Playlist/Dominic Valvona/Matt Oliver/Brian ‘Bordello’ Shea





By now we’ll probably all aware and getting jaded by the constant newsroll of Covid-19 horror stories, and the ominous stench of pandemic armageddon. To return to some sort of normality, the Monolith Cocktail promises to keep finding all the best new music for you to enjoy, dance to, contemplate and mull over. No cheap epidemic cash-ins and no tenuous links to self-promotional lockdowns here. Just great music, which we hope you will all keep supporting during these anxious uncertain times. And remember, if you do find anything on this playlist that you’d love to purchase, please root the artist, band out on Bandcamp tomorrow (Friday 1st May 2020), as the platform is once more waiving their cut of the fees.

For those of you that have only just joined us as new followers and readers, our former behemoth Quarterly Playlist Revue is now no more! With a massive increase in submissions month-on-month, we’ve decided to go monthly instead, in 2020. The April playlist carries on from where the popular quarterly left off; picking out the choice tracks that represent the Monolith Cocktail’s eclectic output – from all the most essential new Hip-Hop cuts to the most dynamic music from across the globe. New releases and the best of reissues have been chosen by me, Dominic Valvona, Brian ‘Bordello’ Shea and Matt Oliver.



Tracks in full are:

Hanni El Khatib  ‘ALIVE’
Mashmellow  ‘Share It’
3 South & Banana  ‘Rush Hour’
Supergombo  ‘Alien Felines From Beyond The Galaxy’
iyatraQuartet  ‘Chandra’
Santrofi  ‘Africa’
Damily  ‘Zaho Va’
Holy Hive  ‘Didn’t You Say’
Euan Hartley And Friends  ’30/1′
Twisted Ankle  ‘Landlord Laughs’
Lucidvox  ‘Knife’
Pabst  ‘Skyline’
Senji Niban  ‘Where The Birds Fly Now?’
Higamos Hogamos/Spacerocks  ‘Crome Yellow’
Raw Poetic & Damu the Fudgemunk  ‘Head On’
Tanya Morgan  ‘Resurrection’
Evidence  ‘Unlearning’
The Doppelgangaz  ‘Cloak Makes The Man’
Antti Lotjonen  ‘Pocket Yoga’
R.A. The Rugged Man ft. Chuck D  ‘Malice Of Mammon’
Dope Knife  ‘Face Fuck’
Cambetta & Apollo Brown  ‘Nightmare’
Makoto Kino  ‘West Madoka’
Bodyvox  ‘Yeah Yeah (D Ramirez Vocal Radio Edit)’
RJD2 ft. Homeboy Sandman  ‘One Of A Kind’
Sparks  ‘One For The Ages’
Mick Harvey  ‘The Journey: Part 1: Conflict’
Alex Stolze ft. Ben Osborn & Anne Muller  ‘Babylon’
Chicago Underground Quartet  ‘Orgasm’
Aksak Maboul  ‘Silent Silhouettes’
Halftribe  ‘Subliminal’
Clovvder  ‘My Mother Was The Moon’
Nick Cave  ‘Cosmic Dancer’
Die Wilde Jagd  ‘Himmelfahrten’
David Ahlen  ‘If I Have You’
Big Thief  ‘Love In Mine’
Yakima  ‘It Helped’
Murmur Tooth  ‘A Fault In This Machine’
Farezi & Sinan Oktem  ‘Dionysian’
So Beast  ‘Multiplayer’
Simon McCorry  ‘Pieces Of Mind’
Kahil El’Zabar & David Murray  ‘In My House’
Roedelius  ‘Geruhsam’



Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.

REVIEWS/Brian ‘Bordello’ Shea





Brian ‘Bordello’ Shea joined the Monolith Cocktail team in January 2019. The cult leader of the infamous lo fi gods, The Bordellos, has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His most releases include The Bordellos beautifully despondent pains-of-the-heart and mockery of clique “hipsters” ode to Liverpool, and, under the guises of the Idiot Blur Fanboy moniker, a stripped down classic of resignation and Gallagher brothers’ polemics.

Each week we send a mountain of new releases to the self-depreciating maverick to see what sticks. In his own idiosyncratic style and turn-of-phrase, pontificating aloud and reviewing with scrutiny an eclectic deluge of releases, here Brian’s latest batch of recommendations.

With all live gigs and events more or less quashed for the foreseeable future, buying music (whether it’s physical or through digital platforms such as Bandcamp) has never been more important for the survival of the bands/artists/collectives that create it. We urge you all to keeping supporting; to keep listening.


Murmur Tooth   ‘A Fault In The Machine’
(Self-Release)   LP/ Available Now


Murmur Tooth is Leah Hinton, a young lady from New Zealand who is now based in Berlin, and is the vocalist, multi-instrumentalist and producer writer of this very fine album. Hinton is also blessed with a lilting almost folky voice filled with the kind of emotion you really do not associate with doom laden synth pop.

A Fault In This Machine is a dark sedate sultry affair; a dive into the night time of someone else’s life a life, where you spend the day hoping for that certain person to appear who lifts the boredom of a life that is not exactly happening.

There is a realness and dreaminess to these lyrics that draw you into Murmur Tooth’s existence. It really is a beautiful sounding and beautifully written album, one of the highlights being the lovely ‘Rain Rain’, a stunning piano ballad that for some reason has my mind wandering back to my teenage years of the 80’s when dark synth based pop ruled the roost: a song I would recommend to any other old timers like myself who can recall the majestic Wonderful Life album by Black.

Leah is a real talent, one that should be embraced and celebrated for A Fault In The Machine is a warm, soulful, dark and real sounding synth album wrapped in a blanket of subtlety, and that is something one does not hear everyday.






Vukovar   ‘Exhumation: The First Death Of Vukovar (2014 – 2019)’
LP/Available Now




Vukovar have decided to release a ltd best of cassette; a band that could and should have been a lot bigger and better known than they currently are, but they do have the habit of shooting themselves in the foot, so much so I doubt any of the band have any toes left. And here is another prime example; instead of releasing on one of the many labels they have released their seven plus albums on they have self released it instead – an action akin to The Beatles releasing Sgt. Pepper as a boiled egg or Shakin’ Stevens appearing on Top Of The Pops and not thrusting his hips in a cartoonish sexual manner. But lack of business sous aside the tracks on this collection are essentially a best of, so are the most commercial and ear friendly to the general public and would make a fine introduction if not released in such a ltd hipster fashion.

The songs are all of the highest quality and show their many influences, from their debut single Wedding Present Monster era like ‘Nero’s Felines’ through to the should have been all over the radio ‘New World Order’. There early to mid 80s post punk synth sound is truly a wonderful thing, as demonstrated on ‘This Moment Severed’ and ‘Clockwork Dance’. The album is jammed full of greatness and it’s a bit of tragedy that not more people will get to hear it. Maybe they will release the next as a ltd edition self hum.






Randolph’s Leap   ‘Petrichor’
Single/Available Now




Has Power Pop I wonder replaced Irn-Bru as the drink of choice in the band land of Scotland? For what we have here is another Scottish band showing their love for Teenage Fanclub/Big Star, with this lovely nifty little piece of perfect McCartney-ish like strum along pop. This really is a lovely thing: The sun is in the sky there is nothing to do nowhere to go but you can lose yourself in this little subtle gem.






The Legless Crabs   ‘Irregular On The Cellular’
Single/Available Now




Have you ever wondered what Legless Crabs sound like? Well I will tell you: they sound like the true spirit of rock n roll; they are the aural equivalent of the apple of your eye slowly self peeling the beauty of The Shaggs covering Jesus And Mary Chain. It is a thing of great wonder and maybe my new favourite band. You heard it here first; the Legless crabs are the future of rock ‘n’ roll.






Crumpsall Riddle  ‘Looking After The Duck’
(Wormhole World)  Album/Available Now




It’s a strange old time so the ideal opportunity to lose yourself in the strange world of Crumpsall Riddle: Old synths, old keyboards, the occasional guitar and jazz bass and flat caps and folk music and ranting and singing sweetly acapella style – I could be making up the flat caps bit, but who knows. These are songs improvised over three sessions, so have a lovely made up at the moment feel, which I enjoy as it is like having a permanent record of madness, the unveiling of inspiration hitting and the fading as quickly as it arrived and then moving onto something else like speed reading somebody else’s book collection whilst listening to the Bagpuss soundtrack as whistling Jack Smith rifles through your girlfriend’s knickers drawer just out of view. Anything could happen or be happening in the strange world of Crumpsall Riddle.






Harry Cloud   ‘The Pig And The Machine’
(Whiteworm Records)  LP/Available Now




What we have here is a blaze of magic mushroom stoner bubblegum stoner psychedelia, a lo-fi inventive curse of tomorrow and yesterday when morrow meets tomorrow in a slaphappy kind of way. Imagine if your radio was wired to play the soundtrack to your most out there sordid wish, this could well be playing as it jumps from the semi classical to the music that the not quite best looking member of a 70’s edition of Top Of The Pops audience would wiggle her arse to: not sexy but getting away with it.

This album is inventive, dirty, funny, dark and moving in so many ways. Like all great rock n roll should be it is a album that at times sounds like it is arguing with itself; sometimes being far too clever for its own good, but you love it all the same. How could you not when there is song as beautiful as ‘Haunted Hayride’, or, as weirdly rocking as ‘Browser’ – the sound of the Mothers Of Invention covering The Pixies. An album that could easily get on your tits, or, an LP you could love and fall in love with – and I have not quite made up my mind yet -, and for that he gets a big thumbs up from me.






Euan Hartley And Friends   ‘Ten Years At The Bottom’
LP/Available Now




Euan Hartley is singer with the band the Pit Ponies, and this is a LP four years in the making in which he worked with various musician friends. And what I like about the album is that it seems to mean a lot to him, which trust me, is not always the way. It has a lot of heart and a lot of pain seeping through the songs. Euan has quite an impressive voice like he has been gargling from the same glass as the godlike Robert Wyatt, and the music is pure [in the best way]; DIY indie style, not the generic, ‘I have a beard and Fender Jag way and am looking forward to playing the local music festival’ kind. The songs are way to quirky and heartfelt for that especially the Casio embraced beauty ‘Beatrice’ and the wonderfully weird chopped up Flaming Lips like ‘Selfies’.

Ten Years At The Bottom is a album filled with songs of purity soul and heartache and despite being made over a long period of time with various friends and his peers the album sounds like a album and not just a collection of songs lumped together: and what a fine collection of songs it is. Also, it is available as a pay what you want to download from bandcamp, so I honestly don’t know what your waiting for, get downloading.






Meat Whiplash   ‘Don’t Slip Up’
(Optic Nerve)   Single/15th May 2020




I normally do not bother reviewing old music as I don’t write for Mojo, and there are so many new records and songs released daily that deserve attention that sadly do not get the attention they deserve, and its so easy for a label to reissue some old song than putting the time in finding and promoting a new and up and coming band; for nostalgia is all well and good but in thirty years what will there be to be nostalgic about if the new is not embraced and loved? So I will say that this is a reissue of the one and only Meat Whiplash single released on Creation Records many years ago, and very good it is too; all Mary Chain fuzz guitars and early Psychedelic Furs vocals. They of course morphed into Motorcycle Boy who I saw live a few times back in the day -see I am getting nostalgic now. Why damn you Optic Nerve records and your excellent Optic Sevens reissue series…you cunts.


Sunbourne Rd  ‘Teenage Lyrics’
LP/Available Now




Yes it’s that time again, when I start to review catchy guitar pop. Dare I call it power pop without being arrested by the power pop police for wrongly diagnosing the LP?! No I’ll risk it: it’s power pop. It has power and is pop, and for once although obviously influenced by Paul McCartney, it is more Wings Paul than Beatle Paul: which I like as such subtleties make a difference.

What we have here is a compilation of eight singles released between 2014 and 2017 by Sunbourne Rd who hail from Northern Italy. And they obviously release fine catchy guitar pop with nods to all the usual power pop icons like McCartney, Rockpile, Mott The Hoople and their ilk. Nothing truly original or different just eight finally written songs bathed in melody – which is what we want in our power pop. And just how many times have I used the words power pop in this review? Recommended for all those who like their pop with power.




Chinofeldy   ‘Stay Home’
Single/Available Now




Another band from Scotland and another catchy 60s influenced pop song: it really shows just how wonderful the Beatles were, that 50 years since they split up they are still a huge influence on bands today. I suppose you may as well learn and borrow from the best. What we have here is a benefit song for the NHS; a worthy cause we all, I am sure, agree on. So you may as well download this lovingly produced slice of 60s influenced pop and do yourself and the much-underfunded NHS a favour. You know it makes sense.





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