End of the Year Revue For 2025: Part Two: N to Z
December 15, 2025
Choice Highlights From The Last Year Part Two
In case you missed Part One of this illustrious list, here’s a recap.
I said I wasn’t going to do it this year. And this may be the last. But here is the second part of a comprehensive revue listing of choice albums (some extended EPs too) from 2025 that we returned to the most, enjoyed or rated highly. See it as a sort of random highlights package if you will.
As usual a most diverse mix of releases, listed alphabetically – numerical orderings make no sense to me unless it is down to a vote, otherwise what qualifies the placing of an album? What makes the 25th place album better than the 26th and so on…
Whilst there is the odd smattering of Hip-Hop releases here and there, our resident selector and expert Matt Oliver has compiled a special 25 for 25 revue of his own, which will go out next week.
Part One: A to M can be perused here
N……………
Neon Crabs ‘Make Things Better’ (Half Edge Records)
Review by Dominic Valvona
Noir & Superior, Che ‘Seeds In Babylon’
Picked by Dominic Valvona
Novelle & Rob Mazurek, Alberto ‘Sun Eaters’ (Hive Mind Records)
Review by Dominic Valvona
Nowaah The Flood ‘Mergers And Acquisitions’
Picked by Dominic Valvona
O……………
Occult Character ‘Next Year’s Model’ (Metal Postcard Records)
Picked by Dominic Valvona
P…………….
Philips Arts Foundation, Lucy ‘I’m Not A Fucking Metronome’
Reviewed by Brian Bordello Shea here
Phill Most Chill & Djar One ‘Deal With It’ (Beats House Records)
Picniclunch ‘snaxbandwitches’
Review by Brian ‘Bordello’ Shea
Pound Land ‘Can’t Stop’ (Cruel Nature Records)
Review by Brian ‘Bordello’ Shea
Q……………..
Querci, Cosimo ‘Rimane’ (Quindi Records)
Review by Dominic Valvona
R………………
Robertson, Kevin ‘Yellow Painted Moon’
Review by Brian ‘Bordello’ Shea
Rose, Sophia Djebel ‘Sécheresse’ (Ramble Records/WV Sorcerer Productions/Oracle Records)
Review by Dominic Valvona
Rumsey, Andrew ‘Collodion’ (Gare du Nord)
Review by Brian ‘Bordello’ Shea
S……………….
SAD MAN ‘Art’ (Cruel Nature Records)
Review by Dominic Valvona
Salem Trials ‘Heavenly Bodies Under The Ground’ (Metal Postcard Records)
Review by Brian ‘Bordello’ Shea
Sanders, Pharoah ‘Love Is Here – The Complete Paris 1975 ORTF Recordings’
(Elemental Music Records) Picked by Dominic Valvona
Schizo Fun Addict ‘An Introduction To…’ (Fruits der Mer)
Review by Brian ‘Bordello’ Shea
Schnitzler, Conrad ‘RhythmiCon’ (Flip-Flap)
Review by Dominic Valvona
Scotch Funeral ‘Ever & Ever’
Review by Brian ‘Bordello’ Shea
Silva, Maria Elena ‘Wise Men Never Try’ Review
‘Wise Men Never Try Vol. II’ Review by Dominic Valvona
Širom ‘In the Wind of Night, Hard-Fallen Incantations Whisper’
(Glitterbeat Records) Picked by Dominic Valvona
Sleepingdogs ‘DOGSTOEVSKY’ (Three Dollar Pistol Music)
Picked by Dominic Valvona
Soft Speaker ‘Rippling Tapestries’ (Cruel Nature Records)
Review by Brian ‘Bordello’ Shea
Sol Messiah ‘War of the Gods’ Picked by Dominic Valvona
Staraya Derevyna ‘Garden Window Escape’ (Ramble Records/Avris Media)
Review by Dominic Valvona
Stewart, Macie ‘When The Distance Is Blue’ (International Anthem)
Review by Dominic Valvona
T………………..
Teamaker, Marc ‘Teas n Seas’
Review by Brian ‘Bordello’ Shea
Theravada ‘The Years We Have’ Picked by Dominic Valvona
Toivanen Trio, Joona ‘Gravity’ (We Jazz)
Reviewed by Dominic Valvona here
Tomo-Nakaguchi ‘Out Of The Blue’ (Audiobulb Records)
Review by Dominic Valvona
Tortoise ‘Touch’ (International Anthem X Nonesuch Records)
Review by Dominic Valvona
Toxic Chicken ‘Mentally Sound’ (Earthrid)
Review by Brian ‘Bordello’ Shea
Trupa Trupa ‘Mourners’ (Glitterbeat Records)
Info/Singles Review Feature by Dominic Valvona
U…………………
Uhlmann, Josh Johnson, Sam Wilkes, Gregory ‘Uhlmann Johnson Wilkes’
(International Anthem) Review by Dominic Valvona
Ujif_notfound ‘Postulate’ (I Shall Sing Until My Country Is Free)
Review by Dominic Valvona
V………………….
Various ‘TUROŇ/AHUIZOTL’ (Swine Records w/ Fayuca Retumba)
Review by Dominic Valvona
Various ‘Wagadu Grooves Vol. 2: The Hypnotic Sound Of Camera 1991 – 2014’
(Hot Mule) Review by Dominic Valvona
Vexations ‘A Dream Unhealthy’ (Cruel Nature Records)
Review by Brian ‘Bordello’ Shea
Violet Nox ‘Silvae’ (Somewherecold Records)
Review by Dominic Valvona
Voodoo Drummer ‘HELLaS SPELL’
Review by Dominic Valvona
W…………………..
Wants, The ‘Bastard’ (STTT)
Review by Brian ‘Bordello’ Shea
Warda ‘We Malo’ (WEWANTSOUNDS)
Review by Dominic Valvona
West Virginia Snake Handlers Revival ‘They Shall Take Up Serpents’
(Sublime Frequencies) Reviewed by Dominic Valvona
Winter Journey, The ‘Graceful Consolations’ (Turning Circle)
Reviewed by Dominic Valvona here
Y…………………….
Yellow Belly ‘Ghostwriter’ (Cruel Nature Records)
Review by Brian ‘Bordello’ Shea
Young Mothers, The ‘Better If You Let It’ (Sonic Transmissions)
Review by Dominic Valvona
Z……………………..
Zavoloka ‘ISTYNA’ Picked by Dominic Valvona
For those that can or wish to, the Monolith Cocktail has a Ko-fi account: the micro-donation site. I hate to ask, but if you do appreciate what the Monolith Cocktail does then you can shout us a coffee or two through this platform.
Brian ‘Bordello’ Shea’s Reviews Roundup – Instant Reactions. All entries in alphabetical order.
Mute Swan Photo credit: Pat Hickman
Bad Trips ‘Nothing But Trouble’
Album 17th November 2025
I enjoyed this album: it’s experimental, it’s noisy, it’s peaceful, and at times it reminds me of Jimi Hendrix jamming with The Surfaris in a wind tunnel, and at other times of “I Hear A New World” by Joe Meek, but if being performed by Skip Spence. It really is a wonderful creation of sound art. Those out there who are old enough to remember the kids tv show The Clangers can imagine this would be playing at their local hop or discotheque. Nothing But Trouble is indeed a fine and rewarding listen.
Oliver Birch ‘Betty’
Single
OOOh Betty the Donkey has done a Whoopsie on the carpet…well, there is always one… Yes, sadly this has nothing to do with Betty the long-suffering wife of Frank Spencer in Some Mothers Do Ave Em or maybe it does. Maybe Oliver Birch has an alter to the paragon of 70s sitcoms other halves and Betty is the chosen one, and he has written this Oar like homage to her. Yes, it does remind me of Skip Spence or maybe even a Jeff Buckley demo, which is no bad thing.
Robert Callender ‘Rainbow – The Anniversary Concert’
Album (Think Like A Key) 14th November 2025
After over 55 years since the release of Rainbow, the cult classic psych ragga-rock album from 1968, Robert Callender decided to perform the album live for the first time. And here we have that performance, captured in all its wonderful mystical glory, released by Think Like A Key records.
