Playlist/Dominic Valvona/Matt Oliver/Brian ‘Bordello’ Shea





By now we’ll probably all aware and getting jaded by the constant newsroll of Covid-19 horror stories, and the ominous stench of pandemic armageddon. To return to some sort of normality, the Monolith Cocktail promises to keep finding all the best new music for you to enjoy, dance to, contemplate and mull over. No cheap epidemic cash-ins and no tenuous links to self-promotional lockdowns here. Just great music, which we hope you will all keep supporting during these anxious uncertain times. And remember, if you do find anything on this playlist that you’d love to purchase, please root the artist, band out on Bandcamp tomorrow (Friday 1st May 2020), as the platform is once more waiving their cut of the fees.

For those of you that have only just joined us as new followers and readers, our former behemoth Quarterly Playlist Revue is now no more! With a massive increase in submissions month-on-month, we’ve decided to go monthly instead, in 2020. The April playlist carries on from where the popular quarterly left off; picking out the choice tracks that represent the Monolith Cocktail’s eclectic output – from all the most essential new Hip-Hop cuts to the most dynamic music from across the globe. New releases and the best of reissues have been chosen by me, Dominic Valvona, Brian ‘Bordello’ Shea and Matt Oliver.



Tracks in full are:

Hanni El Khatib  ‘ALIVE’
Mashmellow  ‘Share It’
3 South & Banana  ‘Rush Hour’
Supergombo  ‘Alien Felines From Beyond The Galaxy’
iyatraQuartet  ‘Chandra’
Santrofi  ‘Africa’
Damily  ‘Zaho Va’
Holy Hive  ‘Didn’t You Say’
Euan Hartley And Friends  ’30/1′
Twisted Ankle  ‘Landlord Laughs’
Lucidvox  ‘Knife’
Pabst  ‘Skyline’
Senji Niban  ‘Where The Birds Fly Now?’
Higamos Hogamos/Spacerocks  ‘Crome Yellow’
Raw Poetic & Damu the Fudgemunk  ‘Head On’
Tanya Morgan  ‘Resurrection’
Evidence  ‘Unlearning’
The Doppelgangaz  ‘Cloak Makes The Man’
Antti Lotjonen  ‘Pocket Yoga’
R.A. The Rugged Man ft. Chuck D  ‘Malice Of Mammon’
Dope Knife  ‘Face Fuck’
Cambetta & Apollo Brown  ‘Nightmare’
Makoto Kino  ‘West Madoka’
Bodyvox  ‘Yeah Yeah (D Ramirez Vocal Radio Edit)’
RJD2 ft. Homeboy Sandman  ‘One Of A Kind’
Sparks  ‘One For The Ages’
Mick Harvey  ‘The Journey: Part 1: Conflict’
Alex Stolze ft. Ben Osborn & Anne Muller  ‘Babylon’
Chicago Underground Quartet  ‘Orgasm’
Aksak Maboul  ‘Silent Silhouettes’
Halftribe  ‘Subliminal’
Clovvder  ‘My Mother Was The Moon’
Nick Cave  ‘Cosmic Dancer’
Die Wilde Jagd  ‘Himmelfahrten’
David Ahlen  ‘If I Have You’
Big Thief  ‘Love In Mine’
Yakima  ‘It Helped’
Murmur Tooth  ‘A Fault In This Machine’
Farezi & Sinan Oktem  ‘Dionysian’
So Beast  ‘Multiplayer’
Simon McCorry  ‘Pieces Of Mind’
Kahil El’Zabar & David Murray  ‘In My House’
Roedelius  ‘Geruhsam’



Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years I’ve featured and supported music, musicians and labels we love across genres from around the world that we think you’ll want to know about. No content on the site is paid for or sponsored and we only feature artists we have genuine respect for /love. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to buy us a coffee at https://ko-fi.com/monolithcocktail to say cheers for spreading the word, then that would be much appreciated.

REVIEWS/Brian ‘Shea’ Bordello





Brian ‘Bordello’ Shea joined the Monolith Cocktail team in January 2019. The cult leader of the infamous lo fi gods, The Bordellos, has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His most releases include The Bordellos beautifully despondent pains-of-the-heart and mockery of clique “hipsters” ode to Liverpool, and, under the guises of the Idiot Blur Fanboy moniker, a stripped down classic of resignation and Gallagher brothers’ polemics.

