Brian ‘Bordello’ Shea’s Reviews Roundup – Instant Reactions. All entries in alphabetical order.
Joel Cusumano ‘Waxworld’
Album (Dandyboy Records) 24th October 2025
I like this album. I was expecting the typical power pop tuneful bombast, which it does to a certain extent have, but with a slightly tattered heart that at times reminds me of what Blondie might have sounded like if they were fronted by Pete Perrett instead of the lovely Debbie – especially on “Through A Darkened Glass“. Waxworld is an entirely enjoyable listening experience, one I would recommend to all those power pop aficionados out there, as Joel Cusumano performs like he is Joel Cusumano and not a stars in the eyes Mathew Sweet.
John Howard ‘Kid In A Big World (The Prof Stone Remaster)’
Album (Think Like A Key Records) Released back in August 2025
Autumn is upon us and is the perfect season to discover or even rediscover this 50-year-old classic debut from one of Britain’s finest hidden treasures. Yes, John Howard‘s excellent debut has been remastered by Prof Stone, available from Think Like A Key Records Bandcamp as a download only.
Do I need to pontificate about the magic of this much written about debut. Probably not, but I will anyway. If Elton John was as good as people think he is, he would sound like this album. And John does not feel the need to sing in a phoney American accent or share Dame Edna’s stylist. Why he never made it as a chart regular and enlightened the screens of Saturday night tv in the seventies can only really be put down to the homophobia that existed in the 70’s especially in the upper offices of The BBC and as John never felt the need to hide the fact that he was gay (as Elton wisely career wise did).
Kid In A Big World is a wonderful record and should a hold a place both in all music lovers record collections and hearts … and if I was Amazon or Spotify or Youtube I would say if you enjoyed this album you might enjoy Hunky Dory, or Goodbye Yellow Brick Road or Year Of The Cat. And it deserves mentioning in the same breath.
The Legendary Ten Seconds ‘Ricardian Churchward’
Album – Released 2nd October 2025
I love Musical British Eccentrics (it takes one to know, so they say), and here we have a wham doozy of a release by The Legendary Ten Seconds. Imagine if you will, that Julian Cope had not taken drugs and only read Horrible Histories books and was influenced by The Monochrome Set, then he could well have made this album.
This is the kind of album that could one day (if enough people get to hear this gem of a release) become a bit of a cult classic. For it is a fine collection of psych folk Medieval indie-pop (is there such a thing). The only bad thing I can say about this release is that it’s not available as a CD, as it is one that I would happily add to my collection.
Legless Trials ‘American Russ Never Sleeps’
Single (Metal Postcard Records) Released 13th September 2025
More post punk glory from the Legless Trials. American Russ Never Sleeps pt 1 and pt2 is two tracks of Public Image Ltd styled smooth discord with an air of dubby splendour and chaotic lyricism that once again pokes holes into the flimsy facade of shittery that currently engulfs the world: like a bedtime story read to you by Michael Myers.
Picniclunch ‘snaxbandwitches’
Album – Released 13th October 2025
snaxbandwitches is an album of supreme post punk noisery, experimental fun and undoubtedly surprisingly tuneful. Think the Fall, early Pavement, Morphine (the band not the drug) and early Talking Heads but only if they had been in the pub since opening time and David Byrne had been replaced with someone less annoying.
This is the sound of the true alternative; the sound of a band who would not use a Rickenbaker guitar but an old Woolworths copy battered and played through a borrowed amp. Yes, this is the true spirit of the garage band; the true spirit of rock ‘n’ roll. This is a band who should join forces with The Legless Crabs and do a double headline tour of all the dives in America, and influence the current American underground. If I had a record label, I would sign them up.
Edward Rogers ‘Astor Place’
Album – Released 10th October 2025
I love warm sounding timeless, slightly unusual sounding pop albums and Astor Place is an unusual sounding pop album. Unusual in its joyful mash of psychedelia and rose tinged eloquent nostalgia, at times sounding like a true English gentleman narrating over a backdrop of a huge love-in from ‘67 and believe it or not, sadly it’s not ‘67 and that’s what is so unusual about this album that it would not sound out of place if it was, but not in a retro way just in its feeling and atmosphere, screaming guitars and cucumber sandwiches is it seems a match made in heaven. Hippy heaven even.
If Noel Coward made a psych album, I believe this is what it may have sounded like. And me being a huge Noel Coward fan and a lover of the whole fairytale of the summer of ‘67 I love it. He also name checks Tommy Steele in the lyrics, which for me makes this album slightly more fabulous than it already is.
Smash Palace ‘87’
Album – Released 10th October 2025
87 was supposed to be the second album from Smash Palace in 1987, but their label Epic dropped them before they got around to recording it and releasing it. So, what we have here is a strange beast: 5 of the songs have been rerecorded by the original band and the other five songs are the original studio demos recorded in the 80s. The five freshly recorded songs are bright and chirpy covered with an old MTV sheen, with guitars that jangle and guitars that strut like they are going out on a date with Keith Richards; songs, at times, that remind me of The Hoodoo Gurus and the Smithereens and other bands from the 80s of that ilk – the kind of bands VJ’S with mullets would introduce wearing shiny leather jackets and being all hip to go.
The other five are the real deal from the 80s recordings, not as shiny and bright but have the advantage or disadvantage, depending on how you feel about 80s major label production values, of having the atmosphere of that strange decade. The five 80s tracks one can imagine not being out of place on the Pretty In Pink soundtrack or The Breakfast Club or The Lost Boys…yes indeed, an album to soundtrack Molly Ringwald looking gorgeous.
Striped Bananas ‘Eternity Forest’
Album – Released 3rd October 2025
I always imagine that the married couple that make up the Striped Bananas live in a thatched cottage just outside some enchanted forest in upper Connecticut and spend their time weaving magic. For their music has a fairytale cartoon quality to its Psychedelia; it’s as if Lou and Nico had discovered and became addicted to candyfloss instead of Heroin.
Eternity Forest is a joyful beatastic trip of wonder and delight, an album full of melody, invention and fun; an album where guitars, Hammond organs and Theremin weave together to make one heavenly cartoon album of pure adventure. It’s like going on a daytrip to the fairground with the Banana Splits while having a playlist made up of Buffalo Springfield, The June Brides, The Velvet Underground the Archies and Strawberry Alarm Clock playing in transit. As the Beach Boys once eloquently put it: “it’s Fun Fun Fun”.
Vexations ‘A Dream Unhealthy’
Album (Cruel Nature Records) 17th October 2025
Vexations could well be your new favourite band. “A Dream Unhealthy” is a rather impressive beast of an album, five tracks of pure post psychedelic rock n roll, off kilter as hell and probably as hot, with almost spoken screamed vocals surfing on an explosion of noise frenzy. This album is worth hearing for the drumming alone, which is not to say that everything else about the band is not as equally as wonderful. They produce such a cavalcade of cavernous hypnotic spine-tingling beat poetry.
Brian ‘Bordello’ Shea and the Shea family house band, the Bordellos, have a new single out on Metal Postcard Records this month called ‘The Village People In Disguise‘.
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Our Daily Bread 634: Guided By Voices, Oopsie Daisies, Neon Kittens, Scott Robertson…
December 6, 2024
BRIAN ‘BORDELLO’ SHEA’S REVIEWS ROUNDUP – INSTANT REACTIONS.
COVER STARS THIS MONTH: RYLI
$T33D$_uv_LÜV ‘The Glory of Love’
Album (Metal Postcard Records)
Let’s be honest $T33D$_uv_LÜV is by far the worst band name ever in the history of rock ‘n’ roll, but luckily the music is rather quite excellent indeed. If they changed their name to something DJs can say or blog writers can be arsed to type out (I actually copied and pasted the name from the Metal Postcard Bandcamp, yes I am a lazy fucker I admit, but my one fingered typing style is not really up to a name that gives temp passwords a run for their money) their music might reach further than their front step.
Anyway, onto the music. It’s rather splendid in a Lou Reed/Velvet Underground kind of way, with a fine post punk attitude, and if Joy Division has a sense of humour and were from Texas and not rained soaked Manchester, they could have sounded like $T33D$_uv_LÜV (copied and pasted again).
Guided By Voices ‘Fly Religion’
Single (GBV Inc.)
Well guess what. Guided By Voices have released a new single in lieu of their new album; yes, their 41st in Feb next year. And it sounds like GBV. Is that a good thing. I guess that depends on your opinion on GBV: if you like them, you will like it, if you don’t this will not change your opinion on them. Personally, I like it.
