PLAYLIST
Dominic Valvona & Brian ‘Bordello’ Shea





The behemoth Quarterly Playlist Revue is now more! With a massive increase in submissions month-on-month, we’ve decided to go monthly. The inaugural playlist carries on from where the popular quarterly left off; picking out the choice tracks that represent the Monolith Cocktail’s eclectic output. New releases and the best of reissues have been chosen by me, Dominic Valvona, and Brian ‘Bordello’ Shea.



JANUARY’S TRACKS ARE:

Les Amazones d’Afrique  ‘Love’
Hailu Mergia  ‘Abichu Nega Nega’
Dijf Sanders  ‘Santoshi Mata’
Penya Na Msafiri Zawose  ‘Heyyeh (Guedra Guedra Remix)’
Tony Allen & Hugh Masekela  ‘We’ve Landed’
Ani Glass  ‘Mirores’
Brainstory  ‘Beautyful Beauti’
Syd Nukukluk ft. Monika  ‘Plasticene’
Lee Scott ft. Dream McClean, DJ Frost & Sumgii  ‘Sainthood’
Leaf Dog ft. Smellington Piff  ‘Under The Spell’
Verses Bang  ‘The Eagle Has Landed’
O.G. Natal & Kool Keith  ‘Crime Don’t Pay’
The Van Allen Belt  ‘Let It Goddam Be’
Extradition Order  ‘Manhattan’
The Epstein  ‘Lay Me Down’
Hallelujah!  ‘Your Duck’
Deutsche Ashram  ‘Slackjaw’
Sunflowers  ‘Oscillations’
Shadow Show  ‘Charades’
Black Lips  ‘Odelia’
Pintandwefall  ‘Ah-Ah-Ah’
Floodlights  ‘Backyard’
Seattle Stomp  ‘January’
Colin Stetson  ‘West Of Arkham’
Lina_Raul Refree  ‘Destino’
Brona McVittie  ‘The Green Man’
Jonah Parzen-Johnson  ‘Stand Still’
Ippu Mitsui  ‘Recovery’


Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.

 

Reviews
Brian ‘Bordello’ Shea





Brian ‘Bordello’ Shea joined the Monolith Cocktail team in January 2019. The cult leader of the infamous lo fi gods, The Bordellos, has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His most recent project, Roi (with John McCarthy and Dan Shea, of Beauty Stab and Vukovar infamy) debuted at the end of 2019 through Metal Postcard Records with the paean to local record shop single, ‘Dormouse Records’. They’ve also released their seasonal dirge, ‘Christmas Morn‘.

Each week we send a mountain of new releases to the self-depreciating maverick to see what sticks. In his own idiosyncratic style and turn-of-phrase, pontificating aloud and reviewing with scrutiny an eclectic deluge of releases, here Brian’s latest batch of recommendations.


bigflower   ‘Sound Of Silence’
Single/1st January 2020

How apt that my first review of the year is a cover of the Simon And Garfunkel classic ‘The Sound Of Silence’; a song associated with the mid sixties when the world was full of hope and revolution of peace and love; a beautifully written and recorded folk rock classic. This version by the brilliant bigflower is quite the opposite. This is a dark piece of nihilism a psychotic and slightly psychedelic sleazy lounge lizard rendition, a version that soundtracks the lack of hope we have for the future new decade as we exist under the cloud of hate poverty and despair.

As ever, this shows the world just what it is not getting to hear as it’s force fed smart phone pop (or should that be pap on radio and TV). In these times of unease we should be hearing the call of revolution of high art; we should be letting the kids enjoy the feeling and exhilaration their parents and grandparents felt when they turned on the radio. There are bands artists out there who are just as capable and talented as the bands of yore. Just that they are not being given the chance to shine. Come the revolution – and believe me it is only a matter of time – bigflower will be leading the way.




