Playlist
Compiled by Dominic Valvona with contributions from Matt Oliver, Brian ‘Bordello’ Shea, Andrew C. Kidd and Gianluigi Marsibilio.
Graphics by Gianluigi Marsibilio.








Reflecting the Monolith Cocktail’s tastes and favourite choice tracks from the last few months, the Quarterly Revue is a diverse musical journey; an eclectic international playlist of discoveries. This is a space in which you are as likely to find the skewered Gary Wilson meets Brian Wilson stained-glass psychedelic songwriting of the Origami Repetika creative hub as you are the conscious transportive jazz of Horace Tapscott. Brand new tracks appear alongside reissues and recently uncovered nuggets as we move through funk, jazz, hip-hop, post-punk, shoegaze, desert blues, techno, psychedelic, acid rock, space rock, and the most experimental of musical genres.

 

Behold…part three…


Tracklist::

Snapped Ankles  ‘Three Steps To A Development’
DJ Shadow  ‘Rosie’
Kid Acne/Nosaj/Spectacular Diagnostics  ‘Crest Of A Wave’
Gang Starr/J. Cole  ‘Family and Loyalty’
Danny Brown  ‘Best Life’
Bronx Slang  ‘More Grief’
SAULT  ‘Let Me Go’
clipping.  ‘Nothing Is Safe’
Bloke Music  ‘Everything On’
Seaside Witch Coven  ‘Splutter’
Trupa Trupa  ‘Remainder’
Stereo Total  ‘Einfach’
Los Piranas  ‘Palermo’s Grunch’
Baba Zula  ‘Salincak In’
Abdallah Oumbadougou  ‘Thingalene’
Grup Dogus  ‘Namus Belasi’
Taichmania  ‘See Ya at Six or Seven’
Kota Motomura  ‘Cry Baby’
Baby Taylah  ‘Reclaim’
House Of Tapes  ‘Melted Ice’
Camino Willow  ‘Hollywood’
Callum Easter  ‘Only Sun’
Junkboy  ‘Waiting Room’
Elizabeth Everts  ‘Contraband’
Bloom de Wilde  ‘Soul Siren’
Badge Epoque Ensemble  ‘Milk Split on Eternity’
Chrissie Hynde/The Valve Bone Woe Ensemble  ‘Meditation on a Pair of Wire Cutters’
Swan/Koistinen  ‘Diagnosis’
Sirom  ‘Low Probability of a Hug’
Koma Saxo  ‘Fanfarum for Komarun’
Matana Roberts  ‘Raise Yourself Up/Backbone Once More/How Bright They Shine’
Die Achse/Ghostface Killah/Agent Sasco  ‘Baby Osamas’
U-Bahn  ‘Beta Boyz’
Occult Character  ‘Half-Wits and Cultists’
Asbestos Lead Asbestos  ‘Shrimp Asmr’
Repo-Man  ‘Evan The Runt’
Issac Birituro & The Rail Abandon  ‘Kalba’
Nicolas Gaunin  ‘Vava’u’
Mazouni  ‘Daag Dagui’
Mdou Moctar  ‘Wiwasharnine’
Aziza Brahim  ‘Leil’
Resavoir  ‘Resavoir’
Purple Mountains  ‘All My Happiness is Gone’
Babybird  ‘Cave In’
Adam Green  ‘Freeze My Love’
Catgod  ‘Blood’
Frog  ‘RIP to the Empire State Flea Market’
Pozi  ‘Engaged’
Roi  ‘Dormouse Records’
Origami Repetika  ‘Winged Creatures’
Horace Tapscott  ‘Future Sally’s Time’
A Journey Of Giraffes  ‘September 11 1977’
Jodie Lowther  ‘The Cat Collects’
Equinox/Vukovar  ‘Lament’
Kandodo 3  ‘King Vulture’

REVIEWS ROUNDUP
Words: Brian ‘Bordello’ Shea




Brian ‘Bordello’ Shea joined the Monolith Cocktail team in January 2019. The cult leader of the infamous lo fi gods, The Bordellos, has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. Each month we send him a deluge of new releases and await to see what sticks.

Lark ‘Blink’
(Wormhole Records) 16th August 2019


An LP of darkness; an LP that emerges from the post-punk sound of the early 80s. Discordant guitars and twisted bass back beautiful songs of lyrical wordy beauty – it is a delight to hear songs with wonderful lyrics instead of them being treated as an afterthought.

At times this reminds me of the recent work of Babybird, a man who ploughs his own path through the music industry and also writes songs with melody darkness and humour. It also brings to mind the Southern Death Cult and Nick Cave, and early New Order.

Originally released in 2014 now available on very ltd cd from the wonderful Wormhole World label, I would snap one up while you still can as this is an album to soundtrack the oncoming Autumn and Winter of our discontent.





Asbestos Lead Asbestos ‘Nature Of Feline’
26th July 2019



When an LP starts with a flurry of “fuck yous” and goes into indie pop strum along, and then goes into more “fuck yous”, I know I’m going to enjoy it. A clamour of glamour and toss pot glitter shillyshally into the mists of swollen lo fi beauty, it reawakens memories of dreaming of the girl you can only dream about whilst listening to Bongwater: the band not water from a bong.