Oopsie Daisies ‘In The Rain’
Single (Metal Postcard Records)
What can I say but another beauty from the Oopsie Daisies. Yes, another bedroom pop gem of subtle fragility, the sought of pop song that Sarah records used to release in those good old days when pop songs appeared on beautiful 7 inch vinyl and were physical works of art you could hold and cherish, and it didn’t cost you a arm and a leg to purchase it. “In The Rain” is not on 7 inch vinyl but you can still cherish it though a true treasure of pop splendidicity, and it won’t cost you an arm or a leg.
Lo-Fi Melancholia For Kids ‘Because, everyone is wrong about everything all the time’
(Astrodice Records)
As anyone who reads my reviews will know I have a love of home recorded DIY music. I love the simple drum machines, the one fingered keyboard lines and the jangly or distorted guitars and the quite not sure of themselves vocals, they have a soul and innocence and that is quite often lost in the studio. And that is what I love about this album by Lo -Fi Melancholia For Kids, it has all these qualities and at times comes across, if you can imagine it, the demos for the 1st Strokes album, especially on the opener “Energetic Midfield Player” and “The Arrow”.
“Because, everyone Is Wrong About Everything All The Time” is an enjoyable album, and should be enjoyed by all who like the DIY indie pop/rock aesthetic.
Neon Kittens ‘Radio Sick Music’
Album (Metal Postcard Records)
Any album that kicks off with an Eddie Cochran-like guitar riff nine times out of ten is going to be an album I’m going to enjoy. And when that album is by the Neon Kittens there is no doubt that it is going to be an album I’m going to enjoy.
Once again the Kittens have supplied us with another 12 songs of a debonair stylish post punk fury, songs that twirl and curtsy whilst secretly burrowing into your head and heart running slapdash over the idea of existing without the pure no wave seduction that the Neon Kittens kindly soundtrack our everyday life with, supplying us with the tales of the ordinary in the most extraordinary beguiling way. There is no-one quite like the Neon Kittens, which may explain why they are not sitting at the top of the poppermost, as on the whole the general public are an unadventurous lot and like their art with the art safely removed and replaced with a shiny facsimile with all the sex and danger removed. Maybe Metal Postcard could supply a downloadable sofa with every Neon Kittens album for people to hide behind whilst listening.
Scott Robertson ‘How Not To Live’
Album
What’s up with record labels today I ask you. Scott Robertson had to just shove this fine album out as a pay if you like download release just so he could move on with his new recordings, as he could not find a label to release it. Which speaks volumes for the state of the industry as Scott is a fine songwriter who has released an album of verve, art and skill and really deserves the extra push a label can sometimes give.
“How Not To Live” is an album filled with songs of fine guitar chime and melody ala Teenage Fanclub and the Lemonheads and Brendan Benson, with the touch of alternative American guitar bands and the such, as lovely and good as this all sounds there is a darker and more melancholy deeper undercurrent going on that keeps Scott at arm’s length from all those other artists with similar influences. I await Scott’s third album to see how this talented young chap develops.
Ryli ‘I Think I Need You Around’
Single (DandyBoy Records)
“I Think I Need You Around” is a rather jangly twangy guitar pop boiler of a song, another indie pop dream of love and want, as is the other side of this forthcoming seven-inch single release “When I Fall”, a rather sweet and bewitching little pop strum along which I might actually prefer to the A-side, but both are fine and dandy.
RELEASES ON THE RADAR FROM THE LAST FEW MONTHS & A METAL POSTCARDS LABEL SPECIAL/REVIEWED BY WRITER-MUSICIAN GRAHAM DOMAIN
Letters from Mouse ‘Clota’
(Subexotic Records) – Vinyl LP and Digital DL
Steven Anderson (Letters from Mouse) returns with a beautiful album of ambient dreamscapes played with a lightness of touch using modular synthesisers.
In Celtic mythology, the Goddess Clota was patron of the River Clyde and brought purity to the natural landscape. The album pieces reflect the beauty of nature and how nature evolves and changes, both with the day and with the changing of the seasons.
The album begins with ‘Frogspawn’, which sounds like new life emerging. A red sun high in the sky, watercolours smudged by the brightness of the day.
‘Juniper’ sounds like beautiful winter landscapes illuminated by a low winter sun. Wonderful.
‘Bowling Greens and Tennis Courts’ sounds like the sun coming out as the last remnants of a summer storm fade. It’s late in the evening but still light, as the sun has one last boastful appearance before the end of the day.
‘Piglet’ employs electronic harp and sounds very playful. It puts me in mind of summer, very early morning as the sun rises, rabbits and small animals appear, foraging for food, the dawn chorus of birds mixes with the hum of insects in flight, busy for the day ahead.
‘Cosm’ sounds like swimming under water, the sunlight getting stronger, shining through the water as you approach the surface.
‘Habitual Joy’ sounds like the warm morning sun, life affirming, awakening to the joy of a brand-new day.
Altogether it’s a beautiful album that deserves to be heard by many. It is also a great ambient album for meditation or creative work such as painting. Wonderful.
Various ‘The Faithful: A Tribute to Marianne Faithfull’
(In the Q Records / Bandbox) – Vinyl and Digital Download
As the name suggests, this is a tribute album to Marianne Faithfull with all benefits going to assist her in her recovery from long Covid.
Marianne has had a checkered career with numerous labels and her voice changed and became more ‘lived in’ as she struggled with severe bouts of laryngitis and addiction. This has not given her body of work a consistent identity. However, her struggles with addiction, illness and health problems have never stopped her working. After losing her voice, her last album was spoken word poetry backed by Warren Ellis (of the Bad Seeds). Marianne is an intuitive survivor!
Most of the songs on this tribute album were not written by Marianne. Her forte being in the way she sang and interpreted the songs of others. While not having great commercial success after the 1960s, she was always appreciated by other singers, musicians and music critics. Her most well known album Broken English often being name checked by other artists. Thus, we get 19 appreciative artists covering the songs of MF. The standout tracks are ‘Working Class Hero’ by Iggy Pop and Cat Power, ‘Why’d Ya Do It’ by Shirley Manson and Peaches, ‘Broken English’ by Joan As Police Woman and ‘Love, Life and Money’ by Lydia Lunch. Hopefully, it will make enough money to help MF in her darkest hour whilst also creating interest and investigation of her colourful back catalogue, with maybe some reissues. Get better soon you husky voiced inspiration.
C’mon Tigre ‘Habitat’
(Intersuoni) – Vinyl and Digital DL
This is the fourth album by international music collective C’mon Tigre featuring, amongst others, Seun Kuti, Arto Lindsay, Xenia Franca and Giovanni Truppi.
It’s a beautiful menagerie; a wondrous sound fusion underpinned by Brazilian and African rhythms. The essence is always danceable and the album becomes more and more fascinating with each play, incorporating elements of jazz, electronic, funk and a subtle blend of influences from all around the world. Both Tricky and Sly Stone are in the mix.
Standout tracks include ‘The Botanist’, ‘Teenage Kingdom’, ‘Nomad at Home’, ‘Na Danca Das Flores’ and ‘Sixty-four Seasons’, but to be honest all the tracks are excellent.
If you are open to innovative music or want to insert something different and exciting in your DJ set, then this is a great album to check out.
A METAL POSTCARDS LABEL SPECIAL::
The Bordellos ‘Nobody’s Listening’
ALBUM – Digital DL
As Bill Fay said ‘life is people’ and here we have thirteen songs about the ups and downs that make up peoples’ lives. The themes are universal, the culture – survival in a world where the outgoings are more than the income. The highlights are many.
‘Running Back to You’ is a ‘standard-in-waiting’, ready-made for covering. Indeed, it may be that time of the year, but with a few Christmas bells added and a video with white snow parkas (a la East 17) it could be a Christmas smash!
‘Brief Taste’ has all the warped charm of an Eels track, with the refrain ‘Seduction ain’t that much of a hobby when you ain’t got that much of a body.’ Brilliant!
‘Soundtrack to getting your end away’ sounds like New Order jamming with Bob Dylan. Great lyrics and supernatural melodicism. Poetry for the soul!
‘Marianne’ is part Pixies, part The Fall, part Ted Hughes. Wonderful!
‘Tom Waits Blues’ has the melancholy atmosphere of a rainy day spent scouring shops looking for your favourite bands’ new album only to find no one has it in stock! Soaking wet and missed your bus, but there’s always tomorrow!
‘Soft Get Smile’ is a true anthem. A sing-a-long for the disenchanted. Hope among the ruins.