This live performance has a quite lovely warmness and intimate magical quality that draws the listener into the song cycle, and has one lose themselves in the same way you can lose yourself in Van Morrisons Astral Weeks or The Beach Boys Pet Sounds as Rainbows shares the same uniqueness and one off-ness of those two classics. Rainbow is a beautiful blend of ragga, psych, rock, pop and jazz, and this live recording is one of pure oneness and love.
The Cindys ‘S-T’
Album (Breakfast Records/Ruination Records) 7th November 2025
The Cindys debut album is an album recommended to all those who have a soft spot for late 80’s/90’s alternative guitar bands. As I was listening, the Teenage Fanclub, Pavement, House Of love and even the Frank and Walters all came flooding back. The Cindys are a very good band who may one day be a great band who knows. I am of such an age when I have heard all this so many times before, but The Cindys do it all very well and have quite a lovely quirk in their lyricism which I heartily approve. Believe me, without putting a curse on the poor blighters, they could well be ones to watch.
Mute Swan ‘Hypnosis Tapes’
Single (Hit The North Records / Wooden Tooth Records)
I like this. It has a rather nifty nagging guitar line and rather lovely melody line. Dare I say Mute Swan could be ones to watch as they had me hunting out my Ultra Vivid Scene albums and had me stroking my memories from my mad year of 1991. Everyone has a lost weekend of high art and hedonistic tomfoolery and if the Mute Swans had been around in that musically great year, they, I am sure, would have helped soundtrack it.
My Violence ‘Isabella Rossellini’
Single (Starfish Records)
If you release a single named Isabella Rossellini it has to be dark, sultry and beautiful. And this fine pop song has indeed all those boxes ticked; a suave, blissful floating artful drift of pure pop melancholy.
Neon Kittens ‘21 Minutes of Adventure’
Album (Metal Postcard Records) Released 21st October 2025
The latest Neon Kittens album is upon us and anyone who loves the other litter of releases should add this post-punk gem to their collection. And anyone who has so far not heard their previous releases, 21 Minuets Of Adventure is a fine introduction. The lead off track “No Free Hugs” is a Tubeway Army like forage into the cold clinical extremities of post-punk sexual shenanigans and a nod and a wink and the house on the hill is truly yours. For The Neon Kittens carry a dark sinister humour in the lyrics that equally match the joyful dry dripping sarcasm of Andy Goss and his fretwork mastery, and both the music and lyrics intertwine beautifully to soundtrack living in these confusing and troubled times. The Neon Kittens is the aural equivalent of sitting opposite a beautiful girl on the train and wondering what she is thinking about as she licks her fingers after finishing her sherbet.
The Noisy ‘The Secret Ingredient Is Even More Meat’
Album (Audio Antihero) Released 24th October 2025
The Secret Ingredient Is Even More Meat is a fine indie alt-pop album; an album filled with candy floss dreams of fame sex and a melancholy nostalgic lust of fallen whispers.
The stony ground has never felt so waver thin, soft. It has never tasted so sweet cherry lipped. The Noisy have taken 60s girl group want, lust and ambition and wrapped it in a 21st century blanket of glitz and glamour, and managed to keep the old fashion ideals that sex does happen but will only take the one foot off the floor when the curtains have been drawn.
In an ideal world the singles taken from the album would be being played all over the radio. “Grenadine” is one of the finest pop singles of 2025 and the album is filled with fine pop songs like this, which makes it a fine and essential pop album, and in this day age a fine and essential pop album can make a difference to your life and mental well-being.
Occult Character ‘Her Guts My Graveyard’
Single (Metal Postcard Records) Released 29th October 2025
Another song you won’t be hearing on the radio or reading about in your favourite blog, unless your favourite blog is the Monolith Cocktail, which if it is the case I would like to compliment you on your good taste, also if you do indeed read the Monolith Cocktail you will in fact have read about Occult Character and know he is a man who makes weird and wonderful alt pop music combing hip-hop and folk and pop and weird sci fi soundtracks – a little like Beck I suppose, that is if Beck at birth had been breast fed hallucinatory drugs.
The Pains Of Being Pure At Heart ‘Kurt Cobain’s Cardigan’
Single (Slumberland Records)
What a great title for a song, but it was a great cardigan it must be said. The Pains Of Being Pure At Heart have immediately put themselves under pressure: Does the song do justice to the cardigan? I am happy to report it does, and it is a fine indie pop romp of joyful proportions. And I am sure Kurt would heartedly agree if he was still with us.
Shitnoise ‘Charades’
Album (Cruel Nature Records) 17th November 2025
“It’s all rock n roll” as the old saying goes, and that is a perfect phrase to describe this wonderful mish mash of post punk, grunge, metal, thrash and yes probably many other genres and probably some they don’t yet have a name for – my daughter described something as pastel goth the other day: what the bloody hell is pastel goth? So maybe this has a bit of pastel goth in it who knows. It is certainly unhinged and deranged in the best possible way, and we all need a bit of music that slips from the lips to the hips and adds some sanity into our lives, and if not, you are dead from the waist down and from the shoulders up, so basically you are a torso.
Our Daily Bread 644: The Cords, Fat Concubine, Ali Murray…
August 4, 2025
Brian ‘Bordello’ Shea’s Reviews Roundup – Instant Reactions. All entries in alphabetical order.
The Cords ‘Fabulist’
Single (Skep Wax Records) Released 22nd July 2025
‘Fabulist’ is a fine jingle-jangle indie pop rush of pure young person want; a sonic three chord extravaganza of the sound of young Scotland relishing the first flush of summer romance; a song to make an old man sit and weep at the loss of his youth and memories of the days when C86 was where it was at.
Fat Concubine ‘Empire’
Album (Cruel Nature Records) Released 12th September 2025
Empire is the sound of falling out of a nightclub worse for wear, staggering the dark cold streets, queuing in a chippy and ordering something with chips and covering it with gravy or curry sauce or both and then sloppily eating it spilling it all down your going out clubbing clothes while standing in someone else’s sick as you wait for a taxi not to show up. It is getting home and fumbling with your key to get into your abode and wondering both where did you put your phone and where on earth is the tv remote. You then pass out on the settee as your cat alternates nesting your chest and gently pawing your face. It’s great to be young.
Headless Kross/Poundland
Split Album (Cruel Nature Records) Released 12th September 2025
I have to admit to being a pop music lover. I’m a man who’s reduced to a quivering wreck by the sound of Billy Fury singing a song by Jimmy Campbell; a man who has to wipe a tear from his eye when a blast of 70’s pop nostalgia sneaks unexpectantly from the radio/tv. But that doesn’t mean I don’t love the sound of sludge rock, a little metallic evil blackness to avail itself to my inner soul. Nor does it mean I cannot get excited by one of the most important bands in the UK at the moment, that being Poundland doing what they do best in soundtracking the state of the UK with its pounding experimental punk rock attitude and noise, but with the right amount of melody to make it commercially viable to the general public: and the more people who get to hear their blast of wanton grinditude the better the good old jolly UK will become.
This split album by Headless Kross and Poundland delivers both the charming brooding sludge-like metal of Headless Kross and Poundland doing what they do best. And if you are so inclined to have a step away from middle aged men wanting to be Roger McGuinn, then this could well be worth your time and trouble and cash.
The Last Of The Lovely Days ‘No Public House Talk’
Album (Gare du Nord) Released 19th August 2025
This debut from The Last Of The Lovely Days is a rather lovely jangly guitar pop beast of an album; an album that once again evokes not just the golden days of indie pop but also has a rather fetching undercurrent of 60’s girl group panache – just like those two fine bands from the 80’s, The Shop Assistants and The Primitives, did so well. Songs that deal with the never grows old subject of love lost and found. And these fine songs are wrapped lovingly with charming melodies and hooks that will linger and help your day be a much more enjoyable experience.
Ali Murray ‘The Summer Laden’
Album Released July 1st 2025
It makes a rather pleasant change to receive an album from an artist from Scotland that doesn’t sound like Teenage Fanclub. Not that I may add, I have anything against Teenage Fanclub, I find them rather spiffing, but a change is as good as a rest or so they say.
