Our Daily Bread 439: BMX Bandits, Lark, Occult Character, The Forty Nineteens, Salem Trials, Special Interest…
April 19, 2021
Brian ‘Bordello’ Shea’s Special Review Roundup
The cult leader of the infamous lo fi gods, The Bordellos, Brian ‘Bordello’ Shea has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His most recent releases include the King Of No-Fi album, a collaborative derangement with the Texas miscreant Occult Character, Heart To Heart, and a double-A side single, ‘Shattered Pop Kiss/Sky Writing’. He has also released, under the Idiot Blur Fanboy moniker, a stripped down classic album of resignation and Gallagher brothers’ polemics.
Each week we send a mountain of new releases to the self-depreciating maverick to see what sticks. In his own idiosyncratic style and turn-of-phrase, pontificating aloud and reviewing with scrutiny an eclectic deluge of releases, here Brian’s latest batch of recommendations.
Singles/Tracks.
Occult Character ‘The Song Remains The Stain’
11th April 2021
The first new track from Occult Character in four months, which I think is the longest he has gone without releasing anything, and what a gem it is. To break his silence a song that lasts just over one and a half minutes and a song that asks the question what is the best lyric you have ever heard, and in the one and half minutes all the magic and genius of The Occult Character is put on show; the devil be damned nonchalance of tossed away brilliance that has not been witnessed sing Errol Flynn wore a feather in his cap and rocked a pair of green tights: pure swashbuckling excellence.
Albums/EPs..
BMX Bandits ‘Star Wars (30th Anniversary Edition)
30th April/ Vinyl 4th May 2021
Is it really 30 years since this lovely album first entered into the musical planet? This being the 30th year Anniversary edition I assume it must be. I have always liked this album; it takes me back 30 years to 1991 the year I met my long-suffering wife. So this album has all the magic of the first kiss, the first time you held hands got drunk together and much more first times, but this being a family musical publication I will not proceed any further. But this LP has the advantage of the magic of nostalgia on its side. Not that it needs nostalgia to make this a magic album the opening track itself, ‘Come Clean’, more than enough covers that with the guitar jangle and the pure pop poetry lyrics, “What’s so wrong with loving your body when I love you so much inside”:true poetry.
There is a warmness and charm about this album that can only be described by listening to it, but if you need any encouragement to do so it has ‘Disguise’ on it, a song that demonstrates the hidden art of call and response on record, and not just has that it also has handclaps and has a rock n roll twin guitar solo on it that is not by Thin Lizzy and so not shit: how rare is that? It also has ‘Students of Life’, a song that Jonathan Richman should have written but somehow did not, and the pure pop splendor of ‘Do You Love Me’, and if it was a drink of pop it would be fizzy and make you giddy for drinking too much of it. Yes throwaway pop writing at its finest. And that is what so special about this album the true magic of throwaway pop. It is an art form that many try and many fail to do, but the BMX Bandits had it mastered and down to a fine art and if you want further encouragement the title track would have not been out of place on The Beach Boys finest album The Beach Boys Love You.
Salem Trials ‘Refuse To Die’
2nd April 2021
When an album kicks off with a ‘Kool Thing’ like guitar riff you know you are going to have an enjoyable half an hour or so of enjoyable alt rock hip swaying ahead of you. And when that album is by the masters of alt rock guitar weirdness the Salem Trials, you defiantly know what is ahead: angular riffs and angular singing. Russ the singer really is the missing link between Mark E Smith and a head full of stinging bees, the man is truly a one off and is part of what makes the Salem Trials so special, the other part is the incredible musicality of Andy, a man who can combine the influence of his huge record collection into six strings of wonder.
This album of course is there lord knows how manyath album of the last 18 months: a band that makes Guided By Voices look like lazy bastards. And like Guided By Voices they manage to keep it interesting by making every album bloody good, the only difference being that Salem Trials are much better.
Refuse To Die is available to download from the Salem Trials Bandcamp and can be downloaded for free so why not do it and then investigate their many other albums: be warned they have another one on the way released through Metal Postcard Records so get this. You will not be disappointed at all.
Toxic Chicken ‘Gamelan[d] 2’
7th April 2021
Gamelan[d]2 is an ice cream van ride of magical adventure taking in psychedelia, whimsy, electronica and experimental wonder. A fairground amusement arcade of beats and pure nostalgia flood the heart and beats down the door to your inner senses, which reveals nothing but the crazy workings of a tender soul. Toxic Chicken is back, and back with vengeance; a true musical maverick in a musical world full of weight watcher Beatles and second hand Goths betraying the tick it sentimental darkness of a rehashed Coil box set. If the Aphex Twin was as good as people say he might sound like this.