Each week we send a mountain of new releases to the self-depreciating maverick to see what sticks. In his own idiosyncratic style and turn-of-phrase, pontificating aloud and reviewing with scrutiny an eclectic deluge of releases, here Brian’s latest batch of recommendations.

With all live gigs and events more or less quashed for the foreseeable future, buying music (whether it’s physical or through digital platforms such as Bandcamp) has never been more important for the survival of the bands/artists/collectives that create it. We urge you all to keeping supporting; to keep listening.

Chris Church  ‘Backwards Compatible’
Album/Now


Power pop is an art form that not many critics takes seriously; quite often frowned upon and belittled. Why is it such a bad thing for songs to have catchy melodies and harmonies and a feel good factor. Is it wrong to be influenced by McCartney led Beatles and Big Star; to love the crunchy guitars of Cheap Trick; to have melodies so sharp that they could shave off your eyebrows if you got too close. Of course not all critics are arseholes who eat what they are fed, who will accept anything as long as it’s wrapped in the latest hip design [me using the phrase hip design proves I’m no critic and certainly not a fashion led one]. I’m a music lover. I love pop music. I love harmonies. I love songs with a feel good factor, and yes McCartney is my favourite Beatle.

If you are like myself a pop music lover this LP is certainly for you as it has all the above mentioned and more. If you love Matthew Sweet and Brendan Benson, or even quite like them, you really need to hear this LP. If you’ve never heard of either I would advise you do, but first give this fine album a blast. I’m pretty sure it will not get the attention or the radio play it deserves and that is a bit of a sin as this album was born to be played on the radio.



Yakima  ‘Go Virtually’
EP/20th March 2020




Scottish bands like Big Star and Bad Finger it seems. That’s what we have here: another band soaking up the melodies of the past and releasing them forth to hopefully inspire more bands to like Big Star, which in itself is a worthy cause, because you cannot really have too many bands releasing warm catchy pop music, and this EP’s six tracks of warm catchy guitar pop is just that. It’s like the aural equivalent of your cat nesting in your favorite old jumper, in a cardboard box; no matter how many times you see it, it still makes you smile and warm inside.



So Beast  ‘Super Black’
EP/27th April 2020




If I remember correctly (Editor: yes you did) I reviewed an EP (Fit Unformal) by So Beast last year and was very impressed. Well nothing has changed, as this is equally as impressive.

Once again bringing a dark sultry post punk sound that reminds me of a semi electro Bow Wow Wow; chanted, whispered talked vocals backed by backward drum machines, the bleeps and chimes of the electronic kind twanging guitars and a warm dark hush of their art causing expectant ripples in the part of your mind where you fold away stars and memories of unkempt kisses and elicit sexual acts you performed, or, wished you had. An EP of sultry dark wonders.




Geese   ‘Bottle’
Single/Available Now




Geese are a band or a group [as I’m old fashioned] or, a flock even, from New York and this is their second single to date [I think it is anyway; I could be wrong, and not for the first time]. And what we have here is a fine slice of indie rock; chiming, almost a prog like guitar matched with dark melodic harmonies that bathe in the nostalgia that has me spinning back to the days when people with guitars mattered. Well worth lending your ears to.



Tangled Headphones  ‘Death By Misadventure’
Single/1st April 2020




I really love this. Tangled Headphones describe themselves as anti pop, which I have to disagree with, as this is a fine pop single. It’s certainly lo-fi, which you should know by now is something I adore. It also has a great psych eastern feeling to it – again something I love. Imagine if you will, a Psych Beat Happening; maybe one of my personal favorite tracks of the year so far. Great stuff indeed.




Aimée Steven ‘Hell Is A Teenage Girl’
(Jacaranda Records)  Single/6th March 2020




I think I may just stop reading press releases because on the whole they make me not want to actually listen to the song, as it nearly did with this delight of a pop single by Aimée Steven. And I’m glad I overlooked the bad hype “ripping up rule books ” and such nonsense, because what we have here is a fine PJ Harvey like song injected with the pop fun of The Monkees: guitars that jangle and fizz and a melody that would easily pass the old grey whistle test. One to watch yet again.




Pabst   ‘Skyline’
(Ketchup Tracks / The Orchard)   Single/Now




I was, once again, not expecting to like this as I always look on the bright side, as you know. But I actually did! I like the post grunge with a touch of old fashioned Glam rock feel to it: imagine Suede with beards and holes in their jeans. It’s once again a well written song with decent lyrics a fine melody and with a head-banging inducing chorus, which those with youth on their side I would advise, as it is good exercise [I am led to believe].