The Summer Laden is in fact a rather lovely pop album of breezy mostly mellow pop songs. Indeed, it is “Laden” with the sound of summer, and has a melodeon sway that is quite bewitching, and could be Celtic cousins with that Welsh wonder of verse and catchy chorus, Armstrong (Julian Pitt).
Occult Character ‘Butterfly’
Single (Metal Postcard) Released 24th July 2025
“Float like a butterfly, sting like a bee” Muhammad Ali once famously said, and that would be a perfect description of this short new track by Occult Character, funnily enough called ‘Butterfly’, as it floats with an uneasy synth pop sway fluttering away in an eccentric manner, pulling one in with its gentle experimental charm only to be knocked out by the sucker punch of the dark brooding lyrics.
Oopsie Daisies ‘As If’
Single (Metal Postcard) Released 18th July 2025
Synth pop boogie at its finest. Yes, a song of charm and home recorded warmth that could have easily emerged from a demo tape from a budding new romantic dreamboat from the early 80s; a song that fills me with a quirky nostalgia of the days when there were three weekly music papers as well as the pop twice weekly No 1 and Smash Hits pop glossies. And it could well have been featured in all five: maybe not Sounds, As If would maybe a little too on the frivolous side for them.
Scotch Funeral ‘Ever & Ever’
Album Released 30th July 2025
If rumble tumble grunge fuzz-soaked guitar is heaven to your ears, then this fine album by Scotch Funeral is for you; an album of true indie rock ‘n’ roll. “New Found Happiness” is a melody pop punk delight worthy of Ash in their glory years; the closer, “In Dreams“, is a fine mishmash of Daniel Johnston like poetry and Nirvana like grunge; and “She’s A Writer” could have stepped straight off a K records compilation album. If Scotch Funeral were on K Records or a similar label of such acclaim, they may well get the attention they deserve, for they have that special something you cannot quite put your finger on that separates them from 99 per cent of all the other indie punk pop rock ‘n’ rollers out there. Ever & Ever is certainly an album that deserves your attention.
Alexei Shishkin ‘Tiki Taka (2006)’
Track taken from the upcoming Album, Good Times (Rue Defense) Released 5th September 2025
Is this the best song recorded about football or soccer for our American readers? I think it could well be. It has a wonderful semi slacker psych vibe; it’s like being drunk and on your settee hazily watching the beautiful game unfold until you lose your will to live or you’re too drunk to reach the remote. A song of laidback excellence.
The Striped Bananas ‘Vampire of Mine’
Single Released 25th July 2025
Psych Grunge now there’s a thing for you. Imagine if you will that Kurt Cobain had worn velvet pantaloons and love beads and had hooked up with a disco dolly from a Matt Elm film in a nightclub scene instead of Courtney Love and appeared in an episode of the Banana Splits. Nirvana could well have sounded like this. A fine and dandy cartoon pop song, in fact two fine cartoon pop songs as the B-Side ‘Venus Die Trap’ is pretty nifty as well.
Tiberius ‘Sag’
Single (Audio Antihero) Released 18th July 2025
I thought for the first twenty seconds of this fine single that it was Lloyd Cole causing a commotion, but then it soon shifted into a Jeff Buckley guitar alt rock melodramatic bombast, the kind that hasn’t been heard since the days Buffalo Tom walked the earth. And while I am mentioning other artists, I will mention Oasis, not because it sounds like them, but because it doesn’t and that is another point in its favour believe you me.
Tugboat Captain ‘Pest Control’
Single
‘Pest Control’ is a fine slice of extremely British boutique pop art; a singalong song of arch darkness; a calling card into an exclusive quaint drinking club frequented by Neil Hannon, Ray Davies and John Howard, and every playlist must include Shorley Wall by Ooberman. This track has been culled from their album Dog Tail, and maybe worthy of further investigation.
The Monthly Playlist selection of choice music, plus our Choice Albums list from the last month.
We decided at the start of the year to change things a little with a reminder of not only our favourite tracks from the last month, but also a list of choice albums too. This list includes both those releases we managed to feature and review on the site and those we just didn’t get the time or room for. All entries are displayed alphabetically.
Our Monthly Playlist continues as normal, with tracks from April (and a few from the end of March) chosen by me, Dominic Valvona, Matt Oliver and Brian ‘Bordello’ Shea.
Those Choice Albums____
Ayarwhaska ‘Dendritas Oscilantes’
(Buh Records) Review
Jonah Brody ‘Brotherhood’
(IL Records) Review
The Corrupting Sea ‘Political Shit’
(Somewherecold Records)
Manu Dibango ‘Dibango ‘82: La Marseille December ‘82’
(WEWANTSOUNDS) Review
Nana Horisaki ‘Scoppi’
(Kirigirisu Recordings)
iyatraQuartet ‘Wild Green’
Review
Pidgins ‘Refrains of the Day, Vol. 2’
(Lexical Records) Review
Pound Land ‘Can’t Stop’
(Cruel Nature Records) Review
Michael Sarian ‘ESQUINA’
(Greenleaf Records) Review
Conrad Schnitzler ‘RhythmiCon’
(Flip-Flap) Review
Sleepingdogs ‘DOGSTOEVSKY’
(Three Dollar Pistol Music)
Toxic Chicken ‘Mentally Sound’
(Earthrid) Review
The Playlist____
Joe Probet ‘Landslide’
Penza Penza ‘Carl Wilson’s Morning Routine’
Homeboy Sandman & yeyts. ‘Thanksgiving Eve’
Blu, August Fanon, Kota the Friend & R.A.P. Ferreira ‘Happy’
Aupheus w/ Kool Keith ‘It’s My Space’
Ukandanz ‘Yene Felagote’
Lamat 8 and Tartit ‘Afous Dafous (Yoga Flow)’
Manu Dibango ‘Waka Juju Part 3’
Michael Sarian ‘Glory Box’
sleepingdogs ‘sell fish’
Kannaste4 ‘Ups and Downs’
Your Old Droog & Edan ‘The Glitch’
Anarchitact, Myka 9, N ‘Daddication Pt. 1’
The High & Mighty, The Alchemist & Your Old Droog ‘The Rose Bowl’
Masai Bey & Kitchen Khemistry ‘Transit Authority’
Dr. Syntax & Palito ‘Sprung’
Claude Cooper ‘Happenings’
Batsauce ‘Murmurate – Instrumental’
Ammar 808 ‘Ah Yalila’
Kin’Gongolo Kiniata ‘Bunda’
Jonah Brody ‘The Ancestors Are Taking Workshops’
iyatraQuartet ‘Wild Green’
Wolfgang Perez ‘Preludio A Un Suicida’
Pidgins ‘Results Oriented’
Briana Marela ‘Vibrant Sheen’
Hectorine ‘Everybody Says’
The Pennys ‘Say Something’
Bernardo Devlin ‘5:45’
Ayarwhaska ‘Desasosiego2000’
Occult Character ‘New Mothball Empire’
VESCH ‘Who the Hell are You’
SUE ‘Get Over It’
Hi, my name is Dominic Valvona and I’m the Founder of the music/culture blog monolithcocktail.com For the last ten years both me and the MC team have featured and supported music, musicians and labels we love across genres from around the world: ones that we think you’ll want to know about. No content on the site is paid for or sponsored, and we only feature artists we have genuine respect for /love or interest in. If you enjoy our reviews (and we often write long, thoughtful ones), found a new artist you admire or if we have featured you or artists you represent and would like to say thanks or show
Brian ‘Bordello’ Shea’s Reviews Roundup – Instant Reactions
The Pennys
Ayarwhaska ‘Dendritas Oscilantes’
Album (Buh Records) 11th April 2025
This album is noisy. It is chaotic. It is fun. It has an experimental vigour that should be applauded. The first track is called “XXX Speed Grindcore” and lasts 52 seconds and is the kind of thing John Peel would fill in 52 seconds of his show with. There are guitar riffs aplenty, ones that would make Billy Childish weep with joy. There are off-kilter vocal forays into electronic noise, feedback aplenty and the sound of someone clearing their throat. If this is what Peruvian Punk Rock sounds like please send me a Box Set.
NOTE: Presently no examples of the music available until release. Visit the Buh label bandcamp page.
