ‘Bill Is Dead’. ‘New Jerusalem’ is a fine way to finish a fine album.




Of interest from the Archives:

Bruce Hendrickson and The Blue Giant Zeta Puppies  ‘Any Sunny Day’


The Saxophones  ‘Eternity Bay’
(Full Time Hobby) LP/6th March 2020




This is the sound of a romantic early evening stroll across a beach with the love of your life; a soft shuffle across a dance floor with one of those late 50s jazz tinged ballads soundtracking the innuendo dance of life. For this LP supplies a beautiful escape to the everyday hustle. At times reminding me of Lambchop at their seductive best, the subtle strum or pluck of jazz guitar and the soft soul ecstasy of the horns backing the tuneful crooning of Alexi Erenkov.

An ideal and relaxing way to soundtrack a evening-in, Eternity Bay is a fine and crafted album with beautifully written and performed songs whose subtle elegance washes over you.





C.S.E Art Project  ‘The Truths On The Telly’
(Metal Postcard Records)  Single/19th January 2020



Out of the ashes of the New Art School, a band that released a number of storm driven post punk singles last year, arises C.S.E. Art Project, a band that continues where New Art School left off with another three-minute blast of art beat poetry. An aural equivalent of reading an old copy of the Sniffing Glue fanzine C.S.E Art Project could well of stepped out the pages from that legendary old rag: Guitars that should make today’s youth throw away their smart phones and do something more revolutionary instead, like listen to this fine single and be inspired.




Of interest from the Archives:

The New Art School ‘Mod Kid’ Single Review


November Bees ‘Claw an’ Feather’
LP/17th January 2020




I will be honest, I wasn’t expecting to like this LP as they describe themselves as psychedelic and most bands nowadays think psychedelic is have-many-foot- peddles-will-travel (to as far as the closest psychfest normally). You know, those fests where bands have to check in their inner melodies at the door.

But I’m pleased to report that the November Bees are indeed a true psychedelic experience were song craft is crafted with humor, heart and invention, and melodies are things to be cherished not scoffed at. At times this fine album brings to mind the wonderful Edwyn Collins at his sardonic best whilst sharing the same drugs as The Coral and the Super Furries. This is the kind of album the wonderful Stolen Body Records release. In fact, Stolen Body Records why on earth have you not released this? Are you slipping? A fine album indeed.





Picniclunch ‘Yor Boy’
LP/Out Now




I like Picniclunch. I like The Fall. I like the way they both go around their post punk riffery. This is the kind of album John Peel would have adored and played constantly and the kind of album BBC 6 music ignores because of the strangeness and out of world joy that mid 80s post punk influence emits. It just is not bland and generic enough for them.

I am so glad and happy that bands like Picniclunch exist and still feel the need to share their outsider discordant take on their musical art and at times this album reminds me of the another American musical maverick, the fine Occult Character. Not in sound but in feel and ideals. I’d also recommend this album to anyone who loves the sound of early Pavement and the aforementioned Fall. Well worth investigating.





Anytime Cowboy ‘S/T’
(Third Coming Records) LP/28th February 2020




Anybody out there who knows me and my band of underground cults The Bordellos, will know of my love for the great Syd Barrett who’s music I adore. And so I’m ever so pleased to report that this, the Anytime Cowboy debut album, is filled with the joy and spirit of that great man. The Television Personalities may have known where Syd Barrett lives but Anytime Cowboy doesn’t just know the address but the colour of his walls and his inside leg measurement as well.

The songs do not just shilly but shally in equal measure. Wonderful discordant jangle guitars drip from the speakers with the all-consuming glory of the early Pastels. Underground guitar lines collide with the melodious offbeat beauty of a man in the know that pop music is the greatest and most moving of art forms. This debut LP is well worthy of any music lovers attention and I shall be investigating further the releases from Third Coming Records, the home of this excellent release.




Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.