BRIAN ‘BORDELLO’ SHEA’S REVIEWS ROUNDUP – INSTANT REACTIONS. ALL ENTRIES IN ALPHABETICAL ORDER
Beans ‘Remember’
Single (Fuzz Club Records) Out Now
Ah, I admit I am not really a huge fan of Fuzz Club Records on the whole as I think that they have a certain sound, and I find that sound a bit dull on the whole nowadays: lots of bands with nice looking vintage guitars and sunglasses. I like Jesus and Mary Chain and Brian Jonestown Massacre as much as the next man, but do I want to listen to lots of bands that are not quite as good…even Jesus And Mary Chain sound like a not quite as good JAMC now.
But this single, ‘Remember’ by the Beans, is indeed very good and has an arch quality normally not associated with Fuzz Club. If Fuzz Club was The James Bond Franchise this would be its Roger Moore which we all can agree is a very good thing indeed.
Bity Booker ‘There’s No Song About Stones’
Released 5th June 2026
There’s No Songs About Stones is an album of sublime solo psych folk whimsy, just Bity and her classical acoustic guitar singing songs about sadness, birds, love and life but none about Stones Rolling or otherwise, just nine beautifully written and performed songs full of melancholy, melody and a magical sprinkling of fairy dust which draws one into Bity Bookers strange and wonderful world.
Eye With An Eye ‘Flow’
Single – Out Now
‘Flow’ is the debut single by Eye with An Eye, and quite a fetching affair it is to, all post punk moodiness with an aura of jazzy reflection, dark and reflective and deep like diving into the waters of somebody’s thoughts and dreams, and floats in a heaven like state awaiting the whirlpool of contemptable love to drag you in and smother you with contentment.
The Fox ‘For Fox Sake (2026 Remaster)’
Album (Think Like A Key Music) 14th August 2026
For Fox Sake was recorded overnight in 1970; the band thinking this would be the demo, but the record label thought differently and released it as the album. The album sadly sank without trace and The Fox survived not much longer.
But 56 years later Think Like A Key has thankfully re-released the album, and what an album it is. Wonderfully magical in all its psych rock glory, it captures the wonderful mood and excitement of the time: an aural time machine if you like. An album that captures a band having the time of its life and it being recorded mostly live captures the excitement of a young and talented band having the time of its life…the word groovy was invented just for albums like this believe me.
Gentles ‘Nation’
(Metal Postcard Records) Released 18th July 2026
Nation is the latest and final album by the Gentles in their current incarnation as their vocalist Brendan Parkes sadly died earlier this year. There is a punk psych art pop vibe to this album that reminds me of Blur in their Modern Life is Rubbish era, which can only be a good thing I think you might agree; maybe they have the same influences as there is definitely a Syd Barrett and Swell Maps, Buzzcocks and even Jilted John about them. An album that I would advise fans of the aforementioned could do worse than to check the Gentles out.
John Howard ‘Overnight Bags’
Album – Released 7th August 2026
With Overnight Bags I feel John Howard has just made his own The Boys From Dungeon Lane, an album of memories wrapped in melody and pop genius. Neil Hannon would sell his collection of Scott Walker albums to have written any one of these eleven gems, for John Howard has a wonderful talent of painting aural pictures, telling musical tales of love and sadness: I bet john is a hell of a people watcher.
Overnight Bags finds John, as I have said, looking back at his eventful life; from the plague of aids that took away too many of his friends in “What God Is This?” to the first time in Abbey Road recording his debut album in 1975, to him wondering what happened to his old teenage friends (“Josie, Do You Remember?”).
Overnight Bags is quiet the masterpiece, filled with melancholy, love and remembrance. This album is so good in fact I should have started with Paul McCartney has made his own Overnight Bags with his The Boys From Dungeon Lane.
Kevin ‘It Is What It Is’
Album (Riot Season) Released 24th July 2026
Chaotic Krautrock experimental psychedelic noise rock: “It Is what It Is”. I suppose that sums up the album, and lovers of the aforementioned will no doubt love this: and there is plenty to enjoy.
At times it reminds me of the excellent Poundland, especially vocal wise, and Potters Wheel has a rather wonderful hypnotic riff as does the Fall like “Murphy Is Buried” and “Wood Kill” could easily be off Julian Copes Masterpiece Jehovah Kill. Kevin takes all their influences and makes a fine engrossing soundtrack to delve into the mis-workings of the human psych.