This is another perfect ‘slice of life’ album from The Bordellos. If all they had was a pair of spoons and a cassette-recorder, they would still be driven to record these hazy snapshots of life, in the same way that L S Lowry splashed his canvas with the daily drudgery and drama of the northern working-class. Was anyone paying attention to Mr Lowry at the time? No! But today there are hotels, theatres and tree-lined streets named after him. (Even Bowie was one to acknowledge the match-stalk painters genius titling his best album Low)!
No one (sic) may be listening to The Bordellos today but one day… recognition will be theirs! (Bordellos Night on the X Factor anyone)?
Tim. M ‘Turn This Thing Around’
Single – Digital Down Load
This is the second solo single from Tim. M (the Aliens singer). A piano based ballad, it falls into the space somewhere between James Blunt, Harry Nilsson, Crowded House (Neil Finn), Karl Wallinger (World Party) and the New Radicals.
The song grows on you with each play and after a few plays I knew all the words. Orchestrally it reminds me of Bowies ‘Life on Mars’, leading me to sing Bowie-voiced backing vocals on the chorus of ‘Listen to me now…yeah yeah’. If he stays with the piano and keyboard sound, I want to hear more.
Andi Roti (featuring Oti Soe) ‘Shazam Me At the Beach Bar’
Single – Digital Down Load
This is a great chilled dance record destined to be played in many air-conditioned beach bars around the globe. The bass line sounds very Chic-like, while the funky guitar is underpinned by warm keyboards and bongos. When it starts it reminds me of a Thom Bell production from the 70s. Topping it off are soulful Indonesian vocals from Oti Soe. Already an underground classic – make sure you ask for it on your next night out! Stone Cold Electric! #Shake that Leg Thang!
K. Board and the Skreens ‘Beauty Lies Everywhere’ and ‘Mythical Creature’ Singles – Digital Down Loads
Two singles released in rapid succession.
‘Beauty Lies Everywhere’ sounds like Sultana by Titanic deconstructed by robots and beamed live to Roswell Roxy Cinema in 1968 to soundtrack a Clint Eastwood Spaghetti Western. Not the usual pop hit – aliens, robots and time travel meet Ennio Morricone! Fantastic!
‘Mythical Creature’ is a brooding synth fare that sounds like the soundtrack to John Carpenters Assault on Precinct 13 crossed with a possessed cat on heat and dwarfs dancing round a maypole. All recorded during an alien-visit-power-cut-surge! Stup-id-end-ous! Play it when doing Cat -Yoga!
Our Daily Bread 576: Vieira and The Silvers, Tony Valentino, Fossil Beach, The Budos Band…
June 2, 2023
The idiosyncratic Brian ‘Bordello’ Shea rummages through another month of new and upcoming releases. (Unless stated otherwise, all releases are already available to buy).
SINGLES
Vieira and The Silvers ‘The Judge’
(Catch 21 Records)
There is something very Liverpool about this track; I was sure they would have been from Liverpool as they have the same Scouse pop feel that the Coral and the many bands from the Bandit era have. Maybe they take the same drugs and listen to the same records, either way this track is very good.
It starts off all Captain Beefheart and ends with the kind of Gospel inflections that Booby Gillespie would sell his favourite battered egg to have included on the much over-rated Screamadelica album; a good album, but not all as it is made up to be, unlike this single, which is pretty spiffing and yes spiffing is indeed pretty, and my word of the day. As is this single is my song of the day.
The Budos Band ‘Frontiers Edge’
(Diamond West Records)
I love this track; a sexy shimmy of spy Bond glamour with a hint of 60s hip swinging jazz in a spaghetti western type of way. The kind of track you want your night out on the town to be like – all glittered mini dresses bouffant hair and neon lights offering temptation and seduction. Yes indeed, just the kind of track to paint your evening. A hip swinging triumph.
Josienne Clarke ‘Anyone But Me’
“Anyone But Me” is a dark and bewitching folk song filled with both a sadness and relief that the affair is over, and I am quite taken with how Josienne sings the line, “how can you love anyone but me”. But that is the magic of song, a few brief seconds can transport one back to the dim and distant past and remember not so happy times. A beautiful song and an excellent video to go with it.
Beach Fossils ‘Dare Me’
(Bayonet) 2nd June 2023
Modern indie radio friendly guitar pop normally bores the pants off me: it does. I normally end up taking off my pants and wandering around the house with my them on my head, pulled over my ears whilst wondering how long the kettle is going to take to boil and what would come first: the boiling kettle or the end of the soulless dirge that someone has sent for me to review? Or the soulless dirge that BBC 6 music is forcing upon their daytime listeners, who I think have probably given up on life. But saying that, for some strange reason this song by Beach Fossil does not have that effect on me, even though it has all the lack of qualities that modern produced indie guitar pop has; the soulless production and the spray on radio BBC6 music sheen. But for some reason I like this. Why? Answers on a postcard.
bigflower ‘The Event’
The event by name, an Event by nature, we have a fine slab of mellow dance solitude that is both funky and slinky and electronic-like. And at just over three minutes long is far too short for its own good; double it and you have an ideal floor filler: yes, a floor filled with fine Manchester musicality. This could and should be a 12”, and reminds me a touch of Fatima Mansions in its dark outer grooves. How many times do I need to say, come on record labels sign this man up.
ALBUMS/EPS
Tony Valentino ‘Dirty Water Revisited’
(Big Stir Records) 26th May 2023
Tony Valentino was of course the lead vocalist with the 60s garage punk legends The Standells, and this, the Dirty Water Revisited album, is where he revisits his past with an album of reworkings of some the band’s classics, and some new songs too. And the reworkings of the classics are fun as all 60s garage songs should indeed be. “Good Guys Don’t Always Wear White” was always one of my fave garage rock songs and this version does not really take anything away from the original, as does none of the reworkings. And lets be honest, garage rock bands have been including these classics in their sets for years so why should Tony not revisit and pay respect to his own past. On the whole he has made an enjoyable romp of 60s garage punk/pop reworkings. And with last years new song single, “I’m A Sexy Punk Rocker”, included reminding us all where Iggy might have got some of his pop from.
Armstrong ‘Summer Is Here EP’
Summer is on its way, so what better way to celebrate than to listen to this 4-track beauty of pop overthrow; a quartet of summer breeze pop; an EP of pure jangle and sci-fi synths; a 4-track treasure of shadows of yesterday’s delights. But what else can one expect when it is the latest release from Armstrong, everybody’s favourite pop picker songs that has one thinking back to when Aztec Camera and Prefab Sprout would occasionally sneak into the top 40 and the internet was only something Leeds Utd supporters used to shout at three o clock on a Saturday afternoon. Sublime pop indeed and Summer Is Here is so summer sounding it has brought on my hay fever.
Cat Box Room Bois ‘Tinder Vittles’
(Metal Postcard Records)
Ah the lovely subtleties of American shambolic rock ‘n’ roll spews forth from this magical album featuring a member from the genius Legless Crabs. So it being shambolic rock ‘n’ roll is indeed nothing to be surprised at. And indeed, it is pure undiluted rock ‘n’ roll, with traces of the DNA of The Modern Lovers, Neil Young, The Marychain, the Velvet Underground and The Stooges in a loose and casual way that gives casual a new looseness.
It is the sound of a party in your pants. It is raunchy. It is sexy. It is funny. It actually sounds like a band rehearsing in your neighbour’s shed whilst the singer juggles extravagances in a cartoon denim and leather clad clown like way. Whilst the guitarist shows off his fretboard prowess imagining he was once a member of Red-Hot Chilli Peppers but was thrown out for being good and having lo-fi punk attitude. So if Lo-fi rock ‘n’ roll is your thing and you want an album that sounds like one of the most out of it bands from your neighbourhood jamming wildly on a summers day with the essence of weed and alcohol slowly drifting on a gentle summer breeze, or, The Beach Boys Party album but made by drug addled stoners brought up on a soundtrack of 70s Fm Rock and early 80s American punk , this album is for you. This a gem of an album.
Monthly Playlist Revue Of March 2023: Snapped Ankles, Tinariwen, Murs, ILLAMAN, Salem Trials, Anemic Cinema…
March 31, 2023
The Monolith Cocktail’s Monthly Playlist Of Choice Music
Picked By Dominic Valvona, Matt Oliver, Brian ‘Bordello’, Gillian Stone, Graham Domain.
Three and a half hours of choice music from March, the Monolith Cocktail Revue features tunes from our reviews and columns, plus the tracks we didn’t get room to feature. This month’s selection is courtesy of Dominic Valvona, Matt Oliver, Brian ‘Bordello’ She, Graham Domain and Gillian Stone.