The Conspiracy ‘Rainbow Prism’
Single (Metal Postcard Records) 13th March 2025
There is an old British psychedelic magic about ‘Rainbow Prism’ that should be celebrated by the current ever expanding psych fraternity. And the only reason I can think of why it isn’t, is because they have not heard it. For it has all the great qualities of British psych, and if this track was released on say Fruits De Mer Records, The Conspiracy would be all over Record Collector and Shindig and getting airplay from late night BBC 6 music: attention The Conspiracy deserves.
Elmer Gantry’s Velvet Opera ‘Elmer Gantry’s Velvet Opera (Remaster Reissue)’
Album (Think Like A Key Records) 25th April 2025
What we have here is not a new band. No, I have made an exception to the rule of only reviewing new music to review this wonderful reissue of the Elmer Gantry’s Velvet Opera’s self-titled, and only, album from 1968 (I think) reissued on the wonderful Think Like A Key Records.
It is quite a marvellous album full of mellotrons, sitars and screaming like psych rock guitars and a quite marvellously busy bassist that has to be heard to be believed. This is really a must have for any fans of 60’s psych or music lovers who want to get the aural feel of life in late 60’s swinging London.
NOTE: Presently no examples of the music available until release, but you can find or order the album here
Occult Character ‘Party Heaven’
Album (Metal Postcard Records) 4th April 2025
Party Heaven is an eight-track mirage of deranged emotional psychosis; a Party Platter of unhinged outpourings of electro-punk. Yes, Occult Character is back with eight short tracks that confuses and delights in equal measure; songs that captures the ugliness of modern life, painting a dark picture but with a huge pink lipstick smile scrawled all over it. Madness and Magic at its most extreme.
The Pennys ‘Say Something’
Track/Video
A song of pure sweetness and sadness; a lovely jangle guitar Odyssey of lo-fi home recorded indie bliss. A track worthy of the golden days of jangle pop when Subway supplied darn fine tooting slices of indie pop melancholy and not overpriced sandwiches. Album to follow this summer.
Poundland ‘Can’t Stop’
Album (Cruel Nature Records) 28th March 2025
You can lose yourself in a abattoir of current events, open the newspaper, open twitter or X or whatever it is called nowadays, read the news listen to the news watch the fucking news and you are overcome, overwhelmed with the sinking feeling of life in its most horrible reality. In this time of being on the brink of world war 3 and lost in the everyday mundanity of the 9 to 5 life or the hoping to get onto the mundanity of the 9 to 5 life just so you can get away from your bloody job coach and the latest nonstarter of training course you have to attend, its only three buses there and three buses back and there is a chance no matter how slight that they will keep you on in a full time position as a general dogsbody until they discard you when a much more viable and cost cutting option comes along. Poundland are the soundtrack to this life; they are the suppliers of the modern British folk song but not the hey diddly dee bounce your child on your knee with your finger in your ear type folk song, they are writing about street life for the everyday working class. They write songs about the everyday experience. They write about how the littlest thing can make a difference – like how the thought of the flapjack in your pocket can lift the mundanity of your working day – and the banality of tv, but not set to acoustic guitar and fiddle but the dense sound of noise or the simple drumbeat and the confusion, the feedback of the distorted guitar and bass: lo-fi punk at its best.
Poundland are one of the finest and important bands in the UK today, and capture the essence of true life in Britain in 2025 in all its ugly lack of glory.
Smellsofwitches ‘Bride of Fistula’
Single 28th March 2025
Brides Of Fistula is the debut release from new Wigan outfit, the wonderfully named Smellsofwitches. And it is a strange fish of a track, all experimental improvised glory but with a marvellously warm texture and feel. It may not have a melody that one can hum along to but is all the more fascinating and bewitching for that very reason.
SUE ‘Get Over’
Single
This is actually rather good, a throwback to those days of flannel shirts and The Late Show being dedicated to those pesky grunge bands from the good old US of A. And indeed, this track by Sue would not be out of place on that show: all angst vocals and heavy guitars. This could do very well, or would have 30 odd years ago.
Toxic Chicken ‘Mentally Sound’
Album (Earthrid) 16th April 2025
Let’s be honest, the only thing musically mentally sound about the great Toxic Chicken is the title of this album, as we in the know all know Toxic is one of the great musical eccentrics that live in the underground occasionally releasing mostly instrumental forays into the psych of electronica. And this wonderful album is an aural stroll through a strange Forrest as the sun goes down. Tracks that bewitch and amuse, entertain in equal measure. Songs that trip and drip through the mind, a relaxing frenzy of the old adage that a bird in the bush is a better than the bird in the freezer, or something similar that really is not too similar at all, and that is the perfect description of the works of The Toxic Chicken. For it sounds like electronica; it feels like electronica; but there is just something there that makes it much more. It has a slight dark ember of a twisted foray into the thinking of a musical maverick; an index into the mind of the closest thing the world of electronica has to Syd Barrett. Mentally Sound is indeed extremely sound but in the most magically unsound way.
Vesch ‘Passport’
Album (Incompetence Records) 11th April 2025
Art-Punk Cabaret is how Vesch describe themselves, and I’m not going to argue with that. For what we have is an enjoyable foray into a land where Xray Spex and The Teardrop Explodes and Lena Lovich rule the radio, as at different times the band remind me of all three. Maybe late seventies post punk and early eighties pop is what is in vogue in Russia at the moment, as that is where Vesch hail from.
Passport is an album made up of off-kilter and extremely enjoyable unusual inventive pop music. It may not be to everybody’s taste but is certainly to mine.
Our Daily Bread 636: Eamon The Destroyer, Cats Of Transnistria, John Howard, Yellow Belly…
February 4, 2025
BRIAN ‘BORDELLO’ SHEA’S REVIEWS ROUNDUP – INSTANT REACTIONS.
bigflower ‘trip d’
Single Released on the 31st January 2025
‘Trip D’ by bigflower is a cavernous atmospheric journey of yearning and sadness; three plus minutes of guitar solitude with a quite wonderful nagging riff. Once again Ivor Perry showing us why he is rated one of the finest guitarists to emerge from the 80’s Manchester scene.
Cats Of Transnistria ‘Horror’
Single (Soliti Recordings) Available Now
Horror is anything but horrible, but an atmospheric gem of Goth-y dream pop, awash with succulent 80’s keyboards and dreamy vocals. It’s as if the last 40 years been nothing but a dip in the shower with the Man From Atlantis.
Chaos Emeralds ‘Passed Away’
Album (Cruel Nature Records) 21st February 2025
Not to be confused with the Nashville Pop duo of the same name as this, Chaos Emeralds are anything but a pop duo but a rather excellent lo-fi sludge Indie rock duo with the occasional stray into both shoegaze and goth. “Count Me Out” reminds me of very early Psychedelic Furs before they went all Hollywood on us and polished up their prettiness in pink. At other times it reminds me of early 80’s Cure and Smashing Orange, which is not to be confused with smashing an orange, which is a messy and pointless exercise and The Chaos Emeralds are anything but pointless and messy, they are a fine band with a rather wonderful atmospheric sound.
The Conspiracy ‘White Winter Coats’
Single (Metal Postcard Records) 21st January 2025
I am a fan of The Conspiracy. I love their Englishness, and this excellent track really does not disappoint, it’s all seventies Bowie and Mid 80’s Julian Cope and what Syd Barrett might have sounded like if he was not a troubled soul. This is a taster to their forthcoming album, an album I will no doubt tell you all about in the coming weeks.
Eamon The Destroyer ‘Radio Sessions’
EP (Bearsuit Records) Released 21st January 2025
What we have here is an acoustic six track EP of songs recorded for two radio sessions in 2024: and mighty fine they are as well. The songs work well in acoustic form – is there such a genre of folktronica (ED: yes, there is), because if not Eamon The Destroyer has discovered it.
The Wickerman soundtrack, Momus and Leonard Cohen collide in a not so frenzy-like pleasure of subtle sly nods and winks whilst feeding Bagpuss illicit halogenic expressions of drugs gone by whilst showing thumbnail sketches of could and should have Beens. This really is a stunning six track EP of pure epic beauty.