Toxic Chicken never lets me down; he takes me to a world I truly wish existed. And for that I will be forever grateful.
Various ‘Big Stir Singles: The Ninth Wave’
(Big Stir Records) 10th April 2021
This album is a comp of all the A and B sides from the Big Stir Records download single series, released from the end of August to the beginning of October 2020, and as you can imagine the comp is full of all the power poptastic joy that Big Stir are renowned for releasing. From the opening track by Dolph Chaney, ‘Be My Old Fart’, which I’m pleased to say is a fragrant smelling piece of guitar poppery, to the final track by Athanor, ‘Approximately Eternity’, which is a Smithereens like voyage to the planet 60’s influenced psych pop, you are treated by melodies galore. In between you will find finely crafted songs of skill, style and panache from the likes of Rosie Abbot, with the La laid back 70’s seduction of ‘Hold on’, to a rather splendid cover of Gilbert O Sullivan‘s ‘Alone Again Naturally’, which may be one of the most heartbreakingly true to life brilliant songs ever written, and covered with some style by Nick Frater.
This is a comp that is so listenable; one of the few that you are tempted not to skip tracks on. It’s like a bag of audible Jelly Babies all being different colours of sweet tasty chewing goodness that once you have started you have to finish, but unlike a bag of jelly babies you will not feel violently sick after consuming them all. In fact you want to put the album on again, and how many times can you say you have come across a compilation CD that is better than a bag of Jelly Babies? I will tell you…not often.
The Forty Nineteens ‘The New Roaring Twenties’
(Big Stir) 24th April 2021
If a quiet night in with some gentle music, fine wine and a book were what you after then I would give this LP of fun garage rock a miss. But if you are in the mood to party and dance the marimba with the partner of your choice, then this is could be the album for you.
Songs with clashing guitars and “na na na” choruses really never grow old; songs about radio’s, fast cars and fast women abound. There is even a slightly camp Elvis Presley impression on ‘We-re Going To Vegas’ that Freddie Starr would have been proud of. This is not an album that the Quietus would write about: in fact this album is an anti-Quietus record. An album highbrow serious scholar might dismiss as throwaway frivolous rock ‘n’ roll fun, not quite grasping that rock ‘n’ roll should be frivolous throwaway fun and that in dismissing this album of great rock ‘n’ roll they’ve missed one of the best old time pop songs I have heard this year, ‘Time Marches On’, which is all Motown bass riffs and Partridge Family melodies and chiming guitars.
The New Roaring Twenties is an album of very well written garage rock/pop with a touch of the early Elvis Costello’s about it, and is another album that should be clutched to the bosom of rock ‘n’ rollers of all ages everywhere.
Special Interest ‘Trust No Wave’
(Disciples) 14th May 2021
This is a reissue of Special Interest‘s 2016 demo tape, and very good it is as well. The sound of sifting through the charred remains of the after taste of punk rock, screeching guitars feedback drenched noise ridden ramblings of the forbidden poet, the sound of shoegazers wearing pit boots, sonic monologues bathed in bathos pathos apathy and the bewitched meanderings of the furloughed pitchfork killer. Yes, it is all here all, everything one can ask for from short slabs of heart-breaking agro. A ripped party dress of an album and on ‘Ill Never Do Ketamine Again’ you know they are lying.
Mark E Moon ‘Old Blood’
2nd April 2021
If camp bombastic Goth is your thing I could well be writing about your new favourite album. Sisters like guitar merge with synths not heard since Ultravox was singing about Rigsby’s cat, but this album by Mark E Moon has so much more going for it. It has a rather wonderful euro disco beat running throughout tracks like ‘Animals’ and is worthy of Dead or Alive “at their “Youthquake” best, and ‘I Robot’ is a track that easily could slip onto BBC 6 MUSIC playlists – all Robert Smith guitar lines and the early noughties American alt rock that Interpol so excelled at.
Obviously, any Goth music at some point has to betray a slight influence of Sisters of Mercy and Mark E Moon does not disappoint with the entirely enjoyable ‘The Falling’ and the title track ‘Old Blood’, which has a drum machine that sounds like it is nailing a solidified nail of vitriol into the remains of your once caring soul.
Old Blood is one of the most enjoyable albums I’ve heard this year. It’s an album that beautifully merges pop alt rock and Goth into a wonderful collection of radio friendly alt pop.