____TRACK LIST____
Snapped Ankles ‘Planet You’
Sparkz ‘Overlord’
Spectacular Diagnostics ‘Political Monsters’
Anemic Cinema ‘Oneirophrenia’
ASSASSUN ‘Unfold On My Chest’
Man/Woman/Chainsaw ‘Back/Burden’
Salem Trials ‘Calculating R’
Ruxpin & Stafraenn Hakon ‘Unmapped Landscapes’
DJ Black Low ‘Thando’
Tinariwen w/ Fats Kaplin ‘Tenere Den’
Dur-Dur Band International ‘Wan Ka Helaa’
Adrian Younge/Ali Shaheed Muhammad & Lonnie Liston Smith ‘A New Spring’
Juppe ‘Fade’
Ramson Badbonez ‘Stir Fried (Remix)’
The Waeve ‘Kill Me Again’
Tilo Weber ‘Nacre Nacre’
Areia ‘The Deaf Man Three’
Sultan Stevenson ‘Summer Was Our Holy Place’
Chairman Maf ‘Deep Water’
Dub Sonata/BlackLiq ‘The B-Side’
Ali Farka Toure (Ft. Oumou Sangare) ‘Bandolobourou’
Philip Selway ‘Strange Dance’
Benedict Benjamin ‘White Noise’
Schizo Fun Addict ‘Over The Hill And Far Away’
Nivis ‘Rain On A Funeral March’
Saba Alizadeh ‘Nafir’
Frederic D. Oberland ‘Quatre Epaves d’Acier’
Qrauer ‘Foq (ANGRiDAD RMX)’
Carmen Jaci ‘I See’
Healing Force Project ‘Adrift In The Stratosphere’
Murs ‘Spaghetti At The Ghetty’
Efeks Ft. Breezy Lee & Steady ‘Grateful’
Rico James ‘All Candles’
Varnish La Piscine ‘NUBIAN FARLOW’
ILLAMAN Ft. Pitch 92 ‘Sometimes Relax’
AJ Suede/ Televangel ‘Terrible’
ILLAMAN Ft. Pitch 92 ‘Absolutely Tidy’
Che Noir/ Big Ghost Ltd. ‘Quiet Movers’
Niclas Tamas ‘Cosmology Mammal’
Tomo-Nakaguchi ‘The Starry Night’
Jman/The Argonautz ‘Dying Breed’
Farmabeats/Baileys Brown ‘They Live We Sleep (Pricks From The Thorn)’
Joel Harrison & Anthony Pirog ‘Critical Conversation’
Lukas Traxel ‘The Call’
Lucy Kruger & The Lost Boys ‘Heaving’
Smashing Red ‘Hot Sun’
Goodbye Karelle ‘Moonroad’
Halo Maud ‘Catch The Wave’
Night Noise Team ‘Little Shocks’
Ghosts On TV ‘Life In Plastic’
Salem Trials ‘Super Spreader’
$T33D$_uv-LUV ‘J.O.1.’
Brian ‘Bordello’ Shea’s Monthly Reviews Column
Singles
Cormac O Caoimh ‘Didn’t We’
How on earth could I not write about this song, for it is a song about one of my favourite songs, the Jimmy Webb song ‘Didn’t We’. My favourite version is not actually mentioned, which is by the very rarely mentioned easy listening singer from the 60s/70s Sheila Southern, her version being on the sings Jimmy Webb album released on the budget label Marble Arch records in 1970 – well worth keeping an eye out for in your local charity shop. This song is a cracking little unusual pop song. I do love pop songs about pop songs, and this is a finely written one by Cormac O Caoimh and Lindy Morrison. Yes I to was wondering whether it was the same Lindy Morrison from the wonderful Go Betweens. If so, then she is used to being on finely crafted, well written pop songs, which this indeed is.
Schizo Fun Addict ‘Over The Hills And Far Away’
Schizo Fun Addict have just released a teaser video for their new album that will be coming to us in early 2023, and once again, with this a cover of the Led Zepplin classic ‘Over The Hills And Far Away’, have completely reinvigorated and made it sound like one of their own, which I think is the idea of a cover, otherwise I think doing a cover is a pointless exercise and you may as well listen to the original.
But no such worries in that department from Schizo who have taken one of my favourite Zeps tracks and if anything improved it or made it so different it is like two completely different songs. Instead of the Zep theatrics we have a woozy stoned psych trip of shoegaze folk splendor, like the ghost of Sandy Denny haunting the serenity of early Mercury Rev. At this point all betting is off as what will be my favourite album of next year, as Schizo Fun Addict already have that in the bag.
Salem Trials ‘Zipporah’
(Metal Postcard Records)
Yes, another single from the wonderful Salem Trials. ‘Zipporah’ is a fuzzy pop delight with a guitar riff that reminds one of the 80s guitar favourites The Primitives; a riff that could have walked, or in the case slinked and strutted, of their debut LP Lovely. But instead of the twee vocalising of indie 80s sex goddess Tracy Tracy we have the mad wonderful unique vocalising of Russ ranting, snarling, gurgling not so sweet nothings to anyone within earshot: the nutter on the bus singing along to his favourite hits from yesteryear. Russ and Andy should have a statue erected in their honour for their attempt to keep modern indie guitar music interesting and vital, which the Salem Trials undoubtedly are.
bigflower ‘Magic Beans’
bigflower are back with another installment of guitar surge, and indeed how the guitar surges on this beauty of a track; another dense shadow of regret and sadness and inner turmoil. There is nobody sounding like bigflower today but not everybody has bigflower’s talent and pedigree.
Mark Hegan ‘Rearrange Me’
This is a pleasant well-produced radio friendly pop rock ballad. You know, the Snow Patrol, Keane type of track. And I’ll admit something, it’s the kind of thing I normally do not listen to out of choice, but I thought I would give this a mention as Mark Hegan does it better than most of the stuff I’m sent. And anyone with a penchant for radio friendly pop rock songs should give it a listen as I think they might well enjoy it.
Albums/EPs
Thank You Lord For Satan
(Buh Records)
Thank You Lord For Satan are a fine band and this, their debut, album is indeed a fine listen. An album that takes on board psychedelia with a mixture of synth pop and indeed straight ahead pop. The sultry sexy and dark opener ‘A million Songs Ago’ sets the tone with intertwining Velvet like guitars and soft sensual vocals, and at times vocal wise reminds me of a cross between The All Saints and Leonard Cohen: a strange but beautiful combination.
This debut is indeed like fresh of breath air blowing through the corridors of the halls of psych rock. Showing that with a bit of intelligence and originality and song writing talent greatness can still be achieved in the ever-growing paint by numbers genre that psych rock has become.
THE Zew ‘IFI1IFO’
(Numavi Records)
1FI1FO is a beautiful lo-fi album of near experimental folk songs, with vocals and guitar going through occasional effects to a quite beautiful degree, slightly distorting and giving the album a lovely warm and woozy effect.
The songs and vocals are rather moving, reminding one of camping in the woods with your memories for company. A quite a simple and nostalgic affair, the whole albums flows together and moves with a subtle lo-fi grace that one does not come across often enough, and come the end of the year this could well be one of my favorites. Very special indeedy.
Neon Kittens ‘S-T’
(Metal Postcard)
Experimental no wave pop is not noise pollution, in fact it is darn sexy. Darn sexy is a much underused word in reviewing circles as it sounds like something a passed his prime urban cowboy may say to his best drinking buddy in a down-at-heel bar, and this 4-track slice of experimental epery (yes a made up word). Yes I am flying by the seat of my pants a bit like this quite wonderful EP is. At last, the sound of music not stuck inside the rules; not being made to tick the right boxes; not being made like it was recorded by a middle-class twat wanting to be featured on a episode of Catfish to be played whist some wistful teenager stares at their phone in hope that Nigel really does look like the picture sent and not Nigel Farage. This is the real sound of the musical underground the sound of people making music they want to make, music they like, not making music they think other people may like. This is the sound of real life.
Russ Spence ‘Attempted Soundscapes EP’
(Metal Postcard Records)
This is the debut EP by Russ Spence the vocalist from The Salem Trials, whom I seem to write about on a monthly basis due to their prolific output. Attempted Soundscapes is an EP of experimental tracks that have more in common with Throbbing Gristle and the later works by Scott Walker, so not an EP you will be hearing on BBC 6Music anytime soon; although I could imagine the Freakzone having some fun with it.