Pintandwefall  ‘Your Stories Baby’
(Soliti Music) LP/17th January 2020

 

Ah rock n roll I gave you the best years of my wife. The not so subtle sounds of garage punk and well-written pop, of which I have grown very fond of in my 53 years on this planet. This is a little gem of an album; nothing outstandingly different to many other indie garage punk pop albums, but this has enough quirkiness and more importantly it has a soul and immaturity that many other bands can only wish for. A band that has been touched by the hand of pop suss; a band that sounds like it has been force fed 60s girl group records followed by post punk hits for their afters: twangy guitars, one fingered keyboard riffs, “na na na” choruses and synths that whiiirrl. Perfect imperfect pop: and what is more perfect than that.




Sunflowers  ‘Endless Voyage’
(Stolen Body Records) LP/14th February 2020

 

This is a concept LP I’m led to believe, and on the whole I’m not a great fan of them as they normally play out as a way to release an album with shit lyrics, and try and con the listener that it’s more important than it actually is. Normally it is a cabbage like thing dressed up as full salad with relish and everything. It’s a sign of a band that is getting bored with itself and is running out of ideas and have forgotten how to write good songs, but not in this case. On the whole Endless Voyage is a very enjoyable album with screeching guitars, twonking synths, and is mostly instrumental: hence the lack of shit lyrics. The instrumentals are the better tracks on the LP; the tracks with vocals are the least interesting – reminding me of Blur when they where going through their American art rock phase but without Blur’s pop suss. If the Sunflowers had made it a wholly instrumental album I feel it could have been something pretty special instead of the just pretty good album we have here.




Shadow Show  ‘Silhouettes’
(Stolen Body Records) LP/14th February 2020

 

Any LP that kicks off with a wonderful blast of The Beatles’ ‘Taxman’ riffery (‘Charades’) is fine with me. Sparkling sixties jangle tangle with melodies not heard since the last band decided that The Beatles are not such a bad thing, and if you are going to be influenced by anyone why not the greatest band ever.

Silhouettes as I have already mentioned in a few reviews of other new releases already this year, isn’t the most original of albums but it is a damn fine listen, filled as it is with great catchy guitar pop tunes. And Shadow Show is better than most at plundering the wonderful musical sounds the decade of the 60s produced. When it comes to the end if 2020 I wouldn’t be surprised to find this LP being one of my most played and loved of the year.




Bruce Hendrickson and The Blue Giant Zeta Puppies  ‘Any Sunny Day’
Single/24th December 2019

 

‘Any Sunny Day’ is poetic stroll of Sparklehorse like beauty, softly strummed guitars and eerie synths that takes you on a journey to the psych of a perfect day; a soundtrack to a long lost black and white photo of happier times. The b-side or second track if you like, ‘Roll End Credits’, is what the Velvet Underground might of sounded like if they were obsessed by Hank and his Shadows and produced by the great Joe Meek. Please tell me that there is going to be a album, as this is magical.




Stovepipe  ‘Born to Jive/Never Surrender’
(Jezus Factory) Single/21st February 2020

 

Is Garage Rock the new garage rock? Is it making a bit of a comeback or has it never gone away, as I’m certainly being sent loads of it to review. This single/EP is a five track (three of which are bonus tracks) treat for lovers of loud guitars and garage rock organ sounds. Once again nothing ground breaking but it is garage rock. It’s what it says on the tin or the label in this case, and lovers of 60s tinged frenzy and pre-punk pub rock – even occasionally slipping into post punk psych as on ‘I Wanna Be Your Favourite Pair Of Pajamas’ – will no doubt enjoy it and will want in their record collection.




Floodlights  ‘Backyard’
(Spunk Records) EP/21st February 2020

 

What I like about this EP is how Australian it sounds – a bit like the Hoodoo Gurus meet the Triffids -; four songs that recall traveling across the wilds of Australia. Not that I’ve ever been there, but I imagine Backyard would make a wonderful soundtrack if I were ever lucky enough to. It also reminds me of early 80s Kinks around their time of the ‘Come Dancing’ hit, which again can only be a good thing as Ray Davies is certainly no slouch at the old song writing lark. So all in all a very impressive EP.


%d bloggers like this: