Brian ‘Bordello’ Shea’s Roundup
Unless stated otherwise, all releases are currently available to buy.

SINGLES:

Schizo Fun Addict ‘Fate Chaser’

Schizo Fun Addict are one of the Magnificent Seven; one of the most important bands in the underground today: one of the seven bands that are making music as good as anything released in the history of rock ‘n’ roll.

Music wise they are a jack-of-all-trades and master of them all. They take musical genres and mix them with a cunning ease and panache that other bands can only stand with mouths agape wondering how they achieve such beauty and experimental originality. With this their new single they dip their toes into the magical myth that is the Laurel Canyon of the late 60s, and produce a song of supreme summer jangle. This is the sound of Michelle Philips combing her hair; the sound of Arthur Lee preening himself in front of a full-length mirror in the castle. This is pure nostalgia, a song of the summers we no longer seem to be blessed with; a tear stained memory of teenage romantic yearning.

bigflower ‘The Pill’

The dark world of bigflower once again is upon us with a lovely strange voyage of psyche and psychosis; an off-kilter journey where not everything seems to be where it should be, but strangely fits together perfectly. A song that strangely could and should last longer, which is indeed a very rare thing; an aural journey of a song with shuffling drum beat and beautifully simple strummed electric guitar led astray in a wave of vague drone solitude. Another winner from Ivor Perry.

Borben Dallas & His Filipino Cupids ‘Too Convenient’

I love this single. It starts off all scuzzed-up rock ‘n’ roll and dank and pringy and urgent, then in the middle goes all experimental and almost Beach Boys like. It gives one the impression that Borben Dallas has just found god or at least a God substitute. The post-finding-God section of the song goes back to the first but with an added pringiness that one can only bow their head or even shake it in a Status Quo like manner to. A spellbinder of a single. Originality is not dead it is alive and well and living in the essence of Borben Dallas and His Filipino Cupids.

Martha and the Muffins ‘Save It For Later’

The man who wrote this song is actually a bit of a fan of my band The Bordellos, calling me the natural successor to John Cooper Clarke. Maybe he meant I too am skinny and wear all black, but sadly my hair has long gone the way of my hopes and dreams completely out the window. But that man be the wonderful talented songwriter Dave Wakeling who of course was and is frontman of Ska Beat legends The Beat and this my dearest cherubs is a cover of their classic ‘Save It For Later’, and it’s not a bad version. It’s all post punk jangles and a melody no doubt one would hear emitting even echoing on a beach [see what I did there] from a tiny transistor radio this summer. Martha And The Muffins have indeed done a pop delight of a cover and has managed to put a smile on my face and a skank to my hips. [Please do not take that image to bed with you, I beg of you].

James Howard ‘Baloo’
(Faith & Industry)

As I sit mid Sunday morning writing reviews, this is pretty perfect listening; a song that takes and pulls in the art of traditional songwriting and wraps it around ones heart, squeezing tears and hope from your now moistened eyes. A track of pure beauty; a song I can imagine the great Elvis Presley performing with such gusto and panache extinguishing all the previous night’s demons.  James Howard could well be one to watch and I await an album with my breath somewhat baited. A true beaut of a song.

Fast De ‘Miss Trutti Finally Found Her Gem’
(Bloomer Records)

A lovely instrumental surprise of fuzzed-up pop grandeur, fuzzy synths get off my tail eloquence, and a sweet, so sweet scuzzy melody that it will not just rot your teeth as you chew on it, getting all the juicy goodness from the track, but your grandmas and her twice removed wannabe lovers teeth as well. Yes indeed it is times like this one can only sit back and enjoy the taste of adventure in music.

Pineapple ‘Trials’
(Metal Postcard Records)

Pineapple is a fruity little dish of a band, taking in post punk and talking in post punk sensibilities. It’s an EP of nostalgic splendor; one that takes me back to the days when the local punk band had to compete with the jukebox in the down at heel pub venue, we of a certain age all have played/frequented at some time in our lives. Yes, this is an EP of enjoyable guitar punky scrunge that takes in Billy Childish, Julian Cope and The Fall in equal measure, and ‘Snake & Ladders’ is one of the best songs about football I have heard in many a year.

Linn ‘Happiness is Real’

I love this track. I have listened to it a number of times in a row, and found it a song that is both utterly bewitching and quite disconcerting: imagine Jane [‘Its A Fine Day’ fame] being swallowed whole by early My Bloody Valentine on the sunniest yet saddest day of the year. I hope Linn has an album coming out soon as I think I’m ready to be seduced.

ALBUMs/EPs

Faust ‘Punkt’
(Bureau B)

Punkt is the lost album by Faust and everybody loves a good lost album. But in honesty many lost albums actually deserve to remain lost and never be found. They are lost for a good reason normally, the reason quite often being it is not very good, but years later are looked through rose-tinted nostalgic eyes and held to one’s collective bosom as a work of previously unreleased genius.

But there is always an exception, and like Shacks masterwork Waterpistol, Punkt is that exception. 

Punkt carries on where Faust IV left of, with a brief ear turned and tuned into melody where the industrial noise is swamped with psych-tinged song writing skill and invention. ‘Morning Land’ sounding very much like what Einstürzende Neubauten would make years later with great success. ‘Knochentanz’ is indeed a Chinese burn of a track, taking jazz and electronic noise to new extremes; like a melting corpse dripping into the eyes of the soulful bugler at dawn wondering whether alcohol will taste quite the same again, it is almost funky and after many spirit enhancing drugs could well be danced to and even at the length of 11.45 it never outstays its welcome. ‘Fernlicht’ follows as a short psychedelic interlude, again covering the noise and drone with a quite becoming melody. And that is a fair summing up of the album actually: the normal Faust invention of drone and noise but with a covering of instrumental beauty, as the quite breath-taking journey of a track ‘Schön Rund’ proves: the sound of Elton John slowly sinking into the ocean; a treat indeed.

So as a lost album this is indeed a found again treasure; one that all lovers of Krautrock will enjoy and stroke the chins over a martini to [or other tipples of choice]. 

Jelly Crystall ‘ILY’
(Smuggler Music/PIAS) 3rd June 2022

All said and done this EP is rather beautiful. The opening track reminds me of the beautiful Paul Quinn and the Spirit of Independence albums, which is indeed high praise. There is such a romantic 50s early 60s magic that those periods in time oozed with, and Jelly Crystal have captured the magic without being too retro.

This is music to be heard coming out of your radio whilst you slow dance with your significant other in the darkness, in the park with the cool evening breeze whispering sweet nothings…truly magical.

Alas The Sun ‘Wild Honey Inn’
(Taxi Gauche Records)

The beautiful sound of summer is what we have here; jangling guitars beautiful harmonies and well-written songs with heart and soul. Everybody who reads these reviews of mine knows I am a sucker for bands with boy/girl vocal duets, and Alas The Sun are indeed blessed with such a thing; both voices blending into a soft honey dew like substance that melts and makes you feel all warm inside.

Whether it be the jazzy ‘Distant Drone’ or the subtle ‘White Rabbit’ soft shuffling beat of ‘Love At Twenty-Two’, which is almost Prefab Sproutish in its texture and feel, Wild Honey Inn is an album of laid-back beauty; an ideal record to soundtrack sheltering in the shade on a too hot summer’s day, when lazing about relaxing is all one needs in life.

Black Monitor  ‘Snake Of My Heart’
(Ikarus Records)

Snake Of My Heart is an album full of tuneful joyful psychedelic pop, and lovers of such will indeed enjoy it. To be honest, there is nothing not to enjoy about it, as it is vibrant, wide space music made to fill the wide musical space in your life; an album taking in the influences of Pink Floyd with Syd Barrett, the Brianjonestown Massacre, early Blur and many other fine pop bands touching on c86 jangle, especially on the Sarah Records like ‘On A Wire’. But there is a slight difference as Black Monitor has a slightly dark edge to the music, a slight uneasiness that many bands that produce music of this ilk do not quite manage to achieve.

There’s a slight appealing wonkiness and depth to the songs that I think will draw me back to and explore more and more over the coming weeks, a quality that many fail to produce with alt radio friendly songs. This a quite lovely and rewarding listen.

Super Hit ‘Pocket Rock EP’
(Metal Postcard Records)

There is a beauty in lo-fi jangly guitar music that I cannot resist, and this seven-track mini album is full of the beautiful little blighters. Any one of the seven songs could quite easily fit onto the compilations Sarah Records released in their all too brief existence. Songs that beguile and charm in equal measure, songs soaked in DIY bedroom lack of glamour but steeped in a yearning and heartache and pure charm that really is hard to beat, and Super Hit is an artist deserving of more attention.

Spiral Of Silence ‘Landmark’
(Jezus Factory)

This is Spiral Of Silence’s first release in 20 years, a band I have not come across before, and described as the Belgian Joy Division – probably because they are from Belgium and have that Peter Hook/Cure bass thing going on and are quite dark and gothic. And despite all that I still enjoyed the EP.

It is nothing I have not heard before, but The Spiral Of Silence do the Joy Division thing very well and cover their darkness with layers of radio friendly melody, and I can see it appealing to the long black coat brigade [if they still exist].

PLAYLIST SPECIAL

An encapsulation of the last month, the Monolith Cocktail team (Dominic Valvona, Matt Oliver, Brian ‘Bordello’ Shea and Graham Domain) chose some of the choicest and favourite tracks from February. It may have been the shortest of months, yet we’ve probably put together our largest playlist in ages: all good signs that despite everything, from Covid to the Russian invasion of the Ukraine, artists, bands everywhere are continuing to create.

65 tracks, over 4 hours of music, February’s edition can be found below:

That exhaustive track list in full:::

Animal Collective ‘Walker’
Modern Nature ‘Performance’
Gabrielle Ornate ‘Spirit Of The Times’
The Conspiracy ‘Red Bird’
Cubbiebear/Seez Mics ‘All Friended Up’
Dubbledge/Chemo ‘Itchy Itchy’
Dirty Dike ‘Bucket Kicker’
Future Kult ‘Beasts With No Name’
Lunch Money Life ‘Jimmy J Sunset’
Ben Corrigan/Hannah Peel ‘Unbox’
Uncommon Nasa ‘Epiphany’
War Women Of Kosovo ‘War Is Very Hard’
Ben Corrigan/Douglas Dare ‘Ministry 101’
Sven Helbig ‘Repetition (Ft. Surachai)’
Ayver ‘Reconciliacion Con La Vida’
Lucidvox ‘Swarm’
Provincials ‘Planetary Stand-Off’
Wovenhand ‘Acacia’
Aesop Rock ‘Kodokushi (Blockhead Remix)’
Junglepussy ‘Critiqua’
Tanya Morgan/Brickbeats ‘No Tricks (Chris Crack) Remix’
Buckwild ‘Savage Mons (Ft. Daniel Son, Lord Jah-Monte Ogbon & Eto) Remix’
Che Noir ‘Praises’
Koma Saxo w/Sofia Jernberg ‘Croydon Koma’
Medicine Singers/Yontan Gat/Jamie Branch ‘Sanctuary’
Black Josh/Milkavelli/Lee Scott ‘Die To This’
Funky DL ‘I Can Never Tell (Ft. Stee Moglie)’
Mopes ‘Home Is Like A Tough Leather Jacket’
ANY Given TWOSDAY ‘Hot Sauce (Ft. Sum)’
Split Prophets/Res One/Bil Next/Upfront Mc/0079 ‘Bet Fred’
Nelson Dialect/Mr. Slipz/Vitamin G/Verbz ‘Oxford Scholars’
Immi Larusso/Morriarchi ‘Inland’
Homeboy Sandman ‘Keep That Same Energy’
Wax Tailor/Mick Jenkins ‘No More Magical’
Ilmiliekki Quartet ‘Sgr A*’
Your Old Droog/The God Fahim ‘War Of Millionz’
Ramson Badbonez/Jehst ‘Alpha’
Ghosts Of Torrez ‘The Wailing’
Pom Poko ‘Time’
Daisy Glaze ‘Statues Of Villians’
Orange Crate Art ‘Wendy Underway’
Seigo Aoyama ‘Overture/Loop’
Duncan Park ‘Rivers Are A Place Of Power’
Drug Couple ‘Linda’s Tripp’
Ebi Soda/Yazz Ahmed ‘Chandler’
Brian Bordello ‘Yes, I Am The New Nick Drake’
Psychedelic Porn Crumpets ‘Bubblegum Infinity’
Steve Gunn ‘Protection (Ft. Mdou Moctar)’
Jane Inc. ‘Contortionists’
Black Flower ‘Morning in The Jungle (Ft. Meskerem Mees)’
Jo Schornikow ‘Visions’
The Goa Express ‘Everybody In The UK’
Pintandwefall ‘Aihai’
Thomas Dollbaum ‘God’s Country’
Crystal Eyes ‘Don’t Turn Around’
Glue ‘Red Pants’
Super Hit ‘New Day’
Legless Trials ‘Junior Sales Club Of America’
Monoscopes ‘The Edge Of The Day’
Alabaster DePlume ‘Don’t Forget You’re Precious’
Orlando Weeks ‘High Kicking’
Carl Schilde ‘The Master Tape’
Bank Myna ‘Los Ojos de un Cielo sin Luz’
Park Jiha ‘Sunrise: A Song Of Two Humans’
Simon McCorry ‘Interstices’



Brian ‘Bordello’ Shea’s Roundup

The cult leader of the infamous lo fi gods, The BordellosBrian ‘Bordello’ Shea has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His last album Atlantic Crossing, a long overdue released collaboration with 20th Century Tokyo Princess’s Ted Clark, was released last year. A new album entitled Cardboard Box Beatle has just been released on Metal Postcard Records.

Each month we supply him with a mixed bag of new and upcoming releases to see what sticks.

Singles

Goa Express ‘Everybody In The UK’
(Ra-Ra Rok Records)

My self being a miserable bastard, I thought I would not like this as it is a jolly tune with upbeat message and fun video. But I actually like it: probably in the knowledge that in 20 years these young whippersnappers will be as worn down with reality as I am. But let’s not think ahead, let’s celebrate youth and all its shenanigans; let these talented young men enjoy their moment in the sun and applaud their way with a catchy BBC 6 music like tune as it is pretty spiffing [which is a much-underused word in reviewing circles].

Burnsey ‘Nail Your Colours’
7th February 2022

I really like this track from Burnsey, the sound of an exiled scouser living in Germany. And yes, you get all the lovely Liverpool psych that seems to run through the blood of so many musicians from that city; all sea shanty wonder and spaced-out bliss, a track the Coral would no doubt sell their ma’s last pot of scouse for. And as the old saying goes, “you can take the man out of Liverpool but cannot take the Liverpool from the man”. And thank the lord for that for this is a lovely track of pure scouse whimsy. I await the album. Record labels check this man out.

Pintandwefall ‘Last Minutes’
(Soliti)

I like Pintandwefall: if I remember correctly, I gave their 2020 album, Your Stories Baby, a glowing review. And ‘Last Minutes’, taken from their forthcoming album, Seventh Baby (due out this Friday, the 25th February) is also a bit of a musical treat; a melody filled piece of pop candy that has me grinning like a loon, like a caricature of Sid James overdosing on 70s boobs and dairy free ice cream. Yes, it is that good. I once again look forward to the album with my breath indeed baited.

I like this. I love old time country music; my dad was a huge country fan so I grew up hearing it all the time. And this certainly has the same feel – the same way Bill Callahan does it. And I’m sure if my dad was still alive, he would also appreciate this; for a well written song is a well written song no matter what the genre, and this is a well written song. I predict we might be hearing more of Thomas Dollbaum: not that I want to curse Thomas as my predictions of greatness normally end in total anonymity for the poor performer. But you never know, Thomas might be the one to break the curse.

bigflower ‘Free’
12th February 2022

bigflower is back with another whoosh of a track; a song that moves with an urgency of a runaway train; a song with atmospheric guitar and keyboard and a drum machine that hammers the pain into your eyeballs: but in a good way [if that is possible]. 

‘Free’ is a song that has the mid 80s alternative shine about it; a song that has one remembering the days of the Psychedelic Furs, and like a lot of bigflower tracks, I can imagine it appearing in some moody black and white movie where the antihero does not end up getting the girl just a load of shit thrown at him. Yes indeed, another winner from bigflower.

Albums

The White Russian ‘You Are’
(DripDrop Records) 3rd March 2022

Myself being the self-proclaimed King of No-Fi, I really enjoyed the production on this. Coming in at the hi-fi end of lo-fi, this EP has a great deal of heart and soul and real life about it: in film terms, more 60s sink drama than Hollywood blockbuster.

This is a beautiful 5 track EP and my favourite of the five excellent tracks is ‘You Are’, which reminds me of Paul Simon at his most tender. This is one of those rare Eps you wish was an album as I certainly want to hear more from The White Russian. And any band you want to hear more from is indeed a very good thing indeed.

Red Pants ‘When We Were Dancing’
(Paisley Shirt Records) 18th February 2022

I like it when I see I’ve been sent something from Paisley Shirt Records to review, as I know there’s going to be more than a good chance that I’m going to like it. And I’m pleased to say they have not let me down with this fine release by Red Pants; an album of lo-fi(ish) indie rock, an album where murmured vocals are mixed way down in the mix which gives the album a “we are doing this for the love of our art” quality not to be indie rock superstars. It’s like discovering an old band cassette at the bottom of a box and remembering the fun you used to have dancing the Watutsi with the skinny long brown-haired girl who you would of one time offered your world to. It’s an album of fond remembrances; an album of drinking too much and not caring enough; an album of total lo-fi beauty; a cassette of the best kept secret in the world.

Super Hit ‘S-T’
(Metal Postcard Records) 28th January 2022

The magic and love of C86 is alive and well and living in Portland, Oregon. Simple drum machine beats and jangly chiming guitars back whispered vocals that takes one back to the golden days of Sarah Records.

There is something simply charming about the love and fragility of this album. Melodies float and glisten making this 18-track album of short songs a must have album: an ideal album to soundtrack the coming spring months when the nights get lighter and hope takes a peek at the departing darkness. An album that will grow and become a daily occurrence in your life.

Legless Trials ‘Legless Trials On Main Street’
(Metal Postcard Records) 15th February 2022

The Legless Trials are back with their second album Legless On Main Street’, an album that sucks in the spirit of the Fall and The Cramps, The Velvet Underground and smothers it with a radio friendly sheen that fairly sparkles and shimmies like an alternative hit in waiting. Any one of these nine gems should be blasting from your radio in the coming months.

The Legless Trials are rock ‘n’ roll personified; they are Little Richard, The Banana Splits and Captain Beefheart rolled into one. They are Bob Dylan’s snide grin and Elvis Presley’s erect penis. They are Jagger’s crossing the road walk. They understand the importance of Jack Goode screaming limp you bugger at a leather clad Gene Vincent. They understand the meaning of rock ‘n’ roll and are one of the five crucial acts in that movement today, and if you don’t believe me listen to this album of purity, anger, humour and song writing genius and then try and tell me I am wrong without looking like a puerile piece of Pat Boones shit. 

The Monoscopes ‘Painkiller And Wine’
(Big Black Cat Records)

There is a beauty and sadness that sometimes can only be released through the magic of music. It’s like a windswept spell, a lone call through the echoing of a radio dial and the wizards casting the spell on this occasion are the Monoscopes with a debut album filled with soulful yearning; a car crash of psych-tinged velvet indie guitar goodness.

A really enjoyable journey through the feelings and emotions most human beings experience at some time, be it lust, heartache, betrayal, hopes raised and then dashed, watching a shooting Big Star crash into the broken effigy of Alex Chilton’s breaking heart. Painkillers and Wine is a celebration of life in all its dirt and glory, sound tracked by chiming guitars and melodies to wrap and lose yourself in. In other words, simply a fine album of melancholy guitar goodness.

Brian ‘Bordello’ Shea’s Idiosyncratic Reviews Roundup

The cult leader of the infamous lo fi gods, The BordellosBrian ‘Bordello’ Shea has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His last album Atlantic Crossing, a long overdue released collaboration with 20th Century Tokyo Princess’s Ted Clark, was released last year. A new album entitled Cardboard Box Beatle will be released in February by Metal Postcard Records.

Each month we supply him with a mixed bag of new and upcoming releases to see what sticks.

SINGLES/TRACKS.

Super Hit ‘Believe’
(Metal Postcard Records) 18th January 2022

I have no idea why this reminds me of Christmas but it does. Not that it matters what it reminds me of but all that matters is that this is a wonderfully whooshed beautiful version of the Cher classic. I really like it. Could be what Mercury Rev might sound like if they were down and outs and had too much cheap sherry and slept in a launderette with only memories of old top 40 hits for company. This really is quite a beautiful little number; I’m now excited at the thought of an album. 

Mermaid Avenue ‘Prisoner’

I like this single. It reminds me of the Rolling Stones when they wanted to be Gram Parsons; it has all the reaching for the sky trying to shake hands with God quality: The kind of song Primal Scream have attempted many times but not quite got there. It’s not as good as Cliff Richard’s version of Jesus but to be fair not much is. Yes indeed, a rather lovely scraping the stars from the sky track.

Tony Valentino ‘Barracuda’
(Big Stir Records) 4th February 2022

Tony Valentino from the 60s garage band legends The Standells has rerecorded the bands’ famous ‘Barracuda’ and issued it as a single on Big Stir Records. And a fine single it is as well. As you expect, it’s full of 60s garage rock goodness with psychedelic guitars, 60s garage rock organ, and is a total blast of fun and freedom that puts younger artists to shame: reminding us that music can indeed be fun and ‘cambunkishush’, a word I have just made up. But why the hell not? It is the perfect word to describe this fun filled action packed piece of rock ‘n’ roll.

Ghosts Of Torrez ‘The Wailing/ The Legend of Billy The Whale’
11th February 2022

This is rather beautiful; it is like floating on a cloud made up of memories from a time when you wanted nothing but a kiss from the girl/boy you once loved’s lips; a slow-moving nostalgic stroll down the riverbank of dreams. Yes, indeed this is a rather lovely candy floss track of a single and should be swooned over now.

ALBUMS/EPs…

Armstrong ‘Happy Graffiti’
(Country Mile)

The long-awaited album by Julian Pitt aka Armstrong is upon us, and as you expect from a man who has melody oozing, yes, oozing from his pores, it is a tuneful delight. As I have mentioned many times in past reviews, Julian is one of the finest songwriters in the United Kingdom at the moment and has been for many years: one of music’s best kept secrets in fact.

Happy Graffiti is his third album proper not counting comps and reissues, and anyone with the good taste to have his other two excellent albums will not be disappointed. Songs of love, hope and heartbreak are dispatched with some aplomb; Bacharach and David, Jim Webb, Roddy Frame, David Gates eat your breaking hearts out! These are songs that should be drifting from radio 2: ‘Eyes Wide Open’ a song of pure heart-breaking beauty, and ‘In A Memory’ a piano ballad that has me thinking of the sweetness of the Zombies mighty opus Odyssey And Oracle.

These are songs that are wrapped in a comfort blanket of familiarity, even if you’ve never heard them before; ‘This One’ being stuck in my head even after just one listen, and Happy Graffiti is full of these tuneful blighters: ‘Rock Star Rock Star’ and even the piano instrumental ‘Days turn Into Months’ is melody ridden. 

So, Happy Graffiti is an album of melodious delight, an album to soundtrack the days and months as winter turns to Spring and hope and loss merge into beautiful memories.

Sky Diving Penguins ‘S-T’

The Sky Diving Penguins album is one joyous pop thrill; an album that takes its Beatles, Nirvana, Zombies influences and makes an album that could have been released anytime over the last 50 years. Timeless is the word I’m looking for. Melodies float and quiver, at times reminding me of the Rentals or Fountains Of Wayne.

Sure, this is not the most original and ground-breaking albums that will be released this year and there will be hundreds if not thousands released that tread the same ground that wander the same Weary path, but I doubt I will hear as many as good and enjoyable as this. So, recommended to all you power poppers and lovers of sixties influenced pop, and anyone who’s god is George Harrison, should indeed investigate.

The Conspiracy ‘Sword Of Damocles’
(Metal Postcard Records) 14th January 2022

Do you remember the days when guitar music was the be all and end all in your life? I do, but then I’m of that age when all parts of your body start to lose its appeal, but your memories stand firm and wrap themselves in a mist of melodies coveted by nostalgia, which one dips and makes themselves open to the grace of growing old. And this five track EP has the same magical effect: Guitar songs that are well written and played and wrap themselves in a time when guitar songs could change your world or even just make it a more enjoyable place to exist or even live sometimes. An EP to cherish and hold close to your aching old heart.

Pulco ‘Crustacean Theory’
14th February 2022

If experimental art pop is your thing, you could do a hell of a lot worse than treating yourself to the new Pulco album; an album where poetry, discordant synth, occasional Fall like guitar and bass riffs collide with The Shaggs brilliance to upturn an already upturned apple cart, to set fire to an already burning building. This is the sound of a man stretching his art to new and extreme levels of bewitchery; a man arguing with himself knowing both sides of the argument being right: knowing that this album is an off-the-cuff work of pop poetry that will not break through the stagnant stench of so called alternative music scene.

For Pulco is a one off and people really do not appreciate one offs: they scare people you see. This is an album of real life, of dreams of nightmares of walking through a picturesque country landscape to see trees full of hanging Swans  dripping with a deathly decaying beauty, which again is a perfect metaphor for this wonderful eccentric work of aural art.

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