The opening track ‘Take The Long Way Home’ is an atmospheric little beauty all spooky Halloween synths, muffled Prodigy drumbeats and the vocalizing of a ghostly Mark E Smith whispering sweet nothings to an empty pint glass. The second track, ‘Simple Sins’, features fellow Salem Trials member Andy on guitar, and supplies the sonic cathedral of feedback that runs throughout this moody atmospheric piece. It’s probably my fave of the four tracks on this excellent debut.
Cream Gorilla ‘S-T’
(NoMen)
Cream Gorilla were an experimental art-noise band from Tokyo who were together from 1997 to 2002 and got back together in 2022 for one final recording. Their complete output is now available on this CD, 35 tracks in all. As you would expect from an experimental art-noise band the tracks are indeed experimental and indeed very noisy but also mostly short: 35 tracks in 40 minutes. So gives you no chance to grow tired or bored of their strange chaotic noise outpourings. Well-done NoMen Records for gathering this delight of indeed artistic noise terror.
Bigfatbig ‘Rockin’ And Rollin’ and Whatnot’
The joyful sound of indie guitar pop; the well played, well written sound of two young ladies writing about the problems and real-life experiences young ladies have to deal with in this day and age, which I being a man in his mid 50s only get second hand from my daughter and my old Shangri-La’s albums. But I really enjoyed these four tracks. It is indeed a joyful romp that had me thinking back to the early days of Kenicke. I think Bigfatbig will do very well, and I wish them luck on their journey through the glittery cesspit that is the music industry.
Dot Dash ‘Madman In The Rain’
The new Dot Dash album is upon us. Another half an hour or so of pure catchy pop with guitars that jangle and chime and strummed vigorously keyboards that alternate between sounding like they have just been holidaying from the Seeds debut album or from a hit from the Motors. Pure pop for not just now people but even for now and then people.
A Champagne filled picnic of sunny delight of an album is what this is. I hear so many albums trying to achieve what this achieves, which is a well-written album of well-written pop songs. It even has good lyrics and hummable melodies, which is indeed a rarity believe me. C86, power pop and 60s garage pop combined beautifully to make an album of perfect pop.
Vlimmer ‘Menschenleere’
(Blackjack Illuminist Records)
I will be honest; I very rarely listen to goth music anymore. Back in my youth in the 80s I did enjoy the Sisters Of Mercy, Rose Of Avalanche, the Skeletal Family and such, like even having some of their albums. So I do not claim to be an expert on the genre, but I must admit to enjoying this album; an album of darkness with a slight pop edge at times reminding me of the Sisters Of Mercy being covered by Aha – can you imagine how much better the Sisters Of Mercy would have been with Morten Hacket singing lead.
This album will be up so many old goths streets they will be breaking out their velvet trousers and hairspray in a second of hearing the first doom laden chord. If it is possible to have an enjoyable romp through darkwave or whatever the pesky kids are calling it this week, then Vlimmer isindeed your man.
Brian ‘Bordello’ Shea’s Roundup
Unless stated otherwise, all releases are currently available to buy.
SINGLES:
Schizo Fun Addict ‘Fate Chaser’
Schizo Fun Addict are one of the Magnificent Seven; one of the most important bands in the underground today: one of the seven bands that are making music as good as anything released in the history of rock ‘n’ roll.
Music wise they are a jack-of-all-trades and master of them all. They take musical genres and mix them with a cunning ease and panache that other bands can only stand with mouths agape wondering how they achieve such beauty and experimental originality. With this their new single they dip their toes into the magical myth that is the Laurel Canyon of the late 60s, and produce a song of supreme summer jangle. This is the sound of Michelle Philips combing her hair; the sound of Arthur Lee preening himself in front of a full-length mirror in the castle. This is pure nostalgia, a song of the summers we no longer seem to be blessed with; a tear stained memory of teenage romantic yearning.
bigflower ‘The Pill’
The dark world of bigflower once again is upon us with a lovely strange voyage of psyche and psychosis; an off-kilter journey where not everything seems to be where it should be, but strangely fits together perfectly. A song that strangely could and should last longer, which is indeed a very rare thing; an aural journey of a song with shuffling drum beat and beautifully simple strummed electric guitar led astray in a wave of vague drone solitude. Another winner from Ivor Perry.
Borben Dallas & His Filipino Cupids ‘Too Convenient’
I love this single. It starts off all scuzzed-up rock ‘n’ roll and dank and pringy and urgent, then in the middle goes all experimental and almost Beach Boys like. It gives one the impression that Borben Dallas has just found god or at least a God substitute. The post-finding-God section of the song goes back to the first but with an added pringiness that one can only bow their head or even shake it in a Status Quo like manner to. A spellbinder of a single. Originality is not dead it is alive and well and living in the essence of Borben Dallas and His Filipino Cupids.
Martha and the Muffins ‘Save It For Later’
The man who wrote this song is actually a bit of a fan of my band The Bordellos, calling me the natural successor to John Cooper Clarke. Maybe he meant I too am skinny and wear all black, but sadly my hair has long gone the way of my hopes and dreams completely out the window. But that man be the wonderful talented songwriter Dave Wakeling who of course was and is frontman of Ska Beat legends The Beat and this my dearest cherubs is a cover of their classic ‘Save It For Later’, and it’s not a bad version. It’s all post punk jangles and a melody no doubt one would hear emitting even echoing on a beach [see what I did there] from a tiny transistor radio this summer. Martha And The Muffins have indeed done a pop delight of a cover and has managed to put a smile on my face and a skank to my hips. [Please do not take that image to bed with you, I beg of you].
James Howard ‘Baloo’
(Faith & Industry)
As I sit mid Sunday morning writing reviews, this is pretty perfect listening; a song that takes and pulls in the art of traditional songwriting and wraps it around ones heart, squeezing tears and hope from your now moistened eyes. A track of pure beauty; a song I can imagine the great Elvis Presley performing with such gusto and panache extinguishing all the previous night’s demons. James Howard could well be one to watch and I await an album with my breath somewhat baited. A true beaut of a song.
Fast De ‘Miss Trutti Finally Found Her Gem’
(Bloomer Records)
A lovely instrumental surprise of fuzzed-up pop grandeur, fuzzy synths get off my tail eloquence, and a sweet, so sweet scuzzy melody that it will not just rot your teeth as you chew on it, getting all the juicy goodness from the track, but your grandmas and her twice removed wannabe lovers teeth as well. Yes indeed it is times like this one can only sit back and enjoy the taste of adventure in music.
Pineapple ‘Trials’
(Metal Postcard Records)
Pineapple is a fruity little dish of a band, taking in post punk and talking in post punk sensibilities. It’s an EP of nostalgic splendor; one that takes me back to the days when the local punk band had to compete with the jukebox in the down at heel pub venue, we of a certain age all have played/frequented at some time in our lives. Yes, this is an EP of enjoyable guitar punky scrunge that takes in Billy Childish, Julian Cope and The Fall in equal measure, and ‘Snake & Ladders’ is one of the best songs about football I have heard in many a year.
Linn ‘Happiness is Real’
I love this track. I have listened to it a number of times in a row, and found it a song that is both utterly bewitching and quite disconcerting: imagine Jane [‘Its A Fine Day’ fame] being swallowed whole by early My Bloody Valentine on the sunniest yet saddest day of the year. I hope Linn has an album coming out soon as I think I’m ready to be seduced.
ALBUMs/EPs
Faust ‘Punkt’
(Bureau B)
Punkt is the lost album by Faust and everybody loves a good lost album. But in honesty many lost albums actually deserve to remain lost and never be found. They are lost for a good reason normally, the reason quite often being it is not very good, but years later are looked through rose-tinted nostalgic eyes and held to one’s collective bosom as a work of previously unreleased genius.
But there is always an exception, and like Shacks masterwork Waterpistol, Punkt is that exception.
Punkt carries on where Faust IV left of, with a brief ear turned and tuned into melody where the industrial noise is swamped with psych-tinged song writing skill and invention. ‘Morning Land’ sounding very much like what Einstürzende Neubauten would make years later with great success. ‘Knochentanz’ is indeed a Chinese burn of a track, taking jazz and electronic noise to new extremes; like a melting corpse dripping into the eyes of the soulful bugler at dawn wondering whether alcohol will taste quite the same again, it is almost funky and after many spirit enhancing drugs could well be danced to and even at the length of 11.45 it never outstays its welcome. ‘Fernlicht’ follows as a short psychedelic interlude, again covering the noise and drone with a quite becoming melody. And that is a fair summing up of the album actually: the normal Faust invention of drone and noise but with a covering of instrumental beauty, as the quite breath-taking journey of a track ‘Schön Rund’ proves: the sound of Elton John slowly sinking into the ocean; a treat indeed.