Lark ‘The Last Woman’
(Wormhole World) 30th April 2021
The drunken drawl of a velvet voiced lounge lizard immediately drew me to this album; distorted fuzzy guitars and the sound of a man’s heart breaking into many pieces always manages to somehow draw me in.
Lark have that wonderful ‘I have lived what I am singing about’ atmosphere to their tracks, whether it is the wonderful Fall like ‘John Berger’s Wild Shirt’, with lyrics being spat out with wild abandon (“the gift horse has no mouth” line is pure Mark E Smith), or the slow down gothic trawl of ‘Night Club’, which paints images of dark nights in the sordid part of town (all neon lights and tomorrow’s hangover), or my personal favourite track, the honey voiced almost Orange Juice like ballad ‘Nothing’. This is an album that will appeal to many and is available as a very ltd cd release, so alternative music fans who like their music in a solid format you will have to get a move on if you want this album of tossed away down at heel sleazy glamour.
Flowertown ‘Flowertown’
23rd April 2021
This is a beautiful album; it has all that is good about recording on a 4-track tape recorder: the tape hiss, the warmth, the soul and believe that recording on tape provides; it has no fakery all that glitters is gold. And this is indeed gold; a treasure trove of Mazzy Star like seduction and Mary Chain ballad tenderness. Slightly distorted guitars and the rattle of the tambourine have never sounded so sweet: this is true lo-fi.
There is just something so romantically perfect about this album. I admit I’m a sucker for male/female duets, especially when they are so charmingly and shyly performed and on ‘RCP’ they have the great taste to rip off ‘Can’t Seem To Make You Mine’ by The Seeds, which is one of the greatest songs ever written. But Flowertown can get away with it, as they are just so bloody perfect. This really is a lovely album of lo-fi perfection, the sound of two lost hearts finding a soul mate.
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Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.
Reviews Galore/Brian ‘Bordello’ Shea
The cult leader of the infamous lo fi gods, The Bordellos, Brian ‘Bordello’ Shea has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His most recent releases include The Bordellos beautifully despondent pains-of-the-heart and mockery of clique “hipsters” ode to Liverpool, the diatribe ‘Boris Johnson Massacre’ and just in the last month, The King Of No-Fi album. He has also released, under the Idiot Blur Fanboy moniker, a stripped down classic album of resignation and Gallagher brothers’ polemics.
Each week we send a mountain of new releases to the self-depreciating maverick to see what sticks. In his own idiosyncratic style and turn-of-phrase, pontificating aloud and reviewing with scrutiny an eclectic deluge of releases, here Brian’s latest batch of recommendations.
Marshall Holland ‘Paper Airplane’
Album, 21st September 2020
Oh, fuck me let’s get it over with and call it power pop shall we. Yes why the hell not. It has all the right boxes ticked: fine melodies, 60’s, early to late 70’s, early 80’s pop guitar music influences. I have been inundated with requests over the last few days with bands pushing their latest waxings in the power pop variety some of it good some of it not so good and some of it bloody exceptional. I’m pleased to say that this falls into the exceptional category. I’m doing it a slight disservice, tagging this album in any genre, for this has much more to offer. Marshall himself has such a wonderful pop voice and is also a fine songwriter and a very good lyricist. He has a wonderful quirky way with words and imagery: one you do not really get to come across very often. He even has guitar solo’s that does not have me shouting get the fuck on with it which is very rare thing, which no doubt pleases my wife no end as I suppose it can be a bit off-putting having some aging old chap clad in pajamas and head phones shouting get the fuck on with it while you are trying to watch TV. But you do not want to hear about my quirks, this album is very fine indeed with not a bad track just joyous pop performed with energy originality soul and style: the key word being soul.
Another beauty for 2020.
Rob Clarke And The Wooltones ‘Putting The L In Wooltones’
Album
Nostalgia on the whole is something I avoid normally musically. I don’t mind listening to things influenced by the past but rammed on pastiche is something I normally find irritating to the extreme but as they say there is always an exception to the rule and this Rob Clark and the Wooltones album is one of those exceptions, as let’s be honest, Rob has set his cap on the power and joyous beat of the sixties, taking in Beat groups, psychedelia and pop. And he manages to capture the joy and fun in full Technicolor Glory with tongue in cheek humour and love, from what I think is a kazoo, on the ode to Liverpool beat poet ‘Adrian Henry’ – who was also was a subject of a song by the wonderful Liverpool songwriter Jimmy Campbell, which also featured a kazoo -, to the Shakin’ All Over guitar riff on ‘Statue at The Pier Head’. So, Rob certainly knows his rock n roll cult history. He also knows his way around a melody and is a fine guitarist. This album also has a warmth to the production that is very appealing and without looking at the credits is no doubt down to the production skills of Fran Ashcroft, if it is not I apologize to whoever it is but they have done a fine job on what is a very enjoyable album.
Lisa Mychols & Super 8 ‘ST’
Album
If you start off your album with Beatles like harmonies and ‘Come And Get It’ piano you are always going to get my attention. It is the holding my attention that is the difficult part, but this album does indeed do more than hold my attention. In fact it has me smiling and nodding my head, which in itself is a worrying state of affairs and something I’m not prone to normally do: my wife thought I must be having a stroke and I had to throw myself across the room to stop her dialing 999. For this is indeed a pure album of pop splendour from the Beatles through to the gorgeously gorgeous Carpenters like ‘You & Me Me & You’, which is one of the finest slices of pure pop I have heard in many a year. The very silly but clever ‘Monkee Song’ follows; again a lesson in how pop music can and should be both engrossing and throwaway at the same time. This a beautiful album that has one thinking of the Sunshine pop of the late 60’s early 70’s with the odd sprinkling of bubble-gum pop and West Coast mellow rock; the Partridge Family meet Carol King ‘Peaceful’ being one of the many highlights. And this beautiful album has quickly become one of my albums of the year; an album of lovingly written and performed pure pop magic, and one I cannot recommend enough.
Goodparley ‘Delay Cycle: Becoming’
(Recordiau Prin) Album/18th September 2020
There is no place like drone, especially guitar drone. For when it’s done well it’s the aural equivalent of swimming with dolphins or losing yourself in the blissful awash of yesterday’s memories, or taking a long bus ride to a place you have never been before, an expectant pause of the tulip symphony.
That is what we have here five longish tracks to lose yourself and let the sound wash over you, close your eyes and let your mind run and roam free. For that is the beauty of guitar dronery, it gives you the chance to relax and exercise your mind. Some mate call’s it “soundscapes”, I call it “soundescapes”. With most people not being able to take a holiday this year why not give yourself a Winter break without leaving your home; just place this fine album on your listening device close your eyes and let the music take you to places you have never been before.
Prize Pig ‘Out In The Street’
Single, 7th October 2020
Prize Pig is back with his second helping of home-produced bedroom diy pop and indeed it is another gem, one that has one’s mind racing to the halcyon days of when XTC ruled the roost in the intelligently produced pop stakes but with this I sense a touch of Devo like wizardry slipping in with this slice of perfect pop Fuzz guitars, catchy keyboards and for god’s sake even the drum machine is catchy. I await the album with baited breath.
Masayuki Sasano ‘Fighter Plane Moon Jelly’
(Dry Flowers Records) Single
There is a certain beautiful eloquent grace about this track you normally do not hear too much in the Alternative Rock of today. Normally it is the same old same old, but this has a musicality about it that is certainly refreshing; so many different melodies at one time colliding and causing an explosion of pure joy: one that wants you to investigate the music of Masayuki Sasano further. A quite beautiful alternative guitar pop song.
Goat Girl ‘Sad Cowboy’
(Rough Trade Records) Single
What I really like, not the track but near the beginning of the video, is that one of the blokes who is dressed like a animal is whittling a piece of wood and it really looks like he is having a wank. Yes, call me childish. Call me immature. Maybe it’s myself growing up with a diet of Carry On films…but “oooooooomatron” he really is scuttling his wicket. Well worth watching it for that piece of immature fun alone. The track itself is pleasant enough; all the guitars and keyboards are in the right places. A decent piece of modern indie rock/pop, one that will garner plenty of airplay from the BBCs sinking flagship 6music…but just watch the vid.
Salem Trials ‘The Lockdown Trilogy: Waiting To Surface /Stay At Home/Light IT Up’
(Metal Postcard Records) Album/6th October 2020
The best guitar band of 2020 no doubt is the Salem Trials, so what we have here is what they are calling the lockdown trilogy: the three albums they recorded on lockdown and have decided to release on the same day through Metal Postcard Records. And what a mighty trio of albums: Waiting To Surface, Stay At Home and Light It Up.