Man & Machine ‘Earthman’
EP (Fruits Der Mer) Released 1st August 2026
This is a six track EP or mini album as we of a certain age like to call them (if it has more than four tracks, I would prefer to call it a mini LP). Well, this Mini LP is a lovely sounding affair; it has a beautiful airy sheen about it reminding me of the lovely slightly folkish pop rock from the seventies with just that dash of psych. Yes, it has a bewitching summerlike warmth, even one that one would find emitting from the BBC radio in those glory days of radio. This is quite a wonderful record, available as a lovely 10inch vinyl EP/mini-LP released on the Fruits De Mer Record label or as a download from Man & Machine’s Bandcamp page.
Neon Crabs ‘Big Dumb Racket’
EP (Metal Postcard Records) Released 28th July 2026
There is nothing big or dumb about this 4 track EP, unless being big and dumb is the sound of a galaxy of guitars storming up a post punk frenzy whilst the singer cajoles the inner demons into more demon like activity by out stooging the Stooges; if popping the Iggy was a Olympic event the Neon Kittens would be gold winners knocking Iggy Pop into second place: they just have the same grace like anger and fractured humour. Yes indeed, The Neon Crabs are very cool.
Occult Character ‘Unrequited Vibrations’
(Metal Postcard Records) Released 3rd August 2026
We have another fine single from Occult Character, Unrequited Vibrations is actually quite commercial and with the wind blowing in the right direction I could imagine this getting some radio play: and it would be well deserved. It certainly has lots of the odd ball charm that the Occult Character specialises in but the oddball ness is soundtracked by a rather wonderful catchy keyboard riff: let’s call it an ‘Einstein A Go Go’ for the now children.
Origami Horses ‘Vultures’
(Metal Postcard Records) Released 19th July 2026
A blast of alt pop/rock is good for you, so the Doctor tells me. And ‘Vultures’ is indeed a blast: a blast of screwed up alt pop perfection like Radiohead used to give us before they went all prog like and snarled at the beauty of the three-minute pop single. No worries on that score from The Origami Horses, they remember the magic of melody and the angry guitar wrapped in a velvet blazer.
Present Electric ‘My Heart Is Filled With A Hundred Knots Of Sorrow And A Thousand Knots Of Resentment’
Album – (Paisley Shirt Records) Released 31st July 2026
My Heart Is Filled With A Hundred Knots Of Sorrow And A Thousand Knots Of Resentment is probably the longest album title of the year and one I won’t be typing out again. Yes, it is an album of lo-fi experimental pop misadventure and a rather fine one at that; at times reminding me of Skip Spence’s OAR album, and at other times like the Velvet Underground – when in funny bugger mode – and also quite fascinatingly like Lennon’s Plastic Ono Band LP, especially on the beautiful “The Ring Is On The Phoenix’s Head”.
There is a hauntingly beautiful feel to the album, one that skips from melancholy to sunny delight with a natural graceful ease that one can only stand back and admire. Another winner as always from the Paisley Shirt Records label.
Stuart Turner and Rob Grigg ‘Gargoyles at the Memoir Club’
(Gare du Nord) Released 15th August 2026
Gargoyles At The Memoir Club is what Captain Beefheart might have sounded like if he recorded for Postcard records. Yes, it’s a strange old brew of guitar jangle, garage punk and Bad Seeds like blues madness. It is a musical exorcism, a bobsleigh ride through hell whilst swigging on a bottle of Thunderbird and recanting tales of previous misdemeanours.
Yes, this is a strange old album; an open mic night where Lloyd Cole and Tom Waites duet whilst Nick Cave juggles peanuts trying to attract the attention of the barmaid who really should know better but cannot help but smile at the velvet suited bare chested Australian.
Winter At Sea ‘Hearts’
EP – (A Cheery Wave Records) 28th August 2026
Post Rock atmospheric instrumental beauty. If that is your thing then this could well be just what you want to soundtrack your evening with…well, 20 minutes of it anyway; I suppose you could always put it on repeat and let the waves of emotion keep on covering you with the warmness and emotional stillness that this fine EP provides.
Yes, if you want a relaxing evening and not quite in the mood for Dark Side Of The Moon put this on instead. I have two good reasons for that, one, Dark Side Of The Moon is shit and, two, this isn’t.
Here’s the message bit we hate, but crucially need:
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Quarterly Playlist 2019: Part Three: Snapped Ankles, Danny Brown, Trupa Trupa, Matana Roberts, Repo-Man…
September 26, 2019
Playlist
Compiled by Dominic Valvona with contributions from Matt Oliver, Brian ‘Bordello’ Shea, Andrew C. Kidd and Gianluigi Marsibilio.
