Brian ‘Bordello’ Shea’s Reviews Roundup – Instant Reactions. All entries in alphabetical order.
Nash Albert ‘Kingdom Of Love’
Album – 6th June 2025
Now then my dearies what do we have here…well, an album by Nash Albert, an artist I admit I’d never come across before, and his third album called “Kingdom Of Love”. It sounds to me like the kind of album that would have been released in the 1980’s by a major label pretending it was an indie. It has a mixture of 80’s rock bombast with a slight tinge of goth and folk and psychedelic goodness and AOR pop. And all in all an enjoyable listen for an album that could have been released anytime in the last 40 years.
Armstrong ‘Handicrafts’
Album – 1st June 2025
Armstrong (or Julian Pitt) as I have mentioned so many times in my past reviews of his work has a God given gift for melody that is rather quite a rare and marvellous thing, and one that really deserves to be heard by more people and hopefully these 43 songs that make up this double CD comp of his wonderful gift for melody will go some way to putting that right. For we have 43 slices of home recorded sunshine pop, from the Housemartins meets Joe Meek Pop Splendour of “Sunday Walking” to the seventies Bacharach and David late tv shine of “Cosmos World” fed through the mind of Brian Wilson circa “The Beach Boys Love You” sessions.
So many aural delights: “The Wonderful Sweetest Girl” is a fine 4 track wonder of lo-fi post punk jangle pop and “Yesterdays Over” is a rather sweet piano ballad worthy of the Zombies, or the mid to late sixties magic of the Hollies or the Smiths like “Let’s Be Decisive”. I could honestly just go on and on listing the tracks and writing about how beautiful and wonderful they all are, so instead of doing that I just advise you buy the CD, and you will not be disappointed.
Dragged up ‘Blakes Tape/ Clachan Dubh’
Single
Ah, more indie guitar rock to tempt me with. I admit, I get sent way too much indie guitar rock to listen to, but when it is as fun and as well done as this I really do not mind. What we have here are two tracks of sublime indie chuggery: is chuggery a word? And if so, have I spelt it right? Anyway, Dragged Up do it all very well and hopefully will find themselves on the BBC6 music playlists and maybe even one day finding themselves guesting on Jools Holland (if so, please kick him in the groin for me), as I find the distant whispers of the mainstream calling their name.
Half Naked Shrunken Heads ‘Let’s Build A Boy’
EP – (Metal Postcard Records) 16th May 2025
Metal Postcard Records is becoming the record label to go to if you require some discordant post punk in your life. Not only do they offer us the Neon Kittens, The Salem Trials and the Legless Crabs but now their latest band of jagged angular post punk the wonderfully named Half Naked Shrunken Heads. This their debut ep is four tracks of Public Image Ltd /Bow Wow Wow extravaganza, experimental mixture of punk, dub and rather fetching kicking your heals downtown filthy art filled rock ‘n’ roll…. yes, another gem. One day Cherry Red Records are going to release a series of box sets of Metal Postcard releases and people will marvel how they never heard it first time around.
Heavenly ‘Portland Town’
Single – Digital Release 6th June 2025
The first new single from Heavenly in 20 years, and a fine single it is as well, all charming indie guitar strum and melody filled harmony bliss. A beautiful ode to Portland Town, a song that captures and enraptures and makes me want to pop on a plane with my guitar and busk away till my heart is content. A lovely summer single.
Majken ‘A Siren’
Single – (Sing A Song Fighter) 12th June 2025
“A Siren” is a rather beautiful atmospheric unusual ballad filled with rising sunsets and falling dew drop, a journey into the life and minds of a wistful muse. For Majken has a rare and sweet musical talent that emits warmth and tenderness.
Novelistme ‘Fabulous Nonsense’
Album – 10th June 2025
I like this album. Novelistme is obviously a talented songwriter and musician, and “Fabulous Nonsense” is a fine album made up of good songs and some fine melodies and some great guitar riffs; an album that will appeal to all lovers of indie rock legends GBV and Graham Coxan’s solo recordings. But there is a something that I have to mention, that I find the production and sound of the album just a little to clean and clinical for my tastes, and lacking a little warmth; the same problem I have with XTC, which is my problem and not Novelistme, and is the only thing that is stopping me loving the album, but really is a good listen.
Swansea Sound ‘Oasis V Blur’
Single – 6th June 2025
Oasis Or Blur, now that is a question that really needs to be answered even after all these years. Obviously, I am well known for my hatred of Oasis, so Blur is the obvious answer, and this lovely blast of indie is good fun with its Fall like riffage and radio friendly melody. If I was on jukebox Jury I would be holding up the Hit card…. I would probably be wrong, but it’s all good fun.
The Twirlies ‘Think That I Am In Love’
Single – (Café Superstar Recordings) 23rd May 2025
This single is a rather beautiful summery pop song. The word charming was indeed invented to describe this charming slice of indie pop. The Twirlies could well be a band worthy of further investigation; any band that can remind me of both the Zombies and Belle and Sebastian doing a summer shimmer is indeed a band worthy of further investigation. I Think That I Am In Love with this single.
The Wants ‘Bastard’
Album (STTT) 13th June 2025
There is something quite Go Betweens-ish about The Wants, but a more experimental Go Betweens, a more jagged angrier experimental colder sounding Go Betweens. I think it might be the Grant McLennan-like vocals. Although I could be completely wrong about this. If so, please ignore my opening sentence. It might be because my wife is listening to the Go Betweens in the other room and there might be a cross contamination of musical genius.
Anyway, I like this gang of post punk musical miscreants. They have a lovely 80’s psychedelic undercurrent to their sound that combines with the coldness of their post punk energy, and the whole album is an enjoyable emulsion into darkness and angular sadness. A fine album.
If you’ve enjoyed this selection, the writing, or been led down a rabbit hole into new musical terrains of aural pleasure, and if you can, then you can now show your appreciation by keeping the Monolith Cocktail afloat by donating via Ko-Fi.
For the last 15 years both me and the MC team have featured and supported music, musicians and labels we love across genres from around the world: ones that we think you’ll want to know about. No content on the site is paid for or sponsored, and we only feature artists we have genuine respect for /love or interest in. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to say thanks or show support, than you can now buy us a coffee or donate via https://ko-fi.com/monolithcocktail
Brian ‘Bordello’ Shea’s Reviews Roundup – Instant Reactions
ALL ENTRIES IN ALPHABETICAL ORDER
Tristan Armstrong ‘Lonely Avenue’
Album (Self Release) Already Out There On Bandcamp
Power Pop, Power Pop, Power Pop…I get sent so much power pop that I despair. Not that I don’t like power pop: I do. But only when it has a touch of adventure and thrill, and songwriting talent, and so much of it is so bloody average. They all know how to make power pop records; they just forget to write good songs: it’s all shit lyrics and borrowed melodies and crunchy guitars.
But this album by Tristan Armstrong succeeds where so many other fail, as he has the crunchy guitars but he has also songwriting talent and remembered that music is an artform and there is more to life than The Beatles, Big Star and Bad Finger. Tristen adds Americana, and I can hear just as much influence of Gram Parsons and Whiskeytown and Wilco than the usual three B’s, and so this has a lovely subtle urge of mild experimental warmth and texture that lesser artists would not consider. And when he does venture into the Big Star territory with “Queen Of Diamonds”, he does it with a natural flowing charm.
Yes indeed “Lonely Avenue” is a fine pop rock album and one that I would recommend to both power pop lovers and those who just love and enjoy a bloody good album.
Fran Ashcroft ‘Box Harry Day’
Album 30th May 2025
Box Harry Day is the third album from Fran Ashcroft, and anyone who has been lucky enough to enjoy his last two gems will indeed enjoy this his third foray into his own whimsical and darkly dour comical view on life and the characters he comes across in this not-so-Great Britain.
The twelve tracks on this album are split between six wonderful written vignettes and six beautiful orchestral instrumentals composed by Fran using AI, but in this case Fran being an extremely talented producer and musician has composed some rather beautiful pieces of music and they fit in well with his more lo-fi lyrical gems, and proving in the right creative hands AI can be used to make some quite beautiful art. Box Harry Day is an album of warmth, beauty and songs of lyrical accuracy of everyday British life that stands alongside the works of Coward, Davies, Dury and Haines.
bigflower ‘Something Appears’
Single – Already Out There On Bandcamp
Bigflower is back with his usual blast of monthly excellence, this time with a sonic endeavour of synth excellence. Yes indeed, “Something Appears” is a monster of a track, part Giorgio Moroder part Manchester rave; a track so buoyant that if Shelly Winters had this on her iPod in The Poseidon Adventure she would not have drowned and would have lived to swim another day: you could say she was raving not drowning.
Cody Brant & Diumal Burdens ‘A Panacea Nurtured Gurgles’
Album (Cruel Nature Records) Already Out There On Bandcamp
An aural montage of madness is maybe how one can describe this mixture of found sounds, drumbeats and samples. For “A Panacea Nurtured Gurgles” and albums of this ilk are really works of aural art best enjoyed when trying to escape the mundanities of life; finding escape in the subtle humour and the strategic placing and overlaying of sounds to create a painting of sound: a painting you can close your eyes and lose yourself in.
Fir Cone Children ‘Gearshifting’
Album (Blackjack Illuminist Records) Already Out There On Bandcamp
This album is very good – now there’s a review for you. But I’m not lying, it is very good. It sounds like the Shop Assistants, Ride and the Olivia Tremor Control getting together to gatecrash the local school indie disco to impress nobody but themselves. It has melody, charm and a not so deadly danger. It has what everyone wants from their indie album: pop suss, experimental joy mixed in with the usual post punk bass extravagancies and chiming flange melodious guitar with some rather fetching vocal harmonies – and I can even hint a subtle influence of Syd’s Pink Floyd in the mix. Can I say anymore to convince you to give this fine album a listen… if not, then bugger you. It’s your loss.
Mama Oh No ‘The Mutant’
Single Already Out There
I have more than a soft spot for 60’s Garage Rock, so this wonderful blast of riffery is indeed a blessing to the ears; a track that could have walked off any of those wonderful 60’s garage rock compilations I used to spend my teenage years rifling through in the old Prope Records in Button Street in Liverpool in the 80’s. Yes indeed, ‘The Mutant’ is blessed with a rather wonderful walking bass riff, fuzz guitars and an organ sound that would make the organist from the Fuzztones weep with joy. As you will need not telling, I await the album.
òrain ‘Hanging Fruit’
EP (Practise Music) Already Out There
This four-track EP is a rather lovely warm sounding thing of indie pop splendour; an EP of wonderfully written songs that has one’s head spinning in a slow like carousel waltz of melancholy and pure bliss. Songs that lovers of Belle And Sebastian and the Sundays will grab and hold to their hearts and play until they are paisley etched shadows of forgotten dreams and half remembered fantasy wishes.
St Johns Wood Affair ‘2’
Album 23rd May 2025
The swinging sounds of the 60’s are plundered and rediscovered in this gem of psych tinged poptitude; all original songs all steeped in the love of all things 60s pop. “Center Of Your Universe” the opening track is all “Last Train To Clarksville” guitar jangle and tells you what to expect from the rest of the album: all in your mind’s eye lyrics and the spirit and love of 1967. If an album was made to come with a cardboard cutout Kaftan, it was the St Johns Wood Affair’s 2.
Byrds like harmonies and backward guitars abound on “Hoping On The Train In Vain”, and “Magic Carpet Ride” haunted by the ghosts of the memory of late 60’s Small Faces. My favourite track, the lovely “Secret Garden”, is a kiss of pure psych pop bliss.
2 is an enjoyable and fun listen, especially for us who are still in love with the 60s sound and the 60s dream that will never fade.
Sister Wives ‘YnCanu’
Single (Libertino) Already Ou There
There is something rather beautiful about the Welsh language, and this fine single “YnCanu” by Sister Wives is a rather dark and gothic psych-Grunge gem sang in their native language. Imagine if you will The Feminine Complex being transported twenty years into the future to Seattle and told to make their mark on the local rock scene. If you can imagine that you may have some idea what this single may sound like. If you can’t imagine that just give it a listen…you will not be disappointed.
Smashing Red ‘Dark Eyed Girl’
Single (Metal Postcard Records) Already Out There
The ‘Dark Eyed Girl’ is a 60’s tinged guitar pop song that could have appeared any time over the last 50 years. It could have been performed equally by The Honeycombs (have you heard their stunning flop single “Eyes”, a forgotten dark masterpiece), The House Of Love or even Luke Haines’s Auteurs in a less narky moment. Yes, the ‘Dark Eyed Girl’ is indeed a fine guitar pop song, one that weaves a sensual sinister magic that is strangely attractive like a 60’s Mick Jagger in a floral dress.
Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years both me and the MC team have featured and supported music, musicians and labels we love across genres from around the world: ones that we think you’ll want to know about. No content on the site is paid for or sponsored, and we only feature artists we have genuine respect for /love or interest in. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to say thanks or show support, than you can now buy us a coffee at https://ko-fi.com/monolithcocktail
Our Daily Bread 636: Eamon The Destroyer, Cats Of Transnistria, John Howard, Yellow Belly…
February 4, 2025
BRIAN ‘BORDELLO’ SHEA’S REVIEWS ROUNDUP – INSTANT REACTIONS.
bigflower ‘trip d’
Single Released on the 31st January 2025
‘Trip D’ by bigflower is a cavernous atmospheric journey of yearning and sadness; three plus minutes of guitar solitude with a quite wonderful nagging riff. Once again Ivor Perry showing us why he is rated one of the finest guitarists to emerge from the 80’s Manchester scene.
Cats Of Transnistria ‘Horror’
Single (Soliti Recordings) Available Now
Horror is anything but horrible, but an atmospheric gem of Goth-y dream pop, awash with succulent 80’s keyboards and dreamy vocals. It’s as if the last 40 years been nothing but a dip in the shower with the Man From Atlantis.