If I wrote for the music blog Get Into This, I might describe this LP as being “boss scran for thought”, as it jumps from chaos to chaotic hipster speak to dirty yearning for the fucked and fuckable. Acoustic guitars drift through electronic distortion to unveil yet another great album for 2019, and when that same album has a song called ‘Motherfucker Won’t You Pass The Marimba’, how can it not be worth investigation.





bigflower ‘The Look Of Love’
4th August 2019 



If a sparkling dark beautiful rendition of one of the most perfect love songs ever written is what you are after then look no further as bigflower, the musical gift that keeps giving, has supplied us yet again with another guitar gem: this time not a self composed number but a rather wonderful version of the Bacharach and David classic, ‘The Look Of Love’. And what a sensual dark version of the original it is too; a track that is crying out to be used in the next Hollywood blockbuster.

Record labels are you deaf or just retarded?!! Another gem.





The Cigarettes ‘You Were So Young’
(Optic Nerve Recordings) 20th September 2019



There nothing quite like the sound of young rebellion. If you are in agreement then this new comp of the classic underrated band from Lincoln, The Cigarettes, is just what you need. It includes their wonderful singles compilation tracks, their legendary John Peel session, plus previously unreleased tracks.

For all lovers of golden age punk this is a must have; The Cigarettes showing that they matched the Buzzcocks and the wonderful Subway Sect on the melody front. In fact, it is a bit of a mystery how they weren’t become better known and received, all the boxes ticked, songs of teenage troubles, life slashing buzz saw guitars, catchy choruses, one string guitar solos, all in all, perfect pop.

Maybe with the release You Were So Young they will finally get their full due and the recognition they deserve as one of the great lost bands of the punk/post-punk era.





Unwavering ‘Freeze,Thaw, Chorus’
16th August 2019



Do you ever challenge yourself to do something you don’t like? It could be opening your eyes in the morning and breathing; it could be cleaning out the cat litter tray or, in this case, listening to an LP that has been sent to you to review that has described itself as shoegaze. For shoegaze is one of those genres that cry out, “I am really uninteresting. I have all the pedals but no songwriting talent. I have ambition and ego but not the talent to match.” So a word to the wise, unless you are one of those unfortunates don’t describe your music as such as you are doing yourself a great disservice especially when your music is a wandering lo fi folk that happens to use the electric guitar a little like a more wayward Red House Painters.

Unwavering dispatch a fine dark melancholy, awash with many layers of guitars with distant slightly reverb vocals at times that remind me what a Stone Roses LP may have sounded like if they had left Mani and Reni at home and where more down for it than up. This is a quite beautiful album; melodies melancholy and a bewitching scenic beauty weave a hypnotic spell. A band/artist I think one should keep an eye out for in the future.






Repo-Man ‘I Can Live With It If You Can, Son’
(Stolen Body Records) 6th September 2019



This is real free form rock n roll. It reminds me of the wonderful Wigan-based band The Volunteers from the late 80s, who brought out a classic mini LP called Bladder Of Life. A wonderful LP by a wonderful band, and like I said, this reminds me a lot of them. Captain Beefheart like madness connects with their inner Fall to unveil a magical projection of psychedelic whimsical John Cooper Clarke poetry. It is indeed a treat to hear a band that attempts to go their own way in their twisted art flow instead of following the old melody of verse/chorus/verse/ chorus/guitar solo/middle 8, have a smoke of trendy class arsehole drugs and point their chins in the right way so the camera can capture the unnatural good looks of yesterday’s poster boys.

I really like Repo-Man, they are fun, they have the quality that they are probably hated by other bands from the same town because they dare to be different and probably could clear a room of punters from any pub they play: like all great bands can at will.

So I would say I Can Live With It I You Can Son is a must have album; an LP of sonic aural dyslexia. A true gem.





Occult Character ‘National Razor’
4th August 2019



Another new song from maybe the finest songwriter in the USA today, the wonderfully eccentric Occult Character; a man who takes both hip-hop and lo fi folk to new extremes; a man who writes beautifully about the madness engulfing America under the Trumpster and the common everyday problems like never being able to find what you want in a full fridge: a true musical maverick.

This new free to download track is Occult wearing his hip-hop hat, a two and a half minute swagger of humor and strangeness and a forerunner to his forthcoming LP on the smarter than the average label Metal Postcard. It’s free, so get downloading.





Rose McDowall & Shawn Pinchbeck ‘Gem’
20th September 2019



The sound of Autumn is upon us. Gem is the stolen sway of a shimmering distant light, a parchment of lost memories kissing the hem of the garment of your long lost loves’ smile. Gem is a beauty of a single recalling the dark sultry eloquence of Paul Giovanni and Magnet’s Wicker Man soundtrack; a truly beautiful and haunting piece of musical wonderment. One of the songs of the year no doubt.





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