John Howard ‘For Those that Wander By’
Album (Think Like A Key) 14th February 2025
“For Those That Wander By” is an album of sublime eloquence, an album that is steeped in songwriting craft and God-given talent. An album that features eight songs co-written by John Howard and poet Robert Cochrane, set to be released on Valentines Day, which by accident or design is extremely apt. For the album is quite a beautiful thing indeed. It is steeped in a lush wave of warmth, sadness and melancholy.
This is an album that draws on the experience of life and the passing of time; a dream world of haunting memories and ghosts from your past that caress and comfort you in the knowledge, as the old saying goes, that it is better to have loved and lost than not to have loved at all, and the skeletons in your closet are taken out daily and slow danced with under a full and rich moon.
John Howard is, as we all should know, one of England’s great musical hidden treasures, and this album coming exactly 50 years after his debut, the quite marvellous “Kid In A Big world”, goes to show that John has not lost any of his vocal capabilities. If anything, he is singing better now than he ever has, producing an album that Elton John would sell his children to be able to produce. An album of pure magic.
The Men ‘Po Box 96’
Single (Fuzz Club) Available Now
Fuzzy punk grunge with wah-wah guitar solo all in less than two minutes. If you like the sound of that give it a listen, if not give it a listen anyway: it takes longer to open a can of corn beef.
The Model Workers ‘Disaster Punk’
Album – Released 28th January 2025
I really know very little about the Model Workers apart from they are a pretty good three-piece punk band, or pop punk to be more precise: more early Green Day but with a bit more balls than say the Sex Pistols, a band that took me back to the days when my then 15 year old daughter used to text me every Tuesday to remind me to pick up that week’s copy of Kerrang and at the time that mag and its accompanying tv channel was filled with bands of this ilk and like. The Model Workers are indeed very good and I can quite easily imagine “Red Rose” or the extremely catchy “Sorry Again” popping up on the channel or the wonderful Dead Kennedy’s like “Surf Storm”, which is my favourite track on this mighty enjoyable seven-track mini album.
Occult Character ‘Next Year’s Model’
EP (Metal Postcard Records) Released 21st January 2025
Next Year’s Model is sadly not a reworking of the genius Elvis Costello and The Attractions album from 1978, although it does have a 16 second track called Elvis Costello among the seven extremely short tracks that make up this release. Occult Character is of course someone I write about very often in this blog as I like him very much, and he releases an awful lot of music, and this is another off the cuff experimental dementia music ridden foray into the diseased mind of the good old USA. And I love it.
PS: Occult Character ‘Next Year’s Model’ made last month’s choice selection of releases.
Salem Trials ‘Heavenly Bodies Under The Ground’
Album (Metal Postcard Records) Released 24th January 2025
Any album that kicks off with a track that sounds like Magazine covering Television Personalities, How I Learned To Love The Bomb soundtracking Russ spewing juicy gossip to a man he can only see whilst standing in one of the only remaining red telephone boxes left in The UK. And not even a nice part of Britain…we will say the red telephone box by the town hall in St Helens, it stinks of piss and decay but has a lost nostalgic beauty; a one-off memory of exciting times and rushed conversations, which is the perfect description of this wonderful post-punk album.
“Heavenly Bodies Under The Ground” could well be the Salem Trials best album yet, which is pretty much high praise as all The Trials many albums are pretty good indeed. One day Cherry Red Records will release a CD boxset of The Salem Trials and it will be hailed as the complete collection of one of Britain’s finest guitar bands.
Yellow Belly ‘Ghostwriter’
Album (Cruel Nature Records) 21st February 2025
The shimmering glisten of the beautiful awakening of the first summer steps of the handwritten rhyme. The melody of the clouds casting dark shadows of the night pulling dream like caricatures of memories past. The haunting bewitching soundtrack to the forever young in your mind. Yellow Belly dives deep into the subconscious and slowly teases the sadness and delight, offering the hope of the gentle and the meek, being the beacon of light that slowly emits the slow electronic drumbeats of yesterday, the vocals encapsulating the art that is found in all great pop music, the heart rendering yearning of the modern songbird or the memories of Julee Cruise floating through the speaker of your old radio kidnapping your beating heart and holding ransom to the melancholic wishes of yesterday. Yellow Belly’s Ghostwriter is an album touched with the dark hand of beautiful heartache and a bewitching stillness that is totally entrancing.
The End of the Month Revue: Playlist & Choice Album Releases
January 30, 2025
THE MONTHLY PLAYLIST SELECTION PLUS A NEW FEATURE IN WHICH WE CHOOSE OUR CHOICE ALBUMS FROM THE LAST MONTH.
Something a little different for 2025: a monthly review of all the best music plus a selection of the Monolith Cocktail team’s choice albums. Chosen this month by Dominic Valvona and Matt Oliver from January’s post.
The 32 tunes for January 2025:
Noémi Büchi ‘Gesticulate Elastically’
Cumsleg Borenail ‘Topological Hausdorff Emotional Open Sets’
Psychedelic Porn Crumpets ‘March on for Pax Ramona’
Hifiklub & Brianna Tong ‘Angelfood’
Divorce ‘Pill’
Trinka ‘Navega’
Gnonnas Pedro and His Dadjes Band ‘Tu Es Tout Seul’
Rezo ‘Molotov – The Sebastian Reynolds Remix’
The Winter Journey ‘Words First’
Saba Alizadeh ‘Plain of the Free’
Miles Cooke & Defcee ‘zugzwang’
Eric the Red & Leaf Dog ‘Duck and Dive’
Harry Shotta ‘It Wasn’t Easy’
Kid Acne, Spectacular Diagnostics & King Kashmere ‘AHEAD OF THE CURVE’
Damon Locks ‘Holding the Dawn in Place (Beyond Part 2)’
Talib Kweli & J. Rawls ‘Native Sons’
Emily Mikesell & Kate Campbell Strauss ‘Recipes’
Ghazi Faisal Al-Mulaifi & Boom.Diwan ‘Utviklingssang – Live’
Nyron Higor ‘Me Vestir De Voce’
Ike Goldman ‘Bowling Green’
Elea Calvet ‘Filthy Lucre’
Expose ‘Glue’
Neon Kittens ‘Enough of You’
Occult Character ‘Tech Hype’
Dyr Faser ‘Physical Saver’
Russ Spence ‘Phase Myself’
The Penrose Web ‘Hexapod Scene’
Park Jiha ‘Water Moon’
Robert Farrugia ‘Ballottra’
Memory Scale ‘Afternoon’s Echoes’
Joona Toivanen Trio ‘Horizons’
Timo Lassy Trio ‘Moves – Live’
Choice Albums, thus far in 2025
So, for an age I’ve been uneasy with the site’s end of year lists: our choice albums of the entire year posts, which usually take up two or three posts worth, such is the abundance of releases we cover in a year. I’ve decided to pretty much scrape them going forward. Instead, each month I will pick out several albums we’ve raved about, plus those we didn’t get time to review but think you should take as granted approved by the Monolith Cocktail team. Some of these will not be included in the above playlist. Each album is listed alphabetically as I hate those numerical voting validation lists that our rivals put out.
Cindy ‘Saw It All Demos’ (Paisley Shirt Records)
Reviewed by Brian ‘Bordello’ Shea here
Cumsleg Borenail ‘A Divorced 46 Year old DJ From Scunthorpe’
Picked by Dominic Valvona
Dyr Faser ‘Falling Stereos’
Picked by Dominic Valvona
Expose ‘ETC’ (Qunidi)
Reviewed by BBS here
Farrugia, Robert ‘Natura Maltija’ (Phantom Limb/Kewn Records)
Reviewed by DV here
Kweli, Talib & J Rawls ‘The Confidence Of Knowing’
Picked by Matt Oliver & DV
Locks, Damon ‘List Of Demands’ (International Anthem)
Reviewed by DV here
Mikesell, Emily & Kate Campbell Strauss ‘Give Way’ (Ears & Eyes Records)
Reviewed by DV here
Occult Character ‘Next Year’s Model’ (Metal Postcard Records)
Picked by DV
Philips Arts Foundation, Lucy ‘I’m Not A Fucking Metronome’
Reviewed by BBS here
Toivanen Trio, Joona ‘Gravity’ (We Jazz)
Reviewed by DV here
Winter Journey, The ‘Graceful Consolations’ (Turning Circle)
Reviewed by DV here
ZD Grafters ‘Three Little Birds’
Reviewed by DV here – technically released digitally the end of last year, but vinyl arriving sometime in February
For those that can or wish to, the Monolith Cocktail has a Ko-fi account: the micro-donation site. I hate to ask, but if you do appreciate what the Monolith Cocktail does then you can shout us a coffee or two through this platform.