Chaos Emeralds ‘Passed Away’
Album (Cruel Nature Records) 21st February 2025
Not to be confused with the Nashville Pop duo of the same name as this, Chaos Emeralds are anything but a pop duo but a rather excellent lo-fi sludge Indie rock duo with the occasional stray into both shoegaze and goth. “Count Me Out” reminds me of very early Psychedelic Furs before they went all Hollywood on us and polished up their prettiness in pink. At other times it reminds me of early 80’s Cure and Smashing Orange, which is not to be confused with smashing an orange, which is a messy and pointless exercise and The Chaos Emeralds are anything but pointless and messy, they are a fine band with a rather wonderful atmospheric sound.
The Conspiracy ‘White Winter Coats’
Single (Metal Postcard Records) 21st January 2025
I am a fan of The Conspiracy. I love their Englishness, and this excellent track really does not disappoint, it’s all seventies Bowie and Mid 80’s Julian Cope and what Syd Barrett might have sounded like if he was not a troubled soul. This is a taster to their forthcoming album, an album I will no doubt tell you all about in the coming weeks.
Eamon The Destroyer ‘Radio Sessions’
EP (Bearsuit Records) Released 21st January 2025
What we have here is an acoustic six track EP of songs recorded for two radio sessions in 2024: and mighty fine they are as well. The songs work well in acoustic form – is there such a genre of folktronica (ED: yes, there is), because if not Eamon The Destroyer has discovered it.
The Wickerman soundtrack, Momus and Leonard Cohen collide in a not so frenzy-like pleasure of subtle sly nods and winks whilst feeding Bagpuss illicit halogenic expressions of drugs gone by whilst showing thumbnail sketches of could and should have Beens. This really is a stunning six track EP of pure epic beauty.
John Howard ‘For Those that Wander By’
Album (Think Like A Key) 14th February 2025
“For Those That Wander By” is an album of sublime eloquence, an album that is steeped in songwriting craft and God-given talent. An album that features eight songs co-written by John Howard and poet Robert Cochrane, set to be released on Valentines Day, which by accident or design is extremely apt. For the album is quite a beautiful thing indeed. It is steeped in a lush wave of warmth, sadness and melancholy.
This is an album that draws on the experience of life and the passing of time; a dream world of haunting memories and ghosts from your past that caress and comfort you in the knowledge, as the old saying goes, that it is better to have loved and lost than not to have loved at all, and the skeletons in your closet are taken out daily and slow danced with under a full and rich moon.
John Howard is, as we all should know, one of England’s great musical hidden treasures, and this album coming exactly 50 years after his debut, the quite marvellous “Kid In A Big world”, goes to show that John has not lost any of his vocal capabilities. If anything, he is singing better now than he ever has, producing an album that Elton John would sell his children to be able to produce. An album of pure magic.
The Men ‘Po Box 96’
Single (Fuzz Club) Available Now
Fuzzy punk grunge with wah-wah guitar solo all in less than two minutes. If you like the sound of that give it a listen, if not give it a listen anyway: it takes longer to open a can of corn beef.
The Model Workers ‘Disaster Punk’
Album – Released 28th January 2025
I really know very little about the Model Workers apart from they are a pretty good three-piece punk band, or pop punk to be more precise: more early Green Day but with a bit more balls than say the Sex Pistols, a band that took me back to the days when my then 15 year old daughter used to text me every Tuesday to remind me to pick up that week’s copy of Kerrang and at the time that mag and its accompanying tv channel was filled with bands of this ilk and like. The Model Workers are indeed very good and I can quite easily imagine “Red Rose” or the extremely catchy “Sorry Again” popping up on the channel or the wonderful Dead Kennedy’s like “Surf Storm”, which is my favourite track on this mighty enjoyable seven-track mini album.
Occult Character ‘Next Year’s Model’
EP (Metal Postcard Records) Released 21st January 2025
Next Year’s Model is sadly not a reworking of the genius Elvis Costello and The Attractions album from 1978, although it does have a 16 second track called Elvis Costello among the seven extremely short tracks that make up this release. Occult Character is of course someone I write about very often in this blog as I like him very much, and he releases an awful lot of music, and this is another off the cuff experimental dementia music ridden foray into the diseased mind of the good old USA. And I love it.
PS: Occult Character ‘Next Year’s Model’ made last month’s choice selection of releases.
Salem Trials ‘Heavenly Bodies Under The Ground’
Album (Metal Postcard Records) Released 24th January 2025
Any album that kicks off with a track that sounds like Magazine covering Television Personalities, How I Learned To Love The Bomb soundtracking Russ spewing juicy gossip to a man he can only see whilst standing in one of the only remaining red telephone boxes left in The UK. And not even a nice part of Britain…we will say the red telephone box by the town hall in St Helens, it stinks of piss and decay but has a lost nostalgic beauty; a one-off memory of exciting times and rushed conversations, which is the perfect description of this wonderful post-punk album.
“Heavenly Bodies Under The Ground” could well be the Salem Trials best album yet, which is pretty much high praise as all The Trials many albums are pretty good indeed. One day Cherry Red Records will release a CD boxset of The Salem Trials and it will be hailed as the complete collection of one of Britain’s finest guitar bands.
Yellow Belly ‘Ghostwriter’
Album (Cruel Nature Records) 21st February 2025
The shimmering glisten of the beautiful awakening of the first summer steps of the handwritten rhyme. The melody of the clouds casting dark shadows of the night pulling dream like caricatures of memories past. The haunting bewitching soundtrack to the forever young in your mind. Yellow Belly dives deep into the subconscious and slowly teases the sadness and delight, offering the hope of the gentle and the meek, being the beacon of light that slowly emits the slow electronic drumbeats of yesterday, the vocals encapsulating the art that is found in all great pop music, the heart rendering yearning of the modern songbird or the memories of Julee Cruise floating through the speaker of your old radio kidnapping your beating heart and holding ransom to the melancholic wishes of yesterday. Yellow Belly’s Ghostwriter is an album touched with the dark hand of beautiful heartache and a bewitching stillness that is totally entrancing.
The End of the Month Revue: Playlist & Choice Album Releases
January 30, 2025
THE MONTHLY PLAYLIST SELECTION PLUS A NEW FEATURE IN WHICH WE CHOOSE OUR CHOICE ALBUMS FROM THE LAST MONTH.
Something a little different for 2025: a monthly review of all the best music plus a selection of the Monolith Cocktail team’s choice albums. Chosen this month by Dominic Valvona and Matt Oliver from January’s post.
The 32 tunes for January 2025:
Noémi Büchi ‘Gesticulate Elastically’
Cumsleg Borenail ‘Topological Hausdorff Emotional Open Sets’
Psychedelic Porn Crumpets ‘March on for Pax Ramona’
Hifiklub & Brianna Tong ‘Angelfood’
Divorce ‘Pill’
Trinka ‘Navega’
Gnonnas Pedro and His Dadjes Band ‘Tu Es Tout Seul’
Rezo ‘Molotov – The Sebastian Reynolds Remix’
The Winter Journey ‘Words First’
Saba Alizadeh ‘Plain of the Free’
Miles Cooke & Defcee ‘zugzwang’
Eric the Red & Leaf Dog ‘Duck and Dive’
Harry Shotta ‘It Wasn’t Easy’
Kid Acne, Spectacular Diagnostics & King Kashmere ‘AHEAD OF THE CURVE’
Damon Locks ‘Holding the Dawn in Place (Beyond Part 2)’
Talib Kweli & J. Rawls ‘Native Sons’
Emily Mikesell & Kate Campbell Strauss ‘Recipes’
Ghazi Faisal Al-Mulaifi & Boom.Diwan ‘Utviklingssang – Live’
Nyron Higor ‘Me Vestir De Voce’
Ike Goldman ‘Bowling Green’
Elea Calvet ‘Filthy Lucre’
Expose ‘Glue’
Neon Kittens ‘Enough of You’
Occult Character ‘Tech Hype’
Dyr Faser ‘Physical Saver’
Russ Spence ‘Phase Myself’
The Penrose Web ‘Hexapod Scene’
Park Jiha ‘Water Moon’
Robert Farrugia ‘Ballottra’
Memory Scale ‘Afternoon’s Echoes’
Joona Toivanen Trio ‘Horizons’
Timo Lassy Trio ‘Moves – Live’
Choice Albums, thus far in 2025
So, for an age I’ve been uneasy with the site’s end of year lists: our choice albums of the entire year posts, which usually take up two or three posts worth, such is the abundance of releases we cover in a year. I’ve decided to pretty much scrape them going forward. Instead, each month I will pick out several albums we’ve raved about, plus those we didn’t get time to review but think you should take as granted approved by the Monolith Cocktail team. Some of these will not be included in the above playlist. Each album is listed alphabetically as I hate those numerical voting validation lists that our rivals put out.
Cindy ‘Saw It All Demos’ (Paisley Shirt Records)
Reviewed by Brian ‘Bordello’ Shea here
Cumsleg Borenail ‘A Divorced 46 Year old DJ From Scunthorpe’
Picked by Dominic Valvona
Dyr Faser ‘Falling Stereos’
Picked by Dominic Valvona
Expose ‘ETC’ (Qunidi)
Reviewed by BBS here
Farrugia, Robert ‘Natura Maltija’ (Phantom Limb/Kewn Records)
Reviewed by DV here
Kweli, Talib & J Rawls ‘The Confidence Of Knowing’
Picked by Matt Oliver & DV
Locks, Damon ‘List Of Demands’ (International Anthem)
Reviewed by DV here
Mikesell, Emily & Kate Campbell Strauss ‘Give Way’ (Ears & Eyes Records)
Reviewed by DV here
Occult Character ‘Next Year’s Model’ (Metal Postcard Records)
Picked by DV
Philips Arts Foundation, Lucy ‘I’m Not A Fucking Metronome’
Reviewed by BBS here
Toivanen Trio, Joona ‘Gravity’ (We Jazz)
Reviewed by DV here
Winter Journey, The ‘Graceful Consolations’ (Turning Circle)
Reviewed by DV here
ZD Grafters ‘Three Little Birds’
Reviewed by DV here – technically released digitally the end of last year, but vinyl arriving sometime in February
For those that can or wish to, the Monolith Cocktail has a Ko-fi account: the micro-donation site. I hate to ask, but if you do appreciate what the Monolith Cocktail does then you can shout us a coffee or two through this platform.
Our Daily Bread 635: Gentles, Cindy, Expose, Uri Rubin…
January 16, 2025
BRIAN ‘BORDELLO’ SHEA’S REVIEWS ROUNDUP – INSTANT REACTIONS.
Cult favourite, anointed as the “king of no-fi”, Brian ‘Bordello’ Shea continues to contribute to the Monolith Cocktail in 2025 with his idiosyncratic irascible and aphorisms, his unique take on the music we send him each month to review. An artist in his own right, part of the family band The Bordellos for an age but releasing music sporadically under his own name and various guises, his latest release, a split contribution with Dee “Persian” Claw and The Neon Kittens, is due out on the 21st February, released by Cruel Nature Records.
Cindy ‘Saw It All Demos’
Album (Paisley Shirt Records)
The title of this album does not lie. It is indeed Demo’s and released on a cassette, and is a pretty nifty little album. Seven songs mostly recorded in a bedroom, and which we all know is one of the three best things one can do in a bedroom. There is a beautiful warmth and tenderness about these seven tracks; softly strummed guitar, hushed vocals, simple keyboard and percussion – apart from track 7 “The Violins”, which features the full band in a simply charming little indie pop number but doesn’t actually feature a violin at all, It’s still my favourite track on this album as I’m always a sucker for some velvety like guitar. Once again, another fine release from the wonderful Paisley Shirt Records label.
Divorce ‘Pill’
Single
I like this. It’s experimental. It’s catchy. It’s quirky and funky, all the things one wants from pop singles. It has a quite beautiful slow melancholy piano solo part which I can picture Yoko Ono opening curtains to in a large white room. And can I offer higher praise than that…I don’t think I can.
Duckie Mr Poetry ‘Miami Vice’
Single
Now, there are two reasons I like this track, and I will be honest, I’m in no way an expert on hip hop or rap and very rarely write about it, but this is rather good. It’s short, it is funky, there is plenty of hop in the hip and plenty of hip in the hop. Plus it also mentions Guinness in the lyrics and I have never come across another Hip Hop track that mentions that fine Irish brew in its lyrics: you don’t get NWA mentioning it, they are too busy fucking the police.
Expose ‘ETC’
Album (Quindi) 24th January 2024
Discordant Jabberwocky noise explosion erupts from the mouths of Sonic Youth’s long lost ill-mannered cousins, who sprout melodious pop misadventure whilst listening to the greatest guitar hits from the last 50 years on a vintage Ronco cassette and amp, surfing to pass the time of day and attract yearning looks from passing strangers who long to be the band. Do I like this? Of course! It is frivolous, it is fun, it is what rock n roll should sound like. It is both experimental and pure pop for now people. It is sexy. It is noisy. It has the appeal of cutting off a sticking out tongue from an annoying clown and cello taping it to a rocket ship so it can lick the stars.
Gentles ‘Gentles’
Album (Metal Postcard Records)
There is nothing gentle about Gentles. They are in fact a slam bam refuge of post punk disgust, an angular riff of ferocious quantity and quality part Fall part Swell Maps part Syd Barrett Pink Floyd after downing a gallon of turps. Yes, there is a subtle 60s guitar vibe that the band themselves probably have not noticed lurking underneath their arrogant angst.
Gentles are everything it means to be young angry and free to do whatever they want: if they can be bothered getting around to it.
Ike Goldman ‘Newt And Lovers/ Bowling Green’
Single
This double-sided A-side single is rather ace. Imagine if you will re-found unreleased tracks from The Beach Boys circa Smile…need I say more. If the answer is yes, you have no right reading the Monolith Cocktail as we all know late 60s Beach Boys is as perfect as it gets, and music obviously influenced by the late 60s Beach Boys done with such love and warmth is also as pretty much darned perfect as you get. Why is Ike Goldman not a household musical name? He should be.
The Neon Sea ‘As I Wonder’
Single
I like this. It has a nice early Stone Roses type jangle, and melody wise reminiscent of Blur in one of their melancholy moments: sweet, sad and mournful wrapped in a warm wash of guitar serendipity. A lovely single.
Penrose Web ‘It’s…The Penrose Web EP’
EP(Gare du Nord)
This EP is the debut release from The Penrose Web and it is rather spiffing in a good old early 80s Garage Rock way; an EP that takes me back to the days of visiting London to take in the great garage rock scene, days of the Bigfoot and the club on Camden Lock – whatever it was called – and myself and my girlfriend at the time having to share a taxi with a dodgy French man back to the Hotel because we missed the last train. The magic of music and the magic of the Penrose Web and the memories they inspire. This EP is really rather good indeed…I hope they do an album.
Lucy Philips Arts Foundation ‘I’m Not A Fucking Metronome’
Compilation Album
I’m Not A Fucking Metronome is a rather excellent compilation album to raise money for the Lucy Philips Arts Foundation, which is a foundation started in memory of Lucy Philips who was drummer and a regular face around the Leicester arts scene who sadly, suddenly, passed away in May of 2024. All money raised will help support Leicester creatives.
This Comp is actually a bit of a rarity as all 12 tracks are rather very good indeed. And I can imagine all the tracks appearing on the much missed and never replaced John Peel show: from the punk/post-punk opener by Boilers “Looking Good” – a song written by Lucy herself – through to the beautiful psych folk-tinged ballad “Heroes/Villains “by Chris Cottis Allan and the short sharp all wrapped up in one and half minuets pure punk of the excellently named Potato Legends.
As I have said, an album where all 12 bands need congratulating in adding 12 really wonderful slices of alternative pop/punk/rock to a great album and a fine cause.
Uri Rubin ‘The Way You Are’
Album
The Way You Are is what you call a grower, an album that sneaks up on you and gently wraps its arms around you and gently rocks you into submission with its lyrical tales of life and love. Uri Rubin has a lovely relaxing laidback vocal styling, part Smog, part Leonard Cohen and part Lambchop. He really does have a quite lovely voice, which he uses to good effect on these well written songs; songs that don’t stand out individually – they are not made to be radio smashes – but flow into each other to offer you 45 minutes or so of pure escape.
Most Loved and Enjoyed Highlighted Albums of 2024: Part Two: M – Z
December 16, 2024
Part Two of the Monolith Cocktail’s most loved and favourite albums of 2024 lists: from M to Z. Put together by Dominic Valvona and Brian ‘Bordello’ Shea.
Picking up on where we left off with Part One of the Monolith Cocktail’s most enjoyed and loved albums of 2024, Part Two continues to list all entries in alphabetical order, starting with M. So without further ado, here is the concluding spread of chosen albums – although anything we reviewed during the year should be considered a winner in that regard.
M_____________
Felix Machtelinckx ‘Night Scenes’ (Subexotic Records)
Chosen Dominic Valvona, reviewed originally by Graham Domain/Review
“The new album from Belgium singer, songwriter and producer Felix Machtelinckx is a strange album. In part electronic, it has an ethereal dreamlike quality where the music seems distant and the vocals sound as though they have been beamed through space from a distant galaxy.
Night Scenes is an intriguing album that is hard to define, but one that grows in definition, depth and subtle beauty with each play. It might prove to be a contender for album of the year.” GD
Marcelo D2 & SambaDrive ‘Direct-to-Disc’ (Night Dreamer)
Chosen by DV/Review
“Transforming choice tracks from his back catalogue of solo albums, put out between 1998 and 2013, the influential and acclaimed Brazilian rapper Marcelo D2 replaces the samples, breaks and scratching for a live, reactive Latin-jazz and samba trio.
As part of the championed ‘direct-to-disc’ series overseen by the Night Dreamer label, the South American hip-hop legend laid down ten performed tracks backed by the brilliant SambaDrive direct onto vinyl at the Haarlem Artone Studio in Holland. With no cuts, no edits, as little interference as necessary, these recordings sound near spontaneous, in the moment. The attitude, the passion, the crammed-in flow and more peppered lyricism is still very much on show, only now lilted towards a jazzier and Latin-fuelled backing that balances the urgency and freewheeling of the rapping with something more pliable, dissipating, funky and stylishly cool. Marcelo D2 & SambaDrive have created something very special; not so much an improvement as an alternative fruitful vision of Samba-rap. “ DV
Luce Mawdsley ‘Northwest & Nebulous’ (Pure O Records)
Chosen by DV/Review
“Over several years now the former Mugstar guitarist Luce Mawdsley has progressively shorn the more predatory slurred spoken-word mise-en-scenes and lurid, sleazy torturous self-harm from their music; gradually removing the “verbasier” programmed-like demonic effects from their voice and freeing themselves from a circled abyss of sonnets.
An holistic record that rescores the English scenery and places held near for Luce, the unfolding stages are both beautifully conveyed and hallucinatory in equal measure; a retold fairytale without any prompts, and without a human cast; a window in on the enchantments but also non-hierarchical, non-binary and free nature of the wilds and geography: a metaphor for Luce’s struggles to find an identity that feels natural, safe and unburdened. One part classical, one part Americana, and one part folksy (a touch of the Celtic too) there’s still a very modern twist to what we may identify as the familiar: imagine Prokofiev on an acid trip, or Ry Cooder in an English pasture laying down breadcrumbs for Hampshire & Foat.” DV
The Mining Co. ‘Classic Monsters’ (PinDrop Records)
Chosen by DV/Review
“Continuing to mine his childhood the London-based singer-songwriter Michael Gallagher once again produces a songbook of throwbacks to his formative adventures as a kid growing up in Donegal in Ireland.
His previous album almanac, Gum Card, touched upon a silly fleeting dabble with the occult, but this latest record (his sixth so far) is filled with childhood memories of hammy and more video nasty style supernatural characters, alongside a whole host of “weirdos”, “freaks” and “stoners”.
Once more back in his childhood home, frightened to turn the lights off, checking for Christopher Lee’s Dracula and the Wolfman under his bed, yet daring himself to keep watching those Hammer house of horror b-movies, Salem’s Lot and more bloody shockers, Gallagher links an almost lost innocence with a lifetime of travails, cathartic obsessions and searching desires.
I’m still astounded by the lack of support for his music or exposure, as Gallagher’s The Mining Co. vehicle is worthy of praise, airplay and attention. Hopefully it will be sixth album lucky for the Irishman.” DV
Hannah Mohan ‘Time Is A Walnut’ (Egghunt Records)
Chosen by DV/Review
“Geographically settling long enough to pen this solo songbook offering, but anything but settled emotionally, the former And The Kids vocalist-songwriter Hannah Mohan attempts to process the break-up of all break-ups.
Mohan rides the roller coaster of a drawn-out break-up with quirkiness and vulnerability, turning tortuous heartache into one of the best and most rewarding songbooks of the year. Mohan may have let her soul sing out, as she comes to accept an emotional turbulent period of stresses and anxieties and pain. But whether she’s finally pulled through the other side or not is up to you the listener.” DV
Jamison Field Murphy ‘It Has To End’ (Tomato Flower)
Chosen by Brian ‘Bordello’ Shea/Review
“Ah yes this is more like it. At last, an album with warmth, soul experiment and beauty. Just when I was beginning to think that it was a thing of the past James Field Murphy turns up with this home recorded gem, an album that combines all the things I love about the magic of music: songs with melody, “That Boy” could well be an outtake from The Beach Boys Smiley Smile album, and “It has To End” has a wonderful bonkers McCartney feel to it [remember McCartney was the most experimental of all the Beatles], and this track combines pop with experimental to a beautifully short and wistful degree. “Hate” is another beautiful song; yes indeed, a hate that is alright to love and love it I do. I love the tape pops in the background: you really cannot beat recording on tape.
It Has To End is a rare thing, an album you do not want to end. It’s an album I will be returning to on a regular basis over the coming months as James manages to balance off pop/psych beauty with experimentation perfectly.” BBS
N______________
NCD Instigators ‘Swimming With Sharks’ (Metal Postcard Records)
Chosen by BBS/Review
“The NCD Instigators were Tony, Brendan, and Desi Bannon, three brothers from Newcastle County Down in Northern Ireland who decided to form a band in the 80s together after many years of playing in various other bands. They took their love of metal, prog, folk and rock and home recorded several albums for their own pleasure, burning them onto CDRs to give to friends and family and playing the occasional gig.
There is just something quite magical about this album, and it is sad that now it is only being released years after the fact and that Tony (bass and vocals) is no longer with us, having passed away in 2020. Hopefully this release will ignite some long overdue interest in this underground lost great band from Northern Ireland.” BBS
Neon Kittens ‘It’s A NO Thing’ (Metal Postcard Records)
Chosen by BBS/Review
“The Kittens have a magic and their own sound: The guitar wizardry of Andy G (In a ideal world David Bowie would not be dead and Andy would be his guitarist songwriter partner) and the spoken, I am going to shove my stiletto shoe heel into your yearning heart, vocal coolness of Nina K. The Neon Kittens are one of those rare bands; we need them more than they need us.” BBS
Neutrals ‘New Town Dream’
Chosen by BBS/Review
“This is splendid stuff, an album of supreme guitar jangle, of well written and catchy songs about life in a small town that at times musically reminds me of early Wedding Present and The Pastels with such wonderfully British lyrics; although I wonder when “Travel Agents Window’s” was written as he mentions buying a bag of chips for 50p, when was the last time you managed to buy a bag of chips for 50p? Maybe life in this small town isn’t as bad as the Neutrals think. I do love this album though. I love the romance of everyday life songs, like little mini-Kitchen sink dramas filmed in grainy black and white. This is quite a gem of an album.” BBS
Not My Good Arm ‘Coffee’
Chosen by BBS/Review
“They take Rock ‘n’ Roll, Ska, Punk and Soul and tie it up and skin it alive whilst berating it with the sort of political soulful joyful nous that hasn’t been heard or witnessed since the Mighty Dexy’s Midnight Runners held the Top Of The Pops viewers enrapt with their explosion of attitude and musical good taste back in the early 80’s. Yes indeed, Coffee is a Northern indie soulful romp of an album by a band that I can imagine being a hell of a good night out to watch and by the looks of it gig on a very regular basis. So, keep your eyes scanned as they may be coming to your locality soon. I understand you can pick up a copy of Coffee on CD from their gigs, as by the looks of it they’ve not yet updated their bandcamp: probably too busy putting the fun into funk.” BBS
O_______________
OdNu + Ümlaut ‘Abandoned Spaces’ (Audiobulb)
Chosen by DV/Review
“Drawn together on what proves to be a deeply intuitive union for the Audiobulb label, the Buenos Aires-born but NY/Hudson resident Michel Mazza (the OdNu of that partnership) and the US, northern Connecticut countryside dweller Jeff Düngfelder (Ümlaut) form a bond on their reductive process of an album, Abandoned Spaces.
Tracks are given plenty of time to breathe and resonate, to unfurl spells and to open-up primal mirage-like and psyche-concocted soundscapes from the synthesized and played. And although this fits in the ambient electronic fields of demarcation, Abandoned Spaces is so much more – later on in the second half of the eight-track album, the duo expresses more rhythmic stirrings and even some harsher (though we are not talking caustic, coarse or industrial) elements of mystery, inquiry and uncertainty.” DV
Berke Can Özcan & Jonah Parzen-Johnson ‘It Was Always Time’ (We Jazz)
Chosen by DV/Review
““It Was Always Time”, and it was always meant to be, for the telepathic readings of both creative partners in this project prove synchronised and bound, no matter how far out and off-kilter their experiments of curiosity go or take them.
The Turkish polymath drummer and sound designer Berke Can Özcan and his foil the Brooklyn-based baritone/alto saxophonist and flutist Jonah Parzen-Johnson, have worked together before, namely on the former’s Lycian atavistic geographical infused and inspired Twin Peaks album, last year.
But before even that, back in the April of 2022, Parzen-Johnson found himself boarding a flight to Istanbul to perform a one-off gig with Özcan. Incredibly the two had never met until thirty minutes before going on stage for a soundcheck. The gig must have proved a creative, dynamic success as both musicians have now come together under the equal billing of this new album, recorded for the Helsinki-based hub We Jazz.
From the dubby to tribal, the esoteric to cloud gazing, Berke Can Özcan and Jonah Parzen-Johnson play out their fears and joys across an exciting album of possibilities and expressive, erring on the heavenly at one point, feelings. A fruitful combination that will endure, and hopefully reconvene in the future.” DV
P_______________
Pastense Ft. Uncommon Nasa ‘Sidewalk Chalk, Parade Day Rain’ (Uncommon Records)
Chosen by DV/Review
“Continuing to attract and surround himself with like-minded curious, inventive artisans of prose from the underground leftfield hip-hop scene, the Long and Staten Islands’ rapper and producer/beatmaker Uncommon Nasa now facilitates Pastense’s return with a post-pandemic opus of metaphysical, cosmological unravelled consciousness alchemy.
With no let-up in the quality of the expansive lyrical metaverse, tech comes in conflict with the forest’s birds and nature’s fight for survival amongst the concrete and chemically poisoned wells of so-called progression on an artistically simulated and stimulating canvas of thoughts and connectivity.
Pastense, in partnership with Nasa, creates a most excellent mind-expanding universe, and in doing so, one of the year’s best hip-hop albums: this is an artist and record worth championing.” DV
Ivo Perelman, Chad Fowler, Reggie Workman and Andrew Cyrille ‘Embracing The Unknown’ (Mahakala Music) Chosen by DV/Review
“A true “cross-generational” (with two of the participants born in the 1930s) coming together of avant-garde, freeform and hard bop talent, the ensemble quartet of Ivo Perelman, Chad Fowler, Reggie Workman and Andrew Cyrille “embrace” experiment. You could call it an extemporized gathering, with no prior arrangements and not much in the way of dialogue.