So as a lost album this is indeed a found again treasure; one that all lovers of Krautrock will enjoy and stroke the chins over a martini to [or other tipples of choice].
Jelly Crystall ‘ILY’
(Smuggler Music/PIAS) 3rd June 2022
All said and done this EP is rather beautiful. The opening track reminds me of the beautiful Paul Quinn and the Spirit of Independence albums, which is indeed high praise. There is such a romantic 50s early 60s magic that those periods in time oozed with, and Jelly Crystal have captured the magic without being too retro.
This is music to be heard coming out of your radio whilst you slow dance with your significant other in the darkness, in the park with the cool evening breeze whispering sweet nothings…truly magical.
Alas The Sun ‘Wild Honey Inn’
(Taxi Gauche Records)
The beautiful sound of summer is what we have here; jangling guitars beautiful harmonies and well-written songs with heart and soul. Everybody who reads these reviews of mine knows I am a sucker for bands with boy/girl vocal duets, and Alas The Sun are indeed blessed with such a thing; both voices blending into a soft honey dew like substance that melts and makes you feel all warm inside.
Whether it be the jazzy ‘Distant Drone’ or the subtle ‘White Rabbit’ soft shuffling beat of ‘Love At Twenty-Two’, which is almost Prefab Sproutish in its texture and feel, Wild Honey Inn is an album of laid-back beauty; an ideal record to soundtrack sheltering in the shade on a too hot summer’s day, when lazing about relaxing is all one needs in life.
Black Monitor ‘Snake Of My Heart’
(Ikarus Records)
Snake Of My Heart is an album full of tuneful joyful psychedelic pop, and lovers of such will indeed enjoy it. To be honest, there is nothing not to enjoy about it, as it is vibrant, wide space music made to fill the wide musical space in your life; an album taking in the influences of Pink Floyd with Syd Barrett, the Brianjonestown Massacre, early Blur and many other fine pop bands touching on c86 jangle, especially on the Sarah Records like ‘On A Wire’. But there is a slight difference as Black Monitor has a slightly dark edge to the music, a slight uneasiness that many bands that produce music of this ilk do not quite manage to achieve.
There’s a slight appealing wonkiness and depth to the songs that I think will draw me back to and explore more and more over the coming weeks, a quality that many fail to produce with alt radio friendly songs. This a quite lovely and rewarding listen.
Super Hit ‘Pocket Rock EP’
(Metal Postcard Records)
There is a beauty in lo-fi jangly guitar music that I cannot resist, and this seven-track mini album is full of the beautiful little blighters. Any one of the seven songs could quite easily fit onto the compilations Sarah Records released in their all too brief existence. Songs that beguile and charm in equal measure, songs soaked in DIY bedroom lack of glamour but steeped in a yearning and heartache and pure charm that really is hard to beat, and Super Hit is an artist deserving of more attention.
Spiral Of Silence ‘Landmark’
(Jezus Factory)
This is Spiral Of Silence’s first release in 20 years, a band I have not come across before, and described as the Belgian Joy Division – probably because they are from Belgium and have that Peter Hook/Cure bass thing going on and are quite dark and gothic. And despite all that I still enjoyed the EP.
It is nothing I have not heard before, but The Spiral Of Silence do the Joy Division thing very well and cover their darkness with layers of radio friendly melody, and I can see it appealing to the long black coat brigade [if they still exist].
Brian ‘Bordello’ Shea’s Roundup
(Unless stated otherwise, all releases are currently out there)
Pussy Riot And Slayyyter ‘Hate Fuck’
(Neon Gold Records)
This is quite wonderful. A fine blast of smart phone pop that is dark, dirty, sleazy and dangerous. Why can’t all modern pop be this rewarding. I know, because of the title it is not going to be played on daytime radio, which is indeed a shame as that is where it deserves to be as all great pop music deserves.
Boycalledcrow ‘Wizards Castle’
(Waxing Crescent Records) 6th May
I nearly didn’t bother reviewing this because I always spell Wizard wrong, and it really annoys me. But I’m glad I did, and overcame my laziness of fixing my bad grammar, for this album is an enjoyable foray into a land where squelchy synths and atmospheric gentle frenzy collide to supply us with a magical sea of splendour.
This darn rooting touting adventure of an album set me thinking where on earth is my copy of Joe Meeks I Hear A New World album. And in fact did I own a copy, or was the copy my son’s, Dan, who now has left home and taken Joe’s Jewel of 60s sci-fi magic with him. Anyway, I digress: see how an album of total instrumental brilliance can set one’s mind racing and heart a pounding, as boycalledcrow really has managed to succeed in capturing the same magic Joe Meek captured with his masterpiece.
This album is a thought rewarding jewel that glistens and dips and swoons taking in electronica and experimental instrumental pop and ambient, and leading it into a direction that few can as the Wizards Castle is a magical spell-inducing treat.
Amoeba Teen ‘S-T’ Out Now
The Walker Brigade ‘If Only’ 27th May 2022
(Big Stir Records)
Big Star (the first two albums), The Beatles, Jelly Fish, Squeeze, Wings, Fountains Of Wayne, Nick Lowe, Elvis Costello, The Cars, Sweet, The Raspberries and Blondie. If you like these bands there is more than a good chance you will enjoy this.
Another album of tuneful songs about love lost and found, with melody and crunchy guitars and guitar solos and “ba ba ba” backing vocals in all the right places. Yes, everything is in the right place and if you enjoy albums of everything being in the right place and well written and tuneful, then this album is for you.
The sun is in the sky so maybe it is the right time to be listening to an album of summery sounding LA guitar pop rock, new wave, songs that evoke memories of X and for some reason a punk-y Fleetwood Mac: which is surely not a bad thing, is it. For music is a stunning thing, a mystery of intense contradictions. One can lose themselves in the heartbreak of an overly aggressive guitar chord played with the ferocity of a diced ferret whilst reading about the face of a phoney cavalier.
Yes music can cause ones mind to go into overdrive as the melody kicks about with your few remaining brain cells. And this album does just that: one minute you are sat in your hometown, a dying slum of a place filled with fond memories and streets now patrolled by ferule youths on bikes way too small for their wiry ill-informed bodies, and the next you are taken away to a smoke-filled room full of heaving bodies all jumping together in unison to a band willing to sell its soul for the elusive hit single. The Walker Brigade is that band; a band that takes the riffs of the Stooges and covers them in a sunny delight and the hopscotch beat of a willing slave to the rhythm. This is a band that makes you want to venture out and taste the live action of rock ‘n’ roll again. A band that will never reinvent the wheel, but the wheel does not need reinventing, and neither does the Walker Brigade for they are fine as they are.
Bithammer ‘Minimum Style, Maximum Effort!’
(That’s Entertainment/Apollon Record)
Lo-fi garage rock when done well is so life affirming. And that describes this wonderful album: life affirming.
Recorded on a smart phone with a cheap drum machine, distorted garage rock guitar riffs explode and swirl like a long-lost treasure chest of forgotten garage psych gems. The version of The Seeds ‘Pushing too Hard’ is one such gem; a song that has been covered many times but has it ever been covered with such vigour, throwing in “you really got me” riffs and Crystal Ship organ tomfoolery.
Minimum Style, Maximum Effort! is an album of lo-fi rock ‘n’ roll abandon, and we all need a bit of that in our lives. An enjoyable blast.
Ralph Of London ‘Yellow Sky Highway’
Ralph Of London’s debut EP is an enjoyable 5 track of pop alternative guitar pop, if you like, with melodies and everything else you would expect to hear on an EP of pop. But it does have some rather attractive 80s sounding keyboards on the second track ‘White Bred Blues’, which are fairly nifty – which is probably an underused descriptive word in music reviews, one that would not probably be used in The Wire or another respected stroked chin of a mag/blog. I’m not saying that the Monolith Cocktail is not for the well educated; for we are jack-of-all-trades and masters of most. But once again I go off track.
Ralph Of London’s EP is a very entertaining one, at times reminding me of both the Charlatans and The Bluetones, but without at all reminding me of either. Maybe it is the inoffensiveness of the music that makes me think that, but pop should not offend it should put its arm around you and befriend, which this lovely EP certainly does.
Cryptic Commands ‘Long Distance Call’
(Numavi Records)
With 90s alt/indie rock sound currently the flavour of the day, with the over hyped Wet Leg, I can see Cryptic Commands doing very well with their catchy take. Are they the new Breeders, the new Beatles I wonder?