All three are filled with rock n roll splendor, as is the other three albums they have already released this year, which are all worth checking out. What I adore about this band is their obvious love of music and knowledge of the rock n roll past; the way they combine the best of the post punk north (The Fall, Magazine, Joy Division). You can hear all their influences in there but you can also hear how they have a love of sixties psych and 70’s prog and glam and punk and how they feed those influences into the music and come up with their own unique sound. I love how the vocals float just underneath the music and not above it; how both members of the band sometimes sound like they are having completely different breakdowns but in the same room. There is a quite staggering beautiful underlay of darkness and humour in their music.
It is difficult to pick a favourite album out of the three but if forced at gun point I would venture that Light It Up is probably my fave as it is the most melodious and wrapped in such wonderful Velvet like riffs, especially on the opening number ‘4 Views’, and the post punk guitar delight that is ‘Ice Cream Soda’, which sounds like the myth of Postcard Records being eaten whole by Don Van Vilet. But all three albums have tracks that are currently head and shoulders above the current crop of guitar pretenders: take for instance the wayward guitar sleaze of ‘Conversation No 2’ from Stay At Home, or the cracked guitar turmoil of ‘Ugly Puppets’ from Waiting To Surface, or the following track of lyrical mastery that is ‘Suit Of Shadows’, maybe my favourite track from the three albums – but that is like choosing a favourite Beatle. Like I’ve said so many times before The Salem Trials are a rare and beautiful thing; a treasure that has been buried for too long and needs discovering and admired and enjoyed by one and all, not just us lucky few.
Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.
Reviews/Brian ‘Bordello’ Shea
Salem Trials ‘Do Something Dangerous’
(Metal Postcard Records) Album/5th July 2020
This is the label debut LP from one of the bands of 2020 – a fact I’ve previously mentioned in reviewing their first two singles, both of which are featured on this wonderful album; the Captain Beefheart meets the Buzzcocks ‘Head On Rong’ and whip frenzy Wire like pop gem ‘Pictures Of Skin’. The rest of the tracks are no slouches either; mining their influences from late 70s early 80s post punk but without just being a post punk photo fit band, the influences are there but they add their own unique twist adding a beautiful wash of pop melody and some simply stunning guitar playing – especially on the beautifully dark but life enhancing ‘No Light Escapes’.
Andy Goz is one of the most inspiring guitarists I’ve heard in a very long time and is obviously not just an extremely talented musician but must also have a great knowledge and understanding of what makes great rock n roll as the pre punk spirit of the Stooges, MC5 and The Pink Fairies are not just captured but hoisted on flag stands and waived as a taunting warning to all the other many less inspired guitar bands that there are new kids on the block and this simply fine album is the benchmark that they probably have not a hope in hell of reaching. A simply stunning debut.
Japanese Television ‘Bee Cage’
(Tip Top Recordings) Single ahead of a new EP, released 4th September 2020
I like this, it’s a short blast of wonky keyboard organ led heavy bass Sci-fi surf frenzy: Just what one wants to pickle an egg. Dick Dale goes for a moonwalk with Joe Meek whilst wondering what goodness lies beneath the waves of yesterday. Summer sweet sensation, a joyride for the bequiffed buffoon that lies deep within all men of a certain age. A Deeley Bopper of a single.
Various ‘A Picture Of Good Health Compilations’
(Wormhole World) Albums/Volumes 3.1 & 3.2 14th July 2020
What we have here is the latest comps from the experimental Wormhole World Records; two albums full of experimental genre hopping music with something for everyone; from the beautiful almost David Lynch soundtrack like Goodparley to the experimental mellow dance sounds of Gnaarf and DXII, to the crazy mad world of Toxic Chicken, to the poetic Crumpsall Riddle, and any fans collectors of 80s synth pop will be interested to find a new track by Blancmange – the beautiful synth instrumental ‘This Is The Moment I Have Been Waiting For’.
In all, this is a massive musical project and all tracks believe me are worthy of investigation: a great way to soundtrack a Sunday afternoon as I’ve discovered to my great pleasure.
There are in all thirty-nine tracks spread over two limited edition CDs 3.1 and 3.2 or two downloads from the Wormhole Bandcamp and is well worth a explore; and if you buy both CDs at the same time you save yourself a £1, so go and treat yourself.
Twisted Ankle ‘A Bag of Pasta’
(Breakfast Records) Single/19th June 2020
A bag of fall and Captain Beefheart discordance shaken up and let lose to breed and corrupt the inner workings of a Daily Mail readers fan club convention; a disconcerting eyelash flutter at the conventional tale of Siegfried and his lust for finding the ideal companion for apple bobbin. Yes a loose cannon of a single.