Making the abstract seem even more so, yet somehow conveying mood, emotions and self-expression, this descriptive and totally improvisational master class in free-thought-jazz somehow captures the internal struggles and reflections of the mind during an age of high anxiety, rage, divisiveness and unease.” DV
James P M Philips ‘Spite, Bile & Beauty’ (Turquoise Coal)
Chosen by BBS/Review
“Punk, folk, rock and a medieval becoming strangeness all collide to bring us another album of psychedelic whimsy from the head and heart of James P M Phillips: an album of joy, sadness, humour and pain. Whether it be the quite wonderfully disturbingly jagged “My Head Is Full Of Rats” or the quite beautiful folk strum of “My New Friend”, James has his own unique way of making music and writing songs; dipping his own original thought patterns into a hybrid of musical genre hopping eccentricity.” BBS
Poppycock ‘Magic Mothers’
Chosen by BBS/Review
“The whole album is joy. I love the mix of jazz, folk and psychedelic pop: alas, if only the last Zombies album was as enjoyable as this.” BBS
Pound Land ‘Live At New River Studios/ Worried’ (Cruel Nature Records)
Chosen by DV, but reviewed originally by Brian ‘Bordello’ Shea
“This new album by Pound Land is a double whammy of an affair. The first side recorded live, captures the band without guitar but with a rather fetching squelching punk rock synth suppling the health out of the watching masses. Pound Land are of course a punk and post punk rock outfit of political magnitude. A band that captures the atmosphere of living in this divided land we call the United Kingdom and make a hell of a fine racket while capturing the atmosphere as the live side of this cassette magically proves. The second side is taken up by the thirty-one-minute track, “Worried”, which is a fine sonic journey of sadness, horror and experimental splendour that takes in dub, punk, and electro soundscapes; a dream of a nightmare track that really needs to be heard by all.” BBS
R__________________
Revival Season ‘Golden Age Of Self Snitching’ (Heavenly Recordings)
Chosen by DV
Totally missed at the time by us (well, we did feature ‘Chop’ on the February edition of the Monthly playlist), this incredible union between Brandon “BEZ” (B Easy) Evans and beatmaker/producer Jonah Swilley is so “now” it hurts. A synergy that captures the times it was forged in, Golden Age Of Self–Snitching crafts electronic dance music both dystopian and club, hip-hop, 2-Step, the kind of fusions that TV On The Radio used to generate, locked beats and breaks and dub into a commentary on societal change, protestation and revolution. An essential flow of concentrated angst, frustrations and observation criminally overlooked, and which should make every end of year list of there was any real justice in this god damn forsaken world. DV
Kevin Robertson ‘The Call Of The Sea’
Chosen by BBS/Review
““The Call Of The Sea” is the fourth solo album from Kevin Robertson, a man who is also one of the vocalists/guitarists from Scottish guitar band The Vapour Trails. And here we have him once again showering us with sublime melodies. Melodies that are wrapped in Byrdsian like guitar jangle and vocal harmonies that have just stepped from scratched vinyl copies of ye olde mid-sixties beat boom collectables stopped for a cup of the finest Earl Grey with late 80’s early 90’s Scottish indie guitar wunderkinds’ Teenage Fanclub and Superstar while scribbling on postcards to send their love to those old scouse reprobates Shack and The La’s and the Coral.” BBS
S___________________
Salem Trials ‘View From Another Window’ (Metal Postcard Records)
Chosen by BBS/ Review
“The Salem Trials are clinically rambunctious. They are never further than being an arm’s length away from genius. They have their own sound: their own model of post-punk if you like. They take all the usual subjects (The Fall, Wire, Gang Of Four, the Blue Orchids and Subway Army) and mix them with a no wave sound coming from the streets of New York in the late 70s early 80s. They release albums constantly – this is actually the first of 2024 though, and fits in nicely with the army of their previously released albums.
Andy still being the inspired guitarist that he is, riffing like a cross between Keith Richards, Tom Verlaine and Brix Smith with a army of admirers gathering in her Dis guarded nightwear, and Russ still being the nutter on the bus wearing the splatter ballistic cop t-shirt and spitting feathers at the naked chickens queuing up outside to be the first in line for the latest modern contraption while he is creating art at its best out of the fuzzy felt of yesteryears clowns hats. You really have to love the Salem Trials.” BBS
The Salisman Communal Orchestration ‘A Queen Among Clods’ (Cruel Nature Records)
Chosen by BBS/Review
“I love the psychedelic otherworldliness of SCO. I love the way the lead vocalist phrases his words. He sings with the soul of an sad imperfect empathetic angel, you actually believe in what he is saying, “[If I Wasn’t ]So Godam Blue” is so goddamn beautiful, and with some pretty wonderful lyrics: “remember those days when I pissed in the street, well that is not my style anymore”. Pure heartbreak poetry at its best. The following track “Rum Punch” is as equally beautiful, a psych country-tinged beauty full of sadness and pathos.
I really do love this album SCO have the perfect blend of magic and tragic, and “A Queen Among Clods” is defiantly one of the most impressive and heartfelt original sounding albums I have had the pleasure to write about this year. A true stunner.” BBS
Sly & The Family Drone ‘Moon Is Doom Backwards’ (Human Worth)
Chosen by DV/Review
“A wrestling match on the barricades between the forces of Marxism, Populism, the consumer culture, nepotism, and encroaching forces of a technological dystopia, the collective forces of this group provide a reification-style soundtrack to the crisis of our times. Often this means escaping via a trapdoor to beyond the ether, or, to off worlds and mysterious alien landscapes. But we’re always drawn back into the horror, stresses and contorted darkness of reality; a sonic PTSD manifested in industrial noises from Capitalism’s workshop.
Poltergeist’s jamming activity, fizzles of sound waves and transmissions from the chthonian, ghost ship bristled low horns and higher pitched shrieks, bestial tubular growls, cymbal shaves, disturbances in the matrix, a short melody of pastoral reeds, drums that sounding like a beating. This is the sound of Moon Is Doom Backwards; pushing and striving to score this hideous age through the cerebral and chaotic.” DV
Juanita Stein ‘The Weightless Hour’ (Agricultural Audio)
Chosen by DV/Review
“And perhaps it all comes to this, that after twenty-five years in the music business as both the frontwoman of the Howling Bells and as an established solo artist Juanita Stein has finally found the strength of her own voice and creative force. Stepping out from behind the safeguards of noisy rock to find that silence resonates deeper and further, Juanita erases everything but the most vital, emotionally receptive and connective elements from her music to produce a sagacious, confident (despite the fragility and vulnerability in places) songbook of personal memories.
The Weightless Hour is the perfect album from a great voice and songwriter, who’s now able to find that distance from the events of the past and a new sense of reflected candidness and honesty in motherhood. Juanita’s true self and strength opens-up, the noise diminished for something far more powerful. Not so much defiant as confident. A definite album of the year.” DV
Mohammad Syfkhan ‘I Am Kurdish’ (Nyahh)
Chosen by DV/Review
“Like an ascending stairway, or flowing and resonating with evocative melodious magic, lute stirring ruminations sweep over Arabia and surrounding regions; referencing anonymous, collective and some original-penned compositions and dances to Islam’s ‘golden age’ of fairytale (‘A Thousand And One Nights’); Kurdish pride in the face of repression (the title-track of course) and its peoples’ struggle for independence and respect (‘Do Not Bow’); lovelorn enquires (‘Do You Have A Lover Or Not?’) and the missed daily activities, interactions of life back home in Raqqa. Across it all the hand drums tab, rattle and roll; the cello arches, weeps and bows in sympathy; and the bouzouki lute swoons and rings out the most nimble and beautiful of ached and more up-tempo giddy tunes.” DV
T____________________
The Tearless Life ‘Conversations With Angels’ (Other Voices Records)
Chosen by DV/Review
“Both a transference of souls from the now cremated – or laid to rest, depending on your choice of metaphorical ritual death – Vukovar plus a host of orbiting “other voices”, the make-up of The Tearless Life remains relatively, and intentionally, shrouded, obscured.
Taking a while to materialize, The Tearless Life’s debut opus is both the announcement of new age, but also a bridge between this latest incarnation and the former Vukovar invocation – they are in essence, a band that continues to haunt itself. Old bonds remain, sound wise and lyrically, but with a new impetus of murky, vapoured, gossamer, mono and ether effected solace, tragic romanticism, pleaded and afflatus love, spiritual inspired yearning and allegorical hunger.
Talking to angels, conversing with both the seraph and the fallen, the daemons and spirits of the alchemist’s alternative dimensions, the group transduce the writings of that most visionary seer John Dee, the opium eater Thomas De Quincey, William Blake, and the far more obscure Samuel Hubbard Scudder, who’s 19th century, fairy-like, Frail Children of the Air: Excursions Into The World Of Butterflies publication of philosophical essays lends its title to a song of tubular airy manifestations, distortion, wisped spiralling piques and beautified touching emotional anguish.
Conversations With Angels is epic; the first step in, what I hope, will be a fruitful conversation to divine enlightenment, curiosity, psychological and philosophical intelligent synth-pop.” DV
TRAINING + Ruth Goller ‘threads to knot’ (Squama Recordings)
Chosen by DV/Review
“Two connective forces in the experimental, inventive contemporary jazz scenes combine their experiences and art on this sonic and musical hybrid.
There’s enough threads, nodes and junctions in between to feed off, but both partners in this knotted tension and more spiritual, lofty, airy and aria-like ether Linda Sharrock “ah’d” fusion of influences and prompted sparks of inspiration read each other very well. Directed by, and riffing off, the “Exquiste Corpse” parlour game so beloved by the Surrealist movement, the trio of players expand beyond the jazz idiom into shadow worlds, the mysterious, supernatural, cosmic and near industrial.
Pretty much out on the peripherals of jazz, ascending, flexing, rasping, soothing and breathing iterations and more untethered expressions of freeform music, TRAINING + Ruth Goller fashion organic fusions from a process that promises the wild, tumultuous, wrangled and strange, yet also provides the melodic and dreamy.” DV
Twile (featuring Laura Lehtola) “Hunger Moon” (Cruel Nature Records)
Chosen by BBS/Review
““Hunger Moon” is an album that combines folk, trip-hop, electronica and magic, and weaves together a tapestry of undiluted majestic swoonincity that has not been heard since the Portishead debut album “Dummy”.
Hunger Moon really does not put a foot out of place as it flows and hooks you into its warm strangeness, cradling you and sweeping you up to a safe place where dreams are free to play and cast shadows over your deepest thought and emotions. Eight tracks to soundtrack you as you come down from your highest high. Truly magnificent.” BBS
V______________________
Various ‘Athos: Echoes From The Holy Mountain’ (FLEE)
Chosen by DV/Review
“Context is vital: history essential. For the publishing house/record label/curatorial/ethnologist platform FLEE has spent a year unravelling, digging and excavating and researching their grand project dedicated to the Athos monastic community.
No one quite puts in the work that FLEE and their collaborators do, with the scope and range of academia wide and deep. Musically, across a double album vinyl format there’s a split between those artists, DJs and producers that have conjured up new peregrinations influenced by the source material, and a clutch of recordings taken in the 1960s and in recent times of the Daniilaioi Brotherhood Choir, Father Lazaros of the Grigoriou monastery, Father Germanos of the Vatopedi and Father Antypas – there’s also attributed performances to the Iviron and Simonopetra monasteries too.
As an overall package however, Echoes From The Holy Mountain is a deep survey of a near closed-off world and all the various attached liturgical and historical threads. FLEE reawaken an age-old practice, bringing to life traditions that, although interrupted and near climatically hindered, stretch back a millennium or more. No dusted ethnographical academic study for students but an impressive and important purview of reverential dedication and a lifetime of service, this project offers new perspectives and takes on the afflatus. Yet again the platform’s extensive research has brought together an international cast, with the main motivation being to work with tradition to create something respectful but freshly inviting and inquisitive. The historical sound, seldom witnessed or heard by outsiders, is reinvigorated, as a story is told through sonic exploration.” DV
Various Artists ‘I’m Glad About It: The legacy Of Louisville Gospel 1958 – 1981’ (The Louisville Story Program/Distributed Through Light In The Attic) Chosen by DV/Review
“When Ben Jones, one of the many voices of authority and leading lights of the Louisville gospel legacy, enthuses that the talent at every Black church during the golden years chronicled in this ambitious box set was akin to witnessing and hearing “ten Aretha Franklins at every service”, he’s not boasting. Jones’ contributions, as outlined in this multimedia package’s accompanying 208-page full colour booklet, lays down the much unrepresented story of a thriving, enduring scene. Alongside a host of reverent members of the various Evangelist, Pentecostal, Baptist and Apostolic churches, artists, instigators and custodians, his informative, animated and passionate words draw you into a most incredible cross-community of afflatus bearers of the gospel tradition. For the Louisville scene was and continues to be every bit the equal of its more famous and celebrated rivals across the American South. And that Aretha quote is no exaggeration, as you will hear some of the most incredible voices and choirs to ever make it on to wax, or, in some cases, make it onto the various radio stations and TV shows that promoted this divine expression of worship. 83 songs, hymns and paeans of assurance, great comfort, tribulations and travails from a gospel cannon of pure quality, moving testament and joy.
‘I’m Glad About It: The legacy Of Louisville Gospel 1958 – 1981’ is an unprecedented example of just how to display and facilitate such a multifaceted project of documentation and archive – in the package I received there were links to a brilliant visual timeline and archive of some 1000 songs recorded by 125 different gospel artists. A labour of love and recognition, taking over three years to put together, The Louisville Story Program has not just set out to preserve but also equip the communities they serve with a genuine platform which can be added to overtime. But importantly, they’ve brought in a number of inspiring voices to help build a concise story of legacy and continued influence of the city and gospel music in general – Ben Jones citing Drake and Kayne unable to find a beat that they didn’t hear in church.” DV
Various ‘Congo Funk! – Sound Madness From The Shores Of The Mighty Congo River (Kinshaha/Brazzaville 1969-1982)’ (Analog Africa) Chosen by DV/Review
“A tale of two cities on opposites sides of the same river, the Congo, the latest excursion for the Analog Africa label celebrates and showcases an abundance of dynamite, soul and funk tracks from the two capitals of Kinshasa and Brazzaville.