Graphics by Gianluigi Marsibilio.
Reflecting the Monolith Cocktail’s tastes and favourite choice tracks from the last few months, the Quarterly Revue is a diverse musical journey; an eclectic international playlist of discoveries. This is a space in which you are as likely to find the skewered Gary Wilson meets Brian Wilson stained-glass psychedelic songwriting of the Origami Repetika creative hub as you are the conscious transportive jazz of Horace Tapscott. Brand new tracks appear alongside reissues and recently uncovered nuggets as we move through funk, jazz, hip-hop, post-punk, shoegaze, desert blues, techno, psychedelic, acid rock, space rock, and the most experimental of musical genres.
Behold…part three…
Tracklist::
Snapped Ankles ‘Three Steps To A Development’
DJ Shadow ‘Rosie’
Kid Acne/Nosaj/Spectacular Diagnostics ‘Crest Of A Wave’
Gang Starr/J. Cole ‘Family and Loyalty’
Danny Brown ‘Best Life’
Bronx Slang ‘More Grief’
SAULT ‘Let Me Go’
clipping. ‘Nothing Is Safe’
Bloke Music ‘Everything On’
Seaside Witch Coven ‘Splutter’
Trupa Trupa ‘Remainder’
Stereo Total ‘Einfach’
Los Piranas ‘Palermo’s Grunch’
Baba Zula ‘Salincak In’
Abdallah Oumbadougou ‘Thingalene’
Grup Dogus ‘Namus Belasi’
Taichmania ‘See Ya at Six or Seven’
Kota Motomura ‘Cry Baby’
Baby Taylah ‘Reclaim’
House Of Tapes ‘Melted Ice’
Camino Willow ‘Hollywood’
Callum Easter ‘Only Sun’
Junkboy ‘Waiting Room’
Elizabeth Everts ‘Contraband’
Bloom de Wilde ‘Soul Siren’
Badge Epoque Ensemble ‘Milk Split on Eternity’
Chrissie Hynde/The Valve Bone Woe Ensemble ‘Meditation on a Pair of Wire Cutters’
Swan/Koistinen ‘Diagnosis’
Sirom ‘Low Probability of a Hug’
Koma Saxo ‘Fanfarum for Komarun’
Matana Roberts ‘Raise Yourself Up/Backbone Once More/How Bright They Shine’
Die Achse/Ghostface Killah/Agent Sasco ‘Baby Osamas’
U-Bahn ‘Beta Boyz’
Occult Character ‘Half-Wits and Cultists’
Asbestos Lead Asbestos ‘Shrimp Asmr’
Repo-Man ‘Evan The Runt’
Issac Birituro & The Rail Abandon ‘Kalba’
Nicolas Gaunin ‘Vava’u’
Mazouni ‘Daag Dagui’
Mdou Moctar ‘Wiwasharnine’
Aziza Brahim ‘Leil’
Resavoir ‘Resavoir’
Purple Mountains ‘All My Happiness is Gone’
Babybird ‘Cave In’
Adam Green ‘Freeze My Love’
Catgod ‘Blood’
Frog ‘RIP to the Empire State Flea Market’
Pozi ‘Engaged’
Roi ‘Dormouse Records’
Origami Repetika ‘Winged Creatures’
Horace Tapscott ‘Future Sally’s Time’
A Journey Of Giraffes ‘September 11 1977’
Jodie Lowther ‘The Cat Collects’
Equinox/Vukovar ‘Lament’
Kandodo 3 ‘King Vulture’
Our Daily Bread 335: Stereo Total, Spam Javelin, Bloome de Wilde, Skyjelly, Krause, Goa Express…
June 28, 2019
REVIEWS
Words: Brian ‘Bordello’ Shea
Proving a highly popular roundup from the idiosyncratic Brian ‘Bordello’ Shea, the cult leader of St. Helens dysfunctional geniuses The Bordellos, this regular splurge of advice/critique and pontificating is doing a roaring trade with our readers. We even love the constant self-publicising – God knows he needs it -; a constant reminder that the Bordellos have been gnawing away at the coalface equivalent of the music industry for decades without success, knocking out albums at a rate that even makes The Fall seem fucking slack – though they have lost their titan figurehead leader in recent years and grinded to a halt, that might be an unfair comparison to make. You can find a tiny portion of that back catalogue here… A new album – which Brain has aggrandised as one of the best albums ever made, period -, Bordello And Clarke, is due out next month.