BRIAN ‘BORDELLO’ SHEA’S REVIEWS ROUNDUP – INSTANT REACTIONS.
PHOTO IMAGE: THE TULIPS
In Alphabertical Order::::
Armstrong ‘Future In The Present Tense’
Single (Self-Release)
Armstrong usually deal in producing quite beautiful pastoral pop, and to be honest Julian Pitt (aka Armstrong) has a god given talent for writing quite sublime melodies, and “Future In The Present Tense” has all the usual heavenly pop wonder he usually releases. But this time he has swapped the acoustic guitar for a synth and instead released a sublime synth pop single, one you could imagine buzzing around the charts in the early to mid 80’s. Once again naggingly catchy and rather beautiful.
Aiden Baker/Jack Chuter/Ryan Durfee ‘Laika World’
Album (Cruel Nature Records)
“Laika World” was made as a tribute to Laika the soviet Space dog, the first animal to ever orbit the earth, on November the 3rd 1957. How many other animals have since orbited the earth I do not know: I suppose if you have the burning need, just Google it.
This album is a strange sonic but relaxing adventure of floating in space ambiance, a totally relaxing and dreamlike set of instrumentals that is all reverb guitars and floating soothing synths and the far in the distance echoes of drums and tinkling keyboards with the occasional treated and cut up vocal, which on “Night Capsule Demand” sounds like a countdown to entering heaven.
“Laika World” is an excellent and rewarding listen, and is the ideal accompaniment for when you need that time to yourself to drift off into semi consciousness and enjoy your own thoughts.
bigflower ‘The King’
Single (Self-Release)
Another new track from bigflower; there really is no stopping the man. “The King” is a sonic escapade of ambient guitar and swamp jazz, a song that deals with having a dream of entering Graceland and finding Elvis dead on the floor; an atmospheric musical tale of ethereal sorrow and tragedy set in a mist like state of transient bliss and soft focus solitude.
Bloom De Wilde ‘The Circular Being’
Album
I love the muse and the music of Bloom de Wilde. It has a tender all-consuming innocence and hope that calmly plays Rock Paper Scissors with a wistful sadness and melancholy.
Bloom writes songs that offer hope against all the odds; songs that embrace the eccentrics and outsiders, all the underdogs in life. Maybe that is why I feel a connection to her music and at times find myself totally engrossed with her beautiful tapestry of pop, jazz, folk and psychedelia, which she has woven with great love and skill to make great art.
Bloom is a fine songwriter, which may sometimes be overlooked due to the wonderful eccentricities of her personality and is a quite an accomplished and original lyricist, as this fascinating eleven song album of love, hope and magic shows.
Empty Cut ‘Allens Cross’
Album (Cruel Nature Records)
Allens Cross is a leftfield album of derision and distorted beauty, music that incorporates electronica, hardcore, dub, jazz and industrial shoegaze and punk rock to quite magnificent affect. At times reminding me of the latter work of the Godlike genius of Scott Walker, and at other times like Throbbing Gristle – sometimes difficult to listen to but ultimately always rewarding.
There is a darkness and granite slab graininess that celebrates the everyday mundane life but fascinating in its unique perspective on their childhood growing up in Birmingham that inspires this fine album. “Fidget” is Black Sabbath like in its heaviness and desolateness, and “Spleen” is a sludge heavy dose of modern-day psychedelia with whirring synths and cut up spoken samples. All eight tracks on Allens Cross take you on a fascinating aural trip, and it really is a journey worth taking.
Ex-Vöid ‘Swansea’
Single (Tapete Records)
What we have here is another enjoyable romp of indie guitar rock. Yes, more of it. But unlike a lot of the indie guitar rock I’m hearing lately “Swansea” has a melody and fine Dinosaur Jnr like guitars, quite lovely male female vocals, which are almost folk-like but not in a way of old tin whistles and feeding the whippet the last of the bacon kind of way. I suppose this just gives it something slightly different feel to the other 1001 indie rock tracks I’ve heard this week. One that floats to the top like a becoming jellyfish with a sting in its tale. [if Jellyfish had tales].
Fun Facts ‘Apartment Rock’
Album 22nd November 2024
There is a lovely warm heavenly wonkiness to this album I very much appreciate, it has a certain dreamy like pop/psych experimental charm that comes on like Stereolab discovering the age of Aquarius in the local bar where hipsters hang out. Yes, it has the same slightly off kilter but straight-ahead pop that I so admire the great Schizo Fun Addict for. They have the same love of melody, and supply music that could soundtrack an angel licking ice cream from a cone whilst you wait in the dying embers of the day for your future true love to walk by and catch the glint in your eye and return it with honey wrapped heartfelt kisses. A fine album of pure blissful pop music.
Jamison Field Murphy ‘It Has To End’
Album (Tomato Flower) 11th November 2024
Ah yes this is more like it. At last, an album with warmth, soul experiment and beauty. Just when I was beginning to think that it was a thing of the past James Field Murphy turns up with this home recorded gem, an album that combines all the things I love about the magic of music: songs with melody, “That Boy” could well be an outtake from The Beach Boys Smiley Smile album, and “It has To End” has a wonderful bonkers McCartney feel to it [remember McCartney was the most experimental of all the Beatles], and this track combines pop with experimental to a beautifully short and wistful degree. “Hate” is another beautiful song; yes indeed, a hate that is alright to love and love it I do. I love the tape pops in the background: you really cannot beat recording on tape.
It Has To End is a rare thing, an album you do not want to end. It’s an album I will be returning to on a regular basis over the coming months as James manages to balance off pop/psych beauty with experimentation perfectly.
John Howard ‘If There’s A Star/ Little Prince’
Single 8th November 2024
I love the music of John Howard as it is just so elegant and eloquent. There is a timelessness to his songs; he writes songs that could have graced the stage in the days of Coward and Berlin, or, in the days of Ray Davies or even McCartney in his genius Ram days, or, in even more recent times, Neil Hannon who waved a stylish wand over the lads and birds debauched Brit Pop era whist arching his eyebrow and sipping a dry sherry.
John Howard has the same qualities of all these genius composers and with this fine single he supplies us with two short and sweet pop songs of baroque poptitude that most of us really do not deserve. If only life was like a John Howard piano ballad.
Humdrum ‘Every Heaven’
Album (Slumberland Records)
Humdrum must have a death wish, or a band with a massive amount of confidence. I mean, fancy calling yourselves Humdrum and then making an album of out and out pure jangle. Yes, need I say more. We all know what it sounds like, nothing that really steps out of the indie pop jangle. But it is a fine jangle album, at times reminding me of a jangly Cure but without the uniqueness of Robert Smiths voice: actually, the instrumental “Every Heaven” could well be a Cure backing track.
Yes, the usual influences; I’m sure every member of Humdrum have the complete collection of Sarah Records 7-inch singles and every edition of the C86 Boxset and own a Pastels badge. But that is what we love about jangle bands, their out and out passion for jangle. And this album I’d recommended for all those jangly guitar fiends.
Neon Kittens ‘Trick’
EP
The Neon Kittens are back with a 4-track EP to celebrate Halloween with four horror themed songs. The EP is called “Trick” and it is actually a bit of a treat for myself and the ever growing army of Neon Kittens fans. The obstreperous guitar wizardry once again all tangent shapes of misguided ridicule and delight taunt and encourage the ice cool aloofness of the no wave Lady Penelope Creighton-Ward into some quite deliciously salacious tales of horror and misadventure.
The Neon Kittens are not just a band worthy to write home about but are actually worthy enough to leave home just so you can write home about them.