Congo Funk in all its many variations is put under the spotlight, with an outstanding set list of fourteen tracks (whittled down from a container’s worth of singles) that will enthral and educate in equal measures. Essential dance floor fillers await.” DV
Various ‘Ghana Special 2: Electronic Highlife & Afro Sounds In The Diaspora 1980-93’ (Soundway Records) Chosen by DV/Review
“The first decade of the new millennium proved a fruitful period for (re) discovering Africa’s rich dynamic and explosive music heritage, with both (through their various Afro-funk and Afro-psych compilations) Soundway Records and Analog Africa (in particular their influential African Scream Contests) spoiling connoisseurs and those with just a curiosity alike to sounds rarely heard outside the continent. The former’s original five album Ghana Special spread was one such indispensable collection from that time; a perfectly encased box set survey of one of Africa’s most important musical junctions. Now, unbelievably, a full twenty years later Soundway have followed up that “highlife” triumph with a second volume; moving the action on into a new decade. Ghana Special part two is a refreshing map of the diaspora fusions and hybrids that spread across Europe during a time of movement and turmoil from Ghana’s hotbed of influential stars and musicians. In highlighting the stories and journeys of Ghana’s émigrés, and in introducing us to those sounds, movements that remain either forgotten or just not as celebrated, Volume 2 will become as indispensable as the first.” DV
Various ‘Ulyap Songs: Beyond Circassian Tradition’ (FLEE)
Chosen by DV/Review
“Broadening the scope, the guest list of collaborators stretches the imagination; often completely uncoupled from the source material. All together in one bumper package of ethnomusicology, it makes perfect sense, futuristic alternative planes and visions of a forgotten – mostly passed down orally – tradition. This is a document and testament to the hardiness, perseverance and survival of a culture massacred, exiled and incarcerated, the remnants of a culture almost lost in time, but proving to be very much alive and intriguing to our ears. FLEE and their collaborators, aiders have put together a brilliant, thorough piece of musical research that bristles and wafts with a bounty of possibilities.” DV
Various ‘Wagadu Grooves: The Hypnotic Sound Of Camara 1987-2016’ (Hot Mule)
Chosen by DV/Review
“Shedding light on a rarely told story, the latest showcase compilation from the Paris label Hot Mule unfolds the backstory and “hypnotic” sounds of Gaye Mody Camara’s iconic label; a story that encompasses the West African Soninke diaspora and legacy. The entrepreneur turn label honcho and umbrella for those artists both from the mainland French migrant community and from across swathes of what was the atavistic kingdom of the Soninke ethnic groups’ Wagadu, Camara, through various means and links, helped create a whole industry of music production in Paris during the 80s, 90s and new millennium. The sound is always amazing, and the voices commanding, a mix of those inherited Griot roots, the club, pop and caravan trial. Most importantly Wagadu does have that eponymous ‘groove’ of the title: the ‘hypnotic’ bit too.” DV
Violet Nox ‘Hesperia’ (Somehwerecold Records)
Chosen by DV/Review
“Building new worlds, futuristic landscapes and intergalactic safe havens, and leaving vapour trails of laconic, hypnotizing new age psy-trance mysticism, a message of self-discovery and of resistance in their wake, Violet Nox once more embrace Gaia, Greek and Buddhist etymology and astrology to voyage beyond earthly realms.
Referencing mythological starry nymphs, a sun god’s charioteer, Agamemnon’s granddaughter and scientific phenomenon as they waft, drift and occasionally pump through veils of ambience, trance, dub, EDM and techno, the Boston, Massachusetts trio (although this core foundation is pliable and has expanded its ranks on previous releases) of synthesists and electronic crafters Dez DeCarlo and Andrew Abrahamson, and airy, searching siren vocalist and caller Noell Dorsey, occupy a dreamy ethereal plane that fits somewhere between Vangelis, Lisa Gerrard, Mythos, Kavinsky, Banco de Gaia and ecological revering dance music.” DV
Virgin Vacations ‘Dapple Patterns’
Chosen by DV/Review
“From a multitude of sources, across a number of mediums, the concentrated sonic force that is Virgin Vacations ramp up the queasy quasars and the heavy-set slab wall of no wave-punk-jazz-maths-krautrock sounds on their debut long player. With room to expand horizons the Hong Kong (tough gig in recent years, what with China’s crackdowns on the free press and student activists; installing authoritarian control over the Island) ensemble lay out a both hustled, bustled and more cosmic psychedelic journey, from the prowling to the near filmic and quasi-operatic -from darkened forebode to Shinto temple bell-ringing comedowns that fade out into affinity.” DV
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Tucker Zimmerman ‘I Wonder If I’ll Ever Come True’ (Big Potato Records)
Chosen by DV
Whilst living in idyllic seclusion in Belgium during the 1970s, the venerated but underrated idiosyncratic US-born troubadour/singer-songwriter Tucker Zimmerman left the door ajar to friends (namely Ian A Anderson & Maggie Holland) and the like to spin a collection of unburdened, unpressured homegrown recordings. The results, unsurprisingly magical, halcyon and unassumingly poignantly poetic. The first ever release for ‘I Wonder If I’ll Ever Come True’ is as revelatory as much as it is sublime, felt, intimate, boosting a reputation and clamour for an overlooked maestro. DV
If you enjoyed or were introduced to new discoveries and wish to support us, you can donate the price of a coffee to https://ko-fi.com/monolithcocktail
Most Loved and Enjoyed Highlighted Albums of 2024: Part One: A – L
December 10, 2024
Welcome to part one of the Monolith Cocktail’s most loved and favourite albums of 2024 lists.
Picked by Dominic Valvona and Brian ‘Bordello’ Shea.
Despite the tumult of problems that face artists and bands in the music industry, from a lack of general interest to the increasingly punitive costs of touring and playing live, the worrying trend of venue closures, the ever-encroaching domination of streaming against physical sales and exposure, and the onslaught of AI, people just can’t quit making music. And that’s all without listing the political, social and economic woes that continue to make life unbearable for most of us; the scandalous forces of austerity/cost-of-living crisis and post-Covid hangover threatening to constantly drag us under. We, as critics – though most of us have either been musicians or still are – really appreciate what you guys, the music makers, do in the face of such intense stresses.
In fact, as we have always tried to convey, we celebrate you all. And so (as I say every year) instead of those silly, factious and plain dumb numerical charts that our peers and rivals insist on continuing to print – how can you really suggest one album deserves their place above or below another; why does one entry get the 23rd spot and another the 22nd; unless it is a vote count, and even then, does it really come down to a popularity contest? –, the Monolith Cocktail has always chosen a much more diplomatic and democratic alphabetical order – something we (more or less) started in the first place.
The lists are broken up this year into two parts, A-L, and M-Z, and include those albums we’ve reviewed or featured on the site in some capacity, plus a smattering of those we just didn’t get the time to include. All entries are displayed thus: Artist (in alphabetical order) then the album title, label, who it was chosen by and a review link, if there is one. We also included quotes and summaries underneath.
Before we precede, we’d like to thank the following contributors to the site this year: Dominic Valvona, Brian ‘Bordello’ Shea, Matt Oliver, Graham Domain, Mikey McDonald and Andrew C. Kidd, plus our Italian friends at Kalporz. Also, our gratitude and love for all our supporters during the year, and to those that have donated to https://ko-fi.com/monolithcocktail We really can’t have continued without it.
A_
A Journey Of Giraffes ‘Retro Porter’ (Somewherecold Records)
Chosen by Dominic Valvona/Review
“The sound of John Lane’s most prolific and artistically successful alias, A Journey Of Giraffes (no stranger to the blog, and often featured in our choice end of year features) is given almost unlimited time and space to unfurl on the ambitious opus-spanning Retro Porter album of ambient empirical suites.
An expansion upon Lane’s previous work – especially last year’s choice album entry, Empress Nouveau – each evolving sensory piece allows all the Baltimore composer’s signatures, motifs and serialism-like enquires to recollect memories of places and scenes, of the abstract, over the course of what sounds like a whole day.
Mirages, imaging’s, the sound of birds in the iron lattice gardens of an ostentatious arcade percent as described in late 19th century novella’s, sonorous pitches, the softened sound of a taiko drum at the Kabuki theatre, various hinges, dulcimer-like strokes all evaporate then solidify to create an ambient opus; a lifetimes work coalesced into one expansive, layered work of soundscape art and abstraction. Lane has allowed his mind to wander and explore organic and cerebral long form ideas like never before to produce, perhaps, his most accomplished unrestricted work yet.” DV
Annarella and Django ‘Jouer’ (We Are Busy Bodies/Sing A Song Fighter)
Chosen by DV/Review
“Born from the Senegalese imbued and inspired hub built around Sweden’s Wau Wau Collectif, another cross-cultural project that embraces that West African nation’s (and its neighbours) rich musical heritage. Fusing the roots, landscape and themes of Senegal with those of Europe, the partnership of Swedish flutist Annarella and the Malian born ngoni master Django absorbs the very atmosphere of that westernmost African republic, transposing and transforming age old traditions with a hybrid of contemporary musical effects and influences and guest list of diverse musicians and voices.
Django’s home environment and the outlier around it seeps into and materializes like a dreamy haze across all the album’s tracks, as evocations of the classical, of jazz and the blues mixes with the local stew of diverse languages. Tracks like ‘Degrees of Freedom’ are more mystical sounding, near cosmic, as the band saunter like gauze under the moon and across the desert’s sandy tides. Jouer, which translates from the French into “play”, is just that, a lovely stirring union of the playful that seamlessly entwines the two musician’s respective practices with sympathy, respect and the earthly concerns of our endangered societies and world. Hopefully this collaboration will continue and grow over the years; there’s not been a better one since Catrin Finch teamed up with Seckou Keita.” DV
Fran Ashcroft ‘Songs That Never Were’ (Think Like A Key)
Chosen by Brian ‘Bordello’ Shea/Review
“There is a uniqueness about this album; a trueness and soul you do not come across often much in these days of music to be played on phones. These are songs that could have been written anytime over the last 50 or so years, with some quite beautiful melodies and great lyrics; songs made for and by a music lover…already one on my end of the year best list.” BBS
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Donald Beaman ‘Fog On Mirror Glass’ (Royal Oakie)
Chosen by DV/Review
“The play and course of light, the recurring “phantom” and a beautiful subdued, nigh on elegiac poetry conjures up a simultaneous union of the beatific and longing on the latest solo effort from Donald Beaman.
Like a drifter’s songbook of subtle, intimate and home-recorded wanderings, metaphors and the like for yearned and plaintive romantic loss, fondness, the passing/measuring of time, and the urge to find comfort and solace, Fog On Mirror Glass uses memories of the weather, the way the light touched or dimmed at a given moment in time, and the smallest of witnessed movements/touches to evoke the right atmosphere of gossamer and sparsity.
In all, a most impressive and understated songbook of honest quality and performance, themed largely around the way light falls upon any given metaphor, analogy, phrase, description and texture. Unadorned, the feelings are left to pull and draw the listener into a most intimate world. Each play reveals more, as the album really begins to grow on you. A fine record indeed.” DV
Beauty Stab ‘Guide/Frisk’
Chosen by BBS/Review
“After a five plus year wait, we have the debut, and who knows, only album from the one time much tipped for big things Beauty Stab. An album filled with sex sleaze and glamour but with a healthy or unhealthy dose of darkness.
The sound and feel of eighties chart land I think has a big influence on Beauty Stab. They do share a name with ABC’s second album after all, and I can almost hear Martin Fry emote over the bass heavy synth pop funk of “Manic”.
“GUIDE/FRISK” is a wonderful and inventive crafted album that celebrates the joy and darkness and power that great pop music can bring to your life and really deserves to be heard by all.” BBS
Black Artist Group ‘For Peace And Liberty, In Paris December 1972’ (WEWANTSOUNDS)
Chosen by DV/Review
“Saved from obscurity and jazz lore, the previously believed “long-lost” recordings of the Black Artist Group’s radical free, avant-garde, spiritual and Afro jazz (with a side order hustle of funk) performance in Paris has been thankfully unearthed, dusted off and remastered in a project partnership between the band and the French Institut national de l’audiovisuel. Facilitating this operation are the reissue revivalist vinyl specialists WEWANTSOUNDS – regularly featured in my review columns over the years -, who’ve invited various connoisseur experts to provide liner notes, essays and photographic images to this package.
At times we’re talking Coltrane and Sun Ra, and at other times Roscoe Mitchell, Carlos Garnett and the Art Ensemble Of Chicago. You can also pick up some Chick, a touch of Cymande, of Art Blakey, Sam Rivers and Anthony Braxton. But to be specific, if you dig Rahsaan Roland Kirk’s ‘Safari’, Ornette Coleman’s ‘Lonely Woman’ and Don Cherry’s Organic Music Society then you’ll really need to part with the cash and have this on your shelf asap: not before blasting it out from your turntable.” DV
Black Diamond ‘Furniture Of The Mind Rearranging’ (We Jazz)
Chosen by DV/Review
“Transported back in time, and then propelled forward into the now via Chicago’s musical legacy, its rich heritage of innovators and scope in the world of jazz, Artie Black and Hunter Diamond’s dual saxophone and woodwind focused vehicle can trace a line from the Windy City’s smokestack bluesy outlines of the 50s through the icons Sun Ra, Roscoe Mitchell, Eddie Johnson, Lester Bowie, Art Ensemble Of Chicago, Anthony Braxton and the hothouse of undeniable influence and talent, the Association For The Advancement Of Creative Musicians.
Across an ambitious double-album spread of both quartet and duo mode formations, those Black Diamonds don’t so much shine as smoulder and fizzle to a smoky and simmering resonance and metropolis backdrop encroached by wild jungles and fertile growth.” DV
Bloom De Wilde ‘The Circular Being’
Chosen by BBS/Review
“I love the muse and the music of Bloom de Wilde. It has a tender all-consuming innocence and hope that calmly plays Rock Paper Scissors with a wistful sadness and melancholy.
Bloom writes songs that offer hope against all the odds; songs that embrace the eccentrics and outsiders, all the underdogs in life. Maybe that is why I feel a connection to her music and at times find myself totally engrossed with her beautiful tapestry of pop, jazz, folk and psychedelia, which she has woven with great love and skill to make great art.