The Top Boost ‘Tell Me That Your Mine’
(You Are The Cosmos Records) Single/22nd June 2020
The sound of the Byrds going through their country phase is brought to mind with this fine blast of summer jangle. At the moment there seems to be a lot of jangle about and that cannot be a bad thing when it is performed with such style and panache. Two more tracks of 60s influenced guitar pop for you dear readers to soundtrack you sunning yourselves with.
Renaissance Grrl ‘Happy When I’m Sad’
Single/5th June 2020
This is a lovely sad well-performed song of melancholy by the 18-year-old Alannah Jackson. Alone with her guitar, nothing more nothing less, just a simple moment of purity, which should be cherished and held close; proving once again that keeping it simple is sometimes best especially when you are blessed with such a fine voice and songwriting talent.
The Icebergs ‘Add Vice’
(Imaginator Records) Album/17th July 2020
Beautifully strange is the only way to describe this marvelous album of pure poetic bliss. What grabs me from the off are the wonderful lyrics (an art form much ignored in the music biz today). Lyrical streams of them flowing weaving beautiful, frightening heart-breaking images throughout, bringing the early works of Patti Smith and PJ Harvey in a mellow mood to mind and musically reminding me of Nick Cave’s band of merry men the Bad Seeds rockabilly, folk, the Velvet’s guitar pop and the sounds of late Seventies no-wave, all merging to form a canvas for the poet Jane LeCroy to paint beautifully vivid pictures with her wonderful prose and wonderful voice.
bigflower ‘hunneh’
Single/27th June 2020
The Monolith Cocktail continue in their quest of promoting the under-the-radar beguiling guitar power of bigflower, who once again releases a beautiful sublime slab of free to download aural magic with this wondrous instrumental. When oh when will a record label get their act together and compile an album of the wonders bigflower is releasing on a monthly basis?
Spam Javelin ‘Fuck You/Cogged Off’
Single/20th June 2020
This is a double jab in the eye of pure punk rock old style; two tracks that both last around the 1 min 30 mark and come charging into your life, rattles a few of your remaining brain cells and then pisses off again: which all good punk rock songs should do. Both have rather marvelous guitar riffs especially ‘Cogged Off ‘, which has a wonderful Fall like guitar riff running throughout.
Beaulieu Porch ‘Vivit Sumus’
(Carmite Records) Album/7th June 2020
The lonely world of home-recorded psych can be a beautiful cathartic thing. It can be a thing filled with beauty, magic and soul, and the music of Beaulieu Porch has all three of those ingredients. Mid 70s Lennon and the wayward beauty of the Flaming Lips and the lost music of late 60s early 70s psych folk and Baroque pop collide in a thrilling mismatch of wanton musical adventure. Beaulieu Porch make such beautiful music it deserves to be heard by all instead of by the lucky few in the know; yes once again a musical underground musical maverick who deserves more is becoming quite a feature in these review round ups nowadays, so if you have not heard the music of Beaulieu Porch before do yourself a huge favour and give this fine album a listen; and if you have heard them no doubt this cd will already be in your collection. One of the undergrounds finest.
The Vapour Trails ‘Golden Sunshine’
(Futureman Records) Album/19th June 2020
Sometimes a bit of 60s inspired guitar jangle is what one needs in their life. And if you need that dose of sunshine in your life currently, one could do a lot worse than give this album a listen.
Hailing from Scotland The Vapour Trails are yet another band who wear their love of all things guitar very much on their sleeves: although I’m very sure The Teenage Fanclub influence is there it’s not as prominent as a lot of bands I have been sent music to review over the last 18 months. The opening track ‘Golden Sunshine’ had me thinking of the excellent and much underrated Spirea X [remember them] and a few tracks on this album have the early 90s guitar band feel of The La’s [especially on ‘Different Girl’] and the Cotton Mather; but that comes with them in turn having the same 60s influences (Beatles Byrds and such), and I’m sure the Shack’s masterpiece Waterpistol had more than a few airings in The Vapour Trails rehearsal space.
This is a fine album full of melody catchy guitar lines and is steeped in an obvious love and understanding of what makes great 60s inspired guitar music and what makes 60s inspired guitar music great.
Brian ‘Bordello’ Shea joined the Monolith Cocktail team in January 2019. The cult leader of the infamous lo fi gods, The Bordellos, has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His most recent releases include The Bordellos beautifully despondent pains-of-the-heart and mockery of clique “hipsters” ode to Liverpool, and the diatribe ‘Boris Johnson Massacre’. He has also released, under the Idiot Blur Fanboy moniker, a stripped down classic album of resignation and Gallagher brothers’ polemics.