Long Distance Call is a 10-track album of well written and performed indie rock; no more or no less at times reminding me of the aforementioned Breeders, even reminding me of Placebo on ‘Devil’ and ‘Elemental’. But I won’t hold that against them, as on the whole this album is an enjoyable listen and ‘Eyes Like Teeth’, apart from being a great title, is a long summery breeze of a track all “Old Friends” guitar chords and bewitchery.
Salem Trials ‘Love Joan Jett’ & ‘Vegaland’
(Former Self-Released, the latter, Metal Postcard Records)
Another week another album from Salam Trials, this time only available on a pay what you want basis from their Bandcamp. And do you know what, this is supreme rock ‘n’ roll. Its as dark and dirty as anything you will hear this year: maybe as both members where suffering from the effects of Covid when it was being recorded.
As ever channelling the spirit of the Fall Gang Of Four and your local down and out after drinking 4 litres of white lightning cider straight from the plastic bottle, they have the knack of knocking out off-kilter melodies that only true rock ‘n’ roll lovers can, and weaving them into an accident in progress. There are so many moments of pure magic and madness on this album, ‘Skin In The Game’ being a favourite, coming across like Southern Death Cult with stomach-aches. As I have said an album of magic and madness from one of the five most important bands in the underground at the moment, leaving all the other bands with not having a Wet Leg to stand on. Pure guitar genius.
The second album in a week from the Salem Trials, this one not self-released but on the best record label of last year, Metal Postcard Records: and the way it is going, the best record label of this one as well. The second album in a week: just how much madness can this man take in a week! Well, actually, I can take as much as the wonderful Salem Trials can offer. I could live in the crazy musical world of Russ and Andy. They never disappoint.
It’s a world where Captain Beefheart is the minister of culture, and breakfast adverts show Mark e Smith eating Tom Waits for breakfast. Yes, this is the crazy world of the Salem Trials; this is where Keith Richard joins the Fall for a jam and the streets of New York circa 1979 are rained on by the poetry of a psychedelicized Bob Dylan after watching reruns of the Banana Splits.
Yes, this is the strange angular sounding world of the Salem Trials; a world in years to come BBC4 will have a documentary about, on which John Robb will appear claiming to have discovered them inside his towel whilst washing his hair in Blackpool.
Adam Walton ‘Afal’
(The Immediate)
I recently reviewed Adams Cloudburst EP and said any fans of Elliot Smith or Paul McCartney circa acoustic White Album days should give it a listen. Well, after hearing the album that still stands.
A full album of beautifully melancholy acoustic musings is a fine way to spend 40 minutes or so. This is a gentle refined album, an aural equivalent of picking flowers on a summer’s day and slowly watching them slowly die. As this album has an underlying layer of sad melancholy and an underlying layer of anti swagger. Afal is one of those albums that captures the magic of those great forgotten about psych folk albums from the late 60s early 70s that ooze peace and love. An album that captures images of faded lost innocence a snapshot of the beauty in sadness.
Sophie Sleigh-Johnson ‘Nuncio Ref!’
(Crow Verses Crow) 6th May 2022
The sound of being a naughty child in the 70s, sent to bed in the early evening after receiving a spanking from your angry dad for shooting piss from your water pistol at passing neighbours and strangers. And as you lie there with moist eyes and a throbbing backside you lose yourself in the collective sound of life in a terrace street in Northern England.
The sound of your neighbours chatting over the back yard walls. The passing cars with the sounds of summer blaring from the radio. Your dad sipping tea whilst channel hopping on TV: of the three available channels. Your mum baking with the radio on, half listening to the Radio 4 play, half listening to your younger sister chat about her day at school, all the time whilst telling your dad he is not a bad lad just a little misguided. The football beats out a rhythm on the wall out front, and how you wish you where adding to that beat instead of listening to the soundtrack of your pre teen years acted out in living black and white. The crackle of radio Luxembourg turned low under the covers. The discovery of life, love and family. The etched heartache and the memories this beautiful work of art emits, and what you would give to return to those days for just an hour. Memories of a real kitchen sink drama unfolding on a D90 tape.
Brian ‘Bordello’ Shea and his cult dysfunctional family band The Bordellos currently have a ramshackle bets of compilation out on Metal Postcard Records: I Hate Pink Floyd Without Syd Barrett.
Our Daily Bread 493: Brian Bordello ‘Cardboard Box Beatles’
February 10, 2022
ALBUM FEATURE/REVIEW
Dominic Valvona
Brian Bordello ‘Cardboard Box Beatles’
(Metal Postcard Records) 11th February 2022
Declaration of interests, yes, Brian ‘Bordello’ Shea is a regular contributor to this esteemed blog. And so, in an act of what could be deemed as “pop eating itself” I’m going to somehow balance friendship with critical analyses.
Who am I kidding?! Brian is the best. And anything I’ve written or will write about both his idiosyncratic solo work and his music with the creatively dysfunctional family band, The Bordellos, will probably go unread by the masses, who should really be celebrating this St. Helens lo fi poet-of-the-people: if by people you mean despondent middle-aged white blokes learning to come to terms with their fates; ignored by all and sundry; not quite old enough to prove invaluable, yet too old to start over.
The Les Miserable of the North, Brian’s wit and aphorism one-liners make all his resigned lyricism more palatable. No one quite sums up life in an almost ungovernable modern Britain like our Brian. Yet there’s always a sullen but achingly heartbreaking fragility, delivered on Brian’s second most popular theme of romance: unrequited love; a love lost; a love undeserved. Regrets…he’s had a fair few. But listening to the lo fi (so lo fi as to barely register; making even the late Sparklehorse sound like a flash git) stripped of artifice recordings of this “nowhere man” (A Beatles reference which we shall come back to later) is never a slog.
Across the decades, shovelling away with a kid’s cheap plastic spade – left over from a northern beachside holiday many moons ago I envisage – at the music industry’s coalface, Brian has released his proclamations and wry wisdom in various guises and on a myriad of obscure labels. His latest album is for Metal Postcard Records (no strangers to this site; the “postcard” bit of that imprint the closest a fandom Brian will ever get to the original iconic Scottish label he adores) is about as basic as it gets: just an acoustic guitar, Brian’s wistful soft rasped voice and the hum and slipping rubber band of what sounds like a Tascam four-track.
Cardboard Box Beatle as a title does little to prepare the listener; the Cardboard title-track couldn’t be further from a Beatles homage, sounding like a St. Helens bedraggled Kurt Cobain unraveling his life, baring his soul to the disinterest of everyone else. Instead, the box in question can be seen as a metaphor for a cheap recycled life of low achievement; 50 plus years summed up in a box you might drop off at a jumble sale when someone dies, or leave for the local charity shop: leftovers, mementos, cherished low monitory valued memories deemed worthless. The charity shop will be something Brian is all too aware of, after like many of us, struggling to keep or losing their job in the Covid pandemic.
It’s also, no doubt, a descriptive name for the cheap knock-offs, those who still pray at the altar of a band that spilt up over 50 years ago. Whilst Brian himself wears his influences on his mothball, untangling sleeve, he berates the lack of ingenuity, freshness, zest, protest and, even, fun in most new music. As a reviewer for my site, he’s more than used to reading umpteen thousand press releases, and the eye-catching, dumbed-down use of “soundalike” references. Whilst the 90s to the most recent generation breaking through is the 60s to us 80s kids, there’s still such a hunger to sound, copy the music of their grandfathers and mothers. Brian’s own nostalgia doesn’t get in the way of championing the contemporary artists/bands that are trying something different. He’s sung of a pantheon of “motherfuckers”, from Scott Walker to Gene Vincent; Julian Cope to Dave Gedge; artists he feels gave the bird finger to compromise, or were just one-offs, never to be repeated.
Disparaging catcalls aside, the industry’s reliance on back catalogues is proving destructive to newcomers: Brian can be heard banging his head against Flyod’s brick wall. None more so than on the album’s almost flat, despondent opener ‘Yes, I Am The New Nick Drake’; a low-end wistful jeer no doubt at the production line of acoustic troubadours in awe of the fateful legend: but only in copying the adulation part, the young life cut short bit of that legend being a step too far to copy.
As far as The Beatles go there’s an air of melancholic Revolver on the disarming but pleaded ‘Please’; also hints of a Mogadon induced Wedding Present and The Las in the melody and strumming. It must be said that the low quality of these plaints, laments and maverick observations feels more like eavesdropping than a performance: as if Brian sits all day playing these often candid, cathartic but also piss-taking jibes to himself, and that we’ve just stumbled upon him and decided to secretly press record.