Bloom is a fine songwriter, which may sometimes be overlooked due to the wonderful eccentricities of her personality and is a quite an accomplished and original lyricist, as this fascinating eleven song album of love, hope and magic shows.” BBS
The Bordellos ‘Nobody’s Listening’ (Metal Postcard Records)
Chosen by DV/Review by Graham Domain
“This is another perfect ‘slice of life’ album from The Bordellos. If all they had was a pair of spoons and a cassette-recorder, they would still be driven to record these hazy snapshots of life, in the same way that L S Lowry splashed his canvas with the daily drudgery and drama of the northern working-class. Was anyone paying attention to Mr Lowry at the time? No! But today there are hotels, theatres and tree-lined streets named after him. (Even Bowie was one to acknowledge the match-stalk painters genius titling his best album Low)!” Graham Domain
boycalledcrow ‘Kullau (Mortality Tables)
Chosen by DV/Review
“A musical atmospheric hallucination and psychedelic dream-realism of a roadmap, the latest transduced-style album from Carl M Knott (aka a boycalledcrow) takes his recollections, memory card filled photo albums, samples and experiences of travelling through Northern India between 2005 and 2006 and turns them into near avant-garde transported passages of outsider art music.
Place names (that album title refers to the village, an ancient kingdom, of ‘Kullu’, which sits in the ‘snow-laden mountain’ province of Himachel Pradesh in the Western Himalayas), Buddhist self-transformation methods (the extremely tough self-observation process of “non-reaction” for the body and mind known as “Vipassana”), Hindu and Jainism yogis (the “Sadhu”, a religious ascetic, mendicant or any kind of holy person who has renounced the worldly life, choosing instead to dedicate themselves to achieving “moksha” – liberation – through meditation and the contemplation of God) and language (the localised distinctive Kullu dialect and syntax of “Kanashi”, currently under threat) are all used as vague reference points, markers in this hallucinatory grand tour.” DV
Brevity ‘Home Is Where Your Dog Is’ (Think Like A Key)
Chosen by BBS/Review
“The wonderfully named “Home Is Where your Dog Is” is the unreleased album, plus some demo recordings, by late the 60’s early 70’s Chicago rock band Brevity, a band who never actually got to release anything at the time but had interest and encouragement from both Island Records and Frank Zappa’s Bizarre/Straight Records. Truth be told, released here for the first time by Think Like A Key Records, it is indeed a bit of a lost and now found musical treasure.
“Home Is Where Your Dog Is” is one of those rare lost albums that actually deserves to be labelled a lost classic, and the added demos actually have an indie/post punk feel to them that reminded me strangely of very early Pulp in their more acoustic like days. Yes, one of my favourite albums I have had the pleasure to listen to this year: a true Gem of an album.” BBS
Charlie Butler ‘Wild Fictions’ (Cruel Nature Records)
Chosen by DV/Review originally by Brian ‘Bordello’ Shea
“The music is all that you hoped it would be, for music without hope is hopeless and this is anything but that; it is the cream cake among lesser mortals.” BBS”
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Chris Corsano ‘The Key (Became the Important Thing [and Then Just Faded Away])’
(Drag City) – Chosen by DV
The prolific free-jazz, avant-garde and avant-hard drumming innovator Chris Corsano can be found as an instigator or willing foil across a multitude of experimental collaborations (recently on the MC appearing alongside Nels Cline, Darin Gray and Glenn Kotche as part of the We Jazz signed-off Saccata Quartet) but his soloist works are just as numerous and far reaching/influential. I lost count of appearances and album releases in 2024, but this constant rhythmic and non-rhythmic progressing album is my favourite, taken from back in June.
Literally letting rip with an apparatus of recognisable and often non-musical implements, Corsano fuses a noise and splash of ripping and tearing sounds with no wave Kraut-punk (think CAN, Faust), West African drumming, alternative jazz and jazz-prog-rock. Untethered, clever, and anarchistic in equal measures. DV
Alison Cotton ‘Engelchen’ (Rocket Recordings)
Chosen by DV/Review
“In the wake of the barbaric terrorism of Hamas on October 7th, and the ensuing destructive retaliation/ obliteration of Gaza by Israel since, there seems little room – let alone nuance and balance – on the debate; battle lines have been drawn and divisions sowed. And so, this inspired tale of ‘derring-do’ (originally performed live at the Seventeen Nineteen Holy Church in Sunderland) performance suite from the Sunderland composer Alison Cotton is a most timely reminder of dark history, but also of altruistic acts of kindness.
Scoring the story of the innocuous Cook sisters, Ida and Louise, and their incredibly brave rescue attempts to save the lives of twenty-nine Jews from occupied Europe during the build-up and eventual outbreak of WWII, Cotton ties in the modern plight of refugees escaping similar persecutions.
Less a morbid, dark soundtrack to the evils of the Nazi regime and Holocaust, Cotton instead conveys the enormity and the danger of the Cook’s enterprise through slow tidal movements, tones, intonations and changes in the atmosphere. Throughout it all a prevailing presence and emotional pull can be felt: The mood music of grief, the plaintive and sorrowful cumulating in a beautifully played series of arrangements and suites that are as sombre as they are beautiful and moving – reminding me in parts of Alex Stolze, Anne Müller, Simon McCorry and Aftab Darvishi.” DV
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Ëda Diaz ‘Suave Bruta’ (Airfono)
Chosen by DV/ Review
“A rarefied artist who manages to merge dream-realism with both the traditional and contemporary, Ëda Diaz occupies multiple realms of geography to produce sublime and club-lite Latin-European R&B pop music. Between spheres of influence, her French-Colombian heritage is bonded across an exotic soundboard of effects, precise cut electronica, and transformed repurposed old dances and song; the latter of which includes an electrified form of currulao, ‘wonky’ Colombian salsa, bolero, bullerengue, vallenato and ‘dembow’. I absolutely love this spellbinding, vulnerable and playful Latin-Euro vision.” DV
E_____
Kahil El’Zabar’s Ethnic Heritage Ensemble ‘Open Me, A Higher Consciousness Of Sound And Spirit’ (Spiritmuse Records) – Chosen by DV/Review
“Originally hot-housed in the Association for the Advancement of Creative Musicians (the mid-1960s nonprofit organization instigated by Muhal Richard Abrams, Jodie Christian, Steve McCall and Phil Cohran in Chicago, which El’Zabar himself once chaired) incubator, El’Zabar’s percussive, drumming rhythms for the mind, body and soul channelled the windy city’s rich musical lineage of jazz, blues, R&B, soul, Godspell and what would become house and dance music.
Following on from last year’s Spirit Gather tribute to Don Cherry (which featured the worldly jazz icon’s eldest son David Ornette Cherry shortly before his death) this latest conscious and spiritual work channels that rich legacy whilst worshipping at the altar of those icons, progenitors and idols that came before; namely, in this instance, Miles Davis, Eugene McDaniels and McCoy Tyner.
El’Zabar’s once more heals, opens minds and elevates with another rhythmic dance of native tongues and groove spiritualism. The ancient roots of that infectious groove and the urgency of our modern times are bonded together to look back on a legacy that deserves celebrating. After fifty years of quality jazz exploration and collaboration, El’Zabar proves that there is still much to communicate and share as he and the EHE recast classics and original standards from the back catalogue.” DV
Empty House ‘Bluestone’ (Cruel Nature Records)
Chosen by DV/Review
“The megalithic period “cromlech” (frequently interchanged with and referred to a “dolmen” too) construction of large stone blocks that stands within the borders of the Pembrokeshire Coast National Park, in the village of Pentre Ifan, acts as a gateway to the imagination for the Blackpool-based musician Fred Laird, who goes under the moniker of Empty House.
Avalon mists descend across a communication with the landscape, whilst shriven archaic reenactments stir-up the hallucinatory and esoteric. Old vacuums of air blow through the spaces in between the stones as a haunted geology shrieks, howls, mourns and swirls. And a wispy passage of monastery choral voices carries on the wind as children giggle and the neolithic generator revs up vibrations and pulses from the afterlife. The Incredible String Band makes merry with Julian Cope; Steve Hillage joins Ash Ra Tempel; and Affenstunde period Popol Vuh invokes ghostly parallel histories with Xqui and Quimper on a tour of Ley lines. Atmospheres and scenes from a long history of settlement, of the spiritual, envelope the listener on a most subtle but rich field recording trip.” DV
Peter Evans ‘Extra’ (We Jazz)
Chosen by DV/Review
“A meeting of avant-garde minds to savour, the union of Peter Evans with Koma Saxo and Post Koma instigator and bassist Petter Eldh and New York downtown experimental rock and jazz drummer pioneer Jim Black is every bit as dynamic, explosive, torqued, moody, challenging and exciting as you’d imagine.
A crossroads of separate entangled influences and backgrounds, legacies, with all three practitioners in this Evans-fronted project and their CVs stretching back a few decades, the avant-garde rubs up against the blues, hard bop, atmospheric set scores, hip-hop style breaks, the electronic and classical. By using both the piccolo and flugelhorn on this album, some passages sound like Wynton Marsalis playing over Mozart, or Alison Balsom lending classical airs to an Alfa Mist production.
One of the best jazz albums you’ll hear all year, with a spot saved for the choice albums of the year lists, Extras is a thoroughly inventive and exciting dynamism of contemporary luminaries at the height of their skills and knowledge.” DV
F______
Ibelisse Guardia Ferragutti & Frank Rosaly ‘MESTIZX’ (International Anthem X Nonesuch)
Chosen by DV/Review
“Transformed and remoulded for a more progressive age the “MESTIZX” title of this partnership’s debut album takes the Spanish term for “mixed person” (namely, a union between those indigenous people in the Latin conquered territories of South America and the Spanish) away from its colonial roots and repurposes it on an album of dream realism duality.
With the multimedia performer and singer Ibelisse Guardia Ferragutti’s Bolivian and the jazz drummer Frank Rosaly’s Puerto Rican heritages, the pre-colonial history of South America is woven into a contemporary revision of magic, organic forms and ritual rhythms mixed with elements and a suffusion of Chicago post-rock, post-jazz and alternative Latin leftfield pop.
There’s much to admire in this world of the untamed and wild, with new perspectives, mixed histories and the largely melodious reverberations of the lost exercising a new language of ownership. Ibelisse Guardia Ferragutti and Frank Rosaly perfect and expand their organic explorations, bewitching messages and oracles on an intriguing, moving and dreamily trippy debut album.” DV
G_______
Michal Gutman ‘Never Coming Home’ (Cruel Nature Records)
Chosen by BBS/Review
““Never Coming Home” is a darkly beautiful album; an album of twisted musical discovery, with songs worthy to fall from the lips and the pen of the great Dory Previn; songs that pull you into a strange and beguiling solitude place, where you only have memories and fears and regrets for company. Musically stark and bewitching like an unused broken fairground ride: a bass guitar has never sounded so much like the faded remnants of an old lover’s final kiss. “Never Coming Home” is quite simply stunning.” BBS
Nino Gvilia ‘EP Number 1: Nicole’ & ‘EP Number 2: Overwhelmed By The Unexplained’ (Hive Mind Records) – Chosen by DV/Review
“Creating a musical, lyrical eco system of their own, soundtracked by folk, minimalism, the hallucinatory and pastoral – with only the final vaporous misty esoteric second EP’s titular track changing from cuckoo-like voiced loops and sympathetic strings to disturbing futuristic daemonic augur –, the Nino Gvilia encompassed guise ebbs and flows with the movement of the replenishing waters, the lakeside and mill turning scenes of the surroundings, to produce a disarming hymn. Idiosyncratic in beauty, I’d recommend this diaphanous accomplished mini opus to those with a penchant for Hatis Noit, Seaming To, Tia Blake and Roberto Musci.”
H________
Hackedepicciotto ‘The Best Of Hackedepicciotto (Live In Napoli)’ (Mute)
Chosen by DV/Review
“As a duo in recent years, Alexander Hacke and Danielle de Picciotto under the twinned Hackedepicciotto moniker, have channelled their diverse experiences as members/instigators of such groups as Einstürzende Neubauten, Crime And The City Solution and the Space Cowboys, into a signature sound that embraces the cabaret and soundtrack gravitas of post-punk, post-industrial, electronica, the esoteric, weird folk and twisted fairytale: which they themselves have described as “symphonic drone”.
Their fifth album, the partial sonic and lyrical autobiography, part photo album scrap book dedication, Keepsakes, was released last year. As with most of their catalogue, the duo’s albums are either recorded in a stirring, inspiring location, or in a different country. The most recent being no exception, recorded as it was at Napoli’s legendary Auditorium Novecento using the famous venue’s stock of various instruments. That album now forms the focal or centre point for this live release of choice bell tolled maladies and drone sonnets from the duo’s back catalogue. Performed over two nights, they’ve chosen to return to the Auditorium Novecento setting that made Keepsakes such an atmospherically rich and momentous, dramatic record. And so, they perform a quartet of songs from that most recent album alongside picks from the Menetekel (2017), The Current (2020), The Silver Threshold (2021) and Perseverantia (2023) albums. And it proves a winning formula as the perfect showcase, and a more unique approach to performing the “best of” their back catalogue.” DV
Christopher Haddow ‘An Unexpected Great Leap’ (Erol’s Hot Wax)
Chosen by DV/Review
“A comfort blanket bookended by the reassuring signs of life via the sounds of an ultrasound, Christopher Haddow’s first steps out as a solo artist (flanked on either side by the contributions of Josh Longton on double-bass and Jamie Bolland on piano) capture the abstract feelings of parenthood. An Unexpected Great Leap is in fact, partially, an ambient tool to send both Christopher and his artist wife Athene Grieg’s son Louie off to sleep.
You may know Christopher as the former lead guitarist of Paper Planes and as a member of Jacob Yates and the Pearly Gates, but under his own name and with a different, more personal, direction he’s beautifully, imaginatively and conceptually complimented his wife’s visual feels of parenthood with a searching and settling album of ambient Americana and womb music.” DV
Sahra Halgan ‘Hiddo Dhawr’ (Danaya)
Chosen by DV/Review
“Few artists from the disputed region of Somaliland could qualify better than the singer, freedom fighter and activist Shara Halgan to represent their country’s musical legacy. As an unofficial cultural ambassador and symbol for female empowerment Halgan’s journey is an inspiring one: Forced out of her homeland during a destructive civil war – in which she played a part in nursing and “comforting” fighters from Somaliland’s secession movement, sometimes alleviating suffering through song –, Halgan had to flee abroad to “survive” hardships and dislocation in France, but eventually, a decade after the overthrow of Siad Barre’s ruling military junta, returned home to motivate and promote proud in Somaliland’s cultural heritage.