Each week we send a mountain of new releases to the self-depreciating maverick to see what sticks. In his own idiosyncratic style and turn-of-phrase, pontificating aloud and reviewing with scrutiny an eclectic deluge of releases, here Brian’s latest batch of recommendations
Playlist/Dominic Valvona/Brian “Bordello” Shea/Matt Oliver
For those of you that have only just joined us as new followers and readers, our former behemoth Quarterly Playlist Revue is now no more! With a massive increase in submissions month-on-month, we’ve decided to go monthly instead in 2020. The June playlist carries on from where the popular quarterly left off; picking out the choice tracks that represent the Monolith Cocktail’s eclectic output – from all the most essential new Hip-Hop cuts to the most dynamic music from across the globe. New releases and the best of reissues have been chosen by me, Dominic Valvona, Brian ‘Bordello’ Shea and Matt Oliver.
Tracklist In Full:
Thiago Nassif ‘Soar Estranho’
Freak Heat Waves ‘Nothing Lasts Forever’
Lithics ‘Hands’
Ammar 808 ft. Susha ‘Marivere Gati’
Bab L’ Bluz ‘Gnawa Beat’
The Koreatown Oddity ft. Taz Arnold ‘Ginkabiloba’
Koma Saxo ‘Koma Mate’
Wish Master ‘Write Pages’
Gee Bag, Illinformed ‘I Can Be (Sam Krats Remix)’
Gorilla Twins ‘Highs & Lows’
Jeffrey Lewis ‘Keep It Chill In The East Village’
Armand Hammer ‘Slew Foot’
Public Enemy ‘State Of The Union’
Run The Jewels ‘Yankee And The Brave (ep.4)’
Gaul Plus ‘Church Of The Motorway’
Tamburi Neri ‘Indio’
Ty, Durrty Goodz ‘The Real Ones’
Fierro Ex Machina ‘A Sail Of All Tears’
Skyzoo ‘Turning 10’
Kahil El’Zabar ft. David Murray ‘Necktar’
Afel Bocoum ‘Avion’
Etienne de la Sayette ‘Safari Kamer’
The Lancashire Hustlers ‘Stuck In The Middle Of A Week’
Scarlet’s Well ‘Sweetmeat’
Campbell Sibthorpe ‘Good Lord’
Westerman ‘Drawbridge’
The Fiery Furnaces ‘Down At The So And So On Somewhere’
Kutiman ‘Copasavana’
Caleb Landry Jones ‘The Great I Am’
Bedd ‘You Have Nice Things’
The Original Magnetic Light Parade ‘Confusion Reigns’
Cosse ‘Sun Forget Me’
Bananagun ‘Modern Day Problems’
Salem Trials ‘Head On Rong’
Lucidvox ‘Runaway’
HighSchool ‘Frosting’
Jon Hassell ‘Fearless’
All our monthly playlists so far in 2020
Our Daily Bread 385: Bananagun, The Original Magnetic Light Parade, Deleo, Salem Trials, Sir Robert Orange Peel…
June 22, 2020
REVIEWS GALORE/Brian ‘Bordello’ Shea
Brian ‘Bordello’ Shea joined the Monolith Cocktail team in January 2019. The cult leader of the infamous lo fi gods, The Bordellos, has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His most recent releases include The Bordellos beautifully despondent pains-of-the-heart and mockery of clique “hipsters” ode to Liverpool, and the diatribe ‘Boris Johnson Massacre’. He has also released, under the Idiot Blur Fanboy moniker, a stripped down classic album of resignation and Gallagher brothers’ polemics.
Each week we send a mountain of new releases to the self-depreciating maverick to see what sticks. In his own idiosyncratic style and turn-of-phrase, pontificating aloud and reviewing with scrutiny an eclectic deluge of releases, here Brian’s latest batch of recommendations.
The Original Magnetic Light Parade ‘Smoke & Mirrors/Confusion Reigns’
(Bearsuit Records) Single/26th June 2020
Once again Bearsuit Records bring us music of beauty and sheer magical elegance, with this fine experimental two tracker by The original Magnetic Light Parade. Sci-fi synths float and caress the air to bring us, the listener, to a higher state of consciousness; a lone acoustic guitar leads us on a gentle floating journey through the clear water of the love laden memories of a past we so wish we had. So yet again, a release of true wanton instrumental genius.