Occult Character ‘Don’t Come To Mars’
EP (Metal Postcard Records)
The second October-released EP from Occult Character is here, and as I wrote in the review of their earlier Swifties EP, he is not always the easiest of artists to listen to but always fascinating. Once again these three tracks are not just fascinating but also highly enjoyable, especially the dark comedic and spot on lyrically “Cyber Cult” and “Jupiter Cellphone Survey”. All three tracks on this EP capture all the madness and darkness of modern life. Occult Character is an artist I recommend that you the listener get acquainted with.
The Tulips ‘Stars Dream Of You’
Single
“Stars Dream Of You” is a rather beautiful little pop song; a lovely sedate musical stroll down the winding paths of the totally besotted. Yes, a song that captures the first throes of love and yearning; a song that will remind you what it is like to feel that special feeling once again.
Author of this spread, Brian ‘Bordello’ Shea and his lo fi cult maverick band, have recently released a clutch of “Lo Fi Misses” , via Metal Postcard Records, on both Bandcamp and Spotify.
BRIAN ‘BORDELLO’ SHEA’S REVIEWS ROUNDUP – INSTANT REACTIONS.
Unless stated otherwise, all releases are available to purchase now
Aiden Baker & Stefan Christoff ‘Januar’
ALBUM (Cruel Nature Records) 25th October 2024
Januar is a five-part suite of heartfelt improvised musical interplay, a heart play if one likes; an album of minimalistic experimental ambience; a conversation between piano and guitar electronic tonal seduction. Importantly Januar was recorded live in the studio, so capturing the emotion and power of Baker & Christoff‘s performance.
The five tracks weave a becoming slow dance of meditation lulling one into a dreamlike state and letting the waves of pure bliss wash over you leaving you mesmerised and in awe of the fragility and beauty of the music. Januar is an artful bewitching delight of improvised brilliance.
Bell Monks ‘Watching The Snow Fall’
ALBUM (Wayside & Woodland) 1st November 2024
Is slowcore-indie-hipster-post-jazz a musical genre? If not, it doesn’t matter as that is how I am describing this rather beautiful album of, well…slowcore-indie-hipster-post-jazz. What does slowcore-indie-hipster-post-jazz sound like? Well, it sounds like the Bell Monks. Okay, imagine The Cure and Low and the Postal Service and Red House Painters having a cravat wearing competition, or party even, and sipping on a sherry in dimmed lights and recording whilst their wives and kids are sleep. Yes, it is all hushed tones, hushed deep vocals and general blue moods.
How could it not be beautiful, it’s called “Watching The Snow Fall” after all. And is indeed an album to close the curtains to and lock yourself away from the cold and the outside pressures of life.
Broken Candles ‘Falling Asleep In The Sky’
ALBUM (Cruel Nature Records) 25th October 2024
I wonder, does the ghost of Elliott Smith roam this land taking hold of the imaginations and musings of the wandering minstrel, the heartbroken troubadour, as I feel he certainly means a great deal to the life of Broken Candles as this album contains ten songs of supreme sadness steeped in a melancholy prose that Elliott Smith would be proud of.
I’m not saying that Broken Candles is a Smith copyist, just that he walks the same winding path of sadness and hope. Both have beautiful voices and the gift of writing sublime melodies.
“Falling Asleep In The Sky” is an album of pure stillness and beauty.
Cosmopaark ‘Backyard’
EP (Howlin’ Banana Records)
The Backyard EP is five tracks of extremely easy on the ear catchy indie pop/shoegaze, and of course nothing that one has never heard before, but there is nothing wrong with that. Cosmopaark do this shoegaze business with enough enthusiasm and aplomb that lovers of this kind of soundtrack to looking at your shoes business will no doubt lap it up and enjoy it so much that they’ll be heading down to Clarkes to get themselves a new pair of sandals to stare at whilst listening.
Ex Norwegian And Friends ‘Sing Wistle Tunes’
ALBUM
Sing Wistle Tunes is a tribute to the late John Entwistle, of course former bassist with The Who. And this is an album of his songs written by the great man, performed by the wonderful Ex Norwegian and friends.
I must say I’m not a huge Who fan. I loved them from 1965 up until Tommy (1968) and then I found them a bit hit and miss [never really got on with Roger Daltrey and his vocal histrionics]. So, I’m not a man who is too precious about the band and their musical output. But saying that, I find this an enjoyable romp through songs I’m not overly familiar with, taking in melody filled tracks of psych-tinged power pop and alt rock. Highlights there are many, and I must point out one of them is the quite wonderful drumming on all the Ex Norwegian tracks [somebody buy that drummer a drink]. John Howard performs with almost Beach Boys like beauty the song “What Are We Doing Here”, which is all harmonic 70s like filled grace, and “When I Was A Boy”, where Ex Norwegian is joined by Fernando Perdomo, which is a self-celebratory delight of psych pop wonder. There are many gems on this album, and I’d recommend it to you if you love The Who, or don’t really care, as it’s an album of fine pop.
High Wasted Genes ‘Skatepark’
SINGLE
I like this single. I like the 80s like synth power chords and the beguiling nostalgia of the lyrics; it paints a picture of the happier trouble-free times of your youth, hanging out with your friends in the sunshine and trying to unpeel the apple of your eye. A song steeped in heartfelt pop wisdom.
The Junipers ‘Imaginary Friends’
ALBUM
The Junipers…now then, if I’m not mistaken my band The Bordellos once appeared on a compilation album alongside these lovely lads. The Future Is Bright The Future Is Cloudy or vice versa. Anyway, a fine compilation from many years ago. But I digress once again.
What we have here is the fourth album from the group, and what a cracking little pop gem it is. An album of pure pop, the kind Macca and Gilbert O Sullivan used to make in the early seventies, with a touch of pure 60s pop harmony magic that The Zombies would no doubt write home to their mothers about, and playful psych undertones that yearns for the day when London used to swing and Russ Sainty used to loiter outside the Bag O Nails with that bunch of dandies The First Impression. Imaginary Friends is a wonderful album filled with quite wonderful songs. And is really made for your record collection.
The Loved Drones ‘Live at Atelier Rock HUY’
ALBUM
Welcome to the live sonic space rock world of the quite wonderful Loved Drones, a band that takes psych, post-punk and space rock to new and cosmically dizzy heights.
Recorded live in Belgium this year it’s a perfect introduction to anyone who has not yet had the pleasure to lay ears on the band.
The album kicks off with the quite excellent “Dirt & Leaves”, which is all Fall like lead guitar riffs, sonic ambiance and Julian Cope like 2 car garage like rock ‘n’ roll [I told you they were good].
The Loved Drones have a power and an all-round likability and uniqueness that all the great bands have. They are a band who plough their own furrow through live casting off tangent animal shapes at the sun, raising two fingers to the lack of talent and originality that currently is forced upon us by the mainstream radio and press. The Loved Drones are quite wonderful.
“The Hindenburg Omen” is a instrumental that a blockbuster film should be made just so it can be included on the soundtrack, and “Human’s Can’t Compete” once again is brimming with a Cope-like magnificence. These eight live tracks show what a great band we have in our mists and really should be heard and appreciated by all us music lovers who love mind bending space hopping cosmic musical delights.
Occult Character ‘Swifties’
EP (Metal Postcard Records)
There is a darkness about this EP that I find quite enlightening. Four very short tracks that capture the slight unhinged mess of the times we find ourselves in. I have written about Occult Character many times over the years and the more I hear, the darker and twisted his music seems to become.
He is a modern-day musical folk anti-hero: part Woody Guthrie part Walmart Eminem. He is a one off, and he captures the mood of America; not always in what he is saying, but how he is saying it, and with the atmosphere that surrounds his music.
Occult Character is a very important musical artist and one day he will be discovered, receiving the acclaim he richly deserves. He may not always be easy to listen to but is always fascinating.
Pound Land ‘Live At New River Studios/ Worried’
ALBUM (Cruel Nature Records) 25th October 2024
This new album by Pound Land is a double whammy of an affair. The first side recorded live, captures the band without guitar but with a rather fetching squelching punk rock synth suppling the health out of the watching masses.