It was during her time in France, removed from her roots and homesick, that Halgan would meet the musicians that went on to form her studio and touring band: step forward percussionist and founder of the French-Malian group BKO Quintet, Aymeric Krol, and the guitarist and member of the Swiss ensemble Orchestre Tout Puissant Marcel Duchamp and L’etrangleuse, Maël Salètes. Both appear on the latest, and third Halgan album, alongside newest recruit Régis Monte, who adds “vintage organ” and “proto-electronic embellishments” to the heady and fuzzed mix.
Enriched soul music with an edge and buzz, Halgan and her troupe strike a balance between the heartfelt and empowered on electrifying album; that focal voice sounding so fresh and young yet wise and experienced, able to encapsulate a whole culture whilst moving forward.” DV
Herandu ‘Ocher Red’ (Hive Mind Records)
Chosen by DV/Review
“Trance is spun with bass noodling, Ethio-jazz, post-punk funk, Moroccan and Arabian cassette culture, retro space age keys, no wave dance music and the Aphex Twin to create an interesting explorative zap, skip, playful, mysterious and dreamy vision that mirrors the Gavrilov brothers feelings of their native landscape, and the episodes of life, the shaping of their creativity, born in that Siberian setting.” DV
Herald ‘Linear B’ (Errol’s Hot Wax)
Chosen by DV/Review
“If mid-70s Eno working his magic with Merriweather Post Pavilion sounds like a match anointed in heaven then Lawrence Worthington’s ridiculously long-delayed debut album is going to send you into a woozy alt-pop state of bliss. The latter partner in that ideal fantasy of influences is hardly surprising, with the Animal Collective’s “infrequent” co-founding member Josh Dibb (aka Deakin) playing the part of co-producing foil and soundboard. And although the eventual Linear B album was first conceived twenty plus years ago, when the Animal Collective and Panda Bear and a menagerie of congruous bands were building an alternative-psych-pop scene – the darlings (quite rightly) of Pitchfork and the burgeoning MySpace culture -, and when the musical palette of sounds is produced on cheap 90s Casio and Yamaha equipment, Worthington’s Herald nom de plume still resonates and feels refreshingly dreamily idiosyncratic.
The results set a personal psychedelic language of feels and character-dotted whimsy to a maverick alt-synth-pop production: imagine Syd Barrett, K. Leimar and Edward Penfold backed by a Factory Records White Fence or Panda Bear. Unassumingly lo fi yet symphonic, you can hear hints of neo-romantics, colder synth spells, the post-punk, the Bureau B label’s cult German new wave and post-krautrock offerings, John Cale and a very removed vision of The Beach Boys.” DV
Holy Matter ‘Beauty Looking Back’
Chosen by DV/Review
“Bathed in a new diaphanous light, Leanna Kaiser steps away from her ambient shrouded Frances With Wolves duo (albeit with an embraced cast of familiar faces and musicians) to take up the soloist guise of Holy Matter.
Following up on a tapestry of enchanted and dreamy singles, woven from gossamer threads of fairytale and fantasy, the musician, songwriter and filmmaker now unfurls an entire beautiful album of nostalgic imbued troubadour-folk, softened psychedelia and country woes, sad lilted resignation, solace, reflection and pathos.
Gazing both lamentably and in sighed resignation from metaphorical fairytale towers and vantage points emphasised by poetic weather patterns, Kaiser gently exudes a longing sense of wistful pulchritude. The past is always near, inescapable and worn like a comfort blanket; moulded to Kaiser’s desires, sorrows, reflections and duality. Holy Matter proves an interesting alluring and enchanting creative progression for Kaiser, her debut solo a refreshing take on the familiar and the tropes of time. “ DV
Hungrytown ‘Circus For Sale’ (Big Stir Records)
Chosen by BBS/Review
“This is the fourth album from Hungrytown, but the first I have had the pleasure of hearing, and indeed it is a pleasure as psych folk with more than a hint of baroque pop is right up my street. There is a beauty and calmness to it that one can lose themself in and ignore and forget briefly the day-to-day turmoil that surrounds them. Vocalist Rebbecca Hall is blessed with a magically sweet innocent voice that floats and weaves its way through the musical sea of melodious tranquillity that wraps itself around the listener: pure bliss.” BBS
K___________
Kitchen Cynics & Margery Daw ‘As Those Gone Before’ (Cruel Nature Records)
Chosen by BBS/Review
“I admit I have a bit of a soft spot for weird, strange folk music, I put it down to watching too much Bagpuss and The Clangers as a toddler: wasn’t the 70’s a wonderful decade to be a child. So, this fine album of weird, strange folk songs is right down my summer pathway stroll of mischievous delight.
Kitchen Cynics & Margery Daw go from the childlike tales of the sinister folk whimsy “Christopher Tadpole” to the dark and cold clawing of “Mole Man“; if you wondered what story time at the nursery school on summer isle might sound like, these gems will answer your wonderings. “The Four Trains That Killed Me” and “Last Of The Little Lost Lambs” are both wonderfully John Cale like in the darkness and utter beauty as much as “Accused Isle” is like listening to a slightly deranged Pam Ayres on the old Radio Luxembourg via an old transister radio under the bed clothes in the darkest of nights [wasn’t the 70’s a wonderful decade to be a child]. “As Those Gone Before” is a true magical gem of off-kilter folk whimsy, an album of true eccentric magnificence.” BBS
L____________
The Legless Crabs ‘No Condoms, Just Satan’ (Metal Postcard Records)
Chosen by BBS/Review
“The sound of rock ‘n’ roll future and past collide in this nineteen-track beauty of anger and attitude: songs that deal with the strangeness of living in this world today.
From the Cramps like “I Catfished My Brother” and the sonic escapades of “Rope Bunny”, to the heaviness and sludge-rock dark humour of “Shark Lover” this is an album that should be all over alternative radio, and once again, has to compete with far less talented and easier and blander beige alternative rock.” BBS
Letters from Mouse ‘Clota’ (Subexotic Records)
Chosen by DV/Review originally by Graham Domain
“In Celtic mythology, the Goddess Clota was patron of the River Clyde and brought purity to the natural landscape. The album pieces reflect the beauty of nature and how nature evolves and changes, both with the day and with the changing of the seasons.
Altogether it’s a beautiful album that deserves to be heard by many. It is also a great ambient album for meditation or creative work such as painting. Wonderful.” GD
LINA_ ‘Fado Camões’ (Galileo Music)
Chosen by DV/Review
“Back this time with the British producer and musician Justin Adams and a small ensemble, LINA_ takes on the classical 16th century poetics of Portugal’s most famous literary son, Luís Vaz de Camões.
Musically tender, accentuated and like a fog, mist at times, even vapour of the mere essence of a score, there’s echoes of old Spain, the Balearics, North Africa, the Middle East but also Turkey and the Hellenic. LINA_ is a leading light, pushing the boundaries without losing the soul, truth and appeal of the music she adopts and transforms. Fado Camões is another artistic triumph.” DV
The Loved Drones ‘Live at Atelier Rock HUY’
Chosen by BBS/Review
“The Loved Drones have a power and an all-round likability and uniqueness that all the great bands have. They are a band who plough their own furrow through live casting off tangent animal shapes at the sun, raising two fingers to the lack of talent and originality that currently is forced upon us by the mainstream radio and press. The Loved Drones are quite wonderful.
“The Hindenburg Omen” is a instrumental that a blockbuster film should be made just so it can be included on the soundtrack, and “Humans Can’t Compete” once again is brimming with a Cope-like magnificence. These eight live tracks show what a great band we have in our mists and really should be heard and appreciated by all of us music lovers who love mind bending space hopping cosmic musical delights.” BBS
Our Daily Bread 634: Guided By Voices, Oopsie Daisies, Neon Kittens, Scott Robertson…
December 6, 2024
BRIAN ‘BORDELLO’ SHEA’S REVIEWS ROUNDUP – INSTANT REACTIONS.
COVER STARS THIS MONTH: RYLI
$T33D$_uv_LÜV ‘The Glory of Love’
Album (Metal Postcard Records)
Let’s be honest $T33D$_uv_LÜV is by far the worst band name ever in the history of rock ‘n’ roll, but luckily the music is rather quite excellent indeed. If they changed their name to something DJs can say or blog writers can be arsed to type out (I actually copied and pasted the name from the Metal Postcard Bandcamp, yes I am a lazy fucker I admit, but my one fingered typing style is not really up to a name that gives temp passwords a run for their money) their music might reach further than their front step.
Anyway, onto the music. It’s rather splendid in a Lou Reed/Velvet Underground kind of way, with a fine post punk attitude, and if Joy Division has a sense of humour and were from Texas and not rained soaked Manchester, they could have sounded like $T33D$_uv_LÜV (copied and pasted again).
Guided By Voices ‘Fly Religion’
Single (GBV Inc.)
Well guess what. Guided By Voices have released a new single in lieu of their new album; yes, their 41st in Feb next year. And it sounds like GBV. Is that a good thing. I guess that depends on your opinion on GBV: if you like them, you will like it, if you don’t this will not change your opinion on them. Personally, I like it.
Oopsie Daisies ‘In The Rain’
Single (Metal Postcard Records)
What can I say but another beauty from the Oopsie Daisies. Yes, another bedroom pop gem of subtle fragility, the sought of pop song that Sarah records used to release in those good old days when pop songs appeared on beautiful 7 inch vinyl and were physical works of art you could hold and cherish, and it didn’t cost you a arm and a leg to purchase it. “In The Rain” is not on 7 inch vinyl but you can still cherish it though a true treasure of pop splendidicity, and it won’t cost you an arm or a leg.
Lo-Fi Melancholia For Kids ‘Because, everyone is wrong about everything all the time’
(Astrodice Records)
As anyone who reads my reviews will know I have a love of home recorded DIY music. I love the simple drum machines, the one fingered keyboard lines and the jangly or distorted guitars and the quite not sure of themselves vocals, they have a soul and innocence and that is quite often lost in the studio. And that is what I love about this album by Lo -Fi Melancholia For Kids, it has all these qualities and at times comes across, if you can imagine it, the demos for the 1st Strokes album, especially on the opener “Energetic Midfield Player” and “The Arrow”.
“Because, everyone Is Wrong About Everything All The Time” is an enjoyable album, and should be enjoyed by all who like the DIY indie pop/rock aesthetic.
Neon Kittens ‘Radio Sick Music’
Album (Metal Postcard Records)
Any album that kicks off with an Eddie Cochran-like guitar riff nine times out of ten is going to be an album I’m going to enjoy. And when that album is by the Neon Kittens there is no doubt that it is going to be an album I’m going to enjoy.
Once again the Kittens have supplied us with another 12 songs of a debonair stylish post punk fury, songs that twirl and curtsy whilst secretly burrowing into your head and heart running slapdash over the idea of existing without the pure no wave seduction that the Neon Kittens kindly soundtrack our everyday life with, supplying us with the tales of the ordinary in the most extraordinary beguiling way. There is no-one quite like the Neon Kittens, which may explain why they are not sitting at the top of the poppermost, as on the whole the general public are an unadventurous lot and like their art with the art safely removed and replaced with a shiny facsimile with all the sex and danger removed. Maybe Metal Postcard could supply a downloadable sofa with every Neon Kittens album for people to hide behind whilst listening.
Scott Robertson ‘How Not To Live’
Album
What’s up with record labels today I ask you. Scott Robertson had to just shove this fine album out as a pay if you like download release just so he could move on with his new recordings, as he could not find a label to release it. Which speaks volumes for the state of the industry as Scott is a fine songwriter who has released an album of verve, art and skill and really deserves the extra push a label can sometimes give.
“How Not To Live” is an album filled with songs of fine guitar chime and melody ala Teenage Fanclub and the Lemonheads and Brendan Benson, with the touch of alternative American guitar bands and the such, as lovely and good as this all sounds there is a darker and more melancholy deeper undercurrent going on that keeps Scott at arm’s length from all those other artists with similar influences. I await Scott’s third album to see how this talented young chap develops.
Ryli ‘I Think I Need You Around’
Single (DandyBoy Records)
“I Think I Need You Around” is a rather jangly twangy guitar pop boiler of a song, another indie pop dream of love and want, as is the other side of this forthcoming seven-inch single release “When I Fall”, a rather sweet and bewitching little pop strum along which I might actually prefer to the A-side, but both are fine and dandy.
Our Daily Bread 632: Hornorkesteret, The Muldoons, The Salisman Communal Orchestration…
November 18, 2024
BRIAN ‘BORDELLO’ SHEA’S REVIEWS ROUNDUP – INSTANT REACTIONS.
The Conspiracy ‘Tick-Tok’
Single (Metal Postcard Records)
What I like about The Conspiracy is how bloody artfully British they are, like the Kinks or The Fall or Billy Childish or Comet Gain or the much-ignored Wonky Alice were artfully British. In fact, very much like Wonky Alice as The Conspiracy, like the aforementioned Wonky Alice, are criminally ignored, for The Conspiracy release songs of pop wonder that are maybe too clever to appeal to the common everyday white bread and I cannot believe it is not butter Oasis indie rock salivating radio X listening imbeciles.
Yes, The Conspiracy release songs filled with art pop and sublime arched melodies matched with pithy knowing lyrical commentaries on life today. They should be celebrated not locked away like the hidden treasure they truly are.
Empty House ‘Dream Lounge’
Album (Cruel Nature Records) 29th November 2024
Dream Lounge is a two-track instrumental album of pure dream inspiring glory. The first track, and title-track, is a 15 plus minute journey of subtle dance dream adventure that at no point ever grows boring and keeps you enrapt. It has the same hazy magic as The Smiths How Soon Is Now but with Morrissey’s vocals being replaced with Doug Ingle like organ virtuosity subtly weaving its way in and out of the track.