In the romantic, knockabout sentimental vogue, Brian exudes a Northern Syd Barrett (another hero of our Brian’s; forget Floyd after that though) trying to catch a free-spirited ‘Flowerchild’; grumbles about his bland perpetual Autumn wardrobe as a metaphor for lost love and mortality and lockdowns, on the “all my summers have gone” “dododoing” ‘Seasons Change’; languidly strums Catholic metaphors about a muse on the Dan Tracey-esque ‘The True Meaning Of Love’; and on what is a deeply offensive, but all the better for it guilty laugh, ‘Here Comes Eric With His Dead Child Song’ (contender surely for best title of 2022, if not ever), in drudgery, bemoans his own sad existence and behaviour to those held dear.
But as I have mentioned already, this is the unraveling of an artist on the “scrapheap”; a moment (say a year in Covid lockdown) captured of mental fatigue, alienation, defeat. Songs like ‘Catfood On The Floor’ epitomize a modern “nowhere man”; a generation X life boxed-up with nothing worth keeping other than the trinkets that marked personal euphoria against a disposable, unwanted collection of CDs ripped from the covers of NME and Mojo: a summary lament of the emptiness that so many of us felt, experienced during the last two years. Brian even measures himself up for an “Instagram” friendly funeral on the ode to a ‘Salamander Fruit Fly’; a poignant, though well obscured in tune, song about death, mental health and the banality of narcissism seen through the vaporous lifestyles and validations of social media.
Brian takes it all in with an acidic, often witty pun(ing) amusement; even the most depressing moments magically dark in humour and self-depreciation. Never has so little musically evoked such reams of thought; a simple, slipping and warping because of cheap apparatus, guitar and voice denouncement of modern life spent under the cosh of Covid, Cardboard Box Beatles is more than the sum of its cheaply recorded parts.
Coming back round to that Beatles title, the album (as so many of Brian’s releases are) is released on the anniversary of the Fab Fours Please, Please Me recordings; a link back to nostalgia and love for the band that still influences legions fifty-nine years later. Because at the heart of Brian’s diatribes about our reliance for nostalgia, he still can’t quite escape it himself. But then, can any of us truly cut ties with the past and a so-called “golden age”. Perhaps it’s that age’s mysticism, the secret alchemy that Brian so cherishes – a life without 24/7 newsfeeds and Twitter accounts -, a complete opposite to today’s all too knowing show and tells and the relentlessness demystifying commodification of the art form. Striped back to the essentials, Brian encapsulates an array of displeasures like no one else can. Let’s just hope his music reaches the wider audience it deserves.
Our Daily Bread 492: Mermaid Avenue, Armstrong, Pulco…
February 4, 2022
Brian ‘Bordello’ Shea’s Idiosyncratic Reviews Roundup
The cult leader of the infamous lo fi gods, The Bordellos, Brian ‘Bordello’ Shea has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His last album Atlantic Crossing, a long overdue released collaboration with 20th Century Tokyo Princess’s Ted Clark, was released last year. A new album entitled Cardboard Box Beatle will be released in February by Metal Postcard Records.
Each month we supply him with a mixed bag of new and upcoming releases to see what sticks.
SINGLES/TRACKS.
Super Hit ‘Believe’
(Metal Postcard Records) 18th January 2022
I have no idea why this reminds me of Christmas but it does. Not that it matters what it reminds me of but all that matters is that this is a wonderfully whooshed beautiful version of the Cher classic. I really like it. Could be what Mercury Rev might sound like if they were down and outs and had too much cheap sherry and slept in a launderette with only memories of old top 40 hits for company. This really is quite a beautiful little number; I’m now excited at the thought of an album.
Mermaid Avenue ‘Prisoner’
I like this single. It reminds me of the Rolling Stones when they wanted to be Gram Parsons; it has all the reaching for the sky trying to shake hands with God quality: The kind of song Primal Scream have attempted many times but not quite got there. It’s not as good as Cliff Richard’s version of Jesus but to be fair not much is. Yes indeed, a rather lovely scraping the stars from the sky track.
Tony Valentino ‘Barracuda’
(Big Stir Records) 4th February 2022
Tony Valentino from the 60s garage band legends The Standells has rerecorded the bands’ famous ‘Barracuda’ and issued it as a single on Big Stir Records. And a fine single it is as well. As you expect, it’s full of 60s garage rock goodness with psychedelic guitars, 60s garage rock organ, and is a total blast of fun and freedom that puts younger artists to shame: reminding us that music can indeed be fun and ‘cambunkishush’, a word I have just made up. But why the hell not? It is the perfect word to describe this fun filled action packed piece of rock ‘n’ roll.
Ghosts Of Torrez ‘The Wailing/ The Legend of Billy The Whale’
11th February 2022
This is rather beautiful; it is like floating on a cloud made up of memories from a time when you wanted nothing but a kiss from the girl/boy you once loved’s lips; a slow-moving nostalgic stroll down the riverbank of dreams. Yes, indeed this is a rather lovely candy floss track of a single and should be swooned over now.
ALBUMS/EPs…
Armstrong ‘Happy Graffiti’
(Country Mile)
The long-awaited album by Julian Pitt aka Armstrong is upon us, and as you expect from a man who has melody oozing, yes, oozing from his pores, it is a tuneful delight. As I have mentioned many times in past reviews, Julian is one of the finest songwriters in the United Kingdom at the moment and has been for many years: one of music’s best kept secrets in fact.
Happy Graffiti is his third album proper not counting comps and reissues, and anyone with the good taste to have his other two excellent albums will not be disappointed. Songs of love, hope and heartbreak are dispatched with some aplomb; Bacharach and David, Jim Webb, Roddy Frame, David Gates eat your breaking hearts out! These are songs that should be drifting from radio 2: ‘Eyes Wide Open’ a song of pure heart-breaking beauty, and ‘In A Memory’ a piano ballad that has me thinking of the sweetness of the Zombies mighty opus Odyssey And Oracle.
These are songs that are wrapped in a comfort blanket of familiarity, even if you’ve never heard them before; ‘This One’ being stuck in my head even after just one listen, and Happy Graffiti is full of these tuneful blighters: ‘Rock Star Rock Star’ and even the piano instrumental ‘Days turn Into Months’ is melody ridden.
So, Happy Graffiti is an album of melodious delight, an album to soundtrack the days and months as winter turns to Spring and hope and loss merge into beautiful memories.
Sky Diving Penguins ‘S-T’
The Sky Diving Penguins album is one joyous pop thrill; an album that takes its Beatles, Nirvana, Zombies influences and makes an album that could have been released anytime over the last 50 years. Timeless is the word I’m looking for. Melodies float and quiver, at times reminding me of the Rentals or Fountains Of Wayne.
Sure, this is not the most original and ground-breaking albums that will be released this year and there will be hundreds if not thousands released that tread the same ground that wander the same Weary path, but I doubt I will hear as many as good and enjoyable as this. So, recommended to all you power poppers and lovers of sixties influenced pop, and anyone who’s god is George Harrison, should indeed investigate.
The Conspiracy ‘Sword Of Damocles’
(Metal Postcard Records) 14th January 2022
Do you remember the days when guitar music was the be all and end all in your life? I do, but then I’m of that age when all parts of your body start to lose its appeal, but your memories stand firm and wrap themselves in a mist of melodies coveted by nostalgia, which one dips and makes themselves open to the grace of growing old. And this five track EP has the same magical effect: Guitar songs that are well written and played and wrap themselves in a time when guitar songs could change your world or even just make it a more enjoyable place to exist or even live sometimes. An EP to cherish and hold close to your aching old heart.
Pulco ‘Crustacean Theory’
14th February 2022
If experimental art pop is your thing, you could do a hell of a lot worse than treating yourself to the new Pulco album; an album where poetry, discordant synth, occasional Fall like guitar and bass riffs collide with The Shaggs brilliance to upturn an already upturned apple cart, to set fire to an already burning building. This is the sound of a man stretching his art to new and extreme levels of bewitchery; a man arguing with himself knowing both sides of the argument being right: knowing that this album is an off-the-cuff work of pop poetry that will not break through the stagnant stench of so called alternative music scene.
For Pulco is a one off and people really do not appreciate one offs: they scare people you see. This is an album of real life, of dreams of nightmares of walking through a picturesque country landscape to see trees full of hanging Swans dripping with a deathly decaying beauty, which again is a perfect metaphor for this wonderful eccentric work of aural art.
Monolith Cocktail Blog 