Skyjelly ‘We Pull The Stars Over Our Heads Like Covers’
(I Heart Noise) 25th May 2019
This is a slandered youth of an LP, a jab in the eye with a rusty nail, a rewound coil waiting to spring the bejesus out of a waiting catholic mass of persuasion.
Slaughtered guitars and hyperactive bass makes light with the idea of topping the hit parade with reverb littered witterings of your off-the-head-neighbour trying to make sense of the backward spinning of the Brianjonestown Massacre after overdosing on the best tea served in the china cup, after being retrieved from Carol Deckers vagina.
Skyjelly are the type of band you would take home to meet your parents if they were dead or blissfully unaware of any situation; the type of boy I would love my daughter to bring home as it would mean she would be enjoying her youth and hanging out with people with a outsider view on life and art: A band that sticks two fingers up to the bland and monotone; a band with an attitude that can only be admired, and an LP that should be enjoyed by all.
Stereo Total ‘Ah! Que! Cinema’
(Tapete Records) 12th July 2019
This LP is bloody genius. Any LP that kicks off with a track that sounds like The Prodigy but played on a Bontempi organ is not going to go very wrong, and then carries on with the pure blissfulness of French lo-fi garage pop.
‘Ich Bin Cool’ lives up to its name – if only all pop could be as glorious as this I would actually walk about with a smile instead of my constant unbecoming frown.
There are melodies that could melt the heart of the sternest of motherfuckers: Tin pot drum machine twangy guitars wonderful sexy French female vocals dripping with drop dead Sandie Shaw like shoeless beauty, and when the ballad ‘Methadrine’ kicks in, has there been a better song recorded this year? A beautiful offbeat ballad of sadness and humour and drugs: “nine days a week we were so high”.
This LP is so good it has pissed me off a little. I thought I had made the album of the year with the Bordello and Clark Atlantic Crossing LP, but this has knocked it into a cocked hat. But don’t mind, especially when there are bands capable of making records of such beauty; when bands can come on like Stereolab one minute and a French Velvet Underground the next – ‘Brezil Says’ is a track worthy of the Velvets at their finest: pure pop heaven.
I think the playing of Ah! Quel Cinema may become a daily event this year; an LP to lose yourself in the pure beauty of perfect lo fi pop.
Spam Javelin ‘Fake News’
(link2wales Records) 7th June 2019
In these days of blandness and political correctness I’m happy to report that there is something of an underground renaissance of the guitar band; the kind of band that actually have something to say and to bring back the feeling of ‘oh fuck off you cunts, Buddy Holly did not die so you could pitch tune the hell out of this smartphone friendly soulless money making piece of fluff.’
Leading this charge are the North Wales non stop gigging machine Spam Javelin, who have just released a fine piece of punk rock fuck offery in the shape of Fake News. Three minutes of pure rock ’n’ roll, nothing more nothing less: Do you need anything more than three minutes of pure rock ’n’ roll? If the answer is yes you do, then you are dead from the waist down and the neck up. You are nothing but a chest with arms. I look forward to the LP, The Crack Whores Of Betws Garmon, and so should you.
Bloome De Wilde ‘Soul Siren’
8th July 2019
There is beauty in life and there is life in beauty, and this single by Bloome de Wilde is brimming with both; a wonderful shimmering haze of early summer evenings wrapped in a chocolate box wish; a slow dance to the long forgotten hits of Sergio Mendes; the rapture of your first long lingering kiss, this song in under four minutes captures the magic of all this.
This lovely chime of aural pop art is the first single taken from Bloome de Wilde’s debut solo LP, which going off the loveliness of ‘Soul Siren’ could well be this years “Shoegaze Bossa Nova” – which of course was last year’s submergence in blissful if onlys by Schizo Fun Addict. If Bloome de Wilde’s debut is half as good, then we are truly in for a summer of love.
Listen download and enjoy.
Krause ‘The Ecstasy Of Infinite Sterility’
(Riot Season) 5th July 2019
Rock ’n’ roll sludge, but good rock ’n’ roll sludge.
The Goa Express ‘The Day’
5th July 2019
I like this: It has a wonderful old early 80s post-punk feel about it, like the Teardrop Explodes before they signed with a major. It’s like a ramshackle polyphonic Spree; a band erupting out of the rehearsal rooms with a willingness to share their love of pop music with the garage psych subtleties of a young Syd preferring to do lasting damage to his brain than spend time in the company of geography teachers. I look forward to the LP.
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