Deleo ‘Mythomania’
(Made It Records) Single/19th June 2020
Ah at long last a song with melody and a melancholy pop freshness that has been missing from this batch of new releases. Yes I have had a heavy metal EP were all the songs are about video gaming and a LP the Quietus has said nice things about according to the press release (do they expect me to fall down to my knees get my cock out and wank over it just because the quietus likes it). If the quietus likes it, it can mean two things either that it is tuneless shit that so called intellectuals will pretend to like or it came out 40 years ago. But with this release the lovely sad mellow pop Deleo saves my early Saturday morning reviewing session with a blissful three minutes of sublimeness.
Bananagun ‘The True Story Of Bananagun’
(Full Time Hobby/Anti-Fade) Album/26th June 2020
From the off I like this LP. It sounds like a barrel load of monkeys discovering the joys of sunshine pop. 60s harmonies, fast strummed guitars with wah wah solo’s, and that’s only the first track, this is a band that grew up watching Matt Helm films and Beatles cartoons and longed to own a time machine so they could have played the hip and happening clubs of swinging 60s London.
5th Dimension Funk meets Syd’s Pink Floyd in an explosion of technicolour wonderment, a true joy of nostalgic longing wrapped up in the sound of pure unadulterated joyfully playful psych tinged sunshine pop.
Colossous ‘Running In The Sand’
Single/15th June 2020
This is a rather marvelous single; 80s pop synths and even amusement arcade middle eight. The kind of song that would have enriched an early 80s Top Of The Pops (you can imagine it sandwiched between Duran Duran and The Teardrop Explodes) but with a slightly post punk feel; John Peel no doubt tapping his toes and arching one eyebrow whilst we at home sang along from the printed lyrics in that week’s copy of Smash Hits. A gem of a single.
Sir Robert Orange Peel ‘Piers Morgan 1-0 Everyone Else’
(Metal Postcard Records) Single/9th June 2020
I love this. There is revolution in the air and this wonderful track sticks two fingers up at the government and their bordering on criminal handling of the Covid-19 pandemic; a track that features the sense and outrage spoken by at one time one of the most despised characters on British TV Piers Morgan, but who for some strange reason has suddenly become one of the only voices of reason and true outrage at our flimsy poor evil fat cat government who puts money over lifetime and time again this is both a wonderful protest song and a tribute to Piers Morgan [who would have believed it ]shows what a crazy world we are living in.
Salem Trials ‘Pictures Of Skin’
(Metal Postcard Records) Single/13th June 2020
The best new band of 2020 anyone?? The second single coming not even a month after their wonderful debut, these two tracks are ram jam packed of Wire like pop suss: imagine Pete Shelley gargling with a mouthful of spiders [from mars] whilst juggling old vinyl LPs of Tubeway Army and Subway Sect bootlegs, whilst starring Johnny Rotten style at some leather clad beauty who is far too good to even consider you. Yes this is perfect rock n roll that captures the magic and true spirit of the greatest of the art forms. And a big round of applause should go to Metal Postcard Records who released this, and who are quietly becoming the greatest label on the planet.
The Amplifier Heads ‘The Man With A Sun For A Head’
EP/18th June 2020
Although at the moment of typing it is currently raining cats and dogs, but even the inclement weather cannot put a dampener on this fine EP of XTC like pop wonder. The lead off title-track is a fine example of how to make let’s throw the kitchen sink at it work. A song of bright sunshine goodness leaps from the speakers leaving the room to sparkle and bathe in a glow of sunshine psyche so much so that it could easily hold its own on XTC’s excellent Oranges And Lemons album: a song so British sounding it could have only been made by a American. If this was 1967 I would predict a hit single in the offing.
Ageing Children ‘Live’
(Bearsuit Records) LP/18th June 2020
Noise is a musical virtue; it is one of the wonders of the world when it is performed right, and in the right situation can make the dullest of days seem like an adventure into the unknown, and this album of discordant guitar noise is a case in point. This has everything one wants in a noise album; it has atonal discordance it has melody seeping from the dark corners of your psyche. Track two, ‘You Have to Work Hard To Live Like This’, could have easily fitted onto Scott Walker’s masterpiece The Drift, and the wonderful ‘Silaninans Head’ sounds like the theme of Jaws played under water by the Mary Chain in the middle of a fox hunt: a truly magical listening experience indeed.
If anyone out there wants to dip their toes into something a little different and get away from the four white boys playing guitars and drums and singing about love, then this is an ideal place to start from. This is one of the most rewarding listening experiences I have had this year; for it has everything one wants from an album, it has noise power and moments of sublime beauty.