Album Reviews: Brian ‘Bordello’ Shea




Each week or so we send a mountain of new releases to the self-depreciating maverick patriarch of the dysfunctional cult lo fi BordellosBrian Shea, to see what sticks. In his own idiosyncratic style and turn-of-phrase, pontificating aloud and reviewing with scrutiny an eclectic deluge of releases, here Brian’s latest batch of recommendations.

The Proper Ornaments ‘Six Lenins’
(Tapete Records) 5th April 2019


The Proper Ornaments Six Lenins LP is an album of beautifully crafted guitar songs that deal with hope, loss, love and heartache, and John Lennon, a man who would no doubt applaud this LP, for although portrayed as the snidely sarcastic Beatle, we-in-the-know know that was all just a front and he was a big softy at heart, who would have admired the songs that deal with the beauty in sadness, and the sadness in beauty, that run throughout this fine album.

I can imagine Six Lenins being released in the late 80’s on Creation and being overlooked at the time: It has the qualities of a future overlooked classic, much like The Lilac Times Astronauts is or should be. In fact this LP at times brings to mind Ride when they were not in shoe gazing mode or the Spacemen 3 in their poppier moments, especially on the title track, when the beautiful organ makes a very subtle appearance. In fact the organ throughout is rather excellent and does not interfere with the overall sound of the LP but gives it a texture that ups the album a notch from being just another fine guitar record.

Six Lenins really is a beauty, and sounds like a proper ‘album’, not just a collection of songs huddled together in pretense, hoping no one will notice. And for that, if I were religious, I would say ‘Amen’.





Coldharbourstores ‘Vesta’
(Enraptured Records) 1st March 2019




Once again here I sit fingers poised on keyboards ready for the tunes to commence, and yes I am faced once again with the sound of dream pop, but lo and behold this is not your average everyday dream pop but a rarified form of dream pop, a much cooler form of dream pop, so much so it is in fact ice dream pop. In fact it is not dream pop at all but pop that is indeed dreamy; it’s like being caressed by the love child of Bob Stanley and Elizabeth Frazer; it’s like Saint Etienne after graduating from a Swiss finishing school.

Chiming guitars electric piano’s and drumbeats collide in a mass of pop seduction, a celebration of all that is missing from today’s daytime radio stations. But like all good pop music it has a dark undertow, an intelligence; music made by those who know that pop music is the highest form of art.

Quite wonderful.





So Beast ‘Fit Unformal’
(OhDear! Records) 2nd March 2019




I love this LP. It is both strange and beautiful and beautifully strange.

The intro track all sped up and cut up voices mixed with discordant synth and guitar leads into the wonderful ‘Fuzzlight’ – all Arabic piano and twangy guitar with lovely sultry vocals that sound like Haysi Fantayzee having a quiet word with themselves.

It really is nice to hear that bands have not lost the urge to try and make music that is both experimental and sexy; mixing cool Jazz with amusement arcade beats and raps with heavy guitar stabs, at times it reminds me of the wonderful Scott Walker’s later albums – heavy on the percussion with atmospheric sax.

These tracks are actually all over the place genre hopping in the same song; ‘Polar Magnet’ kicks off all Cardiacs’ riffs and then goes all Bjork on us, finishing with the singer coughing – there really is not enough coughing on records.

So Beast really should be applauded for Fit Unformal as it really is an unusual and highly successful stab at making an experimental alternative pop album.


Whispering Sons ‘Image’
5th April 2019




I was not quite expecting this. I was instead expecting a Joy Division and Interpol like noise but was presented with the image of the Sisters Of Mercy and The Mission, which to my ears is no bad thing, for I’m at the age when I lived through the golden era of Goth and enjoyed many Wednesday nights in the 80’s at the legendary Wigan Pier alternative night watching Goths charge eloquently to the dance floor ripping up beer mats and throwing them into the air pretending it was some heavenly like confetti as soon as the opening guitar run of the ‘Temple Of Love’ was aired.

This is rather very good indeed. The more the LP goes on the more I long for dry ice; the more my mind goes back to those carefree 80s days, for this could have easily competed with the many wonderful records of this variety that era produced. Not that I’m saying this is dated, as it is not. It’s actually quite a breath of fresh air to these ears and with the reemergence of Goth there is no reason that this album and the Whispering Sons cannot do very well. I would certainly recommend Image to any old Goths out there and to any of the younger generation wanting to know how it should be done and how it should sound.





Words: Brian ‘Bordello’ Shea

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