The Second track “Red Door” is a much more subtly rambunctious affair with throbbing synth bass and John Carpenter like soundtrack feel if written by Coil, and once again a long instrumental that never loses your attention.
Hornorkesteret ‘Dans fra dalstrøka’
Album (Panot)
This is marvellously unhinged. Its instrumental Norwegian folk music performed on string instruments made from Reindeer antlers accompanied by percussion, bass and mandolin: need I say more.
Well, it is all rather strange and quite wonderful and best described as ideal music for sploshing through snow to whilst making your way to the tavern over the hill. At times I keep expecting the dulcet deranged vocal stylings of Tom Waites to emerge; he really should consider making an album with Hornorkesteret,it would be rather beautiful indeed.
The Muldoons ‘We Saw The View’
Album (Last Night From Glasgow) 29th November 2024
Guitar pop jangle, don’t you just love it. I do when it is the coating to such bittersweet songs as these; songs that deal with life as you move on from your younger years of your early twenties of college and the excitement of first love to the problems that come with responsibilities. The boredom that can happen and slowly growing apart in a long-term relationship (“27 Year Itch”), the lack of joy in fulltime employment (“Same Old Same”), looking back at what could have been (“The Hill”), all subjects done with a warmth and melodious guitar strum. All is not lost though, “Lost Without You” is a song of true love and respect, and “We Saw The View” is a heartwarming and enjoyable listening of extremely well written snapshots of life wrapped in a pop glory the Pale Fountains and The Trashcan Sinatra’s would be proud of.
St James Infirmary ‘All Will Be Well’
Album (Cruel Nature Records) 29th November 2024
All Will Be Well is an album made up of six long tracks of psych-tinged extravagance and 60’s ambience beauty that will appeal to all those who enjoy the Brian Jonestown Massacre, The Velvets and their ilk. The opening track “Fingertips” is a seven-minute jaunt of Velvet Underground-like inspired beat and guitars, which finely carries into track two, the excellently named “Tremelo Voxstar”.
My favourite track on the album is a nine-minute instrumental of wonder, part Spacemen 3 part The Lounge Orchestra, a relaxing float through the nostalgia of 70’s TV testcard heaven.
The final and title track is over ten minutes long and starts all psych folk and ends up being a church like ode to heavenly discovery and cultdom. All Will Be Well is indeed a beautiful and lovely sounding album of bewitching subtle musical genre shifting originality.
The Salisman Communal Orchestration ‘A Queen Among Clods’
Album (Cruel Nature Records) 29th November 2024
If I remember correctly I gave The Salisman Communal Orchestration’s “Of The Desert “ EP a rather marvellous review earlier in the year, and rightly so as it was a fine beast of a EP. And this album is also of the same quality.
I love the psychedelic otherworldliness of SCO. I love the way the lead vocalist phrases his words. He sings with the soul of an sad imperfect empathetic angel, you actually believe in what he is saying, “[If I Wasn’t ]So Godam Blue” is so goddamn beautiful, and with some pretty wonderful lyrics: “remember those days when I pissed in the street, well that is not my style anymore”. Pure heartbreak poetry at its best. The following track “Rum Punch” is as equally beautiful, a psych country-tinged beauty full of sadness and pathos.
I really do love this album SCO have the perfect blend of magic and tragic, and “A Queen Among Clods” is defiantly one of the most impressive and heartfelt original sounding albums I have had the pleasure to write about this year. A true stunner.
SASSYHIYA ‘Take You Somewhere’
Album (Skep Wax Records)
“Take You Somewhere” is a rather wonderful pop listen. 12 songs in 35 Minutes and each minute blessed with a charm of post-punk indie pop magic that is quite lovely to behold.
For those who love the sound and feel of the output of the likes of the Fall and early Orange Juice and The Raincoats and Modern Lovers. Jangly guitars, post-punk basslines and quirky lyrics are all wrapped together to make a highly enjoyable album of perfect indie pop. SASSYHIYA have provided us the lucky listeners with a debut album of pure pop suss.
The South Hill Experiment ‘Silver Bullet’
Single
“Silver Bullet” is a rather fine pop single. Quite Beck like at times, it’s all clockwork rhythms and mantra choruses: “I think I’m getting over it” is repeated hoping to convince the poor soul that he is getting over, although obviously not, but the simple beauty of this song is in fact the simple beauty of “it”.
The South Hill Experiment have the same magic that can be found in the best of Hall & Oates, but with a slightly more alternative darker curve.
Tremendous ‘Slipping Away’
Single 13th December 2024
“Slipping Away” is a rather catchy slice of FM/AM pop rock that one of a certain age might remember lighting up the radio in the 70’s early 80’s, all Raspberries guitars and the second-hand glamour of hi heeled glitter boots floppy hats and velvet trousers. Tremendous are a band steeped in the nostalgic pull of how slightly underground mainstream rock sounded, arching the same bow as Redd Kross and The Darkness and doing it with a supreme confidence and love.
Unicorn ‘Shed No Tear The Early Late Unicorn’
Album (Think Like A Key) 6th December 2024
“Shed No Tear The Early Late Unicorn” is a compilation of the first and final recordings of the 60/ 70’s British Pastoral rock band Unicorn, and any lovers of country rock will no doubt love this fine laid back stroll through the British countryside. The Flying Burrito Brothers, The Eagles and even at times Crosby Stills Nash and Young and The Byrds in more of their country days all spring to mind when listening to these lovely warm sounding laid back well written songs of soft rock excellence.
Without sounding like a Ronco advert from the 70’s “Shed No Tear” may well be an ideal Christmas gift for your Eagles loving relative, for country rock is for life not just for Christmas.
BRIAN ‘BORDELLO’ SHEA’S REVIEWS ROUNDUP – INSTANT REACTIONS.
PHOTO IMAGE: THE TULIPS
In Alphabertical Order::::
Armstrong ‘Future In The Present Tense’
Single (Self-Release)
Armstrong usually deal in producing quite beautiful pastoral pop, and to be honest Julian Pitt (aka Armstrong) has a god given talent for writing quite sublime melodies, and “Future In The Present Tense” has all the usual heavenly pop wonder he usually releases. But this time he has swapped the acoustic guitar for a synth and instead released a sublime synth pop single, one you could imagine buzzing around the charts in the early to mid 80’s. Once again naggingly catchy and rather beautiful.
Aiden Baker/Jack Chuter/Ryan Durfee ‘Laika World’
Album (Cruel Nature Records)
“Laika World” was made as a tribute to Laika the soviet Space dog, the first animal to ever orbit the earth, on November the 3rd 1957. How many other animals have since orbited the earth I do not know: I suppose if you have the burning need, just Google it.
This album is a strange sonic but relaxing adventure of floating in space ambiance, a totally relaxing and dreamlike set of instrumentals that is all reverb guitars and floating soothing synths and the far in the distance echoes of drums and tinkling keyboards with the occasional treated and cut up vocal, which on “Night Capsule Demand” sounds like a countdown to entering heaven.
“Laika World” is an excellent and rewarding listen, and is the ideal accompaniment for when you need that time to yourself to drift off into semi consciousness and enjoy your own thoughts.
bigflower ‘The King’
Single (Self-Release)
Another new track from bigflower; there really is no stopping the man. “The King” is a sonic escapade of ambient guitar and swamp jazz, a song that deals with having a dream of entering Graceland and finding Elvis dead on the floor; an atmospheric musical tale of ethereal sorrow and tragedy set in a mist like state of transient bliss and soft focus solitude.
Bloom De Wilde ‘The Circular Being’
Album
I love the muse and the music of Bloom de Wilde. It has a tender all-consuming innocence and hope that calmly plays Rock Paper Scissors with a wistful sadness and melancholy.
Bloom writes songs that offer hope against all the odds; songs that embrace the eccentrics and outsiders, all the underdogs in life. Maybe that is why I feel a connection to her music and at times find myself totally engrossed with her beautiful tapestry of pop, jazz, folk and psychedelia, which she has woven with great love and skill to make great art.
Bloom is a fine songwriter, which may sometimes be overlooked due to the wonderful eccentricities of her personality and is a quite an accomplished and original lyricist, as this fascinating eleven song album of love, hope and magic shows.
Empty Cut ‘Allens Cross’
Album (Cruel Nature Records)
Allens Cross is a leftfield album of derision and distorted beauty, music that incorporates electronica, hardcore, dub, jazz and industrial shoegaze and punk rock to quite magnificent affect. At times reminding me of the latter work of the Godlike genius of Scott Walker, and at other times like Throbbing Gristle – sometimes difficult to listen to but ultimately always rewarding.
There is a darkness and granite slab graininess that celebrates the everyday mundane life but fascinating in its unique perspective on their childhood growing up in Birmingham that inspires this fine album. “Fidget” is Black Sabbath like in its heaviness and desolateness, and “Spleen” is a sludge heavy dose of modern-day psychedelia with whirring synths and cut up spoken samples. All eight tracks on Allens Cross take you on a fascinating aural trip, and it really is a journey worth taking.
Ex-Vöid ‘Swansea’
Single (Tapete Records)
What we have here is another enjoyable romp of indie guitar rock. Yes, more of it. But unlike a lot of the indie guitar rock I’m hearing lately “Swansea” has a melody and fine Dinosaur Jnr like guitars, quite lovely male female vocals, which are almost folk-like but not in a way of old tin whistles and feeding the whippet the last of the bacon kind of way. I suppose this just gives it something slightly different feel to the other 1001 indie rock tracks I’ve heard this week. One that floats to the top like a becoming jellyfish with a sting in its tale. [if Jellyfish had tales].
Fun Facts ‘Apartment Rock’
Album 22nd November 2024
There is a lovely warm heavenly wonkiness to this album I very much appreciate, it has a certain dreamy like pop/psych experimental charm that comes on like Stereolab discovering the age of Aquarius in the local bar where hipsters hang out. Yes, it has the same slightly off kilter but straight-ahead pop that I so admire the great Schizo Fun Addict for. They have the same love of melody, and supply music that could soundtrack an angel licking ice cream from a cone whilst you wait in the dying embers of the day for your future true love to walk by and catch the glint in your eye and return it with honey wrapped heartfelt kisses. A fine album of pure blissful pop music.
Jamison Field Murphy ‘It Has To End’
Album (Tomato Flower) 11th November 2024
Ah yes this is more like it. At last, an album with warmth, soul experiment and beauty. Just when I was beginning to think that it was a thing of the past James Field Murphy turns up with this home recorded gem, an album that combines all the things I love about the magic of music: songs with melody, “That Boy” could well be an outtake from The Beach Boys Smiley Smile album, and “It has To End” has a wonderful bonkers McCartney feel to it [remember McCartney was the most experimental of all the Beatles], and this track combines pop with experimental to a beautifully short and wistful degree. “Hate” is another beautiful song; yes indeed, a hate that is alright to love and love it I do. I love the tape pops in the background: you really cannot beat recording on tape.
It Has To End is a rare thing, an album you do not want to end. It’s an album I will be returning to on a regular basis over the coming months as James manages to balance off pop/psych beauty with experimentation perfectly.
John Howard ‘If There’s A Star/ Little Prince’
Single 8th November 2024
I love the music of John Howard as it is just so elegant and eloquent. There is a timelessness to his songs; he writes songs that could have graced the stage in the days of Coward and Berlin, or, in the days of Ray Davies or even McCartney in his genius Ram days, or, in even more recent times, Neil Hannon who waved a stylish wand over the lads and birds debauched Brit Pop era whist arching his eyebrow and sipping a dry sherry.
John Howard has the same qualities of all these genius composers and with this fine single he supplies us with two short and sweet pop songs of baroque poptitude that most of us really do not deserve. If only life was like a John Howard piano ballad.
Humdrum ‘Every Heaven’
Album (Slumberland Records)
Humdrum must have a death wish, or a band with a massive amount of confidence. I mean, fancy calling yourselves Humdrum and then making an album of out and out pure jangle. Yes, need I say more. We all know what it sounds like, nothing that really steps out of the indie pop jangle. But it is a fine jangle album, at times reminding me of a jangly Cure but without the uniqueness of Robert Smiths voice: actually, the instrumental “Every Heaven” could well be a Cure backing track.
Yes, the usual influences; I’m sure every member of Humdrum have the complete collection of Sarah Records 7-inch singles and every edition of the C86 Boxset and own a Pastels badge. But that is what we love about jangle bands, their out and out passion for jangle. And this album I’d recommended for all those jangly guitar fiends.
Neon Kittens ‘Trick’
EP
The Neon Kittens are back with a 4-track EP to celebrate Halloween with four horror themed songs. The EP is called “Trick” and it is actually a bit of a treat for myself and the ever growing army of Neon Kittens fans. The obstreperous guitar wizardry once again all tangent shapes of misguided ridicule and delight taunt and encourage the ice cool aloofness of the no wave Lady Penelope Creighton-Ward into some quite deliciously salacious tales of horror and misadventure.
The Neon Kittens are not just a band worthy to write home about but are actually worthy enough to leave home just so you can write home about them.
Occult Character ‘Don’t Come To Mars’
EP (Metal Postcard Records)
The second October-released EP from Occult Character is here, and as I wrote in the review of their earlier Swifties EP, he is not always the easiest of artists to listen to but always fascinating. Once again these three tracks are not just fascinating but also highly enjoyable, especially the dark comedic and spot on lyrically “Cyber Cult” and “Jupiter Cellphone Survey”. All three tracks on this EP capture all the madness and darkness of modern life. Occult Character is an artist I recommend that you the listener get acquainted with.
The Tulips ‘Stars Dream Of You’
Single
“Stars Dream Of You” is a rather beautiful little pop song; a lovely sedate musical stroll down the winding paths of the totally besotted. Yes, a song that captures the first throes of love and yearning; a song that will remind you what it is like to feel that special feeling once again.
Author of this spread, Brian ‘Bordello’ Shea and his lo fi cult maverick band, have recently released a clutch of “Lo Fi Misses” , via Metal Postcard Records, on both Bandcamp and Spotify.
Monolith Cocktail Blog 