Pound Land are of course a punk and post punk rock outfit of political magnitude. A band that captures the atmosphere of living in this divided land we call the United Kingdom and make a hell of a fine racket while capturing the atmosphere as the live side of this cassette magically proves. The second side is taken up by the thirty-one-minute track, “Worried”, which is a fine sonic journey of sadness, horror and experimental splendour that takes in dub, punk, and electro soundscapes; a dream of a nightmare track that really needs to be heard by all.
Salem Trials ‘Big Bad King’
SINGLE
The Salem Trials are back with a fuzzed distorted post-punk slice of punk rock. Yes, two tracks of pure unadulterated alternative pop frenzy with melodies bathed in menace and slightly gone off honey. Yes a honey larynx explosion of pure spite and delight, in that order.
The Smashing Times ‘Mrs. Ladyships And The Cleanerhouse Boys’
TRACK
I really like this track. Imagine if you will the early Go Betweens deciding to go all 60s: just pre psychedelic pop. It’s all 12-string guitar chime but played by someone who is slightly down on life, a melancholic haze of happy memories and flat beer. If this song was a girlfriend, it would be a keeper. But I bet your mum would not approve, but your dad would.
Juanita Stein ‘Mother Natures Scorn’
SINGLE (Agricultural Audio)
What I really like about this little beauty of a song is the stripped backline of it. No drums, no bass, just electric guitar and beautiful harmony, it gives the song room to breathe and to draw you into the soundscape fragility, and to bask in the fading sun quality of the song. A lovely little thing indeed.
The Striped Bananas ‘Flowers In The Air’
SINGLE – 25th October 2025
“Flowers In The Air” is a bit of a gem, all sixties Hammond organ prose and garage flower beat, the sound of Neil Young Jamming with the Strawberry Alarm clock in the hope of making the perfect single to spread the message of free love and discotheque flashback ecstasy.
Swansea Sound ‘Toxic Energy’
SINGLE (Skep Wax (UK), Formosa Punk (Germany) and Sm. Craft Advisory (US))
“Toxic Energy” is an imagined duet between the late great Terry Hall and the ‘I have no idea what his time keeping is like but there is nothing great about him apart from what a great nasty piece of work he is’ Elon Musk.
And a fine single it is too. A song full of vim and vigour and annoying urgency and indeed energy, and the energy is indeed toxic as I am currently doing laps around the living room trying to lasso Reilly the cat. I’m sure “Toxic Energy” will be lighting up the alternative airwaves over the next few weeks. It should come with a health warning.
Our Daily Bread 451: Big Stir, Sid Bradley, James Henry, Occult Character, Simon Waldram…
June 9, 2021
Reviews Roundup/Brian ‘Bordello’ Shea
The cult leader of the infamous lo fi gods, The Bordellos, Brian ‘Bordello’ Shea has released countless recordings over the decades with his family band of hapless unfortunates, and is the owner of a most self-deprecating sound-off style blog. His most recent releases include the King Of No-Fi album, a collaborative derangement with the Texas miscreant Occult Character, Heart To Heart, and a series of double-A side singles (released so far, ‘Shattered Pop Kiss/Sky Writing’ and ‘Daisy Master Race/Cultural Euthanasia’). He has also released, under the Idiot Blur Fanboy moniker, a stripped-down classic album of resignation and Gallagher brothers’ polemics.
Each week we throw whatever sticks at the inimitable music lover, and he comes up with this…
James Henry ‘Pluck’
29th June 2021
James Henry it seems is a scouser residing in London, and is rather fond of writing and recording fine power pop delight nuggets that recall Squeeze and Jellyfish, Mathew Sweet (with a touch of XTC) about them. And he succeeds in splaying my living room with an aural sun, which warms the very cockles of this pop loving soul. Pluck is an album that has everything one wants in a mature pop album: melodies, catchy guitar riffs, handclaps and harmonies, and well written lyrics, which is always a plus point as I often find albums in this genre are quite often let down by lyrical clichés. But I can happily report that is not the case here.
‘Afterthought’ and ‘Currently Resting’ also bring mid 60s Beatles to mind with some beautifully chiming 12 string guitars; and over the twelve tracks on this album you can hear the mid 60s pop influence gently seeping through. So anyone who has never gotten over the fact that Rockpile never made a second album should seek out this fun filled album of joyous melody.
Simon Waldram ‘So It Goes’
4th June 2021
If buying an album of sublime modern day psych folk with a touch of indie pop is on your bucket list well I am here to help. For what we have here is an album of well-crafted heartfelt songs of the aforementioned.
The album gently kicks off with the lovingly atmospheric Nick Drake like ‘You’, which is followed by a beautiful melodious ‘I Miss The Sun’, a song worthy of Grant McLennan in the halcyon days of The Go Betweens, which is then followed by a piano ballad, ‘Don’t Worry’. Three tracks in and all beautifully written and performed and different to the one previous, and that is what is so annoying about this album. No not annoying because it’s an album of pure excellence, but for the fact that Simon is not ‘Better Known’ than he is. For songwriters with his talent and heart should be clutched to the music lovers’ collective bosom and cherished. There is no reason at all why this album should not be a huge success: it has radio friendly indie songs – ‘Boats In The Sky’ should be all over the radio -; it’s perfect indie pop – the wonderfully entitled ‘The Wild Wandering Of Wildebeest’, but for the “They don’t give a fuck” chorus that might cut down on radio play for that particular little gem of a track.
Not everyone can record a 8 minute plus song of bewitching guitar jangle without it getting a bit boring but Simon pulls it off with what I think is the centrepiece to the album, ‘Windswept’, which any Red House Painters fans might want to lend an ear to.
So It Goes is an album that deserves to finally give Simon Waldram the recognition he deserves, as I do not think I have heard a better album this year, and this could well be his 16 Lovers Lane.
Sid Bradley ‘Child Of The Sea’
(Guerssen) 16th June 2021
What we have here my little ragamuffin Annies, is an album of lost and found studio recordings from the American songwriter Sid Bradley, recorded between 1971-79. And what a hugely enjoyable listen it is as well. The opener ‘Child Of The Sea’, is a track of pure hippy funk, with its hep cat hip swaying basstastic riff inducement of enlightenment that has one nostalgic for the days of the Age Of Aquarius, and as the album proceeds down its merry path, one is dragged smilingly to lose itself in psych folk pop of ‘Nothing Is Easy’ – a gem worthy of the Wickerman soundtrack -, or the pop delight of ‘To Be Your Friend’ – imagine the Monkees with Keith Richards standing in for a song or two. An album recommended for all lovers of 60s /70s guitar pop rock indeedy.
Big Stir Singles ‘The Tenth Wave’
(Big Stir Records) 12th June 2021
This album is such an enjoyable listen. Once again a comp of the weekly download singles, A and B-sides, released by Big Stir Records in the months of October and November of 2020. And each track is a perfectly formed slice of pure pop; each one blessed with a charm that really cannot be praised highly enough. Each track, each band having their own sound own form of magic, from the wonderful take of John Cale’s ‘Paris 1919’ by October Surprise (which I actually prefer to the original) to the prog psych of Whelligan ‘Rabbit Hole’.
There is not a bad track among the twenty-two on the comp and is difficult to pick a favourite, so I will not bother in doing so. But Big Stir records should be congratulated in finding so many wonderful artists and songs to release to such high standards on a weekly basis, and I would recommend any music lover who has not yet had the pleasure to enjoy the ever growing cannon of pop magic released on that label to give this fine compilation a listen and then go back rediscover their other fine releases.
Occult Character ‘Bluzzed’
3rd June 2021
Occult Character has a double album due out soon on Metal Postcard Records, but before that Mr Occult has released this fine 8 track album of short acoustic songs, which act as short accurate snapshots of people and life: like an hour or so sat in the bar people watching.
Occult Character has the rare lyrical talent of picking out the small features about life and its inhabitants and making it both funny and at times heartbreakingly accurate. ‘Super Spreader Yeh!’ is a gem, a wonderful short humorous attack on some people’s attitude to Co-vid: “4000 people die a day but we got to twist the night away”. As I’ve said in past reviews of Occult Character, he is indeed the closest thing the USA has to Woody Guthrie, and is only a matter of time before he is discovered by the likes of Rolling Stone and such major publications.
Monolith Cocktail Blog 